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Former UFC champion Georges St-Pierre looks to share his story on stage

Former UFC champion Georges St-Pierre looks to share his story on stage

TORONTO – Former UFC champion Georges St-Pierre wants to share his story.
From being bullied as a child to holding down three jobs while going to college. And the stress and challenges he faced in his rise to being a two-division mixed martial arts champion.
The 44-year-old St-Pierre, a native of Saint-Isidore, Que., who is a member of both the Canada Sports Hall of Fame and UFC Hall of Fame, will debut 'GSP: The Instinct of a Champion' at Toronto's Meridian Hall on Sept. 29 with other Canadian dates to follow in 2026.
The hope is to then take the show to the U.S. and other countries.
St-Pierre is no stranger to speaking publicly, having made plenty of speeches to corporate and other gatherings. The speaking tour will take the form of a live interview, followed by an audience Q-and-A.
'I will explain how I deal with fear, with stress. Background stories. Different protocol and tricks that I used throughout my career,' St-Pierre said from Thailand where he currently filming a reality show to air next year on Netflix.
He believes the September show will work for both fans and those who hope to learn something that they can apply to their own lives.
'A lot of what I do is always oriented towards the art of war — in terms of performance, how to be the best. And to be able to reach the top,' he explained.
St-Pierre officially retired in February 2019 with a 26-2-0 record, having won the middleweight title in his last fight at UFC 217 in November 2017. He previously was the longtime welterweight champion.
Sharing his story was difficult at first, he acknowledges.
'Now time has passed and I can talk about a lot of things in my life that I was not so comfortable to talk about when I was younger,' he said. 'Things like my dad when he was drinking and how it would affect me. Because when he quit drinking, he became my No. 1 inspiration. I saw how hard it was (for him).
'So everything started negative in the beginning but then later it became a positive thing, because it became an inspiration for me. When he made that sacrifice (forgoing alcohol), it really reunited my family and it bound us back together. It's something that had a huge impact on my life … I feel very lucky and very privileged to have a great role model.'
St-Pierre comes from humble beginnings on Montreal's South Shore. His father spent more than 60 hours a week on a floor-recovering business, installing carpet and ceramics. His mother nursed the elderly.
St-Pierre earned his own floor-recovering certificate before making it big in MMA.
Tony Gattillo, the Montreal-based producer of the show, believes St-Pierre's story can serve as inspiration.
'I think people will leave the show very motivated and will want to apply certain things that Georges is going to share … for the first time. And motivate the people,' said Gattillo, a former singer now working behind the scenes in the entertainment industry. 'And help them realize that if you want to be a champion in your life or you want to reach a certain goal, there is hard work to do. There's dedication. There's discipline. And mental toughness.'
When St-Pierre entered the modern wing of the UFC Hall of Fame in 2020, he was one of seven UFC fighters to win a title in two weight classes. He retired on a 13-fight win streak with a record that included 13 title fight victories, the second most in UFC history, and boasted the most strikes landed (2,591), most significant ground strikes landed (461) and most takedowns (90).

This report by The Canadian Press was first published July 10, 2025
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Back in 2004, the front page of the Free Press Arts & Life section (then called Entertainment) ran a glowing tribute by Morley Walker to one of the most august careers in Manitoba's arts sector. Rita Menzies was retiring. Some expected she'd make more time for favourite pursuits — cooking, travel, family, opera, art— especially after such an eventful finale to a long career. The year before, Menzies — who'd been with the Manitoba Chamber Orchestra for 24 years as its first general manager — had been tapped to take the Winnipeg Symphony Orchestra's reins in an interim capacity. Jeannette Menzies photo Rita Menzies on a trip to Reykjavik, Iceland. On the face of it, the move may have seemed improbable. The WSO was 10 times the size of the MCO and had a $3-million deficit. But Menzies' reputation — her crack command of budgets and structures, coupled with a soft, deft touch for people and politics — preceded her. 'There were a lot of highfalutin people who came in and absolutely burned out within a month,' recalls violinist and WSO concertmaster Karl Stobbe. 'I really have to give (Rita) credit for saving the WSO in a time when people were not sure it could be saved.' Amazingly, the WSO finished its 2003-4 season with a considerable surplus. Walker playfully cast aspersions on her resolve to retire after this success: 'Oh, did she not tell you? She has accepted an honorarium to run the Agassiz Summer Chamber Music Festival in June … But in July, she plans to take it easy. Honest.' What's that saying about best-laid plans? Before long, the retiree was the annual fest's director, a role she held for a full 11 years. She also returned as the WSO's interim executive director in 2006 and served as Agassiz's board president until her death in June at 83, after a short battle with cancer. 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When Young assumed the MCO's reins in 2003, she had a rarity in her hands: a classical ensemble with loyal employees and musicians, a consistent streak of balanced budgets and a deeply engaged, supportive audience base. '(Rita) was always thinking ahead and setting a really good foundation for what was to come,' says Young. Over the next 20 years, the MCO saw a continued streak of balanced budgets, more growth and further professionalization of its board, touring and movement towards more multicultural priorities. It benefited not just from Menzies' foundation but something more ineffable. Menzies was valedictorian at her Grade 12 graduation. Veteran staff will tell you about a cultural throughline at the MCO — a democratic ethos with a strong, trusted leader acting as first among equals — that they trace back to Menzies. 'She was described as kind of having a calming effect on an organization,' says her daughter Jeannette. 'I saw her as a trailblazer. But I think my mom would probably be mortified (to hear that) because she really would give equal credit to Jon, Elise and others.' Though Menzies' so-called retirement was packed with Agassiz commitments and volunteer work, her tireless sense of industry found rhythm in the pastimes she loved most. She was known as an extraordinary cook and a lifelong learner, picking up watercolour painting in retirement. As a consummate hostess and longtime member of the Westminster Concert Organ Series Committee (founded by her husband in 1989 and running until the pandemic), she prepared many dinners for guest organists and the receptions following concerts. The couple sometimes oriented their many trips across the world around performance opportunities for Don and made regular pilgrimages to the Ottawa area to see their granddaughters, Grace and Olivia Kennedy. 'Behind everything was Rita's love of life, her family, music, the arts, of people and of the Winnipeg community,' says Marleyn. Menzies with her daughters Tanis, Jeannette and Jennifer. 'She avoided the stage and public attention, yet somehow quietly lead her workplaces with elegance, industry, effectiveness … Rita gave us all such a magnificent example of what the qualities of honesty, kindness, hard work and love can achieve.' Conrad SweatmanReporter Conrad Sweatman is an arts reporter and feature writer. Before joining the Free Press full-time in 2024, he worked in the U.K. and Canadian cultural sectors, freelanced for outlets including The Walrus, VICE and Prairie Fire. Read more about Conrad. Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber. Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.

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