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The Internet is Pointing Out This Massive Flaw in Johnny Depp's #MeToo 'Crash Test Dummy' Argument

The Internet is Pointing Out This Massive Flaw in Johnny Depp's #MeToo 'Crash Test Dummy' Argument

Yahoo22-06-2025
Johnny Depp would like you to know that he's not staging a comeback — mostly because, as he told The Sunday Times on Saturday, 'I didn't go anywhere.' He's been busy directing films, painting skeletons, sipping red wine under a Hunter S. Thompson poster in Soho, and, more recently, positioning himself as a victim of cancel culture and, somehow, the #MeToo movement.
'I was like a crash test dummy for MeToo,' he told the paper. 'It was before Harvey Weinstein.' The quote came buried under layers of aesthetic melancholy and disdain for modern Hollywood, but it didn't take long for the internet to call out what many saw as the core problem with Depp's narrative: it simply doesn't hold up.
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Let's break this down. Depp's ex-wife, Amber Heard, accused him of abuse in 2016 — a year before The New York Times published its Pulitzer-winning exposé on Weinstein, the catalyst most historians of the movement consider its public launch. But even setting aside that timeline, Depp's assertion doesn't square with his own story. In court, he claimed that Heard weaponized her accusations to gain #MeToo relevance. If she was, as he argued during the 2022 Virginia trial, 'seeking fame,' how could Depp simultaneously have been the movement's unknowing test subject?
This is what people online have latched onto in the wake of his new interview. As one X user wrote, 'Weird how during the trial, he claimed that Amber wanted MeToo fame… and now it's that he was a pre-test crash dummy. Cannot keep his narrative straight even now, just says whatever he needs to so he can victimize himself.'
The victim claim also rings false to many who observed Depp's life during and after the trials. Yes, he lost his Fantastic Beasts role in 2020. But even in the thick of it, Depp was still starring in movies (Minamata, Jeanne du Barry), fronting Dior campaigns, playing guitar with his band Hollywood Vampires, and being awarded lifetime achievement prizes in Spain. In 2025 alone, he's directed a new film, Modi, acted alongside Penélope Cruz in Day Drinker, and booked five different projects — all filmed in Spain, which also happens to be where Heard now lives. Some fans have even raised concerns about the frequency of Depp's appearances in her adopted country, calling it, quote, 'extremely creepy.'
Meanwhile, Heard — who moved to Madrid in 2023 to focus on raising her daughter — has largely stayed out of the public eye. She was awarded $2 million in her countersuit against Depp's attorney, but endured widespread harassment online and in person, with Depp's fans reportedly camping outside courtrooms and screaming threats.
This context has not been forgotten. Reddit commenters have responded to Depp's latest claims with blunt disbelief: 'Can this man just go away please,' one wrote. 'You won one of your lawsuits in the most heinous and retrograde way possible. Why do you still have to paint yourself as some wronged victim??'
And yet, that's the through-line of Depp's narrative — a story shaped less by consistency than by a persistent desire to cast himself as misunderstood, unfairly judged, and deeply wronged. Even as his Dior ads air, his artwork sells for millions, and Hollywood producers line up to toast him, he insists on seeing his career as a cautionary tale.
Which, to be fair, it might be. Just not in the way he thinks.Best of SheKnows
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Movie Review: JURASSIC WORLD REBIRTH
Movie Review: JURASSIC WORLD REBIRTH

Geek Girl Authority

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  • Geek Girl Authority

Movie Review: JURASSIC WORLD REBIRTH

I've been a bit mean to the most recent Jurassic World films. Who are we kidding? I've been harsh. Who would have thought Ian Malcom's iconic quote, 'Your scientists were so preoccupied with whether or not they could, they didn't stop to think if they should,' could so easily describe both films? Well, Jurassic World Rebirth , the series' hotly anticipated reboot, hits theaters this week. Will this be the 'dino-tastic' fireworks we all need this Fourth of July weekend? Or should you just 'hold on to your butts'? Read on. Jurassic World Rebirth Jurassic World Rebirth follows a pharmaceutical executive (Rupert Friend) with a wild idea. In this world, dinosaurs are now entirely passé. They cause traffic jams. For a while, they could be found on any street corner. Yet, he can't help but think they might now be an untapped resource. Could dinosaurs even be used to cure heart trouble? Well, he teams up with a cunning security expert (Scarlett Johansson) and a wide-eyed paleontologist (Jonathan Bailey) to try and figure it out. Mahershala Ali, Manuel Garcia-Rulfo, Luna Blaise, David Iacono and Audrina Miranda costar in the movie. Gareth Edwards directs Jurassic World: Rebirth from a script by David Koepp. Friends, I'm going to be blunt. We're all grown-ups here. We're old enough to handle the truth. RELATED: Movie Review: The Phoenician Scheme When has the seventh film in any franchise been earth-shatteringly good? It's a Herculean undertaking to be sure. Jurassic World Rebirth … kids, this is a tricky one. You're going to encounter a lot of 'Negative Nellie's' among critics and franchise fans alike. I can't say that they're entirely wrong. At the same time, though, this is a film that I believe is hurt by being in the Jurassic Park franchise. Get ready for a hot take. RELATED: Movie Review: Materialists More Schlocky Drive-In Jurassic World Rebirth is what happens when you take a little Jurassic Park , add a sprinkle of King Kong , a dash of Mysterious Island and a pinch of The Beast from 20,000 Fathoms . Behind the camera, director Gareth Edwards feels like a kid in a very pricey candy store, and the result is a fascinating one. Edwards' direction bursts with glee as he creates a work that is more schlocky drive-in film than a Jurassic Park movie. And I don't think Edwards really minds. This is what he wants to do. The young director wears his cinephile nerdom on his sleeve, loading the film with references to everything from the O.G. Jurassic Park to Star Wars and even, seemingly, King Kong and Ray Harryhausen films. He's making the B-monster movie to end all B-monster movies. A schlocky creature feature with a studio-sized budget. RELATED: 28 Years Later Spoiler Review Timeless Moments of Jurassic World Rebirth feel somehow timeless. This is a film where, if you were to swap out the computer graphics with hand puppets, miniatures and matte paintings, you'd end up with almost the same movie. This story could be told with minimal tweaks in 1935, 1955 and even 1975. I'm just not sure it feels right in 2025. This is largely due to some quirky script choices. At two hours and 15 minutes, it does feel a bit too long. At the same time, Jurassic World Rebirth struggles if you're looking for 'dramatic stakes.' Koepp's script, instead, chooses to wreak havoc on a group of 'red shirts' built into the storytelling. I should stop right there. You know, spoilers. This becomes all the more entertaining thanks to the ever-present hint of an almost cartoonish violence hanging over this world. A member of the main cast falls off a cliff that's far too high and bounces back in a way only Wile E. Coyote could appreciate. At the same time, there's a heavy reliance on 'hands of the screenwriter' storytelling. 'How did that happen?' You ask? The screenwriter thought it was a good idea. Sometimes, that's all the development you're getting. RELATED: Movie Review: M3GAN 2.0 Met on Its Own Terms Honestly, the film that results from Edwards' giddy, stylistic crafting would do better not having to live in Jurassic Park 's gigantic shoes. Having so much to live up to automatically sets the movie up for failure. While there's been plenty of critical debate about the most recent film's quality, for those who remember the 1990s, the original film casts a nostalgic glow that's hard to live up to. Any movie is going to struggle. This sounds a bit frustrating, and from one way of thinking, it is. However, it all plays into the silliness at play here. Jurassic World Rebirth , I suppose, is an example of a film that truly needs to be met on its own terms. This has its own ideas and much like the talking velociraptor in Jurassic World 3 , it's in the mood to mix things up, and I was very much here for that. Check out Jurassic World Rebirth if you're looking for a good time, just keep those expectations in check. Jurassic World Rebirth opens in theaters around the country on July 2, 2025. Movie Review: F1® THE MOVIE

'The Sandman' Season 2 Volume 1 Review - A Journey Into Hell That Brings Devastating Revelations
'The Sandman' Season 2 Volume 1 Review - A Journey Into Hell That Brings Devastating Revelations

Geek Vibes Nation

time7 minutes ago

  • Geek Vibes Nation

'The Sandman' Season 2 Volume 1 Review - A Journey Into Hell That Brings Devastating Revelations

Tom Sturridge as Dream | Courtesy Of Netflix © 2025 As Netflix's adaptation of The Sandman begins its final season, the groundwork is laid for what's sure to be a tragedy that would rival the very best of Greek tragedies. Eschewing some of the lallygagging, lackadaisical pacing that permeated its first season, season two of The Sandman tells a taut, tightly-paced tale of betrayal, redemption, and consequences. As Morpheus grapples with the action of past sins, he must place his very life on the line to make amends. While fans of the comic may mourn some of the stories left on the cutting room floor, season two of The Sandman greatly benefits from its streamlined focus, resulting in an enthralling family drama with hints of delicious, melodramatic tragedy on the horizon. A Journey Into Hell Picking up where the first season left off, Dream (Tom Sturridge) journeys to Hell to rescue an old lover he damned to an eternity in the fiery pit. But what he uncovers sends Dream down a path that may just lead to his undoing. For though the road Dream walks may lead him to redemption, it may also spell the end of everything he holds dear. It's a path that reunites him with lost loves and lost family as the Lord of Dreams realizes just how much he's changed after spending a century trapped on Earth. Adapting storylines originally found in volumes 4 and 7 of the comics, the first half of The Sandman 's second and final season tells a more streamlined story of betrayal, heartbreak, and forgiveness. Put simply, if you liked The Sandman 's first season, you're gonna adore its second. Everything that worked about season one returns in season two. You've got Tom Sturridge's haunting portrayal of Dream, alongside his ever-expanding family, featuring the return of Kirby Howell-Baptiste, Mason Alexander Park, and Donna Preston as Death, Desire, and Despair. Joining them are Adrian Lester, Esmé Creed-Miles, and Barry Sloane as Destiny, Delerium, and Destruction (the missing Endless sibling). As season two unfolds, it quickly becomes apparent that Dream's story is far bigger and stranger than what we saw in season one, with ties all the way back to Ancient Greece and the myth of Orpheus and Eurydice. And as Dream grapples with his past sins, Destiny foretells a dangerous future for Dream—one that he just might not escape. It's the beginning of The Sandman 's final outing, and these first six episodes promise quite a doozy of an ending. Tom Sturridge as Dream | Courtesy Of Netflix © 2025 A Tighter Focus But at What Cost? Perhaps the biggest change between seasons of The Sandman lies in its structure. Season two takes a page out of Andor 's second season, with this first half of the season being comprised of two distinct arcs, each spread across three episodes adapting 'Season of Mists' and 'Brief Lives', respectively. As such, though each arc feels nice and contained and far more focused than season one's storylines felt, the whole show feels as though it's moving at a breakneck speed. Though focused more squarely on Dream's journey proves to be a much-needed boon, it comes at the cost of the quieter, more character-focused stories found in season one—like 'The Sound of Her Wings', the season's sixth episode. Though the season does make room for some beloved standalone stories, like 'A Midsummer Night's Dream', 'The Song of Orpheus', and 'Thermidor', tying them tighter into Dream's overarching story than the comics might've. That being said, these episodes still find time to delve into Dream's relationships—most notably with his sister, Delerium, and his son, Orpheus (Ruairi O'Connor). O'Connor's performance as Orpheus is equal parts breathtaking and heartbreaking, as is his relationship with Dream. But it's Delerium that both makes and breaks this half of the season. Her longing for reuniting with Destruction sends Dream down this path of redemption and her relationship with Dream offers up the most tender scenes found in the season so far. But translating her from page to screen proves a bit difficult as, despite some strong writing and Creed-Miles' equally strong performance, the show can't quite capture the otherworldliness of Delerium's page counterpart. Still, this trio's relationship is where The Sandman really starts finding its footing as a story about redemption and the power of storytelling. Everything We Know About James Gunn's Superman Movie 2025 Mason Alexander Park as Desire, Donna Preston as Despair, Barry Sloane as Destruction, Esmé Creed-Miles as Delirium | Courtesy of Ed Miller/Netflix © 2025 The Elephant in the Room And now for the elephant in the room. When discussing any adaptation of Neil Gaiman's works, it must be acknowledged that earlier this year, multiple credible allegations of sexual assault were levied against Gaiman, resulting in both the cancellation of some adaptations of his work as well as the major retooling of others, such as Amazon Prime's ongoing adaptation of Good Omens . As far as The Sandman is concerned, co-executive producers, Allan Heinberg and David S. Goyer, both report that the decision to end the series with its second season was made long before the allegations against Gaiman came to light and that Gaiman, himself, played a far smaller role on the show's second season than he did on its first. However, it remains difficult to separate Gaiman from The Sandman. For so long, it's been identified solely in connection with Gaiman, and many of its themes read a bit differently in the wake of these allegations than they previously did. Still, the vast majority of production on season two occurred before the surfacing of the allegations against Gaiman, leaving The Sandman in a sort of twilight zone in-between space. Your mileage may vary on whether you want to support the show given the allegations against its creator, It's a decision every viewer must make for themselves, given the situation surrounding the show, its production, and the timing of its airing. Though the show's marketing does its best to distance itself from Gaiman, much to its credit, the fact of the matter still remains and may prove ultimately inescapable. Final Thoughts Setting all of that aside, the first half of The Sandman 's second and final season holds onto much of what fans enjoyed in its first season while delivering a tighter, more focused narrative. Sure, it sometimes feels as though the show is speedrunning its way through the last 50 or so issues of The Sandman 's original comic run, desperate to reach its climactic conclusion as quickly as possible. But mostly, it works, even if the series might've been better splitting up each arc into their own separate volume like Andor did, rather than releasing both 'Season of Mists' and Brief Lives' at the same time. As a fantasy show standing on its own two legs, the first half of The Sandman 's second season is about as strong of a beginning as you could hope for. Its pacing feels a bit too breakneck in the latter three episodes, but it's a far more efficient and, surprisingly, faithful adaptation of the comics, sticking to its core themes and arcs without wandering too far astray. If the latter five episodes, set to debut July 24th, can stick the landing, then Netflix might just have achieved the previously unthinkable: a complete adaptation of the once unfilmable Sandman series. Season Two, Volume 1 of The Sandman premieres July 3rd on Netflix, with volume 2 following on July 24th and a subsequent bonus episode airing on July 31st

40 Years of 'Back to the Future': A Timeless Adventure
40 Years of 'Back to the Future': A Timeless Adventure

Geek Vibes Nation

time7 minutes ago

  • Geek Vibes Nation

40 Years of 'Back to the Future': A Timeless Adventure

Today marks the 40th anniversary of a film that didn't just entertain—it changed the way we dream about time travel. Back to the Future, directed by Robert Zemeckis and produced by Steven Spielberg, hit theaters on July 3, 1985, and instantly became a cultural phenomenon. As we celebrate this milestone, let's hop into the DeLorean, crank it to 88 miles per hour, and revisit the magic of this iconic movie. A Story That Stole Our Hearts I remember watching Back to the Future as a kid, sprawled on the living room floor, completely mesmerized by Marty McFly (played by Michael J. Fox) and his wild adventure. Marty, a teenager with a skateboard and a knack for getting into trouble, teams up with eccentric scientist Doc Brown (Christopher Lloyd) to travel back to 1955 in a time-traveling DeLorean. The stakes? Fixing the past to save the future, all while ensuring his parents fall in love. It's a story about family, friendship, and the courage to shape your own destiny. The film's charm lies in its heart. Marty's awkward encounters with his teenage parents—especially his mom, Lorraine, who develops a crush on him—had us laughing and cringing. Doc's wild-eyed enthusiasm and quirky inventions made him unforgettable. Together, Michael J. Fox and Christopher Lloyd created a chemistry that felt real, like two friends who'd trust each other across any timeline. Fun Facts About Back to the Future Here are some behind-the-scenes tidbits that make this movie even more special: The DeLorean Was a Star: The DeLorean DMC-12 , with its gull-wing doors and stainless-steel body, was chosen for its futuristic look. Only about 9,000 were ever made, and the film turned it into a legend. Fun fact: the car needed to hit exactly 88 mph to time travel, a number chosen because it looked cool on the speedometer! The , with its gull-wing doors and stainless-steel body, was chosen for its futuristic look. Only about 9,000 were ever made, and the film turned it into a legend. Fun fact: the car needed to hit exactly to time travel, a number chosen because it looked cool on the speedometer! Eric Stoltz Was Almost Marty: Hard to believe, but Michael J. Fox wasn't the first choice. Actor Eric Stoltz filmed for six weeks as Marty before Zemeckis recast Fox, who was juggling the role with his TV show Family Ties. Fox's charm and comedic timing made the role iconic. Hard to believe, but Michael J. Fox wasn't the first choice. Actor filmed for six weeks as Marty before Zemeckis recast Fox, who was juggling the role with his TV show Family Ties. Fox's charm and comedic timing made the role iconic. Huey Lewis Powered the Soundtrack: The film's hit song, 'The Power of Love' by Huey Lewis and the News, became a 1980s anthem. Huey Lewis even cameo'd as a judge who tells Marty's band they're 'too darn loud.' The film's hit song, by Huey Lewis and the News, became a 1980s anthem. Huey Lewis even cameo'd as a judge who tells Marty's band they're 'too darn loud.' Reagan Loved It: President Ronald Reagan was a fan and even quoted the film in his 1986 State of the Union address, saying, 'Where we're going, we don't need roads.' How's that for cultural impact? President was a fan and even quoted the film in his 1986 State of the Union address, saying, 'Where we're going, we don't need roads.' How's that for cultural impact? Johnny B. Goode Moment: Marty's performance of 'Johnny B. Goode' at the 1955 dance was a nod to rock 'n' roll history. Chuck Berry's cousin in the scene calls him to say, 'You gotta listen to this guy!'—a playful origin story for the song. A Cultural Time Capsule Back to the Future wasn't just a movie; it was a love letter to the 1980s and 1950s. The contrast between Marty's 1985 world—think Walkmans and Pepsi Free—and the 1955 Hill Valley, with its soda fountains and poodle skirts, gave the film a nostalgic warmth. It made us laugh at how much had changed while reminding us that some things, like love and courage, are timeless. The movie grossed over $381 million worldwide on a $19 million budget, making it the highest-grossing film of 1985. It won an Academy Award for Best Sound Effects Editing and was nominated for Best Original Screenplay. Its success spawned two sequels, an animated series, a theme park ride, and even a Broadway musical in 2023. Why It Still Matters Forty years later, Back to the Future still feels fresh. It's the kind of movie you watch with your kids, quoting lines like 'Great Scott!' or 'This is heavy!' It inspired generations to dream about time travel—who hasn't wished for a DeLorean to fix a mistake or peek at the future? The film's optimism, humor, and heart keep it alive, even as hoverboards and self-lacing sneakers (predicted for 2015 in Part II) remain mostly sci-fi dreams. For me, rewatching it feels like catching up with old friends. Marty's determination, Doc's wild ideas, and that iconic flux capacitor remind us to embrace adventure and believe in the impossible. As Doc says, 'Your future is whatever you make it, so make it a good one.' Join the Celebration This 40th anniversary is a perfect time to revisit Back to the Future. Stream it, dust off your VHS, or catch a special screening. Share your favorite moments with friends—maybe debate whether Biff ever stood a chance. And if you see a DeLorean cruising by, give it a wave. After all, it might just be headed to 1955… or 2025. Here's to 40 years of Back to the Future, a movie that proved the past, present, and future are all worth celebrating.

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