logo
Read an Excerpt from ‘The Last Tiger' by Siblings Julia Riew and Brad Riew

Read an Excerpt from ‘The Last Tiger' by Siblings Julia Riew and Brad Riew

Cosmopolitan01-07-2025
Typically, writing is a solitary experience. A writer sits down and weaves their story that usually doesn't get shared for quite some time. But some powerful duos have come through over the years that have proven that writing can be fun when its done with another person. And this time, it's a sister-brother team that are not only taking us to a brand-new land, but taking their grandparents' story to new heights.
Cosmopolitan has an special first-look at The Last Tiger by Julia Riew and Brad Riew, set to be released on July 29, 2025. The new novel follows Choi Eunji and her friend Lee Seung who suddenly find themselves at opposite ends of a battle that can change everything they've ever known. What happens when the person that you've known the most is suddenly your enemy? Here's some more info from our friends at Kokila:
Ready to dive into the magnificent new world? Read on for an exclusive excerpt! Just make sure to pre-order The Last Tiger!
An Excerpt From The Last TigerBy Julia Riew and Brad Riew
-1-
The sky over the mountains today is too clear, too blue, for the Slaying Ceremony. It almost isn't fair.
The crisp fall air burns in my lungs as I step out of the house, blinking, my eyes slowly adjusting to the light. I massage my brow with one hand, trying to ease the stress lines there. I don't want to go down to the town square today. Of course I don't. But it's not like I have a choice.
'Wait for me, Seung! Wait!'
My kid brother, Hoyoung, crouches by the door, struggling to fit his feet into his shoes—they're way too tight for him; he needed new ones long ago. Over his shoulder, he carries a huge empty burlap sack that falls across his back like a cape.
'What is this?' I chuckle, lifting the long bag with two fingers. 'We don't need all this, Hoyoung. We're just buying some rice.'
'What if we get a lot of rice?' Hoyoung says hopefully.
'I don't think that's going to happen,' I say warily.
Not with the war and current food prices.
Whatever we manage to pick up today, we'll likely have to stretch it to last the month.
Still, Hoyoung seems happy to be carrying the comically large bag, so I let him keep it. I slide the front door closed behind us, shutting it on the faint smell of tonight's dinner, which Mom is preparing inside: a watery broth made from boiling turnips. You could call it World War Stew—this is all we've eaten for months.
'Isn't Mom coming?' Hoyoung turns back to look inside.
'She's waiting for Dad to come back from the mines. They'll come later.' I pull him by the shoulder. 'Hey, Hoyoung. Look at me, okay? I need to tell you something. This is important.'
My little brother turns to me with these huge, innocent eyes that practically knock my heart out. His too-long bangs fall over his face. A lump forms in my throat as I brush them away.
This kid is too young to attend the Slaying. That's a fact.
But if I don't take him with me today, we'll never hear the end of it from the police.
'No matter what happens tonight, don't let go of my hand,' I tell him. 'Don't wander off, don't let go of me, no matter what happens. And when I tell you, make sure to close your eyes. I'm gonna protect you, okay?'
Hoyoung swallows hard, nodding fiercely.
'Okay, buddy. Let's go.'
We turn away from the house, stepping onto the stone path that leads down to the village center. Already, the sun is growing bloody orange as it descends toward the horizon. In a few hours it will dip out of sight behind the thick mountains surrounding the town of Kidoh, dropping a thin, purple twilight over the valley.
Out here, the air is clear and bright, scented with pine and mountain ash. I shake my head, trying to dispel the foreboding that has been itching at me all morning.
'Let's goooooo!' Hoyoung cries, running headlong down the path, his feet clapping over the stones. Obviously, he still doesn't really understand what's about to happen. I grimace and hurry after him.
We definitely don't want to arrive late. I lead us along the shortcut off the main path, down the side trail that cuts beside the river. Fat, lazy mosquitos drift in the air here; by the river's edge, tall, brilliant green reeds stick their heads up out of the shallows. The long ribbon of the river itself gleams in the fading sunlight.
As we walk along, we pass a group of academy grads practicing ki by the riverside, their bare chests glistening with sweat. They've lined up a series of enormous boulders, each taller than a man's waist, and are taking turns heaving the giant rocks into the air, tossing them along to one another. The guy at the end of the line catches a boulder with a grunt and sets it down on the ground. He slams his fist onto the rock. The boulder cracks in two and splits at his feet.
'Whoa.' Hoyoung's head turns on a pivot, his jaw falling open.
Rich kids, I grumble to myself.
Thanks to years of expensive after-school tutoring—a luxury our family couldn't possibly afford—those guys passed the Exam when they were about my age and were admitted to Adachi Training Academy at the heart of the empire. There, they were trained in the art of ki. Those ki powers have made them strong enough to crush boulders with their bare hands.
Not to mention that, as graduates of Adachi, they'll have guaranteed access for life to whatever career path they could possibly desire.
Hoyoung and I—well, we'll never have that kind of life.
While those guys are out making their dreams, I spend my weeks sweeping floors for the Chois, the richest yangban family in the colonies.
I avert my gaze and quicken my steps, struggling unsuccessfully to smother the jealousy in my chest.
'This way.' I nod to Hoyoung, now straggling behind me, still staring at the guys with their boulder-crushing exercise. Then we turn the corner, leaving them behind and entering the village proper.
Soon we're deep in the marketplace. Long rows of tables here, laid out with food and wares, line the road. Behind them, old ajummas and ajusshis with missing teeth call out to the bustling crowd of customers.
'Fresh bean-curd paste! Southern-style kimchi! Finest in the Tiger Colonies!'
'Miso and matcha powder! Imported straight from the Dragon Empire! Supplies are limited; get yours now!'
'Ooh,' Hoyoung says, licking his lips. I pull him by the sleeve.
'Not now, Hoyoung. Those are luxuries. We need to save our money for rice, okay?'
'Rice,' says Hoyoung absentmindedly.
And I recognize the hunger in my brother's eyes, suddenly aware of that same pang in my own stomach.
I lead my little brother down to the stand where rice merchants are ladling the precious grains into the bags of anxious customers. We stop next to an open table, preparing for the worst. Prices have been skyrocketing for basic foods this year. Ever since Governor-General Isao issued his edict on the wartime rationing of grains, people across the Tiger Colonies have been going hungry.
'Long live the Dragon Emperor.' Tenno Heika Banzai. I nod to the merchant as I give the obligatory greeting—switching into Dragon tongue, as is required by law.
'Long live the emperor,' the merchant responds automatically. Over his shoulder, a Dragon policeman watches the street impassively, his face a blank mask.
Ever since the Tiger Kingdom was defeated and annexed by the Dragon Empire—more than forty years ago—the Dragon language has been mandatory for use in public settings. Under Governor-General Isao's 'cultural assimilation' policy, the use of our native Tiger tongue has been forbidden altogether. It's a difficult rule to enforce in private settings, but I wouldn't dare use Tiger language here in the marketplace, under the watchful eye of the Dragon police.
I hand over the coins. The merchant nods, counting them, and motions gruffly for Hoyoung to hold open his burlap sack. The merchant lifts a spoonful of the coarse, grainy rice—the good stuff, refined white rice, is well out of our budget—and pours in a small handful.
And stops.
'No way.' My jaw drops. 'That's barely a couple of days' worth—'
'Sorry, kid.' The merchant shrugs indifferently. 'The drought this year is even worse than last year's, if you can believe it . . . There are dust storms in the fields. Add to that the wartime ration, and you're lucky I have anything at all for you today.'
Beside me, customers are arguing bitterly with the other merchants. I stare down into the enormous burlap sack, at the measly handful of rice grains spread out there at the bottom. We just handed that merchant a month's worth of Dad's salary.
'Seung,' says Hoyoung, tugging on my arm.
'Not now, Hoyoung,' I mutter emptily.
'Seung,' Hoyoung says louder.
And then I look up, and I see—
Merchants and customers alike, lowering their heads, sweeping their coins into pouches and tucking them away, out of sight—
I hear the pounding of boots marching in unison—
And the whistles of the policemen.
Finally, I see them: the Dragon Army.
A dozen or more soldiers marching in rows down the main street, their faces shadowed beneath dark helmets.
Between the two rows of men, a military truck is pulling something behind it on a flat wooden bed. I can't make out what it is, exactly; it looks like some kind of large box with a dark green cloth draped over it.
The policemen lining the street whistle several times and begin to move forward, pushing roughly, guiding the customers toward one end of the street. A commotion rises up as the crowd gradually begins to turn, a ripple of fear and uncertainty filling the air.
I grab Hoyoung's hand tight, the sack of rice clenched hard in my other fist, as the crowd begins to push us along.
'What's going on?' I ask a man next to us. He grimaces and shakes his head.
'I think it's starting soon.'
'The Slaying Ceremony?'
'I'd guess so. Look—they're corralling us toward the town square.'
The Dragon police step forward, white-gloved hands held out, pushing us in one direction down the street. We don't have any choice now but to follow along. Hoyoung holds tight to my arm as I tie up the burlap sack and stuff it deep into my pocket, as far as it will go.
There's a large audience gathered already by the time we file in. The town 'square' is just a faded plot of dirt in the center of Kidoh, but whenever a crowd assembles here, it takes on an official air of importance. An anxious buzz of conversation fills the space.
I strain on tiptoes to see over the heads of the people in front of me. Hoyoung huddles against me.
'Stay close to me, no matter what happens,' I whisper to him. 'And remember to close your eyes when I tell you to, okay?'
Something in the urgency of my voice and the mood of the crowd impresses itself on Hoyoung now. The kid nods soberly and falls quiet, his hand tugging automatically at my sleeve.
The Dragon Army marches into the square, forming a circle around the truck with the mysterious covered box. The truck slows, and the soldiers separate the wooden platform from the truck, then wheel the box into the center of the square. A low growl emanates from inside the box.
One of the soldiers tears the green tarp away.
The crowd gasps.
It wasn't a box—it's a huge cage. In the middle sits an enormous, bristling animal.
A tiger.
A majestic coat of deep-orange-and-black fur ripples in waves over the tiger's body. Its haunches and shoulders are taut and muscular; it looks powerful enough to rip a man easily to shreds. Each of its legs is chained to the floor of the cage. The tiger shakes itself uncomfortably, attempting to turn its head, but it's held fast by a heavy steel collar.
I lean forward, mesmerized.
For decades, the Dragon Empire has been hunting tigers all over the colonies. Because they were once the national symbol of the Tiger Kingdom, the Dragon Empire has been doing everything in its power to wipe the wild tigers off the face of the earth. The symbolism isn't lost on us. Every time they catch one in the wild, they hold a Slaying Ceremony and force the locals to watch.
Over time, as tigers grew more and more rare, the Slayings gradually became few and far between. The last time I can remember seeing a Slaying here in Kidoh, I wasn't too much older than Hoyoung is now.
No one likes to watch a Slaying Ceremony. No Tiger person can stand to watch them. But we don't have any choice. That's the whole point.
The soldiers move a few levers on the cage, and the walls disconnect and fall to the ground. One of them steps forward, a long, ceremonial katana held by a scabbard at his waist. The others fall into formation behind him.
'A message from the governor-general!' the soldier with the katana declares, unfurling a scroll. ''You are subjects of the benevolent Dragon Empire—may you serve your emperor with united hearts. Give thanks to the great Dragon Emperor for bringing peace and civilization to these Tiger Colonies!''
Behind him, the other Dragon soldiers stand at attention. Watching them in their dazzling uniforms, I can't help but feel yet another twisted pang of jealousy.
Each one of those Dragon soldiers has ki powers.
Ki is the reason every one of them has the strength of ten normal men. It's ki powers that make it utterly impossible for us to fight back.
It's ki powers that remind us we will never be their equals, not in a thousand years.
It may be a pipe dream, but if I were to admit it to myself, the only thing I've ever really wanted in life is to pass the Exam and go to Adachi Training Academy. Even though I don't have a chance, because my family will never be able to afford the tutors.
But everything about my life would change if I, too, had ki—just like those soldiers.
The policemen whistle shrilly, and the last murmurs of the crowd fall silent.
'Look at this monster!' the soldier with the katana continues. 'In the old, backward times before the empire, these beasts killed and ate people. But today, we have brought them to their knees. Give thanks, for the Tiger Colonies are now safe.'
Across the square, I see men and women bristling in the crowd. The anger and hostility in their faces is unmistakable.
I can't help but shiver. The hairs rise on my neck.
Behind the officer, the tiger's lips pull back from its teeth, revealing a series of fangs the length of a man's hand. Its tail sweeps back and forth anxiously on the wooden platform. The creature's eyes gleam with a strange intensity; they seem to glow almost from within. The air around it seems deathly still, as if the earth were holding its breath.
It's beautiful, I think, strangely.
The soldier unsheathes his sword and points it straight at the tiger. He raises his blade, his face twisted in an expression of hate—
Then turns and charges straight toward the platform.
'Close your eyes, Hoyoung,' I whisper suddenly. 'Now.' Beside me, my brother squeezes my hand tight.
The soldier slashes once at the chain tying the tiger's head to the post, breaking the links. The tiger's collar opens and falls at his feet. His second slash comes down right at the base of the tiger's neck.
And I close my eyes, too—I can't bear to watch. I hear a dull thud, then a series of gasps from the crowd.
When I finally open my eyes, the tiger's body is slumped on the wooden platform. Its head has rolled forward, onto the dirt. The soldier holds his bloody katana high above his head, teeth bared in victory.
I feel dizzy.
I'm about to turn away when someone in front of me gasps, pointing.
And then I have to look twice—because I don't quite believe my own eyes.
Right there in front of us, the tiger's head is rolling around in the dirt— all on its own, possessed, like an egg in boiling water. Its eyes are crazed and bloodshot, its jaws snapping angrily at the air. A hushed silence falls heavily over the crowd.
No one dares move a muscle. Everyone is spellbound in disbelief.
The possessed head of the tiger looks obscene, demonic; it's furiously, blindly trying to bite anything and everything around it.
The Dragon soldiers raise their swords, spreading out.
For the strangest moment, time seems to slow. From somewhere far away, I'm dimly aware of Hoyoung holding my arm tight.
And then one of the soldiers stumbles—someone in the crowd, it's impossible to see who, has put out a leg to trip him—and he falls to the ground. His sword slips from his grasp and bounces, seeming to take forever to fall.
Immediately the severed head of the tiger turns, hurls forward, and locks its jaws around the fallen soldier's ankle. It growls menacingly and shakes itself, digging its teeth deep into his leg.
The soldier howls in pain and writhes on the ground. Behind him, the next officer quickly scrambles to pick up the fallen sword.
Chaos erupts. Suddenly, everywhere around us, the crowd is frantic with fear; villagers scream in terror and scatter like a swarm of fish, desperately trying to flee to safety as the policemen who were guarding the exits move into the square, whistles blaring—
But I'm rooted to the spot. I couldn't move even if I tried.
The tiger's head snarls and shakes and clenches its jaws. The soldier on the ground screams in pain while the others attempt uselessly to free him.
Then someone in the crowd shoves past me, and I lose my grip on Hoyoung's hand.
'Hoyoung!'
The crowd tramples past us. I whip around, snapped back into the moment, looking for my little brother, but he's been swallowed up by the crowd.
'Hoyoung! Hoyoung!' I shout, turning left and right madly.
I move through the swarming villagers, looking everywhere for my brother—
Bam! Something hits me and I'm down, on the ground.
What was that? I wonder, in a daze.
As I'm getting up, I see someone else lying in front of me. The other person has a hood over their shoulders, obscuring their face. As they sit up, the hood slips back, revealing a girl's face.
This girl, I recognize instantly. I would know her anywhere.
'. . . Eunji?' I gasp.
The two of us sit, staring at each other, for an impossibly long interval.
Then Eunji turns bright red and sweeps her hood back over her head.
She gets up and flees.
Leaving me staring off into space after her.
A small hand latches onto my arm and yanks, hard. 'Come on, Seung!'
Thank the spirits. It's Hoyoung.
I leap to my feet, trying to glance behind us to see what has become of the tiger and the officer, but I can't see a thing through the swarming crowd. Dazed, I finally tear my gaze away. Then I sweep Hoyoung onto my back—and run to safety.
The Last Tiger, by Julia Riew and Brad Riew on will be released on July 29, 2025. To preorder the book, click on the retailer of your choice:
AMAZON AUDIBLE BARNES & NOBLE BOOKS-A-MILLION BOOKSHOP APPLE BOOKS KOBO LIBRO.FM TARGET WALMART POWELL'S BOOKS HUDSON BOOKSELLERS GOOGLE PLAY EBOOKS.COM
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

The Bandana Hair Trend Every Celeb Is Wearing—Summer Hair 2025
The Bandana Hair Trend Every Celeb Is Wearing—Summer Hair 2025

Cosmopolitan

time5 hours ago

  • Cosmopolitan

The Bandana Hair Trend Every Celeb Is Wearing—Summer Hair 2025

Every hair accessory has its moment. First, it was bows, then it was stretchy headbands à la 2004, then we saw all those fun claw clips. But now? We're fully back in our bandana era. Picture yourself riding in a convertible down the French countryside with a chic bandana tied around your head. That's the energy we're channeling for summer 2025. "I just got back from Paris and every store was stocked with rows upon rows of scarves in every color, fabric, and print you could imagine," says Cosmo beauty editor Beth Gillette. "I have to assume they've been collecting this many scarves just for this moment in beauty trend history." And if it's Euro summer approved, it's a trend I'm all for. The beauty of the accessory lies in its versatility—celebs like Gracie Abrams and Hailey Bieber have been rocking bandana hairstyles as of late. Even the Cosmo beauty team has been using them to cover a third-day blowout or elevate beach hair. There's truly no wrong way to bandana. Ahead, we've rounded up all the cutest bandana inspo. Plus, the best bandanas to shop now and how to style them. Gracie's bandana is the second most important part of this photo. It's almost like we manifested this trend with our Doechii summer cover shoot... Hailey Bieber wearing a bandana on a boat in Europe is the vibe I'm going for. This cherry headscarf is just so chic. Chappell's using this plaid bandana to tie back her voluminous curls is so simple yet so stylish. Okay, while I don't look half as cool as Doechii or Hailey Bieber in a bandana, it still works. It's simple, low-effort, and super cute. "I saw girls all over Paris with headscarves in their hair," says Gillette. "It's such a chic way to disguise second-day grease." Bandanas have been worn for decades, but there are still so many fresh ways to style them with any type of outfit. Fold one in half into a triangle and wrap it around the back of your head for that effortlessly cool look, or knot it under your chin to go full vintage. You can also place it over the top of your head and secure it at the back, leaving the rest of your hair down and loose. Try rolling it up and tying it around the nape of your neck to wear it like a headband. I've even seen fashion girlies fold them in half and wear them around the waist in a sarong-esque style. Honestly, there's no wrong way to wear one. Jasmine Hyman is the assistant beauty editor at Cosmopolitan, where she writes about all the biggest beauty trends out there. For this story, she spotted the trend on celebs and then spent weeks styling and trying bandanas. She also tapped beauty editor Beth Gillette for her insight. Jasmine Hyman is the Assistant Beauty Editor at Cosmopolitan, where she writes about the latest beauty trends and must-have products. Her most prized beauty possessions are a meticulous skincare routine and salon blowouts. You'll also likely find her in bed reading a good book or endlessly scrolling TikTok (spoiler: it's usually the latter) while listening to Harry Styles' entire discography on repeat. Follow her on Insta to be inundated with pictures of her meals.

The taboo that Americans just can't seem to break
The taboo that Americans just can't seem to break

Vox

time10 hours ago

  • Vox

The taboo that Americans just can't seem to break

is a lesbian journalist and author based in New York City. Her work has been featured in New York Magazine, Cosmopolitan, the New York Times, and many others. When Alana Romero was a child, they'd leave their bed in the middle of the night, sneak through her family's darkened home in South Florida, and slip into her sisters' bedrooms. But they didn't want to play, gossip, or otherwise annoy her siblings — she wanted to make sure they hadn't died in their sleep. 'I would wake up, crawl to my sister's room, just put my hand under her nose and make sure she was still breathing,' Romero, now 26, recalls. 'If she was snoring, that was a good sign.' Romero would then check on her little sister one room over. Is she breathing? Yes. Reassured for the moment, Romero would return to their own bed. Romero didn't know exactly why she was making these anxious nighttime visits at the time — she kept them to herself. What they did know was that in their Catholic, Latino family, death wasn't something that was acknowledged, much less discussed. 'It's like, don't talk about death, don't do the taboo things, maybe don't even prepare for [death] because if you just don't talk about it, don't prepare for it, maybe it won't happen,' Romero says. Vox Culture Culture reflects society. Get our best explainers on everything from money to entertainment to what everyone is talking about online. Email (required) Sign Up By submitting your email, you agree to our Terms and Privacy Notice . This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply. When a loved one did pass, the circumstances of their death, and the events of their lives, weren't brought up again, at least not with Romero. It felt like once a family member was gone, they were gone for good. So, like many other children with questions but no answers, Romero carried on as best as they could. She worried, she wondered, she woke up in the middle of the night. In the US, we've long approached death with secrecy and silence. Despite the fact that, according to one survey, nearly half of Americans think about death at least once a month — and a quarter of them think about it every day — many keep these thoughts to themselves. When asked to rank their willingness to talk about various taboos, from money to sex to religion, respondents ranked death dead last, at 32 percent. Furthermore, a 2018 survey conducted by the Institute for Healthcare Improvement found that while 92 percent of Americans agreed that discussing their end-of-life preferences was important, only 32 percent actually followed through. In other words, people struggle to bridge the gap between an internal awareness of death, and the actual external preparation for it. 'Death is the ultimate loss of control. It's the ultimate uncertainty.' There are any number of reasons why people avoid these conversations. You may not know where to begin. You may not want to upset others. You may not know how to answer your child's questions. You may be afraid of aging, illness, the callous indifference of insurance companies, and the creeping of medical debt. You may be superstitious. You may feel too young or too old to worry about it. Or you may hate to confront, once and for all, that you are afraid of what you can't prevent, contain, or wish away. 'Death is the ultimate loss of control. It's the ultimate uncertainty,' says Claire Bidwell Smith, therapist, grief counselor and author of Conscious Grieving: A Transformative Approach to Healing From Loss. 'We can really get very clear and focused and organized about so many aspects of our lives, yet death is the one that we cannot. We can't predict it, we can't control it.' This studious avoidance of death has real consequences: Less than half of US adults have a will, which dictates financial and estate preferences after death. Likewise, only about 45 percent of adults have a living will, which dictates wishes around medical care. These numbers may be surprising given the Covid-19 pandemic, which exposed a generation of Americans to the existential dread, systemic failures, and grief of a global death event. But after a brief uptick in estate planning during the pandemic, interest waned. These cultural seeds have long been sown by organizers, spiritual leaders, academics, medical and funeral professionals — and much of this work pre-dates the pandemic. The contemporary death positive movement, which advocates for a transparent, unabashed approach to death and death care, began in earnest in the early 2010s when author and mortician Caitlin Doughty founded the advocacy group The Order of the Good Death. This movement has deep roots in the hospice care, green burial, and home funeral movements. Still, despite the pandemic's fresh lessons — and the ancient knowledge that death comes for us all — many of us still cannot bear to talk about death. Even when we know it's important. Even though we may want to. So why not? And what would we stand to gain if, instead, we learned to speak about dying more openly? How death became laden down with euphemism American attitudes around death and dying are fairly modern creations, taking root in the 19th century. Until then, most people died at home. Rites were carried out by community members, bodies were washed and displayed in the home for mourners, and funerals were cheap, intimate and hands-on affairs. That is, until the Civil War. In the early 1860s, people were, for the first time, dying away from their homes en masse. To address this, embalming — the process of slowing down decomposition by replacing the body's blood with chemicals — was used to preserve bodies long enough to transport them back to those families who could afford it. Sarah Chavez, a writer, historian, and activist who is the executive director of Order of the Good Death and founding member of the death scholarship organization The Collective for Radical Death Studies, says embalming didn't truly captivate the American imagination until the death of President Abraham Lincoln in 1865. 'When [Lincoln] died, he was embalmed and went on a multicity tour, like he was a music artist,' Chavez says. 'People came out in droves to see the funeral train and his body. That really kind of cemented embalming as this new, American thing.' Embalming became more widely popular and laid the foundations for a new paradigm: dead bodies cared for outside the home by a buttoned-up, for-profit class of embalmers. Over the next few decades, embalmers and funeral workers, who Chavez says signaled wealth and elegance by setting up shop in Victorian-style homes, slowly gained a foothold in the United States. At the same time, during the turn of the 20th century, medical care was also leaving the home and entering more firmly into the purview of trained doctors, nurses, and hospital systems. 'The funeral industry and the medical industry rose up together and kind of partnered to position themselves as these guardians of health and safety,' Chavez says. (Seeking trained medical professionals has obvious benefits for the living, but keep in mind that dead bodies aren't dangerous, and embalming services aren't necessary for health or safety.) By the 1930s, the modern funeral industry had taken off and sold a new, 'dignified' version of death — one that rapidly isolated the living from their own dead. 'Their definition of what a [dignified death] was, is expensive, away from the home amongst professionals, devoid of signs of death through embalming,' Chavez says. 'They come in and they whisk away your person and they return them to you as if they look alive, as if they're sleeping.' If you've ever said 'passed away' instead of died, 'loved one' rather than dead body, or 'memorial park' rather than cemetery, you'll begin to see how thoroughly death has been obscured. There are, of course, vibrant counterexamples of this attitude across American culture. For marginalized communities in particular, elaborate, public displays of death and grieving offer the dead a dignity and power society never offered them in life. Homegoing rituals in Black communities, which often blend African and Christian practices, and political funerals and 'ash actions' during the AIDS crisis both come to mind. Still, throughout the 19th and 20th centuries, death became laden down with euphemism for large swaths of society. This was often encouraged by the funerary industry, whose professionals developed language to avoid talking about death while, paradoxically, talking about death. If you've ever said 'passed away' instead of died, 'loved one' rather than dead body, or 'memorial park' rather than cemetery, you'll begin to see how thoroughly death has been obscured from the common lexicon. This language, or lack thereof, can make every aspect of death more secretive and more confusing, from the actual physiological process of dying itself all the way down to funeral prices. These factors — embalming practices, the expansion of a for-profit funeral industry, and a developing taste for euphemism — gave birth to the modern American death taboo. The cost of silence When we avoid talking about death, we risk living and dying in ways that don't align with our values and needs. If you don't discuss end-of-life medical treatment, for example, you may receive invasive and expensive care you never wanted. Or as a caregiver, you may be forced to make quality of life, death care, and estate-related decisions based on your best guess rather than falling back on the information and documentation needed to confidently honor someone else's wishes. ' Many of us know so many people who've died and didn't have a plan,' says Darnell Lamont Walker, death doula and author of the Notes From a Death Doula Substack. 'And so when they die, the family is falling apart and everyone is thinking, Oh well this is what I think they would have wanted.' In that situation, it's easy for conflict to break out among even the most well-meaning family members. Talking about the logistic aspects of death ahead of time — including your legal and medical rights during and after dying — can help you, your loved ones, and your community act with clarity and conviction. But for some, talking about the logistics of death is the easier part — there are steps to follow, forms to fill out, bills to pay. Instead, it's the emotional consequences that are far more difficult to grapple with. This was the case for Kayla Evans, whose dad died in 2013. Growing up, her family didn't talk about death unless it was about practical matters. 'There was a very utilitarian response,' Evans recalls. 'Like, it's sad, but we have to move on.' From her mother, there was an unspoken message that 'people who were very sentimental about death were silly.' 'Nobody taught me how to deal with grief and nobody taught me how to deal with death.' Then, when she was 18, during her second week as a college freshman, Evan's father died unexpectedly. 'Nobody saw it coming,' Evans, now 30, says. 'As he was dying, my mom was like, We need to transfer your name over to these financial documents … the administrative tasks that follow death, things like that, were very well taken care of. I don't think any of us together processed the emotional side of it. That was something I had to do on my own.' Without anyone to talk to, Evans turned to 'extreme productivity' as a coping mechanism in the months after, piling on projects and jobs and schoolwork — a strategy that came at the expense of her relationships and emotional wellbeing. ' I would like to say I grew from [my father's death] or something, but honestly it was just really fucking hard,' Evans says. 'Nobody taught me how to deal with grief and nobody taught me how to deal with death.' Twelve years later, 'I feel it still trails [my mother] especially, and it trails me, too,' Evans says. Talk about death is, weirdly, life-affirming It's not always easy to have conversations about death. But, clearly, it's not easy to avoid them, either. If you want to start grappling with the reality of death, the first step is to ask yourself questions about the end of your own life, though it can feel scary. What does a life well-lived look like for you? How do you want to die? How do you want to be remembered? Taking the time to reflect on your own can help you clarify what you want and better prepare you to tell others what you need. When approaching loved ones about end of life wishes — either your own or theirs — Kathryn Mannix, physician, palliative care specialist, and author of With the End in Mind recommends breaking down the conversation into two parts: the invitation to talk and the conversation itself. For example, you may say something like, Dad, I want to be able to step up and care for you when the time comes. Do you think we could talk about the care you do and do not want towards the end of your life? Could we talk sometime over the next few weeks? 'Talking about our wishes at the end of life is a gift to our future self and to the people who love us.' Alternatively, if you'd like to start the conversation about your own wishes, Mannix suggests something like: Kids, I'm not getting any younger and there are things I'd like to talk about to put my mind at ease. When can we talk? This approach matters because it allows the conversation to happen when all parties have had time to think and prepare. 'Talking about our wishes at the end of life is a gift to our future self and to the people who love us,' Mannix wrote in an email. 'Talking about dying won't make it happen any sooner, but it can make it happen a great deal better.' But these conversations shouldn't just be about end-of-life care or medical decisions — it's also an opportunity to give and receive stories, explore your spiritual beliefs, get existential with your kids, and connect over grief, joys, and regrets. For example, you may approach an elder and ask: What are some of the defining moments of your life? You may ask a child, What do you think happens after we die? Or you may ask a friend, Have you ever navigated death and grieving? Finding your own way to incorporate death into your life can also serve as a corrective to a wider culture of silence. 'I'm currently getting more and more comfortable with death through spiritual practice and connecting to my family's roots of Santeria,' says Romero, who checked their sisters' breathing at night. She connected to Santeria, an Afro-Caribbean religion that originated in Cuba and blends traditional Yoruba practices and Catholicism, through her grandmother, who was recently diagnosed with Alzheimer's disease. 'I also find that I'm coping a hell of a lot better than other people in my family because I do have this comfort in knowing that … I will always have a relationship with her, even in the afterlife, through my spiritual practice.' Evans, whose father died when she was 18, decided to talk about death and grief during her wedding earlier this year. In her vows, she talked about the sensation of watching her husband sleep at night, and the 'creeping dread' of knowing he was going to die some day. ' I think that other people appreciate when you talk about things like that, even if it's hard to, and it was important for me,' Evans says. 'I did feel kind of empowered, or at the very least like I had confessed something, you know, it was a relief.' For Evans, talking about her preemptive grief wasn't morbid — it was a testament to her deep regard for her husband.

Sharon & Ozzy Osbourne's net worth as metal's greatest frontman passes on
Sharon & Ozzy Osbourne's net worth as metal's greatest frontman passes on

Miami Herald

time21 hours ago

  • Miami Herald

Sharon & Ozzy Osbourne's net worth as metal's greatest frontman passes on

Ozzy Osbourne, prince of darkness and metal's most iconic frontman, passed away on July 22, 2025, after struggling with his health for the previous six years. Osbourne, who first achieved stardom as the vocalist of English metal band Black Sabbath in the early 1970s before launching a longstanding solo career, is survived by Sharon, his wife and manager of over 40 years, as well as his six children. When 76-year-old Osbourne died, "he was with his family and surrounded by love," according to a statement released by his immediate family. While an exact cause of death has not been released, the "Paranoid" vocalist had struggled with his health since early 2019, when he had to cancel a tour due to an extended bout of the flu that advanced to pneumonia. Shortly after this, Ozzy suffered serious injuries from a fall in his home and then received a diagnosis of Parkinson's disease, a degenerative neurological ailment that affects motor function. View the original article to see embedded media. Just weeks before deboarding the crazy train for good, however, Ozzy blessed his legions of fans with one last live performance in his hometown of Birmingham, England. The concert saw Osbourne, seated in a skull-clad black throne, sing some of his biggest solo hits like "Crazy Train" before ending his set with four Black Sabbath classics alongside the rest of the Birmingham metal outfit's original lineup - guitarist Tommi Iommi, bassist and lyricist Geezer Butler, and Drummer Bill Ward. Per usual, the show, dubbed "Back to the Beginning," was booked by Ozzy's wife and manager, Sharon. 42,000 metal fans attended Ozzy's sonic sendoff in person, while an additional three million tuned in for the event's online stream. Suffice it to say, Osbourne's impact on his fans-and on the rock genre at large-is the stuff of legend, and the mumbling crooner who brought metal to the masses will not soon be forgotten. Here's a look at what Ozzy was worth at the time of his death, how much Sharon is worth now, and how the pair built and spent their the time of his death in July 2025, Ozzy Osbourne's net worth, which has long been combined with that of his wife, Sharon, was widely estimated to be $220 million. In March of 2024, however, Cosmopolitan reported that Ozzy and Sharon's combined wealth totalled $440-exactly double the current estimate. How the pair's net worth could have halved in little over a year is unclear, casting doubt on the accuracy of both current and previous $220 million sum mentioned above, whether accurate or not, reportedly refers to the shared wealth of the late singer and his longtime wife and manager, Sharon Osbourne. After Ozzy's death, Sharon's net worth likely remains mostly unchanged, pending any payments that may result from expenses, bequests, or donations associated with the late singer's passing. Sharon had been Ozzy's partner, confidant, and biggest supporter for more than 45 years. The two began a romantic and professional relationship in 1979, when Ozzy was kicked out of Black Sabbath (reportedly by the band's manager, who was also Sharon's father) due to unreliability stemming from his substance abuse issues. Once Ozzy set out on his solo career, Sharon became his manager, and the two married in 1982. 20 years after the pair's nuptials, the often-comical home life of the couple and two of their three children was immortalized in the MTV reality show, The Osbournes, which ran from 2002 to 2005. The show shone a playful light on Sharon's loving role in Ozzy's day-to-day life, cementing her stardom alongside her husband's. Related: Kendrick Lamar's net worth in 2025: Drake feud earnings & more Unsurprisingly, much of the wealth Ozzy and Sharon have built over the course of their careers comes from music-album sales, tours, merchandising, licensing, events, and other aspects of Ozzy's legendary musical empire have proved longstanding sources of income for the couple. But Sharon's efforts outside of Ozzy's musical career have also been quite lucrative. In addition to managing Ozzy's solo career (which spanned a remarkable 13 albums) since 1979, Sharon also orchestrated the launch of Ozzfest with her husband in 1996. The event brought together a number of bands spanning the hard rock, heavy metal, and punk genres, and its success led to it becoming a near-annual occurrence through 2018. The festival reportedly sold over 5 million tickets and brought in over $100 million over the course of its tenure. Related: Billie Eilish's net worth: How the pop icon makes her millions Sharon's television career and earnings Since her rise to public prominence with The Osbournes, Sharon has continued to appear on television regularly, and her business acumen, developed over decades working in the entertainment industry, has continued to serve the couple well financially. According to Cosmo, each of the four family members featured in The Osbournes earned $5 million per season of the show beginning with season 2, which would amount to $60 million across three seasons, plus whatever the family earned for season one. According to a no-longer-published article in The Times UK, Sharon earned around $13.5 million for her role in the show. From 2004 to 2007, Sharon served as a judge on the reality singing competition show "X Factor," for which she earned £2 million per season, according to The Sun. From 2010 to 2021, Sharon also cohosted The Talk, reportedly earning $1 million per season plus a severance of between $5 and $10 million for a total of $16 to $21 million. Despite Ozzy's passing, his music remains as relevant as ever, and with the renewed spotlight his death has cast on his career, album and merchandise sales are likely to see a resurgence. His name and music will no doubt continue to be invoked in pop culture and media as they so often were during his life (his cameos in Ghostbusters and Little Nicky are among his fans' favorites), providing additional royalties for his family. As Ozzy's enduring popularity continues to generate revenue, his widow Sharon and celebrity children Jack and Kelly, each of whom has their own successful career, will no doubt do their best to honor Ozzy's impact as a husband, father, and rock-and-roll legend. Related: Miley Cyrus' net worth: A look at the 'Something Beautiful' singer's wealth The Arena Media Brands, LLC THESTREET is a registered trademark of TheStreet, Inc.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store