
Beyond Conclave: 10 other movies that feature the Vatican
If you've seen Conclave, Edward Berger's excellent political thriller, you'll have some idea of what goes on behind the scenes at the secretive papal conclave.
So with all eyes on Rome this week as cardinals meet to elect a successor to Pope Francis from behind the closed doors of the Sistine Chapel, here's a look at five other films set in or around the Vatican...
THE GODFATHER PART III (1990)
While the first installment of Francis Ford Coppola's magnum opus was set in New York City, and the second largely in Sicily, much of Part III was based in Rome - particularly around the Vatican City, as Michael Corleone becomes involved in nefarious business dealings involving the Vatican Bank.
THE DA VINCI CODE (2006) & ANGELS AND DEMONS (2009)
Both of Dan Brown's novels were adapted for the big screen in 2006 and 2009, and while both had scenes set within the Vatican - Angels & Demons opens with the death of a pope and preparations for a conclave - the church unsurprisingly denied Ron Howard permission to film there. Instead, other venues around Rome doubled for interior scenes, while Winchester Cathedral was a stand-in for the Vatican in The Da Vinci Code.
MISSION: IMPOSSIBLE III (2006)
The world's most famous Scientologist breaking into the seat of the Catholic Church? It happened in M:I3, when Tom Cruise donned a cassock to go undercover in the Vatican - which was really Reggia di Caserta near Naples. However, some exterior shots were filmed in St. Peter's Square.
ROMAN HOLIDAY (1953)
Of course one of the most timeless Rome-set films ever made had to feature the Vatican in some way. St. Peter's Basilica features in the film's opening sequence, while the nearby Castel Sant'Angelo also features during a scene where Audrey Hepburn dances with Gregory Peck before a brawl breaks out.
EUROTRIP (2004)
Bet you weren't expecting this one. If the Church doesn't allow some of the world's most esteemed filmmakers to shoot within the Vatican City, you can bet they didn't let the makers of this 2004 goofy 'teen sex comedy'. Nevertheless, a sequence is set within the Vatican when main characters Scott and Cooper break into the Pope's private quarters in the midst of a conclave.
THE TWO POPES (2019)
Well, the clue is in the title: of course the Vatican is going to feature in some way. In Fernando Meirelles's 2019 drama, we witness a fictionalised discussion between Pope Benedict XVI (Anthony Hopkins) and the then-Cardinal Bergoglio (Jonathan Pryce) in the wake of the Vatican leaks scandal. Much of the film is set within the walls of the Vatican, although the actual filming locations were spread across Rome and a full-scale replica of the Sistine Chapel was constructed at Rome's Cinecittà Studios.
MADAGASCAR 3: EUROPE'S MOST WANTED (2012)
It's not just live action movies that feature the Eternal City; in Madagascar 3, a group of intrepid animals find themselves pursued across Europe as they attempt to get back to New York City. One scene features King Julien, the ring-tailed lemur, kissing the Pope's ring in the Vatican.
LA DOLCE VITA (1960)
Fellini's best film? La Dolce Vita is certainly one of the iconic Italian director's most celebrated works. Set in Rome, one sequence heavily features the Vatican as jaded journalist Marcello pursues a woman up the 551 steps of St. Peter's Dome, which overlooks the magnificent square. As with The Two Popes, a replica of the dome was built at Cinecittà Studios.
SPECTRE (2015)
It only took fifty years for film's most famous spy to land in Rome. much of Spectre was shot in the Italian capital, while a thrilling car chase through its streets passes up the cobbled Via della Conciliazione, with St. Peter's Basilica looming majestically in the background.
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Irish Examiner
11 hours ago
- Irish Examiner
A vision for West Cork: Plans progress on €20m arts and cultural hub
How did you get a theorbo onto an airplane? You buy it a seat. It might sound like a line from a bad cracker joke but it was a very real problem for West Cork Music, the organisers of the West Cork Chamber Festival, which got underway on Friday heralding a three-festival season worth €4.74m annually to the local economy. 'The theorbo is a kind of lute but it stands about seven or eight foot high. It's also known as a giraffe in the trade,' says West Cork Music founder and chief executive Francis Humphrys, who was busy doing his own final boarding pre-festival checks this week. 'Instruments can't go in the hold. The air pressure and the temperature in the hold is completely different. If you put them in the hold, the wood can crack, and these are instruments that can be worth millions.' Francis recently turned 80 but is as busy as ever. Last year, the three festivals - the West Cork Chamber Festival, the West Cork Literary Festival, and Masters of Tradition - sold a combined 15,922 tickets, the highest combined total yet, worth €259,811. Ticket sales from the Chamber Festival brought in €125,294; the Literary Festival recouped €84,850 in ticket sales while Masters of Tradition brought in €49,667. Irish fiddler and Masters of Tradition artistic director Martin Hayes outside St. Brendan's Church in Bantry. Picture: Karlis Dzjamko/Alamy Live News But it wouldn't be a real festival without drama. In 2024, a strike by Aer Lingus pilots affected flights just as visiting performers were making their way to Ireland. Another hurdle to negotiate, for performers and for visitors. Getting musicians and their instruments to Cork is always a worry, like the theorbo dilemma, and also a practical financial consideration. 'A string quartet going on an airplane will work out as five seats because the cellist must have an extra seat. Some international airlines refuse to take a cello, even when the seat has been booked. Sometimes, it's at the pilot's discretion. Cellists worldwide worry, every time they get on a plane, because they don't know if they're going to be allowed fly with their instrument.' Organising a chamber festival should be all about the music and tuning to a perfect fifth. Instead, someone must be looking after the purse strings. Yet in challenging times for the arts, West Cork Music has the data to show the monetary lift that festivals bring. An economic impact assessment carried out by Prof Eleanor Doyle at UCC's Dept of Economics estimates the three festivals brought in an estimated €4.74m to the region last year, including direct expenditure of €2.8m through local accommodation, catering, transport, and other local services, up 30% on 2023. 'Relative to the estimated aggregate impact, every euro invested by these agencies in West Cork Music generated €8.50 in economic activity,' said Prof Doyle. This represents seriously good value for money for the €557,500 in State-derived funding from the Arts Council (€445,000), Fáilte Ireland (€65,000), and Cork County Council (€47,500). Undertaking economic analysis of the three festivals puts their value in perspective, says Francis. 'We've been carrying these out since the economic crash 15 years ago. I realised that politicians were only going to listen to us if we had an economic presence. They used to just think of us as a drain on national resources.' The Chamber Festival is celebrating its 30th anniversary, and has earned a reputation for world-class music in breathtaking surroundings. On Saturday night, the Ardeo Quartet and Barry Douglas perform the main evening concert at beautiful Bantry House, in a concert that will be broadcast live on Lyric FM and to millions more across Europe and beyond, via the European Broadcasting Union. Yet locals and visitors in Bantry can attend the concert for as little as €14. Other events are free. The festival is headquartered in Bantry, but fringe and other festival events on the programme take in Cork Airport, Glengarriff, Skibbereen, Ahakista, Ballydehob, Schull, and islands like Sherkin, Heir, Bere, and Whiddy. Just a few weeks later, the West Cork Literary Festival directed by Eimear Herlihy will bring a different creative strand - not to mention a dabble of stardust from the likes of Graham Norton, Richard E Grant, and Neil Jordan - as Irish and world authors and guests come to Bantry and its environs. In August, Masters of Tradition, curated by Martin Hayes, will complete the eclectic summer season. An architect design of the interior for the proposed cultural hub and music centre in Bantry. The next step in the development of West Cork Music is to create a permanent music, education, and civic space in Bantry. This will include an auditorium, and an education centre, adjacent to Bantry Library, creating a new cultural hub for the town, and indeed for West Cork. The total cost is estimated at €20m. The concert hall will be used for performances of chamber music, folk, jazz, and traditional music from Ireland and other cultures. It will be a purpose-built space: a warm acoustic, with modulations, particularly around the stage, helping to disperse sound and reduce the likelihood of echoes or resonances. Variable acoustics systems, such as trackable drapes on the side walls will reduce the reverberance of the venue. This will be key for spoken word events where speech clarity is of prime concern, and for amplified music where this will help control loudness and improve sound quality from loudspeakers. Other uses for this space will include touring opera, theatre, and dance productions, and local community and school activities. The auditorium will host the festivals, and will also be suitable for conferences, lectures, informal talks, and masterclasses. The seating capacity is 270 seats. Local businesses have been hugely supportive. Land has been earmarked near Bantry Library and the project is currently going through the planning process, says West Cork Music venue development manager Siobhan Burke. 'The potential to create stable facilities where you can make that economic impact count year-round is phenomenal," she said. "One of the great things about West Cork Music is it sits in an absolute sweet spot between the arts, tourism, and rural regeneration. All of these things that we would like to see flourish in rural Ireland are in some way enabled or supported by the different strands of this project.' Designs for the new centre in Bantry have been created by award-winning Irish architects McCullough Mulvin. Fundraising is continuing, with around €750,000 of a €1m target achieved to get the project through the labyrinthine pre-planning process. A thriving Friends Scheme is helping provide support for ongoing costs, and West Cork Music is exploring the possibility of corporate sponsorship for its festivals. An design for the interior for the proposed cultural hub and music centre in Bantry, which would be located near Bantry Library. It is expected to go for planning by the end of this year. If that gets the green light, applications for grant funding can be made. All going to plan, the new hub will be complete in time for the 2029 festival. 'For Francis, it has genuinely always been part of the plan: to create a way for people to access the arts year-round in West Cork,' said Siobhan. For a man who started a music festival 30 years ago from the kernel of an idea while playing classical music to his milking cows, Francis knows keeping economic realities in play are always key. He's looking to the future - "I've always wanted to put on a world music festival here" - but aware of the importance of the present. 'All of us in the arts, even West Cork Music which is quite a substantial organisation, are stretched to the limit,' he says. "If we break even, we're doing brilliantly. Last year, we more or less broke even. At this stage, it's difficult to know what the final figure for this year will be, with the best part of 20% of box office receipts coming in during the festival. I had a pacemaker fitted last year and I put it down to box office trauma!" "The Literary Festival will reach its target before it starts and they'll sell another €10,000 or €15,000 worth of tickets during the festival. Masters of Tradition is the same, they will almost certainly reach their target before Martin arrives. 'That's the beauty with three festivals in one organisation, you spread your risk that way.'


RTÉ News
16-06-2025
- RTÉ News
Glenn Close and Billy Porter to star in The Hunger Games: Sunrise On The Reaping
The Hunger Games: Sunrise On The Reaping is to star Glenn Close and Billy Porter when it is released next year. Due for release in November 2026, the sixth film in the fantasy franchise will star Close, 78, as escort Drusilla Sickle, and Porter, 55, as stylist Magno Stift – who is also her onscreen husband. It comes after Conclave star Ralph Fiennes was cast as villain President Coriolanus Snow in the prequel, which will be an adaption of the fifth book in the series written by Suzanne Collins. The book was published in March 2025 and is a prequel to the original trilogy, which was adapted into the films starring US actress Jennifer Lawrence. Close is best known for her appearances in Fatal Attraction (1988), Dangerous Liaisons (1989), and 101 Dalmatians (1996), where she played Cruella De Vil, while Porter is best known for his performances on Broadway in shows such as Kinky Boots. The new film follows a young Haymitch Abernathy, one of the few Hunger Games winners from the same district as the original trilogy's protagonist Katniss Everdeen, played by Lawrence. Played by Zombieland actor Woody Harrelson, Haymitch is first introduced to readers in the original trilogy as the alcoholic mentor to tributes Katniss and Peeta Mellark, played by Bridge To Terabithia's Josh Hutcherson, before they are sent off to fight to the death in a televised arena. The prequel follows Haymitch as he is drawn to fight in the 50th Hunger Games, a violent entertainment set up to maintain control in the fictional country of Panem, and faces double the number of tributes, two boys and two girls, who are selected from each district. The movie will be directed by Francis Lawrence, who also directed the Hunger Games: Catching Fire, Mockingjay Part I, and Mockingjay Part II. will be released in cinemas on 20 November.


Irish Times
15-06-2025
- Irish Times
James Joyce: ‘For a boy of his age in a Dublin day school, he seems to have had considerable sexual experience'
Ah yes. James Joyce. No getting away from him today. The great artificer. Some smithy. Some soul! Joyce 'could have been persuaded to become a Jesuit but for one essential element in his personality which precluded this possibility,' the Benedictine priest said. And that essential element was 'his unusually precocious sexuality,' the speaker explained. So the 2012 Catholic Church's 50th Eucharistic Congress in Dublin was told. READ MORE You might think neither Joyce or sexuality would be your usual fare at a Eucharistic Congress. You would be right. But this was Bloomsday, June 16th, 2012, and the speaker was that most eclectic and erudite of men, and then abbot of Glenstal Abbey in Limerick, Mark Patrick Hederman. He said of Joyce that 'for a boy of his age in a Dublin day school, he seems to have had considerable sexual experience. His sexuality formed the warring partner in the struggle towards his ultimate destiny.' Joyce 'realised that the call to the priesthood meant the eradication of this vital aspect of himself. He saw the Catholic Church as a call to a certain kind of perfection which demanded emasculation and evisceration.' Ouch. But true. The good abbot believed that Joyce's A Portrait of the Artist as a Young Man described 'the bitter and lonely struggle between these two warring elements in an almost unbearably sensitive youth. The famous sermon on hell was the final blow to the possible vocation to the priesthood.' Hardly the first or only time an overwrought clerical imagination killed off the very thing it hoped to inspire. In what was a most enlightening lecture, Hederman proposed that, along with Homer's Odyssey, there was a parallel structure in Joyce's novel Ulysses – that of the Mass, which coincided with its beginning, middle and end. To underline this view, those familiar with the Latin Mass will immediately recognise Buck Mulligan's mock heroic opening words in Ulysses; 'Introibo ad altare Dei' (I will go to the altar of God). 'Joyce, I would hold, was a religious man. He wasn't an atheist. He believed that the humanity being presented, endorsed and canonised by the Church was a fake. He gave his life to defending the orthodoxy of humanity,' said Hederman who, many would suggest, has frequently found himself doing just that too. Precocious, from Latin praecox, for `maturing early.' inaword@