SBS Filipino Radio Program, Monday 2 June 2025
Do you understand the significance of National Reconciliation Week as a migrant?
SBS Filipino Archives – Revisit the story of a Filipina in Brisbane who was able to acquire over 10 properties through her work as a cleaner and various side hustles. 📢 Where to Catch SBS Filipino
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News.com.au
an hour ago
- News.com.au
Wedding venue The Lussh finds new Gold Coast home after devastating fire
Dissh fashion founder Maree Henry and daughter Grace Henry-Hicks have secured a lush new events space, after losing another property to a devastating fire last year. The duo, who belong to the family of retailers also behind City Beach, splashed $9m on the sprawling Gold Coast hinterland estate. Operating as Austinvilla Estate, the wedding and events venue was sold in an off-market deal handled by Cohen Handler agents, Luke Serhan and Tom Osborn. Ms Henry launched the popular women's wear brand Dissh, handing the reigns to eldest daughter Lucy Henry-Hicks in 2019. She pivoted to The Lussh, an upscale wedding and events business run from a historic Woolloongabba building which was gutted by fire in September 2024. After months scrambling to re-arrange wedding bookings, The Lussh will rise from the ashes at 31 Austinville Rd, Austinville. Records show the sale settled last month, with the property held by a company directed by Ms Henry and Grace, who hosts 'immersive retreats grounded in wellbeing and personal growth' under the banner Holding Space with Grace. A statement on The Lussh website stated the business continued to offer its services after losing its venue. 'The original Lussh headquarters may be gone, but The Lussh is stronger than ever. We are bringing our signature style and services to venues from Brisbane to the Gold Coast.' Mr Serhan said the businesswomen's brief was 'highly specific'. 'Few properties in the country offer this amount of luxury accommodation, natural beauty, and full-scale event infrastructure. 'This transaction underscores the increasing demand for high-function, lifestyle-driven estates with commercial potential,' he said. The secluded 46.79ha property was set amid soaring gums and preserved subtropical forest, just 15 minutes from the beach. Features included accommodation for up to 92 guests across cabins, suites and lodges along with purpose-built indoor and outdoor event spaces. Ninja Warrior takes on gravity-defying container home The 20 suburbs homeowners never want to leave The property was listed for sale via an expressions of interest campaign in 2022 amid the post-Covid wedding boom, but a buyer was not secured at that time, and it was taken off the market. The buyers agents presented their offer 'following an extensive and tightly managed search'. 'Purpose-built as a premium events venue and retreat space, Austinvilla Estate represents one of the most unique acquisitions in the region: a grand, established estate combining large-scale accommodation, immersive nature, and a complete suite of facilities designed for weddings, retreats, and luxury experiences,' Mr Serhan said. Records show the land last changed hands for $1.2m in 2015 and had since been sub-divided or amalgamated.
News.com.au
an hour ago
- News.com.au
‘Gloriously neglected' worst house has roof (mostly intact)
A house described at 'gloriously neglected' has hit the market, with the listing offering a humorous take on its potential. 'You can practically hear the walls begging for some attention,' the listing for 6 Monro St in Kelvin Grove in Brisbane says. 'Welcome to 6 Monro Street - equal parts project, punishment, and potential. 'A monument to long-forgotten maintenance schedules and DIYs never done, this is the classic 'worst house on one of the best street's' - and that's precisely why you should be lining up.' It is being marketed by Mario Sultana and Brady Hope of Aurora Property Newmarket. As you approach the architectural relic, you are greeted by a roof that is, for the most part, doing its job. It was described as 'mostly intact'. 'Inside, you'll find the remains of a floorplan that once made sense,' the listing says. 'The kitchen, a main living space, small sun room and three bedrooms have undoubtedly seen better days (circa 1983, give or take). 'Timber floors throughout… somewhere underneath the carpet, linoleum and layers of dust. 'The bathroom? It's got four walls and terrazzo underfoot, all holding on with heroic determination.' It's the kind of bathroom that makes you appreciate the little things in life, like functioning plumbing and doors that close properly. Meanwhile, the kitchen is 'ripe for destruction'. 'Neglected for years, untouched by the local hardware store, and unbothered by style trends, this is a rare find for those who see past peeling paint and into property potential,' the listing says. 'With scope to renovate, rebuild or remove (subject to council approval) this property is a proper diamond in the very, very rough.' But it is set in an elevated pocket of Kelvin Grove, just moments from QUT, Victoria Park, Kelvin Grove State College and the city. On a 478sq m block, there is also a detached single lock-up garage or shed. The median house price in Kelvin Grove is now $1.355 milllion, up 8.4 per cent over the past 12 months and 65 per cent in five years, according to the latest REA Market Trends report. The Monro St property will go to auction on August 30
ABC News
an hour ago
- ABC News
An ancient culture of another sort visits Garma
Seneca Martin dances at Garma ( ABC News: Che Chorley ) Flying from across the ocean, feathered regalia meets an ochre-smeared bunggul. Overhead shot of a Bunggul at Garma. ( ABC News: Che Chorley ) In the red sand, two ancient cultures collide. Seneca Martin dances at Garma. ( ABC News: Che Chorley ) Dance and song from the vast expanse of Turtle Island (America). A warrior's dance, performed on sacred Yolŋu ground. Seneca Martin at Garma. ( ABC News: Che Chorley ) Adorned in history and tradition, passed down for generations. "My regalia is a representation of my ancestors," Seneca Martin says. "Long ago they used to be warriors. "I present myself in that way." It's not a costume; it's their way of life. Seneca Martin close-up at Garma ( ABC News: Che Chorley ) Intricate pieces are hand-crafted, earned and bestowed by their families and tribe. "Everything that I put on is protection and correlation to my tribe which is Lakota and Navajo. "Everything has a meaning behind it, and everything that is put on me has a blessing with it. "The eagle feathers, they give me protection from what I can't see." Like their Yolŋu hosts on Gumatj country, the stories, dance and regalia of these tribes are intertwined with the land and natural environment. Knowledge and tradition is shared through significant gatherings called powwows. "How [the Yolŋu] adorn themselves with their face paint, we have all that too," said Kiowa Comanche man Kenny Cozad Sr. "We have our different colours, like the yellow and the white, each family has a colour too." A Yolŋu dancer performing the ceremonial bunggul at the Garma Festival this year. ( ABC News: Che Chorley ) The cultural tradition dates back thousands of years. ( ABC News: Che Chorley ) Dancers from different clans emerge with vibrant clothes and patterns painted on their bodies. ( ABC News: Che Chorley ) Delegates from Navajo, Comanche, Kiowa Sioux, Pueblo and Lakota nations in North America attended this year's Garma Festival, travelling to Arnhem Land with the goal of exchanging traditions and knowledge. "Performing here on this ground, this place, is powerful, I can feel it," Mr Cozad says. "As an Indigenous people we are close to nature, this ground, trees, I can feel the power, the good energy here." Kiowa Comanche man Kenny Cozad Sr singing a native American song at Garma. ( ABC News: Che Chorley ) A North American First Nations dancer performs at Garma. ( ABC News: Che Chorley ) Tewa Navajo woman Melonie Matthews performing at the festival on north-east Arnhem Land. ( ABC News: Che Chorley ) Mr Cozad admired the pride young Yolŋu children showed dancing alongside their elders and fathers. "Watching all the little performers, we were in awe to see them participate, not shy getting out there and representing them." "It reminded me of our children, we try to instil our culture in them as well." A baby leading the way at the sacred dance ceremony. ( ABC News: Che Chorley ) The Yolŋu have passed bungguls down generations. ( ABC News: Che Chorley ) Festival attendees join in on the opening bunggul at the Garma Festival. ( ABC News: Che Chorley ) "We've shared our personal stories which are very similar," Melonie Mathews from the Tewa nation in New Mexico says. "Though our languages may be different, they still feel exactly how they feel at home; the warmth, the compassion, the generational participation — that is exactly how our lives are when we are at home." Amid the joy of this clash of cultures, their shared struggles of dispossession and colonisation are not far from their minds. "The fact that we are still all fighting for sovereignty even though in the United States we have sovereignty, supposedly, but it is not necessary as sovereign as people think because we are still under restrictions." Rirratjinu elder Witiyana Marika and other Yolŋu people expressed their gratitude to their brothers and sisters for sharing their unique ways of life. "The great unity we made with our international Indigenous nations that flew here with a great strength with the feathers that are with them, like the great bald eagle." Arnhem Land local Witiyana Marika welcomes North American First Nations people at Garma. ( ABC News: Che Chorley ) North American First Nations people at Garma. ( ABC News: Che Chorley ) Seneca Martin joins a group dance at Bunggul. ( ABC News: Che Chorley )
