
Hugh Bonneville to reprise role as Ian Fletcher in BBC football comedy
Bonneville, 61, will reprise the character as he takes on a new title, the BBC's director of integrity for the 2026 World Cup.
Bonneville's character will join the Twenty Twenty Six Oversight Team in Miami, with a cast including The Day Of The Jackal's Nick Blood, Fresh Off The Boat star Chelsey Crisp and Designated Survivor's Paulo Costanzo.
Stephen Kunken, best known for playing Ari Spyros in Billions, also joins the cast alongside The Inbetweeners' Belinda Stewart-Wilson.
Director John Morton said: 'I wasn't sure what Ian Fletcher had been up to recently. The last I heard he was still recovering from a serious mindfulness course in Somerset. So, it's great to hear that he's made it back and has re-emerged in his natural habitat at the centre of a well-known institution, but now on the world stage and facing his biggest opportunity yet to get things right.
'I'm thrilled and hugely grateful to the BBC for giving me the chance to follow him again, this time all the way to Miami, and I literally can't wait to see what happens.'
The character was first introduced in 2011 series Twenty Twelve, which followed an organising committee for the London Olympic Games.
Bonneville was nominated for four TV Bafta awards and the original series took the Best Situation Comedy award in 2013.
The series also starred The Crown's Olivia Colman, who won the 2013 Bafta for Best Female Performance in a Comedy.
Bonneville is known for playing Robert Crawley, the Earl of Grantham, in period drama Downton Abbey, and has also starred in the Paddington films as Henry Brown.
Executive producer Paul Schlesinger said: 'It's 15 years since Ian Fletcher's journey started with the run-up to the London Olympics and we are delighted the BBC has given John another chance to capture the universal comedy of people trying to organise something really big in a room, but this time with an outstanding international cast.'
Twenty Twenty Six will consist of six 30-minute episodes and will be available to watch on BBC One and iPlayer.
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Spectator
8 hours ago
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And now let's bomb Glastonbury
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One on Glasto, one on Brighton, and the UK would soon begin its recovery, with only a few chunks of gently glowing cobalt 60 left to remind us of what we are missing. One on Glasto, one on Brighton, and the UK would soon begin its recovery The BBC would cease to exist, too. It identifies Glastonbury as an expression of the UK 'coming together', which shows you how much it understands about the country. It has poured millions of pounds of licence-payers' money into its coverage, and 400 staff were there last weekend, including the director-general, Tim Davie. Or at least 400 staff were actually working there – I'll bet another 400 or so were there in their little tents, desperate to surf the vibe or whatever the phrase is. All those people, then, and they still couldn't get it right. Nor should we take seriously their claims that pulling the ridiculous Bob Vylan from air would not be anywhere near as simple as flicking a switch. It is every bit as simple as flicking a switch, in that all they had to do was flick a switch. They had rafts of presenters who could have filled the time, plus cameras at every other stage in the festival site. All it needed was someone with the merest vestige of sentience to make the decision – but, then, this is the BBC we are talking about. Whoever was in charge of output at that moment – almost certainly someone called 'Johnny' or 'Ayesha' – probably just thought the stuff about the IDF was 'top bants'. In truth, I am not much worked up about the Bob Vylan (or Kneecap) stuff, per se. They were only doing what an endless list of hip young musicians have done at every summer festival going all the way back to Country Joe McDonald and 'one-two-three-four what are we fighting for?' – i.e., channelling infantile far-left agitprop devoid of nuance and context to an audience of gullible drongos. 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They all seriously believed McGovern was going to win that one, so wrapped up inside their radical bubble were they all (including the broadcasters). All those youthful protests of the 1960s resulted in surprise victories for the right at the polls a few years later – in the UK with Ted Heath in 1970, in France with an unexpected win for Pompidou in 1969, and of course the USA. The more fervently they insist that they are right, the more likely it is that the rest of the country will tell them to get stuffed. I suppose it is possible that Bob Vylan will do for Tim Davie, the DG – although he is the least of the corporation's problems, frankly. He knows he has a workforce which, in its arrogance, subscribes to a set of political beliefs unshared by the people who pay for its existence. And it is so endemic that there is nothing he can do about it. One little thing I noticed: the BBC News dutifully covered the Bob Vylan debacle and did so even handedly. But on every single occasion, on radio and TV, the story was immediately followed by a report of Israeli 'atrocities' in Gaza. Every single time. Do you think that is an accident? There was a programme on BBC Radio 4 on Monday, as part of the 'Currently' series, about Louise Lancaster, an environmental protestor who was finally (on her fifth conviction) handed down a four-year sentence (later reduced to three years) for organising a protest which seriously inconvenienced hundreds of thousands of people. You would be hard-pressed to find a more egregiously biased example of broadcasting. Lancaster – a middle-class teacher from Grantchester – was portrayed as a kind of saint, suffering state persecution for her entirely valid beliefs. The Sun and Daily Mail were mentioned disparagingly and every action taken by Lancaster lauded. The BBC decided first to commission this rubbish and then put it out. Can you imagine it doing a similar piece about Lucy Connolly? Not a chance. That is the real problem with the BBC. It is utterly incapable of recognising the bias it displays every day on an hourly basis, no matter how often that bias is pointed out. Bob Vylan, frankly, is the least of it.