🎧 'No-brainer' - why Kostoulas signed for Brighton
A new episode of BBC Radio Sussex's Albion Unlimited podcast is now available on BBC Sounds.The agent and family of Babis Kostoulas discuss his move to Brighton - plus the team discuss the latest from the transfer window and assess the Seagulls' Premier League fixtures.Listen to the full episode on BBC Sounds
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The Guardian
6 minutes ago
- The Guardian
Tom Holland, Jacob Elordi and Harris Dickinson at top of James Bond wishlist
Tom Holland, Harris Dickinson and Jacob Elordi are rumoured to be at the top of Amazon's James Bond wishlist, according to a new report. Variety has learned from insiders that the new iteration of 007 would be under 30 and the three actors could be fighting it out for the role. No meetings have taken place and Amazon has yet to confirm anything. The report emerges days after the Dune and Arrival director Denis Villeneuve was announced as the first director of Bond's new era under the Amazon-MGM banner. The French-Canadian film-maker, now working on the third Dune movie, reportedly beat out Conclave's Edward Berger, Westworld's Jonathan Nolan, Paddington's Paul King and Shaun of the Dead's Edgar Wright for the role. 'I intend to honour the tradition and open the path for many new missions to come,' Villeneuve said in a statement. 'This is a massive responsibility, but also, incredibly exciting for me and a huge honour.' Early rumours had suggested the Gravity director Alfonso Cuarón would step up, having worked with Bond's new producer David Heyman before, but he removed himself from the race. Cuarón is set to work on the darkly funny drama Jane with Charlize Theron instead. Holland, best known for playing Spider-Man, has also starred in the video game hit Uncharted and Apple series The Crowded Room. He'll next be seen in Christopher Nolan's The Odyssey before returning for the fourth Spider-Man movie. The 29-year-old actor once tried to pitch a 007 spin-off to Sony. 'I had a meeting after or during Spider-Man 2 with Sony to pitch this idea of a young Bond film that I'd come up with,' he said in 2022. 'It was the origin story of James Bond. It didn't really make sense. It didn't work. It was the dream of a young kid, and I don't think the Bond estate were particularly interested.' Dickinson, known for Triangle of Sadness and Babygirl, recently received rave reviews for his directorial debut Urchin at the Cannes film festival. 'I mean, listen, man, you'd be a fool to not entertain that role,' he said when asked about playing Bond in 2023. 'I'm loving seeing the development of James Bond and seeing how it changes over the years. I think Daniel Craig was such a good Bond that I'd almost be quite frightened to try … Who knows what they're doing with Bond? I'm intrigued.' Elordi is the only Australian of the bunch, but could follow in the footsteps of George Lazenby who played Bond in On Her Majesty's Secret Service. The actor, best known for his role in TV drama Euphoria and Sofia Coppola's Priscilla, will soon be seen in Emerald Fennell's unconventional adaptation of Wuthering Heights with Margot Robbie. In 2023, Elordi called rumours that he was being linked to the role 'beautiful' and added: 'I just like that people maybe want to put me in their movies. That makes me really glad.' The release date for the next film is yet to be announced, but Variety is claiming that anything sooner than 2028 would be impossible. The 26th Bond film will follow Daniel Craig's final outing No Time to Die which made over $774m at the global box office. Earlier this year, in a reported $1bn deal, Amazon MGM bought the rights to gain 'creative control' of the franchise. In March, producers Amy Pascal and David Heyman were hired to take charge of the new film.
The Guardian
11 minutes ago
- The Guardian
Lessons for Young Artists by David Gentleman review – secrets from the studio
You know the art of David Gentleman even if you don't know you know it. Anyone who's passed through London's Charing Cross tube station has seen his life-filled black-and-white mural of medieval people, enlarged from his woodcuts, digging, hammering, chiselling to construct the Eleanor Cross that once stood nearby. His graphic art has graced everything from stamps to book covers to Stop the War posters in a career spanning seven decades. He says he's been making art for 90 years, since he was five. His parents were also artists, and in his latest book he reproduces a Shell poster by his father to show he follows in a modern British tradition of well-drawn, well-observed popular art. Perhaps it is because he learned from his parents as naturally as learning to speak – 'Seeing them drawing tempted me to draw' – that Gentleman dislikes pedagogy. He's proud that he never had to teach for a living, always selling his art. So his guide to the creative life, Lessons for Young Artists, is anything but a how-to manual or didactic textbook. Instead, it's like a visit to his studio where you sit at his shoulder, watching him work, while he shares tips, wisdom, anecdotes. If you have ever wished to take up pencil and paper, whatever your age, this book will sharpen your ambition by demystifying the process, making it feel the most natural and important thing in the world to draw that tree outside the window. The book's beautiful illustrations deepen his laconic advice. As he chats, the artist rifles through drawers to show views of London, Paris, New York. 'Rifling' is possibly the wrong word, for it suggests a chaotic workplace, of which Gentleman does not approve. You should keep your brushes in good nick and your studio tidy. Then again there are no rules, he admits, remembering how Edward Ardizzone used to work at the kitchen table surrounded by his family. The artist's workspace may seem a secondary issue but he's not alone in stressing it: Leonardo da Vinci paid attention to what an artist's room should be like in advice to young hopefuls written more than 500 years ago. In one of Gentleman's engrossing, calming drawings, his studio has a big window looking out on the city, designs on clipboards neatly hung up, a row of brushes, a couple of glasses of water (for watercolours). It's a workplace to envy, peaceful yet connected with the world. This is really a guide not just to the technical skills an artist needs but achieving an artistic state of mind. Gentleman lures you into his day-to-day work. 'Take a sketchbook with you everywhere you go,' he says, again like Leonardo, adding that it should be pocket-sized and the accompanying tools minimal. Too heavy a kit will 'become an excuse not to take it with you'. He adds watercolour to his drawings, either in the studio or in the open. A Suffolk church is seen through overgrown late summer weeds, with watery blotches in the sky. It started to rain as he worked: 'I like the way the spatters of rain are visible on the paper.' Another happy accident is a drawing of his son playing the piano that acquired an extra foot: a burst of motion in an otherwise tranquil scene. You find yourself not just wanting to be an artist but to be David Gentleman. 'Becoming an artist,' he says, 'is about learning to look at the world with a very sharp eye. When you walk down the street, try to pause and notice your surroundings.' On the facing page is a watercolour shot through with sunlight of the now-gone King's Cross gasometers, by a trashy canalside, ducks floating on the silver-touched water. Finding beauty in the neglected, unnoticed moments that pass us by is a lesson that can be applied to anyone's life, 'Young Artist' or not. This is diamond advice, lightly given. Sign up to Inside Saturday The only way to get a look behind the scenes of the Saturday magazine. Sign up to get the inside story from our top writers as well as all the must-read articles and columns, delivered to your inbox every weekend. after newsletter promotion Lessons for Young Artists by David Gentleman is published by Particular (£20). To support the Guardian, order your copy at
The Independent
21 minutes ago
- The Independent
Lorraine Kelly ‘terrified' after climbing up 25-ft ship in Dundee following keyhole surgery
Watch as Lorraine Kelly admits she was "terrified" after abseiling down the mast of a 25-metre mast on Friday (27 June), just weeks after the star's keyhole surgery. The TV presenter scaled up and down the RRS Discovery ship, a vessel that previously ventured to Antarctica, with fellow presenter Dan Snow in Dundee. Feet firmly back on the ground, Kelly said: 'The experience in general was absolutely terrifying. I'm not good with heights so it was scary, I was shaking like a leaf.' Last month, the 65-year-old presenter underwent keyhole surgery to remove her fallopian tubes and ovaries, a procedure Kelly described as 'purely preventive'.
