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Asian American, Pacific Islander comics are the main event in an LA comedy and cuisine festival

Asian American, Pacific Islander comics are the main event in an LA comedy and cuisine festival

With the Belly Laughs Festival, an ambitious Asian American and Pacific Islander-centered comedy festival, the food is as important as the talent line-up. Every detail is intended to send a message of unabashed cultural pride.
'It's like we grew up kind of shying away and hiding our Asian-ness,' said Viv Wang, a volunteer festival producer with Coalition of Asian Pacifics in Entertainment, or CAPE, who helped conceive the idea for the event. 'It just made a lot of sense to have comedy and food — these two ways that people can connect and just celebrate being Asian and having a place to feel cool to be Asian.'
For one weekend, Belly Laughs is mounting an unprecedented gathering of 30 AAPI stand-up comics — from headliners to newer scene-stealers — in downtown Los Angeles. There will also be 20 food and beverage vendors set up in the spirit of a Taiwanese night market. The L.A. Live entertainment complex will be a playground where ticketholders can watch marquee names like Kumail Nanjiani and Margaret Cho, while simultaneously enjoying anything from biriyani to boba.
With federal immigration crackdowns nationwide, the participating comedians — most hailing from immigrant families — are being thoughtful about striking the right balance of politics and humor.
Festival to whet appetites for the funny and food
Organizers, including Nederlander Concerts and Gold House, are aiming to draw between 6,000 to 8,000 people over the two-day tentpole event. Tickets are still available. Comedians will be split between two stages. The entertainers lending their star power include several comics-turned-actors like Hasan Minhaj, Bobby Lee, Joel Kim Booster and Sherry Cola. A majority of the talent also identifies as LGBTQ+. It's an impressive statement in an industry that has historically tried to put Asian comedians in boxes and often relegated them to 'ethnic nights' like 'Wonton Wednesdays' or 'Asian Invasion.'
Asif Ali, one of the stars of the new Hulu series 'Deli Boys,' has never taken part in any AAPI-focused event save an occasional comedy club night or as part of a mainstream festival. But Asian American comics were never the main event for an audience of thousands. So there was no hesitation on Ali's part to join in the festival.
'Just to be a part of something like this was so cool,' said Ali, who performs Sunday. 'To have it be of this scope and in LA and have it tied in with food — which I think is such a slam dunk — is great.'
Comedian and writer Hari Kondabolu called it 'our Lollapalooza.'
'Like I don't know if people understand … I don't know if this will happen every year, if it will happen again. But like this is a pretty cool moment in time to be a part of something like this,' Kondabolu said.
MAMA, a community group dedicated to promoting immigrants and their cultures through night markets, is the curator of the event's food stalls. There will be no national restaurant chains. But an array of Asian cultures will be represented — Indonesian, Malaysian, Singaporean and Chinese among them.
'They're completely different because they're very conscientious and focused on immigrant-owned businesses, first gen businesses,' Wang said. 'All of the food has a story.'
Organizers vow festival will not be impacted by feds
Putting on a new festival is never easy but the timing of current events has made it a 'helluva year' to do it, said Wang. Los Angeles residents have been on edge since Immigration and Customs Enforcement raids erupted in and around downtown in June. Ensuing protests prompted curfews and event cancellations. On Monday federal officers and the National Guard descended on a mostly empty park in a largely immigrant neighborhood.
For those who might be worried about an ICE presence around the festival, organizers plan to 'make sure that people will be kept safe,' said CAPE executive director Michelle Sugihara, noting L.A. Live is private property.
It's a good bet that the political turmoil in Los Angeles and beyond will be fodder for the comedians. Ali, who took part in protests last month, doesn't plan to shy away from it. While the federal government's immigration policies are no laughing matter, he sees comedy as a way to keep attention on the issue.
'I think our job as comedians is to remind people that things that are happening are terrible,' Ali said. 'You're not laughing at something happening. You're laughing at sort of the insanity of it all.'
Some people may struggle with going out and eating and laughing at a time of conflict around Los Angeles. But festival organizers and comedians insist that having a good time doesn't mean forgetting about the issues.
'Now more than ever, being around people for whatever reason — whether it's to protest, whether it's to help, whether it's to laugh or grieve … I think it's pretty safe to say it's always better to be in the company of like-minded people,' Ali said. 'People need to feel that they're not alone.'
Why having an AAPI-focused festival matters
There have been times when Ali felt like an Asian American comic who references his culture even briefly gets branded 'that guy who just talks about being Asian.' Something like Belly Laughs shows how reductive that thinking is, he said.
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It's also comforting for comedians like him to see how many peers have found success.
'When you are in spaces where you aren't the majority or even a larger-sized minority, I think it's important for people to know that they are normal,' Ali said. 'The effect of festivals like this is that it makes all those comics who feel like that, who feel that pressure — myself included — to look around and to see a whole lineup of people and to watch their sets and listen to their material.'
The festival is a long overdue celebration of how today's AAPI comics are not dealing with the stereotyping and limits as their predecessors, Sugihara said. The Belly Laughs roster reflects that spectrum. Take Cho, 56, who Asian American comedians consider 'Mother,' alongside comedians in their 20s.
'For us, it is about the whole lifecycle of an entertainment career,' Sugihara said. 'That's whether you're emerging or you're a veteran, and all of us can be a community together and help each other.'
The hope is that there will be a demand to do this next year as a complement to the biennial Netflix Is A Joke Fest. Sugihara has already heard from people in other states such as Hawaii who want to duplicate Belly Laughs.
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Hank Hill returns to a changed world in new ‘King of the Hill' episodes
Hank Hill returns to a changed world in new ‘King of the Hill' episodes

Winnipeg Free Press

timea day ago

  • Winnipeg Free Press

Hank Hill returns to a changed world in new ‘King of the Hill' episodes

NEW YORK (AP) — Hank Hill is back and he's the same ol' Hank Hill, but a lot of things around him have changed. The lovable animated hero of 'King of the Hill' has returned from a 15-year lull and he isn't sure what boba tea is, how ridesharing works and is confused by all-gender bathrooms. 'What kind of food is poke?' he asks his wife, Peggy. Hank and Peggy have returned to their hometown of Arlon, Texas — and our TV sets — but a lot has happened over the years and they're stepping into a world they doesn't always recognize. 'Hank, have things changed here more than we thought?' Peggy asks, worried, in the first new episode. 'Did we make a mistake coming back?' Hulu is definitely hoping not, reuniting many of the same writers and voice cast who turned the propane-loving, beer-sipping Hill into one of TV's few blue-collar icons. The first 10 episodes hit Hulu on Monday. A new 'King of the Hill' leader Saladin K. Patterson, the executive producer and showrunner for the new season 14, hopes the original fans will return to see how Hill copes in the modern day. 'That's always key because you want that core fan base to validate what you've done because they're like the gatekeepers in a way,' he says. 'So when they sign off and say, 'OK, they didn't mess it up, it's still the same special show,' I think other people who may be unfamiliar with it, or even on the fence, feel like, 'OK, well, now we want to like it.'' Viewers will learn that Hank and Peggy have been in Saudi Arabia all this time, where he served as 'assistant manager in charge of Arabian propane and Arabian propane accessories.' Their son Bobby, now 21, is the chef of a 'down home, German-Asian fusion' restaurant. (Sample dish: Grilled mackerel with a side of mustard pretzel.) Hank and Peggy have retired and he happily rejoins his line of friends drinking cans of beer in an alley. Boomhauer gives him a hug and Dale has grown even more paranoid, becoming 'an election-denier-denier.' Bill has let himself go, staying indoors and living off Amazon deliveries. 'I finished Netflix, Hank. Did you know that when you get to the end of Netflix, you get something called 'a wellness check?'' Viewers in the second episode hear Tom Petty's 'Runnin' Down a Dream,' a nice nod to the late rocker's embrace of the show when it first appeared. 'The writers have found that balance between the vintage 'King of the Hill' that we adore and the new — and letting them coexist,' says Pamela Adlon, who voices Bobby. Same gentle tone Creators Mike Judge, the mastermind behind 'Beavis and Butt-Head,' and Greg Daniels, who would go on to co-create 'The Office,' helped Patterson navigate this world, which they sheparded during its first 13 seasons, airing from 1997 to 2009. The show's tone maintains its gentle mocking of modern life, from hipsters and their craft ales to bike lanes. Hill at one point shakes his head over modern outdoor grills having sensors and app connections: 'I shouldn't have to call technical support to make a burger.' Patterson says the humor is grounded in real life. 'I do have a barbecue grill that is Wi-Fi- and Bluetooth-enabled. I have three devices to run it, but I'm calling tech support because I have guests coming over and the meat needs to be done,' he says. 'And I do think over the pandemic, my wife finished Netflix.' While there are changes, some things are immutable. 'Hank's still going to drink beer. Dale's still going to be a conspiracy theorist. Bill's still going to be a lovable sad sack,' says Patterson. 'Those core character things had to be the same. I had a pastor who told me one time, 'Grown folks don't change.'' Viewers will see in upcoming episodes if Hank — a happy propane seller and garage tinkerer — can really ever retire and watch as Hank's friends navigate new chapters. They'll also explore the relationship between an adult Bobby and his parents. 'He's of age now and it's really kind of cool because you see the similarities and all the attributes that he took from his parents that he wasn't even aware of when he was a boy — or didn't want to have anything to do with — and now he's using them to keep his business going and move himself forward,' says Adlon. A politics-free zone Weekly A weekly look at what's happening in Winnipeg's arts and entertainment scene. While debates have raged over where Hank Hill sits on the political spectrum, his creators argue he represents a sensible, common-sense middle. He follows the rules and does the best he can without hurting anyone. 'It's so not a Republican or a Democratic show or an independent show. It's all of that,' says Adlon. 'There's space in the world for everybody. It's hard for us all to find a safe space in a common area anymore and that's what this show really is.' And even though the new 'King of the Hill' episodes arrive during President Donald Trump's second term, don't expect any politics from Hank Hill. 'We want to tell relatable stories where people can see themselves in our characters or their family members in our characters,' says Patterson. 'There are enough cultural things and relationship things that have shifted to where he can comment on that without us wading into tariffs and immigration policy and stuff like that.'

Ichiro Suzuki Inducted into the National Baseball Hall of Fame
Ichiro Suzuki Inducted into the National Baseball Hall of Fame

Japan Forward

time28-07-2025

  • Japan Forward

Ichiro Suzuki Inducted into the National Baseball Hall of Fame

Ichiro Suzuki was inducted into the National Baseball Hall of Fame on Sunday, July 27, a milestone that puts his trailblazing career in its proper perspective. The Aichi Prefecture native is now a baseball immortal and the first Asian to be enshrined at the revered institution in Cooperstown, New York. Ichiro, joined in the 2025 Hall of Fame induction class by pitchers CC Sabathia and Billy Wagner and the late sluggers Dick Allen and Dave Parker, put his unique personal touch on his speech during the ceremony. A crowd estimated at 30,000, including 52 returning Hall of Famers, attended the event. Reluctant to speak English in public over the years (opting to use an interpreter in his interactions with the press), Ichiro embraced the challenge of giving his induction ceremony speech in English. Ichiro Suzuki gives his induction ceremony speech at the National Baseball Hall of Fame on July 27. (KYODO) This resonated with the global baseball community. Seattle Sports, an ESPN Radio affiliate, summed up Ichiro's nearly 20-minute appearance in front of the microphone on X (formerly Twitter): "Ichiro's heartfelt Hall of Fame induction speech had it all ― sage wisdom, deep gratitude, and yes, his witty sense of humor." The fan favorite opened his speech by saying, "Today, I am feeling something I thought I would never know again. For the third time, I am a rookie. First, in 1992, after the Orix BlueWave drafted me out of high school. Then, in 2001, I became a rookie again at 27 when the Seattle Mariners signed me. "As I look over here now, and see men like [Hall of Fame inductees] Rod Carew, George Brett and Tony La Russa, I realized I'm a rookie again." Laughter and smiles from the audience punctuated Ichiro's speech. "Thank you for welcoming me so warmly into your great team," he continued. Ichiro Suzuki was a 10-time MLB All-Star. (KYODO, KYODO, SANKEI) A Long List of Baseball Accomplishments On Ichiro's Hall of Fame plaque, the inscription includes the following: "With extraordinary work ethic and unparalleled bat control, brought record-setting hit totals to Major League Baseball as its first Japanese-born position player. Electrified 2001 Mariners to record 116-win campaign…" In the years that followed, his incredible batting skills, including 10 consecutive 200-hit seasons, brilliance on the basepaths and excellence as an outfielder were the stuff of legends. Ichiro Suzuki (KYODO) What's more, best-selling author Robert Whiting observed in 2024, Ichiro had "the best work ethic in MLB history." His all-time record of 4,367 combined hits in NPB and MLB, 10 MLB All-Star selections, 509 MLB stolen bases, 10 Gold Glove awards, two AL batting titles, and the 2001 AL MVP and Rookie of the Year awards were a testament to his talent and determination. He also set the single-season hit record (262) in 2004. Curiously enough, all of the above didn't persuade one Baseball Writers' Association of America voter to include Ichiro on their 2025 Hall of Fame ballot. Ichiro was a near unanimous selection, receiving 99.7% of the vote (393 of 394) in his first year as an eligible Hall of Fame candidate. Laughter and Memories With a deep love of baseball and its rich history, Ichiro Suzuki traveled to Cooperstown, New York, seven times during his MLB career to visit the Hall of Fame, which opened in 1936. Visiting Cooperstown for the first time in 2001, he enjoyed looking at historic artifacts and items on display inside the building. Now, as an inductee, Ichiro says he has a duty to honor the game. "I hope I can uphold the values of the Hall of Fame, but please, I am 51 years old now, so easy on the hazing," he joked. He then said, "I don't need to wear a Hooters uniform again." Ichiro also summed up his lifelong ambition in his speech: "My goal was always clear: to play professionally at the highest level." The new Hall of Famer remarked that "people often measure me by my records" before mentioning some of his most famous feats. Then he quipped, "Not bad, huh?" This drew laughter from the crowd ― and a few shouts of arigatou (thank you). Ichiro Suzuki is introduced before he gives his induction ceremony speech. (KYODO) How Baseball Impacted Ichiro's Life Ichiro offered his insights on the impact of baseball on his life. "Baseball is so much more than hitting, throwing and running," he said, before adding, "baseball taught me to make valued decisions about what is important." And he spoke about dedicating himself fully to baseball in order to be able to keep playing until age 45. Indeed, the Japanese legend took his job seriously. "When fans use their precious time to come watch you play, you have a responsibility to perform for them," Ichiro said in his Sunday speech. "Whether we are winning by 10 [runs] or losing by 10, I felt my duty was to be motivated the same from Opening Day through game 162." About one-third of the way through his speech, Ichiro took a humorous dig at the BBWAA writer who ensured that he would not be a unanimous Hall of Fame selection in 2025. "Three-thousands hits or 262 in one season are achievements recognized by the writers ― well, all but one of you," Ichiro stated. The crowd reacted with "ooh!" and a mix of laughter, too. As a baseball player, the recurring sense of duty that Ichiro highlighted in his speech was a reminder of his love for the game. "By taking responsibility for yourself, you support your teammates and you don't cheat the fans," he said, describing the essence of his approach as a player. Ichiro Suzuki made his first visit to the National Baseball Hall of Fame in 2001, when he was an MLB rookie. (KYODO) The Difference Between Dreams and Goals In a vivid recollection from his childhood, Ichiro told the audience that he wrote an essay when he was an elementary school student. The essay was about his dream of becoming a professional baseball player. Looking back, he said, with the wisdom he gained over the years, he admitted he would now swap "dream" for "goal" in the essay. But why? "Dreams are not always realistic," Ichiro opined, "but goals can be possible if you think deeply about how to reach them." Waxing philosophically, he added: "In order to make your dream your goal, you must be honest in thinking about what is important to achieve it." Hideo Nomo (KYODO) The Influence of Hideo Nomo People that inspire others can also influence us to accomplish things. For example, when star pitcher Hideo Nomo left NPB's Kintetsu Buffaloes and signed with the Los Angeles Dodgers in February 1995, it was notable for Ichiro and Japan as a whole. Nomo was, after all, the first Japanese MLB player in 30 years. (Masanori Murakami pitched for the San Francisco Giants in 1964-65.) "His success inspired many, including me," Ichiro shared. "Thanks to him, MLB was always in the news in Japan, and MLB games were broadcast on TV because of Hideo Nomo's courage." This inspired Ichiro to pursue playing in the major leagues. And he personally thanked Nomo in Japanese during his speech. Numerous thank-you comments followed for the Orix BlueWave, the Seattle Mariners, the New York Yankees and the Miami Marlins, the four teams he played for during his career. "Thank you for giving me the chance to reach 3,000 hits as a Marlin and with those teammates," Ichiro said with gratitude. Ichiro Suzuki's wife Yumiko (center) claps during his speech at the Baseball Hall of Fame. (KYODO) Near the end of his speech, Ichiro thanked his agents, the late Tony Attanasio and John Boggs, his longtime interpreter, Allen Turner, and his wife, Yumiko, for their unwavering support. "It would only be natural if she (Yumiko) had doubts, too," Ichiro pointed out, referring to skepticism about whether he would succeed as an MLB player. "But she never made me feel them. All of her energy was focused on supporting and encouraging me. "For 19 seasons in Seattle, New York and Miami, she made sure that our home was always happy and positive. I tried to be consistent as a player, but she's the most consistent teammate I ever had." Post-Speech Insights In a press conference held after his Hall of Fame induction ceremony speech, Ichiro Suzuki was asked why he decided to give his speech in English instead of Japanese. "Of course it's going to be better to speak in Japanese to get what I am trying to say across," Ichiro said through his interpreter. "But this is America, and being able to speak English, the fans would understand the most and be able to understand and feel how I was feeling. So there was no deciding factor. I always knew that I was going to do it in English." Several of the reporters' questions in Cooperstown in the post-induction press gathering cited Ichiro's humor-laced speech and he acknowledged that there are differences in telling jokes in Japanese and English. But he noted, for example, that he enjoys humor during dinner conversations with American friends. RELATED: Author: Ed Odeven Find Ed on JAPAN Forward's dedicated website, SportsLook. Follow his [Japan Sports Notebook] on Sundays, [Odds and Evens] during the week, and X (formerly Twitter) @ed_odeven.

Book Review: Grief is profound, painful and personal in this debut novel from J.B. Hwang
Book Review: Grief is profound, painful and personal in this debut novel from J.B. Hwang

Winnipeg Free Press

time21-07-2025

  • Winnipeg Free Press

Book Review: Grief is profound, painful and personal in this debut novel from J.B. Hwang

'Mendell Station' is Korean American writer J.B. Hwang's first novel. And it is all about death — its horror, finality and mystery, and, most of all, how those who knew and loved that person must cope. Miriam, the main character, who is a Korean American postal worker living in San Francisco, learns that her best friend, Esther, was found dead, having fallen two stories onto the train tracks at Van Ness station. The mystery of how Esther died is never solved in the book, although we learn she had been intoxicated and wobbly on her feet when last seen at a bar. The narrative focuses more on Miriam's initial confusion and the painful emotional attempt at mourning and eventual acceptance. 'The love I had for Esther distended and became a fluid that filled my skull… My skeleton felt ripped out of my body, and I crumpled to the floor. The sound of many waters, weighted clouds in the sky, thin black grooves between the wooden floorboards teeming with darkness.' Like many great novels, the specifics are clear — the Asian American experience, which is quite different from the white or Black American experience, in many ways, or the details of working at the post office, the menial, never-ending repetition — as fitting the expression 'going postal' — but also the gentle kindness of the regular folks who are her co-workers. The universal human story of losing a loved one comes alive amid the backdrop of these specifics, like many great novels. It is very moving. The experience, happening amid the confusion that came in the early days of the coronavirus pandemic in 2020, is so unsettling Miriam's faith in God is shattered. She starts writing letters to Esther that never get delivered to cope with her grief. 'Esther, I wondered why I didn't want to kill myself after you died, when I couldn't stop thinking about it after my father's death. Would I be recognizable to you now, without my faith, without you? I don't like who I am without you,' goes one of her letters. This is a book that speaks to women, especially Asian American women, and those who have just lost a loved one. And this writer happens to fit all those categories. Still, it's a good book for anyone. Hwang is comfortable switching from a language that is a myopic closeup in its descriptiveness to free-wheeling poetic grandeur on the same page, entering the mind and soul of the woman who is our heroine. It matters more than ever that she is an Asian American in a storytelling universe dominated by white people. Yet it matters not at all. Hwang's writing often doesn't bother with stage-setting, or scene or character descriptions. Readers feel as though they have simply slipped into Miriam's skin. We know through our own skin and bones, rather than read and learn, the sad memories of our upbringing, the routine drudgery of work, the loneliness and the joy of finding a friend, and the unbearable grief of losing one. The effect is mesmerizing, and strangely comforting. We affirm through the journey that Hwang takes us on that lesson we knew all along: We must live. Those who have gone want that and expect that of us. ___ AP book reviews:

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