
NASA's Mars Perseverance snaps a selfie as a Martian dust devil blows by
Resembling a small pale puff, the twirling dust devil popped up 3 miles (5 kilometers) behind the rover during this month's photo shoot. Released Wednesday, the selfie is a composite of 59 images taken by the camera on the end of the rover's robotic arm, according to NASA.
It took an hour to perform all the arm movements necessary to gather the images, "but it's worth it,' said Megan Wu, an imaging scientist from Malin Space Science Systems, which built the camera.
"Having the dust devil in the background makes it a classic," Wu said in a statement.
The picture - which also shows the rover's latest sample borehole on the surface - marks 1,500 sols or Martian days for Perseverance. That's equivalent to 1,541 days on Earth.
Perseverance is covered with red dust, the result of drilling into dozens of rocks. Launched in 2020, it's collecting samples for eventual return to Earth from Jezero Crater, an ancient lakebed and river delta that could hold clues of any past microbial life.

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Arab Times
02-07-2025
- Arab Times
China's lunar 3D printing tech paves way for moon ‘houses'
HEFEI, July 2, (Xinhua): A groundbreaking 3D printing system developed by Chinese scientists has explored using only on-site-sourced lunar soil to build habitats, paving the way for the large-scale, on-site construction of lunar research stations. The Deep Space Exploration Laboratory in Hefei, Anhui Province, has successfully prototyped a lunar regolith 3D printer that eliminates the need for Earth sourced construction materials, according to Yang Honglun, a senior engineer at the lab. He revealed that the system uses a high-precision reflective concentrator and flexible fiber-optic energy transmission to achieve temperatures hot enough to fuse lunar regolith. 'This printing breakthrough has validated the feasibility of using lunar soil as the sole raw building material, enabling true in-situ resource utilization and eliminating the need to transport any additional materials from Earth,' he said. Also among the printing system's key innovations is flexible manufacturing, which enables brick production and the customized molding of complex structures. A preliminary test of the prototype's lunar regolith forming process has been completed on the ground surface. Tests of its ability to melt and form lines, surfaces, bodies and complex structures have also been completed, and tests of the technical feasibility of the prototype's solar concentrating technology, optical fiber bundle energy transmission and lunar regolith melting system have been systematically completed. In the early stages of the research team's work, the core challenge was achieving reliable solar energy concentration and regolith shaping under the extreme conditions of the lunar environment.


Arab Times
28-06-2025
- Arab Times
Koepp brings fresh vision to ‘Jurassic World'
NEW YORK, June 28, (AP): Ext Jungle Night -- An eyeball, big, yellowish, distinctly inhuman, stares raptly between wooden slats, part of a large crate. The eye darts from side to side quickly, alert as hell. So begins David Koepp's script to 1993's 'Jurassic Park.' Like much of Koepp's writing, it's crisply terse and intensely visual. It doesn't tell the director (in this case Steven Spielberg) where to put the camera, but it nearly does. 'I asked Steven before we started: What are the limitations about what I can write?' Koepp recalls. 'CGI hadn't really been invented yet. He said: 'Only your imagination.'' Yet in the 32 years since penning the adaptation of Michael Crichton's novel, Koepp has established himself as one of Hollywood's top screenwriters not through the boundlessness of his imagination but by his expertise in limiting it. Koepp is the master of the 'bottle' movie - films hemmed in by a single location or condensed timed frame. From David Fincher's 'Panic Room' (2002) to Steven Soderbergh's 'Presence' (2025), he excels at corralling stories into uncluttered, headlong movie narratives. Koepp can write anything - as long as there are parameters. 'The great film scholar and historian David Bordwell and I were talking about that concept once and he said, 'Because the world is too big?' I said, 'That's it, exactly,'' Koepp says. 'The world is too big. If I can put the camera anywhere I want, if anybody on the entire planet can appear in this film, if it can last 130 years, how do I even begin? It makes me want to take a nap. 'So I've always looked for bottles in which to put the delicious wine.' By some measure, the world of 'Jurassic World' got too big. In the last entry, 2022's not particularly well received 'Jurassic World: Dominion,' the dinosaurs had spread across the planet. 'I don't know where else to go with that,' Koepp says. Koepp, a 62-year-old native of Pewaukee, Wisconsin, hadn't written a 'Jurassic' movie since the second one, 1997's 'The Lost World.' Back then, Brian De Palma, whom Koepp worked with on 'Carlito's Way' and 'Mission: Impossible,' took to calling him 'dinosaur boy.' Koepp soon after moved onto other challenges. But when Spielberg called him up a few years ago and asked, 'Do you have one more in you?' Koepp had one request: 'Can we start over?' 'Jurassic World Rebirth,' which opens in theaters July 2, is a fresh start for one of Hollywood's biggest multi-billion-dollar franchises. It's a new cast of characters (Scarlett Johansson, Mahershala Ali and Jonathan Bailey co-star), a new director (Gareth Edwards) and a new storyline. But just as they were 32 years ago, the dinosaurs are again Koepp's to play with. 'The first page reassured me,' says Edwards. 'It said: 'Written by David Koepp.'' For many moviegoers, that opening credit has been a signal that what follows is likely to be smartly scripted, brightly paced and neatly situated. His script to Ron Howard's 1994 news drama 'The Paper' took place over 24 hours. 'Secret Window' (2004) was set in an upstate New York cabin. Even bigger scale films like 'War of the Worlds' favor the fate of one family over global calamity. 'I hear those ideas and I get excited. OK, now I'm constrained,' says Koepp. 'A structural or aesthetic constraint is like the Hayes Code. They had to come up with many other interesting ways to imply those people had sex, and that made for some really interesting storytelling.' Koepp's bottles can fit either summer spectacles or low-budget indies. 'Jurassic World Rebirth' is the third film penned by Koepp just this year, following a nifty pair of thrillers with Steven Soderbergh in 'Presence' and 'Black Bag.' 'Presence,' like 'Panic Room,' stays within a family home, and it's seen entirely from the perspective of a ghost. 'Black Bag' deliciously combines marital drama with spy movie, organized around a dinner party and a polygraph test. Those films completed a zippy trilogy with Soderbergh, beginning with 2022's blistering pandemic-set 'Kimi.' Much of Koepp's career, particularly recently, run through the two Stevens: Soderbergh and Spielberg. 'What they have in common is they both would have absolutely killed it in the 1940s,' Koepp says. 'In the studio system in the 1940s, if Jack Warner said 'I'm putting you on the Wally Beery wrestling picture.' Either one of them would have said, 'Great, here's what I'm going to do.' They both share that sensibility of: How do we get this done?' Spielberg and Koepp recently wrapped production on Spielberg's untitled new science fiction film, said to be especially meaningful to Spielberg. He gave a 50-page treatment to Koepp to turn into a script. 'It's even more focused than I've ever seen him on a movie,' says Koepp. 'There would be times - we'd be in different time zones - I'd wake up and there were 35 texts, and this went on for about a year. He's as locked in on that movie as I've ever seen him, and he's a guy who locks in.' For 'Jurassic World Rebirth,' Koepp wanted to reorder the franchise. Inspired by Chuck Jones' 'commandments' for the Road Runner cartoons (the Road Runner only says 'meep meep'; all products are from the ACME Corporation, etc.), Koepp put down nine governing principles for the 'Jurassic' franchise. They included things like 'humor is oxygen' and that the dinosaurs are animals, not monsters. A key to 'Rebirth' was geographically herding the dinosaurs. In the new movie, they've clustered around the equator, drawn to the tropical environment. Like 'Jurassic Park,' the action takes place primarily on an island. Going into the project, Edwards was warned about his screenwriter's convictions. 'At the end of my meeting with Spielberg, he just smiled and said, 'That's great. If you think we were difficult, wait until you meet David Koepp,'' says Edwards, laughing. But Edwards and Koepp quickly bonded over similar tastes in movies, like the original 'King Kong,' a poster of which hangs in Koepp's office. On set, Edwards would sometimes find the need for 30 seconds of new dialogue. 'Within like a minute, I'd get this perfectly written 30 second interaction that was on theme, funny, had a reversal in it - perfect,' says Edwards. 'It was like having your own ChatGPT but actually really good at writing.' In the summer, especially, it's common to see a long list of names under the screenplay. Blockbuster- making is, increasingly, done by committee. The stakes are too high, the thinking goes, to leave it to one writer. But 'Jurassic World Rebirth' bears just Koepp's credit.

Kuwait Times
25-06-2025
- Kuwait Times
India, Poland and Hungary make spaceflight comeback
CAPE CANAVERAL: A US commercial mission carrying astronauts from India, Poland and Hungary blasted off to the International Space Station on Wednesday, marking the first time in decades that these nations have sent crew members to space. Axiom Mission 4, or Ax-4, launched from NASA's Kennedy Space Center in Florida at 2:31 am (0631 GMT), with a brand-new SpaceX Crew Dragon capsule riding atop a Falcon 9 rocket. The vehicle is scheduled to dock with the orbital lab on Thursday at approximately 1100 GMT and remain there for up to 14 days. Aboard the spacecraft were pilot Shubhanshu Shukla of India; mission specialists Slawosz Uznanski-Wisniewski of Poland and Tibor Kapu of Hungary; and commander Peggy Whitson of the United States, a former NASA astronaut who now works for the company Axiom Space, which organizes private spaceflights, among other things. The last time India, Poland or Hungary sent people to space, their current crop of astronauts had not yet been born - and back then they were called cosmonauts, as they all flew on Soviet missions before the fall of the Iron Curtain. Shukla became the first Indian in space since Rakesh Sharma, an air force pilot who traveled to the Salyut 7 space station in 1984 as part of a Soviet-led initiative to help allied countries access space. India's space agency, ISRO, sees this flight as a key stepping stone toward its own maiden crewed mission, planned for 2027 under the Gaganyaan program, meaning 'sky craft.' 'What a fantastic ride,' Shukla said in Hindi after liftoff. 'This isn't just the start of my journey to the International Space Station - it's the beginning of India's human space program.' Indian Prime Minister Narendra Modi hailed the successful launch. 'He carries with him the wishes, hopes and aspirations of 1.4 billion Indians. Wish him and other astronauts all the success!' he wrote on X. All three countries are footing the bill for their astronauts. Hungary announced in 2022 it was paying $100 million for its seat, according to India and Poland have not disclosed how much they are spending. 'We've got this! Poland has reached for the stars,' Polish Prime Minister Donald Tusk said on X, alongside a video himself watching the launch on a screen at the Copernicus Science Centre in Warsaw. 'Who knows how many future Polish astronauts watched Slawosz's launch with me? Everyone was very excited and very proud,' Tusk said in another post, which included a photo of him seated next to several children at the science center. The Ax-4 launch comes after technical issues delayed the mission, originally slated for early June. It also follows an online spat between US President Donald Trump and SpaceX chief Elon Musk, the world's richest person and, until recently, Trump's ally and advisor. Trump threatened to yank SpaceX's federal contracts - worth tens of billions of dollars - prompting Musk to threaten an early retirement of Dragon, the only US spacecraft currently certified to carry astronauts to the ISS. Musk walked back the threat a few hours later and in the days that followed continued to deescalate, stating on X that he had gone 'too far.' — Reuters Any rupture between SpaceX and the US government would be massively disruptive, given NASA and the Pentagon's reliance on Falcon 9 and Falcon Heavy to send up crew, cargo, satellites and probes. But for now, analysts believe both sides are too entangled to risk a serious break. The Ax-4 flight marks the debut of the fifth and final Crew Dragon vehicle, which was named 'Grace' after it reached orbit joining Endeavour, Resilience, Endurance and Freedom in the active fleet. 'It reflects the elegance with which we move through space against the backdrop of Earth,' said Commander Whitson. 'It speaks to the refinement of our mission, the harmony of science and spirit and the unmerited favor we carry with humility.' SpaceX ultimately plans to phase out its current vehicles in the 2030s in favor of Starship, its giant next-generation rocket currently in development. — Reuters