Meghan Trainor shows off new boob job at Wango Tango after weight-loss drug admission
The singer, 31 - who recently revealed both she and husband Daryl Sabara took the weight-loss drug Mounjaro - looked stunning as she posed for photos at the event.
In March, Meghan debuted her boob job on Instagram after undergoing a breast augmentation and lift.
The singer wowed wearing a pink minidress with cutouts on the sides as well as a ruffled skirt that stopped inches above her knees.
She slipped into a pair of closed-toed, pink heels. Meghan accessorized with a sparkling silver necklace as well as a matching bracelet and dangly earrings.
The star struck a number of poses upon arriving to the main venue in Huntington Beach - and later took to the stage to perform in front of the crowd.
She had an outfit change and showed off her slimmer frame wearing a pair of high-waisted bedazzled pink pants and a matching, plunging bralette top.
In January, Meghan announced that she had plans to undergo a breast lift.
She told People: 'I think I was born with saggy boobs. I swear, they were always looking at the ground. So this is a big deal for me. I'm getting a boob job. I'm getting a lift.'
The mom-of-two has previously talked about her struggles when it comes to nursing her kids.
Meghan explained: 'Listen, these don't make milk. So when I have more children, these don't make milk anyways. So it's time to lift my boobs, I'm so excited.'
In March, the singer unveiled her boob job following the procedure.
She said on Instagram: 'I've always struggled with loving my boobs before I got them done, because they were never even, were always sagging my whole life.'
The singer shared the surgery was in collaboration with the company Motiva and that the implants she got have a 'natural look and feel.'
She said: 'My breasts look fuller yet completely natural and they complement my body proportions beautifully. They're finally twin sisters and not distant cousins.'
While giving a glimpse of her chest post-procedure, Meghan said: 'After having two kids, living a healthier lifestyle and losing weight, I couldn't be happier with my decision.'
Last month, it was also revealed that both Megan and her husband Daryl have taken the type 2 diabetes drug Mounjaro to aid in their weight-loss journey.
During an episode of the couple's Workin' On It podcast, the actor explained: 'We did 75 Hard after our son Riley was born and, man, did we crush.'
Meghan added: 'Then, we heard more and more of our friends - and even our doctors - were on Mounjaro and Ozempic.' She eventually decided to try Mounjaro due to there being less side effects.
Daryl chimed in with: 'So, I did it, too,' and his wife replied with, 'Daryl and I both do everything together.'
Meghan explained that they both take the lowest dose of Mounjaro while also consistently working out and eating healthy.
She said: 'We were like, "We have to make sure we don't lose muscle that we worked so hard gaining all those years. We stay in the gym, we work out, we eat right, and we just noticed that we were less hungry.'
Daryl added: 'We've been on this journey for a while and we learned how there are right ways to do it and there are improper ways to do it.'
The couple - who married in 2018 - shared that they use smaller plates when eating to help control portion sizes.
She stated: 'I'm obsessed now with the science of when I work out and build muscle, you have to eat protein or else it's not going to do anything.'
During the podcast episode, Trainor also told her listeners that she has 'no shame' when it comes to taking the weight-loss drug.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Daily Mail
25 minutes ago
- Daily Mail
Caprice, 53, flashes her underwear in a dress inspired by her 90s heyday as she attends the National Film Awards after revealing the secret to her sexy lads mags looks
She's still got the same physique that sent fans wild back in the 1990s. And Caprice showed that even in her 50s, she can still recreate the same sexy looks that made her a favourite in lads mags, as she attended the National Film Awards in London on Wednesday. The model, 53, flashed her underwear in a racy sheer white fringed dress as she joined a slew of stars at the glitzy event. Flaunting her jaw-dropping figure in the daring dress, Caprice set pulses racing as she made her grand entrance, with the look eerily similar to one she sported in 2001. The former Celebrity Big Brother star was joined by names including Strictly Come Dancing professional Nadiya Bychkova, Jess Impiazzi and Anita Dobson. In a recent shoot with Loaded, Caprice threw it back to her lads mags heyday, during which she starred on 250 covers. The model has revealed she's had to work for her jaw-dropping physique, admitting she has been on a strict diet and fitness regime for decades. 'Honestly, it's discipline,' she confessed. 'I play a lot of tennis and I go running when I can. I try to stay active most days, even if it's just a long walk.' Her biggest hack though is cutting out carbs, revealing how she recently 'eliminated carbs and lost 20 pounds'. 'The first month was rough, but now it's second nature. I feel stronger, I sleep better, and I've got so much more energy—it's been a total game-changer The California-born star has also bought in to the wellness hype, championed by the likes of Gwyneth Paltrow, as she gushed: 'I'm a big believer in overall wellness too. I start every morning with a smoothie and a ridiculous number of supplements. Wellness is part of my life.' Whilst Caprice is enjoying the trip down memory lane with her new bikini shoot, she has plenty of other ventures that have boosted her bank balance and kept her busy in recent years. She made her first million at 25 and after a wise property investment in Surrey, has continued to build her property portfolio alongside her booming lingerie business which is said to have bagged her £24million. Her childhood dream though was to act and after realising she wasn't getting cast in lead roles, she simply decided to make her own movies, launching her own film company, JJLove Productions 'named after my boys Jett and Jax.' She shoots multiple films a year, with her latest movie, A Scottish Christmas Secret, hitting Channel 5 later this year. She has also moved on from her reality TV years, which saw her appear on everything from Celebrity Big Brother to Celebs On The Farm. Now a mother of 11-year-old boys with her film producer husband Ty Comfort, she says she won't let them watch reality shows, declaring: 'I'm done with toxic TV.' 'I'm blessed to have this platform, and I want to use it for good—to make a positive difference in people's lives,' she said. She previously admitted she would not have had the guts to start making movies and pursue new business ventures without the courage gained from surviving a brain tumour. Caprice was training for the winter sports reality show The Jump in 2017 when a scan revealed the terrible news. She later underwent an operation which involved surgeons taking off part of her skull to remove the tumour. The star is now a proud patron for Brain Tumour Research.
The Guardian
38 minutes ago
- The Guardian
‘The film wouldn't even be made today': the story behind Back to the Future at 40
The actor Lea Thompson has had a distinguished screen career but hesitated to share it with her daughters when they were growing up. 'I did not show them most of my stuff because I end up kissing people all the time and it was traumatic to my children,' she recalls. 'Even when they were little the headline was, 'Mom is kissing someone that's not Dad and it's making me cry!'' Thompson's most celebrated role would be especially hard to explain. As Lorraine Baines in Back to the Future, she falls in lust with her own son, Marty McFly, a teenage time traveller from 1985 who plunges into 1955 at the wheel of a DeLorean car. Back to the Future, released 40 years ago on Thursday, is both entirely of its time and entirely timeless. It was a box office summer smash, set a benchmark for time travel movies and was quoted by everyone from President Ronald Reagan to Avengers: Endgame. It is arguably a perfect film, without a duff note or a scene out of place, a fantastic parable as endlessly watchable as It's a Wonderful Life or Groundhog Day. It also, inevitably, reflects the preoccupations of its day. An early sequence features Libyan terrorists from the era of Muammar Gaddafi, a caricature wisely dropped from a stage musical adaptation. In one scene the young George McFly turns peeping tom as he spies on Lorraine getting undressed. To some, the film's ending equates personal fulfilment with Reagan-fuelled materialism. It caught lightning in a bottle in a way that is unrepeatable. 'If you made Back to the Future in 2025 and they went back 30 years, it would be 1995 and nothing would look that different,' Thompson, 64, says by phone from a shoot in Vancouver, Canada. 'The phones would be different but it wouldn't be like the strange difference between the 80s and the 50s and how different the world was.' Bob Gale, co-writer of the screenplay, agrees everything fell into the right place at the right time, including the central partnership between young Marty (Michael J Fox) and white-haired scientist Doc Brown (Christopher Lloyd). The 74-year-old says from Los Angeles: 'Oh man, the film wouldn't even be made today. We'd go into the studio and they'd say, what's the deal with this relationship between Marty and Doc? They'd start interpreting paedophilia or something. There would be a lot of things they have problems with.' Gale had met the film's director, Robert Zemeckis, at the USC School of Cinema in 1972 and together they sold several TV scripts to Universal Studios, caught the eye of Steven Spielberg and John Milius and collaborated on three films. The pair had always wanted to make a time travel movie but couldn't find the right hook. Then Gale had an epiphany. 'We put a time travel story on the back burner until I found my dad's high school yearbook and boom, that was when the lightning bolt hit me and I said, ha, this would be cool: kid goes back in time and ends up in high school with his dad!' Gale and Zemeckis pitched the script more than 40 times over four years but studios found it too risky or risque. But Spielberg saw its potential and came in as executive producer. After Zemeckis scored a hit with Romancing the Stone in 1984, Universal gave the green light. The character of Doc Brown was inspired by Gale's childhood neighbour, a photographer who showed him the 'magic' of developing pictures in a darkroom, and the educational TV show Mr Wizard which demonstrated scientific principles. Then Lloyd came in and added an interpretation based on part Albert Einstein, part Leopold Stokowski. Thompson was cast as Lorraine after a successful audition. She felt that her background as a ballet and modern dancer gave her a strong awareness of the movement and physicality required to play both versions of Lorraine: one young and airy, the other middle-aged and beaten down by life. 'I was perfectly poised for that character,' she says. 'I understood both the dark and the light of Lorraine McFly and understood the hilarity of being super sexually attracted to your son. I thought that was frickin' hilarious. I understood the subversive comedy of it.' Thompson has previously worked with Eric Stoltz, who was cast in the lead role of Marty at the behest of Sidney Sheinberg, a Universal executive who had nurtured Spielberg and put Jaws into production. But over weeks of filming, starting in November 1984, it became apparent that Stoltz's serious tone was not working. Gale recalls: 'He wasn't giving us the kind of humour that we thought the character should have. He actually thought the movie turned out to be a tragedy because he ends up in a 1985 where a lot of his life is different. People can argue about that: did the memories of his new past ripple into his brain, did he remember both his lives? That's an interesting conversation to have and it gets more interesting the more beer you drink.' Eventually it fell to Zemeckis to inform Stoltz that his services were no longer required. Gale continues: 'He said he thought that possibly Eric was relieved: it was not like a devastating blow to him. This is just hindsight and speculation but maybe Eric's agents thought that it would be a good career move for him to do a movie like this that had Spielberg involved. Who knows?' Stoltz's abrupt departure came as a shock to the rest of the cast. Thompson says: 'It was horrible. He was my friend and obviously a wonderful actor. Everybody wants to think that making a movie is fun and that we're laughing for the 14 hours we're standing in the middle of a street somewhere. 'But it's also scary because you need to feel like you've made a little family for that brief amount of time. So the minute someone gets fired, you're like, oh wait, this is a big business, this is serious, this is millions of dollars being spent.' Stoltz was replaced by the young Canadian actor Michael J Fox, whom Zemeckis and Gale had wanted in the first place, and several scenes had to be reshot. Fox was simultaneously working on the sitcom Family Ties so was often sleep-deprived. But his boundless charm, frazzled energy and comic timing – including ad libs – were the missing piece of the jigsaw. Thompson comments: 'He is gifted but he also worked extremely hard at his shtick like the great comedians of the 20s, 30s and 40s: the falling over, the double take, the spit take, the physical comedy, the working on a bit for hours and hours like the greats, like Laurel and Hardy and Charlie Chaplin. Michael understood that. 'Being a dancer, I was fascinated and kind of weirdly repelled because it didn't seem like the acting that we were all trying to emulate: the De Niro kind of super reality-based acting that we were in awe of in the 80s, coming out of the great films of the 70s. I feel like Eric Stoltz, who is a brilliant actor, was trying to do more of that. Michael was the face of this new acting, especially comedy acting, which was in a way a throwback and a different energy.' It was this lightness of touch that enabled Fox and Thompson to carry off moments that might otherwise have seemed weird, disturbing and oedipal. When 1950s Lorraine – who has no idea that Marty is her future son – eventually kisses him inside a car, she reports that it is like 'kissing my brother' and the romantic tension dissolves, much to the audience's relief. Thompson says: 'It was a difficult part and it was a very dangerous thread to put through a needle. I have to fall out of love with him just by kissing him and I remember Bob Zemeckis obsessing about that moment. It was also a hard shot to get because it was a vintage car and they couldn't take it apart. Bob was also worried about the moment when I had to fall back in love with George [Marty's father] after he punches Biff. 'For those moments to be so important is part of the beauty of the movie. These are 'small' people; these are not 'great' people; they're not doing 'great' things. These are people who live in a little tiny house in Hill Valley and to make the moments of falling out of love and falling in love so beautiful with that incredible score is fascinating.' Back to the Future was the biggest hit of the year, grossing more than $200m in the US and entering the cultural mainstream. When Doc asks Marty who is president in 1985, Marty replies Ronald Reagan and Brown says in disbelief: 'Ronald Reagan? The actor? Then who's vice-president? Jerry Lewis?' Reagan, a voracious film viewer, was so amused by the joke that he made the projectionist stop and rewind it. He went on to name-check the film and quote its line, 'Where we're going, we don't need roads,' in his 1986 State of the Union address. Thompson, whose daughters are the actors Madelyn Deutch and Zoey Deutch, was amazed by Back to the Future's success. 'But when I look at the movie, I do understand the happy accident of why it's become the movie it's become to generation after generation. The themes are powerful. The execution was amazing. The casting was great. The idea was brilliant. It was a perfect script. Those things don't come together usually.' And if she had her own time machine, where would she go? 'If I could be a man, I might go back to Shakespeare but as a woman you don't want to go anywhere in time. Time has been hard on women. So for me, whenever I'm asked this question, it's not a lighthearted answer. I can only give you a political answer.' The film ends with Doc whisking Marty and girlfriend Jennifer into the DeLorean and taking off into the sky. But Gale points out that the message 'to be continued' was added only for the home video release, as a way to announce a sequel, rather than being in the original theatrical run. Back to the Future Part II, part of which takes place in 2015, brought back most of the main characters including the villain Biff Tannen, who becomes a successful businessman who opens a 27-storey casino and uses his money to gain political influence. Many viewers have drawn a comparison with Donald Trump. Gale explains: 'Biff in the first movie is not based on Donald Trump; Biff is just an archetype bully. When Biff owns a casino, there was a Trump influence in that, absolutely. Trump had to put his name on all of his hotels and his casinos and that's what Biff does too. 'But when people say, oh, Biff was based on Donald Trump, well, no, that wasn't the inspiration for the character. Everybody has a bully in their life and that's who Biff was. There's nothing that resembles Donald Trump in Biff in Part I.' Back to the Future Part III, in which Marty and Doc and thrown back to the old west, was released in 1990. A year later Fox was diagnosed with Parkinson's disease at the age of 29. He went public with his diagnosis in 1998 and became a prominent advocate for research and awareness. He also continued acting, with roles in shows such as The Good Wife and Curb Your Enthusiasm, and in October will publish a Back to the Future memoir entitled Future Boy. Thompson, whose brothers both have Parkinson's, sees Fox twice a year. 'He's endlessly inspiring. He's very smart and he's done the spiritual work, the psychological work on himself to not be bitter about something awful happening to him but also be honest: this sucks.' Time's arrow moves in one direction but Back to the Future found a way to stage a comeback. One night after seeing the Mel Brooks musical The Producers in New York, Zemeckis's wife Leslie suggested that Back to the Future would make a good musical. Gale duly wrote the book and was a producer of the show, which premiered in Manchester in 2020 and has since played in London, New York and around the world. Gale says: 'It was total euphoria. The first time I saw the dress rehearsal with the DeLorean, before we had an audience, I went out of my mind how great it was, and then to see the audience going completely out of their minds with everything was just such a joyous validation. 'I'm so blessed to have a job where I get to make people happy. That's a great thing to be able to do and get paid for that. I don't ever take any of this for granted. I'm having a great time and the idea that Back to the Future is still with us after all these years, as popular as it ever was, is a blessing. I think about it all the time that if we had not put Michael J Fox in the movie, you and I probably wouldn't even be having this conversation right now.' Why, indeed, are we still talking about Back to the Future four decades later? 'Every person in the world wonders, how did I get here, how did my parents meet? The idea that your parents were once children is staggering when you realise it when you're about seven or eight years old. 'Your parents are these godlike creatures, and they're always saying, well, when I was your age, and you're going, what are they talking about, how could they have ever been my age? Then at some point it all comes together. If you have a younger sibling and you're watching them grow up, you realise, oh, my God, my parents were once screw-ups like me!' And if Gale had a time machine, where would he go? 'I don't think I would go to the future because I'd be too scared,' he says. 'We all see what happens when you know too much about the future. My mom, before she was married, was a professional musician, a violinist, and she had a nightclub act in St Louis called Maxine and Her Men. I'd like to travel back in time to 1947 and see my mother performing in a nightclub. That's what I would do.'
Daily Mail
an hour ago
- Daily Mail
Kerry Katona insists 'I'm focusing on keeping my family safe' as she weighs in on Israel-Iran conflict
Kerry Katona has weighed in on the terrifying Israel-Iran conflict, insisting she's 'focusing on keeping her family safe'. In her weekly New! magazine column, Kerry, 44, admitted she's been 'really afraid' watching the war break out between Israel, Iran and the US. She wrote: 'I've been really afraid about the conflict going on between Iran and Israel, especially with the US getting involved. 'It's such a scary world we live in right now - I feel like it keeps getting worse and worse. Every time I read the news or watch it on TV, something else utterly devastating is happening. 'I try to focus on my family - my priority - and keeping us safe, but what's going on internationally is so concerning.' Israel began a blitz campaign against nuclear, military and civilian sites across Iran, which the US later join, in the so-called 12-day war. The war, which saw Iran retaliate against Israeli and American military and civilian sites, began as US and Iranian diplomats sat down for talks over the Middle Eastern nation's nuclear programme. Amid her fears, Kerry revealed she is 'going under the knife' again after suffering from a side effect following her recent two-stone weight loss. The former Atomic Kitten star, who is a mother of four, explained that her transformation has also caused her breast to shrink in size. Elsewhere in her New! magazine column, she confessed she was finally getting her 'long-awaited boob job'. She penned: 'Ever since losing weight, I feel like I've also lost my old boobs, so I'm excited to have some again. 'I'm going under the knife again this month for my long-awaited boob job. You guys might remember that I was going to get one earlier this year but I ended up having to reschedule due to being in Thailand soon after, because you can't fly for a while after having the procedure.' Kerry then admitted that while she is looking forward to it, she is nervous because she is 'never really good at coping in the lead-up'. Earlier this year, Kerry revealed she has been forced to cancel her long awaited fourth boob job this week over safety concerns. Kerry, who has had three previous augmentations, announced earlier this year that she was planning to go under the knife again after being left tripping over her nipples' following her most recent weight loss. But after retuning from her recent break in Thailand, doctors stopped the procedure going ahead amid concerns it was too soon for surgery after a long-haul flight. She wrote in her OK! column: 'I headed to get my boob job the other day and ended up not being able to get it done, I didn't realise that you can't get surgery after flying and I had just returned from Thailand. 'It's a shame, but I'm glad Pall Mall Cosmetics - where I was booked in - take safety so seriously and put regulations above the procedure.' Adding: 'I could have rebooked it, but I'm going back to Thailand next week so I would have had to cancel my trip and the kids told me to just leave it for now. '[Daughters] Molly, Lilly and Heidi all said: 'Go to Thailand, don't get your boobs done!' 'I think they just don't want me getting any more surgery! I'm going to leave it until summer when I'm less busy.' Kerry is mother to Molly, 21, Lilly-Sue, 20, Heidi, 16, Max, 14, and eight-year-old DJ. Kerry initially planned a breast reduction before making a shock U-turn - after losing weight following her split from fiancé Ryan Mahoney. She recently said that she was imminently going to be going for breast reduction surgery as she bemoaned her 'saggy' breasts before deciding on having a boob job instead. She'd previously complained about her breasts saying: 'Seriously, I lie down and I look like a nine-year-old boy. Take my bra off, I trip over my nipples.' 'It's health and safety. I walk around my house in a hard hat and a visibility jacket. So I decided it's got to be done just for my own health and safety, people. Pall Mall, I'll see you later today guys.' Speaking to Closer, Kerry recently revealed her two-stone weight loss and told how she is in the 'best shape' of her life. She said: 'I'm slimmer now than I was in Atomic Kitten. I'm getting there emotionally, but physically this is the best shape I've ever been in.' She attributed the weight loss to both the fallout from the split, and performing three shows a day during pantomime with Katie Price.
