
Smoke in cockpit forces Budapest-Lyon flight's emergency landing in Austria
"No people were injured in the incident. The cause of the smoke is currently unclear," police in the Austrian state of Styria, of which Graz is the capital, said in a statement.
The statement did not specify which airline the plane belonged to but the only flight from Budapest on Monday listed on Lyon-Saint Exupery airport's website was EasyJet flight 4400.
EasyJet's website said the flight was diverted to Graz and landed there at 3:25 p.m. (1325 GMT). It also listed a "follow-on flight" to Lyon from Graz scheduled for 5 p.m. but estimated to depart at 9:45 p.m.
Flight tracking website Flightradar24, which EasyJet features on its website, said the plane that landed in Graz was an Airbus 319.
(Reporting by Francois Murphy, editing by Deepa Babington)

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The Star
2 days ago
- The Star
Admire the scenic lake in Attersee that inspired Austrian painter Gustav Klimt
Austrian painter Gustav Klimt (1862-1918) is regarded as one of the leading exponents of the art movement referred to as the Vienna Secession. Closely related to Art Nouveau, this movement was founded in Vienna in 1897 by a group of Austrian painters, designers and sculptors, including Klimt, as a reaction against traditional art forms. Its exponents regarded the movement as the dawn of modernity that radically forged a new identity. Klimt's portraits, such as The Kiss and Adele Bloch-Bauer 1 (his most famous and frequently referred to as the Woman In Gold), are celebrated for their innovation, style and controversy. However, Klimt also painted numerous landscapes and floral works that were mostly completed while he was on holiday in Austria's lake district of Salzkammergut. Klimt was especially inspired by the beautiful scenery of lakeside Attersee in Upper Austria. In 1908, art critic Ludwig Hevesi wrote, 'New things occur in nature as soon as Klimt enters it. The grey and green of his beech forest are invested with a new shimmer and flicker.' Klimt began visiting Attersee in the summer months, and between 1900 and 1916, he created some 40 of his more than 50 renowned landscape paintings around various parts of the lake. Today, visitors to Attersee can admire the mostly unchanged landscapes that inspired Klimt and follow signposted trails to learn more about the locations from where the celebrated artist painted. Colourful flower beds are located along the Gustav Klimt Trail in Attersee. Extending horizons Europe was rapidly opening up in the late 19th century with a web of rail lines across the continent. This meant that everybody could travel as horizons were continually extended. Travel was previously the domain of the wealthy who could afford long sea or river journeys, but the railway enabled the mass movement of people over long distances. The railway arrived in the lakeside settlement of Kammer Attersee-Schorfling in 1882. The rail line, branching off the main Vienna to Salzburg railway at Vocklabruck, further opened up the picturesque Salzkammergut lakes district to those in Viennese society who could afford to travel for their summer holidays. This was an era where a few hours on a steam train was a big adventure for most people. It was also a period when automobiles were few and far between, and even Emperor Franz Joseph 1, the ruler of the powerful Austro-Hungarian Empire, travelled to his summer residence in Bad Ischl by steam train (it was in his Imperial Villa in 1914 that he signed the declaration that led to World War I). It's interesting to note that it wasn't until 1908 that the emperor first rode in a car; reportedly, he was not impressed with it or with innovation in general. Traunkirchen on neighbouring Traunsee is another popular holiday destination in Salzkammergut. Lakeside inspiration The scenic beauty of the lakes quickly spread as each steam train transported eager holidaymakers in and out of the picturesque district. Klimt picked up on this, and between 1900 and 1916, he was invited to holiday in Attersee during the summer. He spent the first eight summers at a small guesthouse connected to a brewery in Litzlberg on the western shore of Attersee that was accessible by boat from the Kammer Attersee-Schorfling railway station. In addition to the stunning scenery, he may have also gained inspiration from the refreshing ales produced in the brewhouse ... but one can only assume. In the summer of 1908, the Klimt clan moved to Villa Oleander, closer to the town and railway station, and spent several subsequent summers holidaying here. This holiday home, built in 1872, belonged to Kammer Castle, and Klimt was captivated by the castle and incorporated it in five of his paintings. The gardens of earthly delights, as Klimt referred to the flowers and plants that adjoined the castle were included in two of his paintings. Schloss Kammer was featured in some of Klimt's paintings. His paintings don't always follow the rules of perspective, as he frequently moved structures closer together while flattening the perspective. As a result, distances were often cancelled out by this artistic vision that was most likely obtained by using a cardboard cut-out viewfinder to frame and compose his works. His landscape paintings are characterised by the same refinement of design and emphatic patterning as his portraits. The deep spaces in the Attersee landscape were mostly reduced to a single plane, with some experts suggesting that Klimt may have even used a telescope to create his masterpieces. The concept of en plein air, or 'in the open air', was already a well-established painting technique. It was developed by French painters in the 1830s as they took inspiration in the field while painting objects in situ in the great outdoors. However, there is a suggestion that the invention of paint tubes in the 1870s enabled artists to paint more easily in the open air as they had the ability to transport their studio into the field. No doubt Klimt had access to tubes of paint, and he was able to portray landscapes that included buildings, flowers and the lake in colourful forms. In doing so, Klimt created his own summer sojourn studio that provided a sense of relaxation and calm for the painter. He loved to relax and lose himself in painting flowers and plants, but not as true reproductions, rather in a more stylised and playful manner using a sensual melange of shapes and colour. He was inspired by summer colours and fruiting trees, blossoming fields, rolling hills and thick glades of birch and beech forests, all of which were in close proximity to Attersee. The vibrant autumnal hues of the district also impressed Klimt and he was generally happy with the changes in the landscape from summer to autumn. Some suggest that while in Attersee Klimt was able to remove himself from Viennese life and the scandals that were often associated with works such as the erotic and sensual Faculty Paintings. Sometimes, his draft paintings did not match the finished product with some being considered 'pessimistic'. He cut a stylish and unusual figure as he painted in his distinctive long, monk-like robe, no doubt designed by his lifelong companion, Emilie Floge, who was a dress designer. Floge was an advocate of the 'reform dress' centred on women wearing long flowing robes rather than the more traditional and restrictive dress of the era. In recognition of his distinctive and powerful figure, the locals called Klimt a 'waldschrat', or 'forest demon'. Klimt's legacy Klimt's paintings are in high demand on the few occasions they come to auction. His Attersee paintings are among his most highly regarded and most valuable. For example, in 2003, his Landhaus am Attersee (1914) sold for US$29mil (RM122.71mil today), and Litzlberg am Attersee (1915) was successfully auctioned for US$40.4mil (RM170.95mil) in 2011. However, the shining star is Adele Bloch-Bauer 1 (1907), which last sold at auction in 2006 for a cool US$135mil (RM571.2mil). Visitors to Schorfling can drop by the Gustav Klimt Centre (museum) and also inspect the gardens in front of the marina and the impressive Schloss Kammer. Well-signed trails extend into the nearby neighbourhood to enable visitors to stand in specific places where Klimt worked on his masterpieces. Klimt created an impressive artistic legacy for Attersee, and today, countless visitors travel to the lake and its surroundings to take in the scenery that inspired the great master. Travel notes How to get there: There are no direct flights from Kuala Lumpur to Vienna, Austria so travellers need to transit somewhere on the way. Malaysia Airlines flies direct from KL to London while KLM flies direct to Amsterdam. Daily return flights to Vienna are available from either city. Once in Vienna, take the train. Trains operated by the Austrian Railway or OBB depart directly from Vienna Airport with a few stops on the line to Kammer Attersee-Schorfling (approximately four hours). Where to stay: Stay at Attersee in Hotel Das Zeit or Hotel Sailer, or Hotel Post at Lake Attersee itself. For visitors who are driving, the Post am See Hotel in Traunkirchen on the neighbouring lake of Traunsee is also a good option. More info: Austria Tourism ( Klimt am Attersee Association ( Salzkammergut Tourism ( Tourist Information Centre of Attersee-Attergau ( and the Upper Austria Tourism Board (


The Sun
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