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'Saiyaara': Ahaan Panday goes the SRK way as he responds to fan feeding cake to his picture

'Saiyaara': Ahaan Panday goes the SRK way as he responds to fan feeding cake to his picture

Time of India3 days ago
Ahaan Panday
has become a sensation among the audience after the release of his debut movie, 'Saiyaara,' co-starring
Aneet Padda
. The film directed by
Mohit Suri
has been raking in huge numbers at the box office. Amidst the success, a video of a fan of the actor feeding cake to his picture went viral on the internet.
And now, Ahaan has finally commented on it.
Ahaan Panday finally reacts to a fan feeding cake to his picture
The fan who posted the video added a caption on it in which he requested the actor to comment on it. He wrote, "Ahaan Panday sir, 1 comment please." Soon, the debutante star commented on the post. He decided to go the
Shah Rukh Khan
way—acknowledged the love, and expressed gratitude for the same with polite words. Ahaan wrote, "Your love, your support, means everything to me, bohot bohot shukriya."
To which the person replied, "Thanks so much, sir, love you! I am a big fan."
As soon as the actor commented on the post, netizens showered love on him for the sweet gesture. Ahaan's comment received over 250 replies praising him for his kind act.
More about 'Saiyaara'
The film has become Mohit Suri's biggest opener at the box office. It earned Rs 21.5 crore on the first day of its release. As per the reports, the film even covered the production, which is said to be between Rs 40 and 50 crore, in the first three days at the box office.
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In just 10 days since it hit the theatres, the film has collected over Rs 370 crore worldwide.
The lead actors have received massive praise, not just from the audience, but also from industry stars like
Alia Bhatt
,
Varun Dhawan
, and others.
Meanwhile, apart from Ahaan and Aneet, the film also features
Rajesh Kumar
,
Varun Badola
, and Alam Khan in pivotal roles. It was released in theatres on July 18, 2025.
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Saiyaara Success Story: Aamir Khan Decodes Why Gen-Z Loved Ahaan Panday-Aneet Paddas Reel Love Story
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2 / 7 At an event for his own movie, Sitaare Zameen Par, Aamir explained why Saiyaara appeals to younger viewers. Aamir Khan said, 'I think different generations move towards different content based on what is the kind of content it is. I think younger audiences, for example, are loving Saiyaara, which is a big hit. Har ek group ka ek taste hota hai. As a creative person, main chahta hu ki main har kism ki film bana saku." He further added, 'Gen Z ke liye bhi bana saku, younger generation k liye bhi bana saku, aur bhi logo ke liye bana saku, alag alag topics chunu. This gives me the freedom to do that."

Sitaare Zameen Par to release on YouTube on August 1, six weeks after theatrical release: Is Aamir Khan saving cinema, or replacing it?
Sitaare Zameen Par to release on YouTube on August 1, six weeks after theatrical release: Is Aamir Khan saving cinema, or replacing it?

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Sitaare Zameen Par to release on YouTube on August 1, six weeks after theatrical release: Is Aamir Khan saving cinema, or replacing it?

A couple of weeks before the release of Sitaare Zameen Par, when members of the media met Aamir Khan, a camera crew perennially chased him even when he went about doing regular chores inside his Mumbai office. We also spotted that crew at the launch of PVR INOX's Aamir Khan Film Festival and his 60th birthday celebration. We were told it's to record footage for the content on Aamir Khan Talkies, a new subsidiary YouTube channel of Aamir Khan Productions. Across the next few weeks, there were exclusive throwback interviews and discussions with Ashutosh Gowariker (on Lagaan) and Vir Das and Abhinay Deo (on Delhi Belly). There was also the much-concealed Aamir audition for Ravi Kishan's role in Kiran Rao's Laapataa Ladies. Aamir covered all major YouTube channel while promoting Sitaare Zameen Par. Given his firm stand on signing any streaming rights deal for the film, we had to ask him then: 'Will it come out on YouTube?' Aamir firmly said no, and claimed that it'd come on a digital platform or satellite television only a year after the theatrical release. Cut to two months later: Aamir on Tuesday announced Sitaare Zameen Par would indeed skip streaming to premiere on Aamir Khan Talkies on a pay-per-view model. 'Watch a superhit film for just Rs 100,' screamed the hoarding in his background, as he even apologized to the media for lying to them about the film not premiering on YouTube after its theatrical run. 'I've grown up on cinema. Cinema has given me everything. So I had to lie in order to protect the cinema then,' Aamir confessed. But by introducing this 'disruptive' pay-per-view model on YouTube, is Aamir really saving cinema or replacing it? He claims he's been perturbed by the fact that Hindi cinema is reaching only a minor fraction of the humongous Indian population, and has been looking for a solution for the past 15 years. YouTube, in comparison, enjoys a massive reach making the cinema accessible to all corners of the country. He cited how the platform is used by 55 crore Indians at least once a day while only 2-3% of the population goes to theatres. But another section of the entertainment industry feels Aamir is not taking the easy way out, but just moving with the times. 'If you can democratize content, while making it conveniently accessible, then what's the harm?,' says a budding YouTuber, adding, 'Aamir is just asking you to look at cinema differently. Going to a theatre is for the elite now. His films would still go to the theatres first. But those who're not fond of going to the cinemas or can't afford it, he's servicing to them too, through YouTube.' If digital is bound to replace the moviegoing experience, then why is there so much hullabaloo around cinemas disappearing post pandemic thanks to the growing appetite and access to streaming? Aamir himself has championed cinemas by not subscribing to the streaming model, which entails a film dropping on the platform eight weeks after its theatrical release. Aamir argued that while he's not against the OTT industry, the eight-week window didn't suit him as it makes the audience less inclined to step out for a theatre visit. But industry insiders claim Aamir circumventing the eight-week-window diktat of streaming via YouTube also has to do with the economics of the arrangement. 'Actually, why Aamir sahab is going for YouTube is after Laapataa Ladies didn't work in theatres and most of the money it made on streaming went to Netflix,' says PS Ramanathan, who looks into the distribution and marketing of Rajshri Films. That's another production house which has been building its YouTube presence with the help of nostalgic interviews with character actors. It's also made shows for TV and streaming. However, its mainstay still remains cinema. 'In a pay-per-view model, you pay Rs 100 for every viewing (a film on Aamir Khan Talkies can be stored for a month, but has to be watched within 48 hours once you begin watching). So it's like appointment viewing or dedicated viewing as opposed to a subscription fees to a streaming platform, which includes a bouquet of other content from around the globe. The Rs 100 then goes directly into the pocket of Aamir Khan Productions. But ultimately, it depends on the film — would someone pay even Rs 100 to watch a film at home?,' adds Ramanathan. He quotes the most recent instances of Mohit Suri's romantic drama Saiyaara, which like Sitaare Zameen Par, is a mid-budget, middle-of-the-road film. After action epics took over, romance was relegated to streaming post pandemic. But what Sitaare Zameen Par, a light-hearted coming-of-age film achieved, Saiyaara took that to another level at the box office. Unlike in the case of the former, one can clearly see from the poster of Saiyaara that it'd drop on Netflix India eight weeks after its theatrical run. But the shows are still running full, with the film having collected over Rs 266 crore at the domestic box office already. The Netflix logo on the poster of Laapataa Ladies is what both Aamir and PVR INOX Managing Director Ajay Bijli suspected as the reason why the film didn't achieve a theatrical business like Vidhu Vinod Chopra's 12th Fail did the previous year. Like Aamir did for Sitaare Zameen Par, Chopra didn't sell the digital rights of 12th Fail to any platform till weeks after its theatrical release. Yet the collection kept rising in theatres even when the film dropped on Hotstar. 'Ultimately, it depends on how good the film is. If it's a bad film, nobody would watch it even for free in the convenience of their home. The movie should speak for itself. If it's a good film, people would watch it either in cinemas or on YouTube or on streaming for any cost,' says Akshaye Rathi, Director at Vidharbha Exhibitors. He feels the footprint of YouTube is far bigger than any individual OTT platform, so it's a win-win for both the audience and the producers who want to avoid the eight-week window that streaming imposes. But not every producer is as influential as Aamir or Chopra. 'If you go for YouTube, it would disturb your entire cashflow distribution,' argues Ramanathan. Streaming is the second biggest revenue vertical for most films these days, followed by theatrical. Many films, big and small, primarily rely on that revenue to break even and take risks with a theatrical run. Ultimately, it all comes down to the economics. For instance, Kamal Haasan promised to sidestep the four-week window for Tamil films with his new crime thriller Thug Life. 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Even if he wants to take all the credit, he does want Indian cinema to reach both the country's masses and the audience across the globe. Like in the case of Satyamev Jayate, he already had StarPlus onboard, but he made sure the show is telecast on Doordarshan simultaneously because its reach was far wider then. Complete ownership just drives his creative instincts,' says a former employee of Aamir Khan Productions. However, another insider informs SCREEN that Aamir is even contemplating to release some of his smaller films directly on Aamir Khan Talkies, even skipping the theatrical release. While he'll save the tentpole ones like Sunny Deol's Lahore 1947 and Junaid Khan's Ek Din for the cinemas, Vir Das' Happy Patel may find a home on YouTube instead. With some streaming platforms making theatrical run a metric to set the price, cinemas retain their relevance. Also, if a Sitaare Zameen Par can drop on digital just six weeks after its theatrical release, even less than the eight-week window of streaming, would the YouTube model not be used arbitrarily for recovery? 'If that's the plan, then how are we saving cinemas then? I miss the Aamir Khan of Dhobi Ghaat (2010) days who would sneak in a role in an indie film instead of making the film all about himself. Of course, it's a partnership with YouTube so there must be other commercials involved. He has to turn every simple move into a revolution in order to sell it, which just evades me,' says an industry insider. Also Read — Kyunki Saas Bhi Kabhi Bahu Thi 2, Traitors, IPL, Kapil Sharma: How streaming is replicating television, the very beast it wanted to tame But trade experts like Rathi and Ramanathan feel Aamir will need YouTube's full support to institutionalize his distribution model, not just for marketing and positioning, but also for curbing piracy. 'My biggest concern is piracy. 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When Mumtaz admitted she didn't leave husband despite his affair; opened up on miscarriages: ‘Quite common for men to have affairs'
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Veteran actor Mumtaz was at the top of her career and among the highest-paid actors in the Hindi film industry when she decided to quit and settle down after marrying businessman from Uganda, Mayur Madhvani. In an old interaction, Mumtaz spoke about how her family asked her to give up her lucrative career to marry the multi-millionaire. In an old interaction with E Times, Mumtaz admitted that she believed every woman should marry at a certain time and she seized that moment. She reflected on other female actors of her time and said, 'Several heroines of that time didn't get married. They're still single. I found a good man who loved me, so I chucked it all. I was fed up of films.' Mumtaz admitted that her in-laws didn't want her to work, and she accepted their wishes despite being among the highest-paid actors at that time. 'At the time of my marriage, the Madhvani family said that I couldn't continue working. So I quit my job and got married at a time when I was the highest-paid actress. Who else charged Rs 7.5 lakh per film? Yet, when they said I can't work anymore, I left the job,' she said in an interaction with Vicky Lalwani. Mumtaz was just 28 when she quit acting to focus on her family. She also admitted that her family made her understand that heroines have a shelf life, and after a certain age, she would only be offered roles of an aunt or a mother. She alluded to her parents not being greedy and not forcing her to continue working just for money. She said, 'My family members were not selfish people who kept pushing me to keep working to bring in more money. I actually respect my family for letting go of a girl who was making crores at that time.' But marrying into Mayur Madhvani's traditional Gujarati family required adjustment from Mumtaz. She admitted the same and said, 'I learnt to make dal-dhokli, undhiyu and khandvi. Today, I'm a fairly good cook.' Bearing a child also wasn't easy for Mumtaz. She admitted having 'a string of miscarriages' before giving birth to her daughter Natasha Madhvani. 'I spent six months of my pregnancy stuck in bed, staring at the ceiling. So my kids mean a lot to me,' she said. But not everything was hunky-dory in Mumtaz's marriage. Her relationship hit a rough patch when her husband got involved with another woman. Mumtaz admitted to her husband's affair but emphasised that she didn't give up on her marriage because of one 'stray incident.' Defending her husband, she said, 'I was not going to give up a marriage because of a stray incident. My husband is not a flirt; he's a good-looking man. He made a mistake. Rather than dumping him, I chose to be by his side.' In another interaction with Pinkvilla, Mumtaz shared her thoughts and admitted that 'it's quite common for men to have affairs discreetly.' She said, 'My husband had only one.' In the same interaction, Mumtaz revealed that her husband had confessed to liking a girl in the US but had assured her that he would never leave her. 'I respect him for being honest with me,' she said. Mumtaz also admitted that she was so hurt by her husband's infidelity that she flew down to India and ended up having a brief affair. She said, 'After the episode, I began feeling lonely. Main thodi rubabwali thi. I felt hurt. So, I flew down to India. When you're amidst thorns and someone comes along with a rose, you do get carried away. But it was nothing serious. Just a temporary phase, which ended soon.' Mumtaz tried to make a comeback in films with the 1990 release Aandhiyan. However, the film bombed at the box office, and she never returned to the big screen again.

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