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Rainforest World Music Festival 2025: Connected with earth and love

Rainforest World Music Festival 2025: Connected with earth and love

Sinar Daily2 days ago
When You Want More Than Just Loud Beats
Let's be honest - if you've ever felt out of place at festivals like Coachella, you're not alone. Maybe the music sounds more like noise than soul.
Maybe you're craving something... more. Something rooted. Something spiritual. Something that gives you goosebumps - not because the bass dropped, but because you felt the Earth respond.
That's exactly what I found at the Rainforest World Music Festival in Kuching, Sarawak - a three-day celebration of global rhythms, sacred forests, and soulful connections.
Immersed in Nature and Craft
The first thing you'll notice is the location - this isn't your usual open-field fest. Tucked within the lush Sarawak Cultural Village, with Mount Santubong towering above and ancient rainforest all around, it feels like stepping into a living, breathing spirit world.
And the marketplace? Oh, it's not just shopping - it's a cultural exchange.
Tents lined the village walkways, each bursting with handmade goods from across Borneo and beyond. Think Indigenous beadwork, hand-forged bronze and copper jewellery, and natural beauty products featuring local stars like Sarawak's iconic black pepper.
One of my favourite finds? A healing tea made from midin leaves, a wild fern beloved in local cuisine. And I couldn't resist grabbing an arm band from Peru - because yes, this festival attracts creators from around the globe.
A Culinary Love Letter to Sarawak
Let's talk food—because Rainforest Fest takes feasting seriously.
There was ayam pansuh, a traditional Bidayuh dish where chicken is cooked inside bamboo, infusing it with earthy, smoky flavour. Next up? Itun sip, a lesser-known but deeply loved leaf used to wrap rice, similar to banana leaf but uniquely Sarawakian.
Now, the desserts. Oh, the desserts.
Ever tasted gelato made with Dabai nuts? You can only find them in this part of the world, and they deliver this rich, buttery flavour that lingers like a dream.
Then came the pineapple black pepper sorbet—a sweet, spicy, and tangy burst of sunshine in a cup. On a sweltering afternoon, it was pure tropical alchemy.
Rhythms That Reach the Soul
By nightfall, the jungle lit up—both literally and emotionally.
The music that fills this festival isn't your standard setlist. It's ancestral, global, and deeply transformational. Picture this: tribal chants blending with modern synths, bamboo flutes harmonising with electric guitars, yodelling echoing into the night sky.
Every beat felt like it came from the earth itself.
The crowd? Uninhibited. Joyful. Grounded. People weren't dancing for show—they were moving as if something ancient was waking up inside them.
For me, the standout performance came from Otyken, a folk-pop group from Siberia. Their mix of shamanic vocals, tribal drums, and mesmerising visuals made it feel like the forest itself was performing with them.
This year's theme, 'Connections: One Earth, One Love,' wasn't just a slogan—it was the essence of every performance, every conversation, every shared meal under the stars.
Why You Need to Be Here in 2026
I came to Kuching curious. I left transformed.
The Rainforest World Music Festival isn't just about music. It's about reconnecting—with nature, with culture, and with yourself. In a world that feels increasingly disconnected, this festival is a sacred pause.
Next year will bring new bands, new experiences, and more stories waiting to be told under the rainforest canopy.
So if you're craving more than just another party, if you're yearning to feel the earth through rhythm, to be part of something bigger, older, and beautifully alive.. make your way to Sarawak. Disconnect to reconnect.
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Young stars shine on global stages, celebrating Sarawak pride
Young stars shine on global stages, celebrating Sarawak pride

Borneo Post

time26 minutes ago

  • Borneo Post

Young stars shine on global stages, celebrating Sarawak pride

Taylor performing at the Sanremo Junior World Finals in Italy. KUCHING (July 22): Being Sarawakian is more than just a matter of birthplace – it is a deep sense of belonging, identity, and resilience that unites people across generations and cultures. Whether in the kampung or on the international stage, that quiet confidence and pride in our roots is unmistakable – and this pride is felt most keenly as Sarawak celebrates its momentous Sarawak Day. This year, The Borneo Post turns the spotlight on a new generation of Sarawakians making waves far beyond our shores. Each of them carries the soul of Sarawak wherever they go, reminding the world that talent nurtured in our hills and valleys can shine just as brightly on global stages. We asked them what 'Sarawak pride' means to them. A Voice for the Nation: Taylor Louise Eleven-year-old singing sensation Taylor Louise, who grew up in Kuching, has never been shy about where she comes from. 'To me, Sarawak pride means embracing who we are – our roots, our culture, our people – with love and gratitude. It's about being proud of where we come from and showing the world that even from a small place like Sarawak, big dreams can grow. 'On Sarawak Day, I feel extra thankful to belong to a state that's rich in diversity, kindness, and creativity,' she said. Taylor's multicultural heritage – with roots in Chinese, Baba Nyonya, Bidayuh, Malay, and Iban ancestry – deeply informs her artistry. 'I've grown up celebrating everything – Chinese New Year, Gawai, Hari Raya, Christmas – all in one joyful and beautiful year! This unique mix has helped me appreciate the richness of Sarawak's culture, and even when I perform in other countries, I always try to bring a piece of home with me,' she shared. One of her proudest moments was performing at the world finals of Sanremo Junior in Italy earlier this year. 'Before my performance, the Malaysian flag was displayed, and a video of my hometown, Kuching, played on the screen. It was such a special feeling to be able to share the beauty of where I come from – our culture, our people, and the place I'm blessed to call home. That moment wasn't just about me; it felt like a celebration of Sarawak,' she recalled. She is set to make her national musical theatre debut this August as the youngest cast member of Dreamweaver The Musical – Sarawak's first original English-language musical – at the Petaling Jaya Performing Arts Centre (PJPAC), 1 Utama. 'In Dreamweaver, I'm honoured to play a character that represents the voice, hopes, and spirit of Sarawak's children. Through this captivating musical journey – which celebrates tradition, resilience, and the incredible craftsmanship of our weavers – I feel like I'm using my voice not just to perform, but to help tell a story that uplifts our community,' she said. Wherever she goes, she brings a piece of home with her. 'During international competitions, I often bring along Sarawakian souvenirs and keychains to give to people I meet – small gifts that carry a big piece of home. One moment I'll never forget was when I proudly raised my country's flag during a parade overseas. 'Whether I'm performing, posting, or just connecting with others, I do my best to let the spirit of Sarawak shine wherever I go,' she said. SJ Borneo perform at the World Championship International Competition Grand Finals in Thailand. SJ Borneo: Siblings in Harmony Sibling duo SJ Borneo – Shawn and Jane Thien, who are 15 and 12 years old respectively – are redefining what it means to represent Sarawak on the international music scene. 'Sarawak pride means carrying our identity with confidence, wherever we go. It's about honouring our roots while sharing our music and culture with the world,' they said. Winners of the Gold 3rd Prize at the 2025 World Championship International Competition in Bangkok, the siblings took the stage wearing traditional costumes, playing the Sape and djembe. 'Our music is deeply influenced by our heritage – from the Sape' to the stories of our elders,' they shared. 'In every performance, we blend local languages, Malay, Chinese, and English. We choose songs that reflect kampung life, unity, and identity. Even in modern stages or settings, we bring Sarawak with us through our costumes, rhythms, and messages.' They hope their work encourages others to begin where they are. 'Don't be afraid to be different. Don't wait for the perfect moment, start with what you have and keep growing. You don't need to leave Sarawak to make a difference. Instead, bring Sarawak to the world,' they advised. Baptista with his father, Korintus Leban, during a photo call at his performance at RWMF 2025. Baptista Emmanuell Korintus: Strings of Heritage At just 10 years old, Baptista Emmanuell Korintus from Belaga is already a cultural ambassador for his community – the Sekapan, a sub ethnic group of the Orang Ulu. The youngest sape player ever to perform on the main stage of the Rainforest World Music Festival (RWMF), he also clinched a Silver Medal at the Malaysia Championship of Performing Arts 2025 – earning him a spot to represent Malaysia at the World Championship of Performing Arts (WCOPA) in Long Beach, California this month. However, due to current safety concerns, the Malaysian team has decided to postpone its participation. 'I am proud to be a Sarawakian because people of diverse cultures, ethnicities, and religions can live together in peace and harmony in our beloved homeland, Sarawak,' said Baptista. What makes Baptista's journey even more remarkable is his determination to shining a light on his Sekapan heritage. 'I come from the Sekapan ethnic group, a minority in Sarawak that many Sarawakians themselves are unaware of. 'Through my skill in playing the Orang Ulu sape in competitions and performances, I have the opportunity to serve as a young ambassador in introducing the Sekapan people to the wider public,' he said. His performances are infused with a deep sense of humility, inspired by the Sekapan phrase 'Ngelotak Danum', which echoes the Malay proverb 'Biar ikut resmi padi, makin berisi makin tunduk' (be like the rice stalk, it bends lower as it is laden with ripening grains). For Baptista, success in any field begins with passion – but it must be supported by hard work, prayer, and the willingness to sacrifice both time and money to reach the desired level. 'I hope the sape will continue to be recognised as a traditional musical instrument of the Orang Ulu in Sarawak. 'My goal is to expand teaching methods so that more young people my age can discover and learn to play the sape, ensuring this cultural heritage is not lost to time,' he said. Dion performing at the Dance World Cup World Finals in Burgos, Spain, in a piece inspired by the traditional Ngajat Iban and Sarawak's iconic birds — the Burung Ruai (Great Argus) and the Kenyalang Hornbill. Dion Das Louis: Little Birdie with big dreams Dion Das Louis, fondly known as the 'Little Bornean Birdie', soars high as a proud Sarawakian. At just nine years old, he has already made his mark on some of the world's biggest stages – including the 2024 WCOPA in the United States and the 2025 Dance World Cup Finals in Spain, where he outshone 34 international competitors to bring home a silver medal. 'Sarawak pride, for me, is being grateful to be born as an anak Dayak Sarawak – to embrace one's heritage and identity amidst the rich diversity of cultures and traditions, while living in harmony with other ethnicities in the state,' said Dion. He proudly carries his Dayak Iban identity with him wherever he goes – through his costumes, music, and performance themes. 'When people find out I'm from Borneo, Sarawak, they often associate it with beautiful people and rich culture. They love our traditional costumes, and I always receive compliments from them. 'I wish more people would learn about the diverse ethnic cultures and traditions we have, so they can truly experience the beauty of Sarawak,' he said. Dion believes in preserving and promoting culture through performance, intentionally weaving Sarawak elements into his dance, costumes and music. His goal is to serve as an ambassador for the performing arts and inspire young people to appreciate and uphold the importance of preserving their cultural traditions. As a young Sarawakian, Dion's message to others who wish to follow a similar path is simple: believe in yourself. 'Never give up, always do your best by working hard – and most importantly, never forget your roots and heritage,' he said. Ryan and Aleysha proudly don traditional Sarawakian attire while holding the Sarawak flag, showcasing the rich cultural heritage of their homeland. Aleysha and Ryan Zachary: Twin Voices of Sarawak Twelve-year-old twins Aleysha and Ryan Zachary Shareef Van Der Horst are already veteran performers, having competed at the 2024 WCOPA Grand Final in the United States alongside only a handful of Malaysians. 'Whenever we perform overseas, we're always proud to say we're from Sarawak,' said Aleysha. 'People often get confused between Sarawak and Malaysia, so we make sure to explain we're from this very special place.' The duo – half Bidayuh, half Malay – grew up in a household that nurtured their love for music from a young age. Enrolled in vocal and music classes since they were five, Aleysha now sings and plays piano, while Ryan sings and plays guitar. Their mother, Shirley Hasmani Eddie, who accompanies them to every competition, stressed the importance of early exposure. 'If your children love this industry, support them. Send them to competitions. Don't just say 'no need lah'. It's tiring, yes, but if you don't start young, the talent pool will always be small,' she said. For Aleysha, composing songs is a cherished dream. Inspired by artists like Taylor Swift and Alicia Keys, she hopes to one day write her own songs and perform them on the piano. 'My proudest moment was receiving a scholarship from the New York Film Academy after winning a gold medal at the 2024 WCOPA. 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Rainforest World Music Festival: The sound of sustainability
Rainforest World Music Festival: The sound of sustainability

The Star

time19 hours ago

  • The Star

Rainforest World Music Festival: The sound of sustainability

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While the comparison may be unfair – where else can you find lush jungles and authentic cultural heritage like Sarawak's – it's a useful reminder to us all as Singapore tries to position itself as the concert capital of Asia: you need more than capital to be cool. The sustainability of RWMF (pun intended) is also very much part and parcel of the state's cultural heritage growth and sustainable tourism policy. But first, back to the party. Returning for the 28th time with a roar, RWMF 2025 rocked the Sarawak Cultural Village at Pantai Damai Santubong in the outskirts of Kuching for three days, from June 20 to June 22, with its infectious blend of big beats and traditional arts. On the first night, festival goers were thrilled by some traditional throat singing and elemental vocals from Otyken, a folk music group from Siberia, Russia. Otyken thrilling the crowd with their traditional throat singing. The otherworldly renditions were powered by even more surreal but electrifying music played on a range of contemporary and traditional instruments including giant leather drums; a jaw harp; a traditional Siberian lyre called khomys; and an electric base guitar made of (what must be giant) mushrooms. What raptured the revellers most was the Morinhur, a gigantic traditional horse-head fiddle, played by a young female musician who leapt and headbanged as she fiddled on stage. Otyken's horse head-fiddler, Kys, really raptured the crowd with her showmanship. The second night was more of a 'chill time' as the soothing ukulele strums, mele (traditional ditties) and the hula dances of Hawaii's Kulaiwi, followed by the dulcet tones of Maori musician Rob Ruha, set the stage for the smooth, groovy sway of Earth, Wind & Fire Experience by Al Mckay. The Earth, Wind & Fire Experience by Al Mckay with their smooth, groovy sway. Those looking for a more pulsating time were not left disappointed though as they were blasted with the thundering beats of taiko drums played by explosive 'Édo' ensemble Sepukku Pistols from Japan, and the fierce and fiery performance by ethnic-rock band Kuntaw Mindanao from the Philippines. Sepukku Pistols interactive pulsating performance. The genre-defying Kuntaw Mindanao with their fusion of rocky strains, ancestral melodies and native chants of indigenous resistance, survival and identity really wowed me, haunting me even as the sounds of the night faded. The fiery singer of Kuntaw Mindanao, Dorothy Blez Bano with her song of resistance. The final night was all about the home favourites, At Adau. Their name is supposedly evocative of an awakening spirit, and it was immediately clear why as they revved up the crowd with their vibrant interplay of tribal rhythms, contemporary arrangements and the soulful Sape, a traditional lute of the Orang Ulu of Sarawak. A sape player from the homegrown favourites At Adau. It is not possible to list all the diverse international and local acts that lit up the rainforest stage that weekend – and many were definitely not household names – but their love, passion and artistry showed through with every rhythm and movement. In return, the festival goers gave back the love – screaming their names and crying out for more – befitting the fest's theme 'Connections: One Earth, One Love'. As one pumped up reveller shouted,' I don't know what they are saying, but I love them!' Another, a first timer who only wanted to be known as Mira, raved: 'I'm so glad I finally made it here. It's given me a broader perspective on music in the world. 'The RWMF is really an exciting platform where people can come without prejudice to listen to great music and dance and experience new cultures. I'm definitely going to come back next year.' Of course, there were many loyal RWMF returnees, some who brought along not just their friends and partners, but also children and grandchildren. As they said, it's 'our beautiful legacy.' Love and connections. More than the music For the Sarawak Tourism Board (STB), the agency behind the music festival, building on the RWMF legacy means 'offering an immersive journey' through cultural workshops and showcases, not only of global cultures but also the rich cultural heritage of Sarawak. True, there was something for everyone throughout the fest: you could learn the hula, strum the sape, beat the traditional drums – take your pick from which country and community, learn a traditional Sarawakian game, get a traditional tattoo and taste some traditional cuisine. Traditional Sarawak art workshop. A festival goer trying out the traditional gamelan. You can also get a traditional tattoo at thefest. And if you are not too tired from the fun of the night before, you can meet the artistes again at the various casual mini showcases, musical workshops and spontaneous jam sessions around the village. A fan even tried to bring down the Iban Long House with the Morinhur at an Otyken workshop! Another initiative by the STB to evolve RWMF is the Rainforest Youth Summit (RAYS), which brought together youth leaders from across the region for sustainability workshops, cultural dialogues and creative exchanges. As STB CEO Sharzede Datu Salleh Askor put it, RAYS aims to foster continuity between young voices on sustainability and global indigenous rhythms – a 'powerful connection that defines the festival's spirit'. RAYS 2025 brought together youth leaders from across the region for sustainability workshops, cultural dialogues and creative exchanges. 'Obviously, one of my tasks when I joined STB in 2018 was to make sure we sustain RWMF, so the first focus is to ensure that we evolve the fest. We need to bring in new blood because all the patrons are getting older, right? "That is why we started RAYS last year. We need to bring in young blood and new fans, so that they become the group that will follow this through for the next 50 years.' The young are also passionate about the environment and the earth's sustainability, which is also the spirit of RWMF, she added. 'I believe that the youth must have a voice and Sarawak, I feel, needs to have that voice too, you know, and be heard, be seen, especially when it comes to indigenous issues. So, we said, let's have an event offshoot of RWMF, but related to it, which is youth-led and has indigenous content.' Sharzede: 'Youth must have a voice and Sarawak, I feel, needs to have that voice too, you know, and be heard, be seen, especially when it comes to indigenous issues.' Another sustainability initiative is the eco-friendly practices promoted at the music festival. Building on its previous achievements, the festival reaffirmed its commitment to planting 10,000 trees by 2027, with a portion of every ticket going towards reforestation programmes, said Sharzede. Single-use plastics are banned on-site, and visitors are encouraged to refill, reuse, and recycle through clearly marked eco stations and water stations. Visitors are encouraged to refill, reuse, and recycle through clearly marked eco stations and water stations. Being green and sustainable is an honourable aim but STB needs to be careful to ensure that it extends beyond lip service. For one, while bottled drinks are banned, many vendors were still giving out single-use plastic bags and utensils. Noting this, STB shared that it had encouraged all food and beverage vendors to adopt biodegradable and eco-friendly alternatives as part of the state's green initiatives for RWMF 2025. 'To support this transition, we provided vendors with access to suppliers offering certified biodegradable packaging at discounted rates. 'We are proud to share that more than 75% of our vendors responded positively to this initiative, demonstrating a strong collective will to reduce plastic usage and minimise environmental harm. However, we acknowledge that a small percentage of vendors still resorted to conventional plastic packaging, despite the support and resources provided.' Taking this shortfall seriously, STB vowed to continue to invest in consistent vendor education on sustainable practices, responsible waste management, and the long-term benefits of adopting green solutions not just for the environment, but for the overall quality and reputation of the festival. 'Looking ahead, STB is actively exploring the introduction of a mandatory policy that will require 100% use of biodegradable and sustainable packaging for all vendors participating in future editions of RWMF. This policy will be supported by clear guidelines, supplier access, and stricter enforcement to ensure full compliance,' STB said in a statement. Sharzede stressed that STB and the state are committed to continuously improve the festival's environmental impact. 'We remain firm in our mission to make RWMF not only a celebration of music and culture but also a model of environmentally responsible event in the region. Our commitment is clear, to elevate RWMF as a benchmark for sustainable festivals in Asia and beyond.' But sustainability is not a one-time effort, it's a continuous journey, she noted. 'With RWMF, we strive to lead by example in embedding green values into large-scale event management. 'We hope, supported by our dedicated sponsors and partners, the RWMF will continue to unite music lovers, environmental advocates, and changemakers in a shared mission of connection, conservation, and celebration.'

Music lovers invited to rock out at RITJ 2.0
Music lovers invited to rock out at RITJ 2.0

Borneo Post

timea day ago

  • Borneo Post

Music lovers invited to rock out at RITJ 2.0

Members of Nice Stupid Playground and Breathe in Ocean onstage during the roadshow. – Photo by Matthew Umpang KUCHING (July 21): Music lovers and youths are invited to show their support and grow Rock in The Jungle 2.0 (RITJ 2.0) into one of the state's premier music festivals that is on par with the renowned Rainforest World Music Festival (RWMF). Its spokesperson Zaini Zainuddin said they intend to elevate RITJ to the same level of recognition as RWMF while maintaining its own unique identity. 'We want RITJ to stand proudly beside RWMF. If RWMF celebrates traditional and world music, RITJ highlights modern expression, youth-driven energy and the rock culture that thrives in Sarawak and across the region. 'Sarawak has the capacity to host more than one signature music festival, and RWMF and RITJ can showcase different sides of our culture and appeal to broader audiences,' he told reporters at the festival's road show event at Plaza Merdeka here yesterday. Zaini, who is also Sarawak Cultural Village sales, marketing and events director, stressed that RITJ's goal was not to replace RWMF but to complement it. He also explained that rock music is often misunderstood and the festival aims to break negative stereotypes surrounding the genre and the festival seeks to diversify Sarawak's music scene by offering a stage for rock, metal and alternative genres. 'Rock is expression, not aggression. It's about storytelling, identity and passion. It's not about chaos or destruction. That's why through RiTJ, we want to show that rock music is a platform for unity and creativity,' he said. RiTJ 2.0 is slated for Aug 29 and 30 at the Sarawak Cultural Village and is expected to attract 12,000 attendees—more than double the 5,700-turnout recorded during its debut last year. This year's edition will showcase six main acts across two days, featuring an exciting mix of international and local talents, and offers a valuable platform for Sarawakian performers to share the stage with established regional and international names, further elevating the local music scene. On the opening day, Aug 29, festival-goers can look forward to high-energy performances by Indonesian rock icons Gigi and Kotak, alongside Sarawak's own celebrated band, Nice Stupid Playground. Loudness, the iconic Japanese heavy metal outfit, will headline the second day of the festival on August 30 while joining them on stage will be Sarawakian rock bands Fearless and Breathe in Ocean. Malaysian alternative rock pioneers Hujan will also be part of this year's lineup. Known for their genre-blending sound and award-winning hits like 'Pagi Yang Gelap' and 'Bila Aku Sudah Tiada', Hujan is expected to be a major draw for younger fans. Zaini said the event welcomes people from all backgrounds, including families and persons with disabilities, and aims to foster a sense of community and inclusion. Tickets for RiTJ 2.0 are available at with early bird prices running until August 5. Also present were Authentic Ideas and Event Enterprise managing director Nawen Nawawi and Entrepreneurs SDGS Empowerment Foundation vice chairman Bryan Lee. concert entertainment lead Rock In The Jungle Zaini Zainuddin

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