Sean Connery as 007: 12 Behind the Scenes Images of Bond at His Best
From his debut in Dr. No to his surprise return in Never Say Never Again, Connery personified Ian Fleming's dashing, wry super secret agent and set the standard for all James Bond actors to come.
Here are the behind the scenes images of Sean Connery's 007.
Related Headlines
Lisa Dahl: Blessed by Grace Recounts a Mother's Journey From Tragedy to Nourishing Others
To Make 'Toots,' My Sensitive Film About Aging, I Needed the Perfect Fart Noise
11 Shameless 2000s Comedies That Just Don't Care If You're Offended
A Working-Class Spy
Nicholas Shakespeare's excellent new biography Ian Fleming: The Complete Man investigates the author who created James Bond — but also recounts the casting of Sean Connery in the role.
Shakespeare notes: "Connery's background – naval boxer, lifeguard, art class model – was a marketable asset. He was brought up in a Scottish slum, like Ian's grandfather. His father was a truck driver, his mother a cleaning lady."
He adds: "Among choice biographical details: He had delivered milk to Bond's second school Fettes, and acted at the Oxford Playhouse as an aristocratic diplomat in Pirandello's Naked.
Above, that's Fleming, left, with Connery, right, on the set of the first Bond movie, 1962's Dr. No.
The Right Man for the Job?
Shakespeare's book notes that according to Fleming's film agent, Robert Fenn, Fleming was initially shocked because Connery "couldn't speak the Queen's English. Fleming said, 'He's not my idea of Bond at all, I just want an elegant man, not this roughneck.''
Later, according to the book, Fleming would call Connery an 'over-developed stuntman' and wonder if he had 'the social graces' to play his hero.
Above, Connery is fitted for 1962's From Russia With Love.
License to Kill
Fleming, obviously, needed a woman's perspective. His friend Ivar Bryce's cousin, Janet Milford Haven, was known as a good judge of people — and men — and offered her input after a lunch with Fleming and Connery.
Her opinion of Connery?
'I said, 'I think that fellow is divine. He's not too good-looking, he looks masculine, he looks like a proper man and one that would be used to that life. He looks like he is very clever, he looks like he would know how to do everything, who could kill,'' said Haven, according to Shakespeare's book.
Above: Connery and Shirley Eaton in Goldfinger.
A Real Charmer
Shakespeare writes that Fleming finally became convinced that Connery was the right Bond, writing to his muse and mistress, Blanche Blackwell: 'the man they have chosen for Bond, Sean Connery, is a real charmer – fairly unknown but a good actor with the right looks and physique.'
Above: Sean Connery with Ursula Andress and Fleming in a publicity image for Dr. No.
Athleticism
Whether or not he was an "over-developed stuntman," Connery's athleticism was a key component of his success as 007.
Above, he cavorts on a Jamaican beach with Ursula Andress, who played Honey Ryder in Dr. No.
Here are 13 Behind the Scenes Images of Ursula Andress in Dr. No.
Chemistry
His chemistry with Andress on Dr. No was a huge part of the first Bond film's success, and would provide a template for Bond's dynamics with legions of future "Bond girls."
The chemistry came through even though Andress' voice was dubbed for the role. (Andress' languages include French, German, and Italian, but her English was accented.)
"He was very protective towards me, he was adorable, fantastic," Andress said in a 2020 interview with the Italian newspaper Corriere della Sera after Connery's death at 90. "He adored women, He was undoubtedly very much a man.''
Friends
Andress, who was married to John Derek while making Dr. No, added of Connery in the Corriere della Sera interview:
'We spent many evenings together and he would invite me everywhere, Monte Carlo, London, New York, from when we met until now we always remained friends. Friends, friends.'"
Good as Gold
Connery played Bond in seven films in all. What's the best? For our money, it's 1964's Goldfinger, in which Connery starred opposite Honor Blackman as Pussy Galore.
Above, they rehearse an infamous scene that, let's admit, has aged badly.
Here Are 12 Behind the Scenes Images From Goldfinger.
Shakespeare
While later Bond actors would lean into the campier aspects of the character, Connery played him seriously. He once said that 'portraying Bond is just as serious as playing Macbeth on stage,' according to Shakespeare. (Ian, not William.)
Above: Connery enjoys some downtime on the set of 1965's Thunderball.
Buoyant
Despite his serious approach to the role, Connery had just the right mix of seriousness and levity to play the deadly superspy who treats everything like a game.
That's him behind the scenes of Thunderball with Claudine Auger, who played Domino.
Also Read: All 007 Bond Actors, Ranked
Of Course
Given the technology of the time, sometimes Connery was forced into Roger Moore levels of silliness. That's him behind the scenes of 1967's You Only Live Twice, above.
It only adds to the charm.
Forever
Sean Connery left the Bond franchise after You Only Live Twice, and George Lazenby took over for 1969's On Her Majesty's Secret Service, perhaps the most tragic of all Bond movies, given its bummer ending.
But Connery returned for 1971's Diamonds Are Forever.
Above, he shares a laugh on the Diamonds Are Forever set with Jill St. John.
Never Say Never?
That was it for Sean Connery as James Bond — until 1984, when he was lured back one last time.
1983's Never Say Never Again was a reference to Connery's 1971 quote that he would never again play Bond. Like Thunderball, it is based on Ian Fleming's Thunderball — yes, that's right. Is it a remake? Kind of, but it's updated with Bond frequently referencing his advancing years. (Connery was 52 at the time of filming, and would live for another 38 years.)
Never Say Never Again was released by Warner Bros. rather than the usual Bond distributor, United Artists, because of a completed rights dispute we don't have to get into here.
Above, Connery waits in the water with Kim Basinger, the new Domino.
Liked These Behind the Scene Photos of Sean Connery as the First James Bond, Agent 007?
We bet you'll also like these Behind the Scenes Images of Goldfinger, and this excerpt from Nicholas Shakespeare's aforementioned — and excellent — Ian Fleming, The Complete Man.
Main image: Sean Connery and Ursula Andress in a promotional image for Goldfinger. United Artists.
Related Headlines
Lisa Dahl: Blessed by Grace Recounts a Mother's Journey From Tragedy to Nourishing Others
To Make 'Toots,' My Sensitive Film About Aging, I Needed the Perfect Fart Noise
11 Shameless 2000s Comedies That Just Don't Care If You're Offended
Solve the daily Crossword
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
.png&w=3840&q=100)

WIRED
14 minutes ago
- WIRED
Nothing's Headphone (1) Is Something Impressive
As someone who has been openly critical of Nothing's claims that it will revolutionize the technology world, I happen to actually love the brand's products. From the excellent Ear (a)—among our favorite cheap earbuds—to its affordable smartphones, the brand leverages excellent design and near-top-tier internals to absolutely dominate the mid-tier of the tech market. The Headphone (1) noise-canceling over-ears, I am happy to say, continue this tradition. They look as good (or better) than more expensive models from Sony, Apple, and Bose, and they offer nearly all the same features, for hundreds of dollars less. That, plus a very usable set of controls, excellent passive noise isolation, and an easy-to-use app make these among the best headphones you can buy for $300 or less. Fresh Faced Photograph: Parker Hall Where other Nothing headphones directly steal their design cues from posher Apple models, the new Headphone (1) is clearly its own thing. The rounded rectangles come with clear outer ear cups that showcase a bass chamber inside the headphones, with a red dot on the right ear cup so you'll never put them on backwards. They look like something a Stormtrooper would wear in their bunk between patrols, but for some reason they don't make me feel like a total weirdo in public. The white-and-silver colorway of my review unit is flashy, but I imagine if you got them in the also available black-and-gunmetal version, you'd barely get a second glance. One thing you won't feel until you put the headphones on is how excellent the controls are. They come with a rolly, clicky wheel on the upper part of the right ear cup and a flicky switch below that. This allows you to adjust volume and play and pause music, as well as to go back and forth between tracks. You can even hold the switch right or left to fast-forward or rewind—very nice when skipping ads during podcasts. Physical controls are so much better than touch controls in nearly all instances, and these are some of the best and most intuitive controls ever designed. On the bottom of the right ear cup you'll find the on-off switch (red when off, also very helpful), a 3.5-mm cable port, and the USB-C port for charging. These headphones offer a Sony-, Bose-, and Apple-beating 35 hours of battery life, which is great when on long trips. Outside on the right, there is a button that allows you to use your voice assistant (or call up Nothing's AI if you have a Nothing phone), but I like that this button is hidden where I've never accidentally bumped it—an annoyance on competitors. Getting a Head Photograph: Parker Hall You'll notice that the headphones feel very secure on your head, thanks to an L-shaped metal bar that attaches the ear cups to the headband from the very outside. This allows for more even pressure distribution from the synthetic leather and memory foam of the earpads. They're firm, but comfortable enough for long listening sessions. The only downside? Though the pads are technically removable, Nothing currently has no plans to sell replacements. Hopefully that will change.


Forbes
14 minutes ago
- Forbes
Cities Vs. Climate Change: Global Exhibition In Paris Inspires Action
Bold artworks by Shepard Fairey (OBEY) adorn the Hôtel de Ville façade in Paris. A free, child-friendly exhibition staged in the City Hall, Paris, on how large cities around the world are fighting back against climate change has wowed audiences since opening last month. 'From Paris to Belém: 10 years of global climate action' runs until mid-December at Hôtel de Ville. It celebrates the 2015 adoption of the Paris Agreement at COP21 in Paris, which marked a turning point in the global commitment to climate action, and flags the next COP climate conference, scheduled to be held in Belém, Brazil, in November. In Buenos Aires, the Metrobus 9 project has halved travel times and helped avoid the emission of over 70,000 tonnes of CO₂ per year, highlights the exhibition, saying this is the equivalent of more than 8,000 return flights between Paris and Melbourne. In Medellín, Colombia, the creation of 'green corridors' has lowered temperatures by 4°C in certain areas and encouraged the return of biodiversity. Facts such as these are dotted throughout the exhibition, which was partly designed from a child's point of view; Copi, a cartoon mascot, guides younger ones. There are also photographic displays—including images of the Amazon by famed photographer Sebastião Salgado—and bold artwork by Shepard Fairey (OBEY); his murals adorn the Hôtel de Ville's façade. Much of the fact-finding for the exhibition was conducted by Canadian urban planning expert Brent Toderian, who was commissioned by the City of Paris and its mayor, Anne Hidalgo. Hidalgo has transformed much of Paris with bold, climate-friendly initiatives, including a focus on cycling and walking in the city. 'Mayor Hidalgo herself had the idea of a big, bold exhibition at Paris City Hall,' said Toderian. 'Her team tracked me down in September last year and invited me. We share the same big ambition to change the conversation about better city-building and climate action.' The exhibition majors on 'cities taking bolder climate action, going further and faster with fewer excuses,' said Toderian. 'Cities around the world [need] to inspire and challenge each other.' Major cities profiled, in addition to Paris, include Tokyo, Mexico City, Beijing, Los Angeles, London, Buenos Aires, and Seoul. There are also contributions from other global cities such as Barcelona, Rome, Stockholm, Helsinki, Medellin, Montreal, Brisbane, Auckland, and New Orleans. Lesser-known cities profiled include Cotonou in Benin, Africa; Hue City, Vietnam; Rabat, Morocco; and Nouakchott, Mauritania. Brent Toderian with Paris Mayor Anne Hidalgo. Actions highlighted include transforming dense and mixed-use communities around public transit; rethinking cars and providing people with more and better choices for getting around; creating new people-centric places, including transforming streets, new parks, urban greening, and integrating nature with density; and designing energy-intelligent cities. 'Paris itself is an example of the challenge,' said Toderian. 'It's a city that leads in climate action, and yet proven ideas like protected bike lanes, which we know make cities better for everyone, can still be much more controversial than they should be, even after they're built and succeeding. 'Paris is uniquely positioned to celebrate and platform bold action from cities all over the world,' said Toderian. 'Paris and Mayor Hidalgo have been the most inspiring in the world over the last 10 years, really exemplifying those key words 'further and faster. 'Not because they've been perfect but because they've been strategic, determined, and fearless.' However, added Toderian, 'if we're honest with ourselves, we'll admit that many cities still need to take their first steps toward more sustainable city-making. And every city needs to go much further and faster. The powers that city leaders have to decide urban densities, land-use mix, transportation, infrastructure, and much more are game-changing for addressing the climate crisis.' A key takeaway from the exhibition is the need for cities to tame cars. 'Our primary goal must be fewer and smaller cars that are driven less,' said Toderian, and electrifying the global fleet, while welcome, isn't a panacea. 'We need better cars, and electric cars are part of the solution,' argues Toderian. 'But a better energy source for the same number of cars, or even more and bigger cars, won't get us where we need to be, and can induce more driving and higher emissions because we think those cars are 'green.'' 'Smart cities,' he continued, 'are transforming space previously surrendered to cars into new places for people, and re-introducing nature and green space into everyday urban life—to make cities more liveable and sustainable simultaneously. 'We're constantly told that all of this is too hard or too expensive. But it's only as hard as we choose to make it, and it's a lot cheaper than the huge cost of continuing to make the wrong choices. 'We need our cities to be a lot better: more responsible, more sustainable, and a lot more action-oriented. To do that, our cities need to inspire each other to take bigger, bolder action with a lot fewer excuses. To me, that's what this exhibition is all about: all of us—citizens of all ages and leaders alike—inspiring and challenging each other to go much further and faster with real urban climate action.'

Wall Street Journal
14 minutes ago
- Wall Street Journal
Giada De Laurentiis Doesn't Want to Judge Your Cooking
From the moment she wakes up, Giada De Laurentiis is thinking about numbers. The first thing she does is check reports on her four restaurants from the night before. Then she puts on a pedometer to track the 8,000 steps she aims to get that day. Despite initial concerns from her film producer grandfather Dino De Laurentiis, the four-time Emmy winner rose to fame as one of the most prominent faces on early-2000s Food Network. Her first show, 'Everyday Italian,' premiered in 2003. 'When I started at Food Network, chefs weren't stars,' she says. 'All of a sudden we became these icons that nobody could have predicted.'