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I bought a bargain picket fence on Temu to make my garden pretty & keep my dog off the wall – but made an epic mistake

I bought a bargain picket fence on Temu to make my garden pretty & keep my dog off the wall – but made an epic mistake

The Irish Sun2 days ago
A BARGAIN hunter thought she found a fence for her garden, but what arrived was a mega fail.
Kerry-Louise Webber decided to give her
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Kerry-Louise wanted a cute picket fence to run along her wall
Credit: Facebook/ BARGAIN LOVERS
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But what she got left her in stitches
Credit: Facebook/ BARGAIN LOVERS
So, she decided to buy an adorable picket fence in brown to add a touch of glam and prevent her dog from climbing up.
Kerry-Louise didn't want to spend too much on the garden makeover so decided to head to Temu to grab a bargain.
The online retailer is well known for its cut-price deals so she was pleased to see a fence on offer for just £1.34.
But when it
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Taking to Facebook, she shared a video of her garden and where she wanted to put the new buy.
She said: "Right, having done the garden, I've bought a little fence. I thought if I put a little fence along here like, and along there, it would look quite pretty and stop her (Kerry-louise's pitbull) jumping on and off the wall.
"So I thought, get a little picket fence.
"So, I ordered one off Temu which looked lovely."
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The little while wall was decorated in knickknacks and fairy lights and the picket fence would have looked gorgeous surrounding it.
But when the package came, Kerry-Louise was stunned to see it only stood around 10cm tall.
I made a DIY fence for £68 with pallets from Facebook Marketplace - it gives more privacy & people say it's 'fantastic'
She was left in hysterics as she joked: "What the actual f***.
"That's the picket fence. Holy moly."
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In the comments of the clip, she revealed that when she first opened the package she thought it was a KitKat bar as it was so small.
Fortunately the tiny fence didn't go to waste as the woman had a friend who used them for a doll house she was making.
The video soon went viral on the Facebook group,
One person wrote: "Pahahah as soon as you said Temu I knew where this was heading."
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Another commented: "I never check measurements, I know better now!"
"OMG that's so big! Are you planning on hiding from your
neighbours
?" joked a third.
Why is Temu so cheap?
TEMU exploded onto the scene in late 2022, with people all over social media raving about the low prices.
The company is a Chinese-owned digital marketplace - essentially an online shopping app where people are connected to the retailer directly while the app takes care of the shipping element.
The frenzy over the app is not completely unfounded either as it offers a wide variety of products, including fashion, make-up, electronics and furniture.
The loophole is called the de minimis exception and it means they can ship goods valued up to $800 (£643) to the US without it being inspected or taxed by US customs.
Temu connects customers directly to manufacturers and only manages how the items are sent to customers.
It means Chinese vendors can essentially sell their products directly to customers and ship it without building a network of warehouses across the globe.
By doing this, they cut down on huge costs and ensure the product itself isn't marked up extra.
While many of the products seen on the Temu app are from brands with extensive, original collections, many more are dupes of designer brands.
Meanwhile a fourth said: "Gosh, that made me chuckle."
"Temu did you dirty,' claimed a fifth
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Someone else added: "Sorry but that is so funny!"
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Vibes and victories: how Robbie Brennan put smiles on Meath faces
Vibes and victories: how Robbie Brennan put smiles on Meath faces

Irish Times

timean hour ago

  • Irish Times

Vibes and victories: how Robbie Brennan put smiles on Meath faces

Everyone you talk to about Robbie Brennan starts in the same place. Great guy. Great fun. A football nut, yes. But a people person, first and final. Shane Walsh didn't know him at all in the summer of 2023. Galway were still in the championship all the way to the All-Ireland final but shortly after losing to Kerry, Walsh was heading to meet the Kilmacud Crokes manager. He knew his name was Robbie Brennan and that the Crokes boys called him Baggio. But that was about all he had to go on. 'I didn't know what to expect,' Walsh says. 'I'd seen a picture of him but all I really knew was I was going for coffee with this lad Baggio. And straight away, I sat down and he cracked a joke about the All-Ireland. 'He always calls me Gorgeous. That's his line for me. The Galway lads caught on to it one day. I answered the phone to him and said, 'Well Baggio' and he was there, 'Ah, Gorgeous, it's yourself!' That would be Robbie, it would be all about giving you a laugh and having the crack. 'He'd be taking the piss out of you saying, 'When are you coming down to training? I have 5,000 fans there every night thinking you're going to be there.' He has that kind of loveable rogue thing. He could say anything to you but at the same time, you'd do anything for him.' The Baggio thing, we may as well get out of the way quickly. On July 17th, 1994, Kilmacud Crokes were playing a match on the same day as the World Cup final. Robbie Brennan was the Crokes penalty taker and on that particular day, he was the Crokes penalty misser. Everyone repaired to the clubhouse afterwards to watch Italy take on Brazil and ... you can fill in the rest yourself. There's much more to Robbie 'Baggio' Brennan than a missed penalty. Photograph: Ryan Byrne/Inpho He's been Baggio ever since. He likes to say that he responds to it quicker than if somebody calls him Robbie. He hasn't tweeted for well over five years but when he did, his handle was @baggio132. 'I'd say it will be on the headstone,' he reckons. The nickname is a very Robbie Brennan thing. No point taking yourself too seriously, nothing lost in having a laugh at yourself. It has been a handy attitude to have on his side throughout a football career that frequently found him flitting between clubs and communities. In Meath , where he spent his early years and in Dublin, where he grew up. Brennan has always had a kind of dual nationality. His father Paddy was the captain of the 1974 Meath intermediate champions St Johns, later to become Wolfe Tones. When the family moved to Dublin soon after, he was the only kid in Kilmacud wearing a Meath jersey. On the night of his unveiling as Meath manager, he told the story of having to go to Colm O'Rourke's sports shop in Navan Shopping Centre to get said Meath jersey, whereupon his dad questioned O'Rourke on why he never used his right foot any more. So there has always been Meath football in Brennan's life, a kind of Miwadi in his Dublin water. When he won a Dublin club title in 1998 with Kilmacud, one of their games in Leinster was against St Peter's of Dunboyne. Brennan scored two points that day at full-forward. In goals for Dunboyne was his future brother-in-law, David Gallagher. By 2005, Brennan had switched sides and was playing full-forward for Dunboyne, having married Liz, David's sister. When they won the Meath championship that year, there was nothing surer than they would meet Dublin champions Kilmacud in Leinster. They did and duly got hammered. St Peter's have won three county titles in their history. They've run into Kilmacud each time. Robbie Brennan and Shane Walsh at a match between Cuala and Kilmacud Crokes in 2024. Photograph: Tom Maher/Inpho Incredibly, Brennan has been involved in all three encounters, first as a player for Crokes, then a player for Dunboyne and finally as the Crokes manager in 2018. Not so much a foot in both camps as a life in both worlds. When he was managing Crokes to Dublin titles, he was taking underage teams in Dunboyne. Nobody fell out with him, nobody thought it weird. 'To us, it was a natural fit,' says Shane McEntee, clubmate with Dunboyne and still a Meath footballer until earlier this year. 'We would have seen Robbie as Meath and as Dunboyne, even though he grew up with Kilmacud. He was very obviously intent on managing from very early on. 'I would have helped him out with a minor team at one stage and he had done a few years with Kilmacud by then. You could just tell he was very modern, very tactically-minded. He's very analytical about football. His trajectory was always headed towards a high level.' Through it all, his good humour and easy manner was his calling card. He managed St Sylvester's in Malahide, then teamed up with Gabriel Bannigan at Kilmacud before taking the reins himself in 2018. Crokes had gone eight years without a Dublin title at that stage and hadn't so much as been to a county final since 2012. 'He wouldn't have been hands-on at all under Gabriel,' says Paul Mannion. 'When he took it on himself, we had gone through years of massive underperformance. Disappointing results, knocked out early, didn't get close to a final really. For us, for where we were at that time, Robbie's approach really worked for us. Robbie Brennan enjoyed plenty of success with Kilmacud Crokes. Photograph: Ryan Byrne/Inpho 'It's almost like he put an arm around the team. I don't think the team needed someone to be coming in cracking the whip in the way other managers might have done. He sensed that probably and felt he just needed to come in and be himself. He just has that jovial kind of spirit to him.' Mannion's first response when asked what he thinks of when he thinks of Brennan is much the same as Walsh and McEntee. 'A good friend, first off,' he says. 'Not the most typical in that sense when it comes to a manager. He's a friend to all of us. Some managers like to keep their distance and that works for them. But that's not him. What works for Robbie is probably the opposite.' But if that's all he was, it wouldn't be enough. Brennan led Kilmacud to four Dublin titles in six years, including the first three-in-a-row in the club's history. In 55 years of the Leinster club championship, he's the only manager to oversee a three-in-a-row. Back-to-back All-Ireland finals, the second ending with Crokes on the Hogan Stand. You need more than good vibes and a bit of slagging to build that kind of CV. Having the players helps, clearly. Crokes had the likes of Mannion, Rory O'Carroll and Craig Dias about the place before Walsh ever set foot in Stillorgan. Cian O'Sullivan was around for a while but no sooner had he retired than Theo Clancy came through. But for all that they had the ingredients, they needed Brennan to convince them they were worthy of the plate. 'I remember meeting him in early 2021,' Mannion says. 'We had the bad loss to Mullinalaghta in 2018 and then early exits from the Dublin championship over the next couple of years. We were having a chat about the plan for the year and he was like, 'I fully believe there's an All-Ireland in this group.' 'We went on to lose the final to Kilcoo at the end of that season and won it the following year. But when he said it to me that time, with the losses we'd had and how inconsistent we'd been, I remember thinking that I just personally didn't see it at all. He was just convinced there was an All-Ireland there when, truthfully, I don't think the players ourselves saw that at all.' Meath's Shane McEntee against Galway in 2022. Photograph: Ben Brady/Inpho The parallels with what Meath have achieved under Brennan this summer are obvious. This weekend two years ago, they were in the Tailteann Cup final. Anyone suggesting they'd go from there to beating Kerry, Dublin and Galway in the 2025 championship would have been laughed out of Croke Park that day. Yet here they are. McEntee would have dearly loved to be part of it. He's still only 31 and was the Meath captain as recently as 2022 so age is no barrier. But he's had two back surgeries in recent years and however willing the spirit, the body won't play ball. Brennan had him in late last year as part of the extended panel but when time came to pare it back ahead of the league, McEntee didn't make the cut. Couldn't, basically. It means he has a unique perspective on the Meath season under the new manager. McEntee was there for those initial couple of months when Brennan was bedding in, setting a tone and unifying the group. He sat in the team meetings and listened as the new man set about them. It was the middle of the winter slog and the sports-and-conditioning guys were working on their bodies. But Brennan knew that unless they had belief in what was possible, all the gym work in the world was pointless. 'Robbie makes fellas feel very good in themselves,' McEntee says. 'He's really positive, really upbeat. He made a comment about Jordan [Morris] early in the year while I was sitting there. He was talking about the level he thinks Jordan is at, that he's up there with the top forwards in the country. 'That's not really an Irish thing. It's not really a GAA thing to make these big brash statements. And having seen Jordan play a lot, I could see what he was getting at. But he has reached new heights this year. He has proved Robbie right. Meath manager Robbie Brennan hopes his team can overcome Donegal in an All-Ireland semi-final this weekend. Photograph: Morgan Treacy/Inpho 'I think Robbie was saying that based on his potential more so than his consistent intercounty form to that point. But there could well be a correlation there between the amount Robbie was praising him and the level of confidence he's playing with. Because Jordy has obviously been phenomenal this year.' Walsh was standing at the other end of Croke Park a fortnight ago as Meath ate the final minute before the hooter. He reckons he was resigned to Galway's fate before the rest of them – he didn't hold out much hope of a Brennan team mismanaging the dying seconds. They didn't get to see each other on the pitch but his phone pinged afterwards with 'a lovely message' from his old boss. 'For a big fella, he's well able to shed a tear,' Walsh says. 'But he has a winning mentality. I don't know if that comes from him rubbing off on players or players rubbing off on him. But whatever it is, he's about winning. He's not in it for a lovely story about Meath getting to a quarter-final or a semi-final. He's in it for the main thing. 'And you can see he has it with the Meath lads. They have that energy with him. When they beat us the last day, you could see loads of them running over to him and celebrating with him. And a lot of that I'm sure is down to the belief he's instilled in them. He'd make you feel 10ft tall.'

'With Kerry at times I feel like I'm overcritical': the tricky balance of being a Kingdom pundit
'With Kerry at times I feel like I'm overcritical': the tricky balance of being a Kingdom pundit

Irish Examiner

time5 hours ago

  • Irish Examiner

'With Kerry at times I feel like I'm overcritical': the tricky balance of being a Kingdom pundit

After their escapades in 2009, the late Páidí Ó Sé took great relish in singing the tune dedicated to his nephew Tomás Ó Sé and Colm Cooper. Jack O'Connor dropped the pair for the All-Ireland SFC qualifier against Antrim for breaching discipline but it all worked out in the end and 'It Wasn't Lucozade', belted out by Ó Sé in The Boar's Head pub over the All-Ireland final weekend they beat Cork, was the hit that never was. Will O'Connor's latest row with an Ó Sé inspire another ditty? Don't be surprised. Kerry make a habit of making light out of the dark even if O'Connor's thinly-veiled dig at Darragh Ó Sé spoke of a profound difference. Some wounds cut deep. Friendships and associations have ended on the back of commentary. 'The one player who won't talk to me is Ogie Moran," Pat Spillane wrote in his autobiography, No Pat on the Back – Confessions of A Football Pundit. "Ogie was a great player. My problems with Ogie, or more precisely his problems with me, go back to the time when he was manager of the Kerry team and I was very critical of him. One of my dearest wishes would be that Ogie and myself could bury the hatchet." Perhaps sensing his analysis would eventually be interpreted similarly, one of the game's most insightful minds Dara Ó Cinnéide left The Sunday Game after five years. His work commitments with Raidió na Gaeltachta had increased but Ó Cinnéide was also acutely aware of how his words resonated within the county's confines. Being a pundit is akin to an occupational hazard for a Kerry footballer. Of the 20 Kerry players who played in the 2009 All-Ireland final, nine have either had a newspaper or online column at some stage, including Ó Sé and captain Darran O'Sullivan. Since retiring in 2019, the Glenbeigh-Glencar man has worked with the likes of Kerry's Eye, and Off The Ball. He admits he struggles to avoid placing the same expectations on Kerry teams that he had of himself. 'It is one of those things that the longer that you have finished up, the easier it is to be more direct and honest because you don't know the players as much,' says the four-time All-Ireland SFC winner. 'I'm not sure if I am with other counties, with certainly Kerry at times I feel like I'm overcritical because I expect the highest standard of everything, which is unfair. 'When you see back in black and white what you've said or written, your reaction is, 'Ah, I was a bit harsh.' But a lot of that has to do with I as a player liked having that extra bit of pressure and people expecting that we had to do more than anybody else. That our style of football had to be better and I grew as a footballer in a dressing room environment when nothing was ever enough. If we won by 10 points, we'd find a flaw somewhere. 'It is tricky, the punditry, especially when it is your own. You are just putting on them the expectations we put on ourselves. There's always another gear.' For the life of him, O'Sullivan can't remember anything any of the Kerry golden years era that he might have taken exception to during his career. 'Most of what I got was when I was working in the bank and random people coming in with the sole purpose of telling me we were good or bad, that this fella shouldn't be on the team, that this fella should, all that type of stuff. 'Most of the media stuff you'd be aware of it but I would have never read it. I was good for avoiding that stuff. Social media wasn't as big then either so you could ignore things a lot easier.' Living among those he critiques and with the possibility of seeing them on the street is also something O'Sullivan has to consider. 'I try to be straight. If Kerry play badly, I will say they played poorly. I tried not to make it individual so if the defence are leaking scores, I will comment about them collectively. 'You would go as far as saying such and such had a tough afternoon but you wouldn't be thinking, 'Oh, I hope I don't bump into him.' By and large, they would have known they had a bad game and even though you're highlighting that, and they might be thinking 'f- him anyway', more often than not fellas accept it. 'You're going to be called out if you have a bad day. You just have to avoid getting personal or being too personal. At the end of the day, you're there to do a job and call it as you see it, and if you don't do that, you'll be called out yourself for bluffing it. 'There can be awkwardness but so long as you can stand over what you said or wrote that's enough. You're not doing it to hurt anybody; you're saying what you see.'

Book review: Distorted view of reality is a common theme
Book review: Distorted view of reality is a common theme

Irish Examiner

time6 hours ago

  • Irish Examiner

Book review: Distorted view of reality is a common theme

In Marni Appleton's short story Positive Vibes, Lia sees girls sitting at the tables outside the café where she works 'phones in hands, hunched over themselves as though they'd like to fold up flat and slip away entirely'. The scene encapsulates how technology dominates and diminishes the characters throughout Appleton's promising short story collection, I Hope You're Happy. On a school tour, girls ostracise a classmate by cropping her from a group photo so that 'only her arm remained, strung up in thin air like a dead thing'. A woman who becomes obsessed with a work colleague after a sexual encounter checks his Facebook page and Twitter feed every day to forge a sense of closeness with him. In the title story, Chloe intentionally doesn't block her estranged confidant Ana from her social media profiles because Chloe wants her posts to demonstrate that the dissolution of their friendship hasn't dented the vivacity of her life — and knows Ana is addicted to using the apps. The collection's 11 stories are mostly populated by millennials (those born between 1981 and 1996) and Gen Zers (born between 1997 and 2012). All Appleton's protagonists are female. The English author presents us with a glimpse of sexually fluid, uncertain, and hedonistic characters. Some snort cocaine off the back of their iPhones while others engage in threesomes. They're often in precarious employment, overwhelmed ('Doing nothing…no longer seemed an option'), and tentatively trying to negotiate the complications of strained relationships and rapidly-evolving social mores. They believe in manifesting and, perhaps inevitably, one of the book's epigraphs is from Taylor Swift ('Give me back my girlhood, it was mine first'). Appleton's writing has appeared in the Irish literary journal Banshee, among others. Shifting between the first and third person, her stories forensically dissect the subtle power dynamics of relationships and are frequently embossed with striking images. For instance, a teenager waiting outside a station sees her mother's white Toyota Prius among a cluster of black cabs as a 'swan in a huddle of ducklings'. That observation comes from the narrator, Allie, of Road Trip, a story that illuminates an important theme in the collection: Appleton's depiction of outsiders at the centre of her stories. In a frightening chronicle of neglect, Allie's irascible mother punishes Allie by shoving her out of a stationary car onto the side of the road and then drives away. 'No one is expecting me anywhere,' the narrator believes as she walks towards home. 'No one is expecting anything from me.' If the men in this collection are portrayed as, at best, virtue signallers and, at worst, perpetrators of coercive control, some of the female characters are equally adept at sabotaging one of their own. Female friends turn 'inward' to exclude a disloyal classmate for kissing the boyfriend of a group member before they deliver their misogynistic judgement on the betrayal: 'it's so much worse when a girl does it.' Body image is a recurring anxiety in the book and receives its most articulate expression in The Mirror Test. Melissa concedes she is always looking at herself in any available surface — a phone screen, a mirror, a train window — but doesn't recognise the person in the reflection. 'She is cruel and detached … It is true people hate her — that's the price she pays — but their envy, a weight, also lights her up.' The stories anatomise how technology and, particularly, social media distort its characters' view of themselves, but the collection also emphasises their culpability in this degradation. 'I know that anything I've lost,' one character suggests, 'has been given away freely.' Read More Book review: Do not put this book on hold

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