Charlotte Grimshaw: Spy talk at a writers' festival
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The Spinoff
2 days ago
- The Spinoff
Why I don't eat fish
Ruth Shaw is the acclaimed author of Three Wee Bookshops at the End of the World, as well as a sailor – in this essay she explains how and why she made the decision to stop eating fish. The last question I was asked during my session at the Auckland Writers Festival in May was 'What is one thing we can do to help the environment?' My answer? 'Stop eating fish.' This is easy for me to say as I have been a vegetarian for over 40 years, although I admit that while sailing the east coast of Australia, I was still catching the occasional fish to eat — and to give my shipmate, a cat named Hoffy, a fish head to chew on. Rachel Carson wrote two books that left a lasting impression on me: Silent Spring, published in 1962, and The Sea Around Us, published in 1951. Both books were controversial bestsellers that revolutionised how we thought about our environment and, more importantly, made me aware of what I was eating. In 1999 I read Cod by Mark Kurlansky. This small book about the history of cod fishing (cod was one of the most profitable and soughtt-after fish for centuries and was pushed to near extinction) would become a bestseller. Two of the cornerstones of my life have been books and the protection of our environment. When my husband Lance and I purchased our vessel Breaksea Girl and started running multi-day trips on the Fiordland coast, and down as far as the subantarctic islands, we both agreed that one of the most important decisions we could make was to have a 'no fishing' policy on board. Bill Ballantine, director of the University of Auckland's marine laboratory at Goat Island, is recognised as the founder of marine reserves in New Zealand. He established the first marine reserve at Goat Island in 1975, which was opened to the public in 1977. For Bill, the answer to protecting our underwater environment was to establish 'no take areas with full protection'. The opposition to his idea was staggering. Thankfully we now have 44 marine reserves along the coastline of Aotearoa. Before being employed by the Department of Conservation, Lance was a commercial fisherman. It was there he witnessed the decline of fish such as groper, blue cod and crayfish inside the fiords. After diving at Goat Island and seeing how the area had recovered, he too realised that the way to protect our underwater environment was through the establishment of marine reserves. In 1995 the Guardians of Fiordland Fisheries was established, later known as the Fiordland Marine Guardians. They were formerly established as an advisory group under the Fiordland (Te Moana o Atawhenua) Marine Management Act 2005. This legislation also created eight new marine reserves and other protected areas throughout Fiordland known as 'china shops' because of their delicate nature. Through their commitment to manage and protect the marine environment, the Fiordland crayfishing industry is now one of the healthiest and most sustainable in our country. But how does this lead to me stating publicly that we should stop eating fish? In the 1970s, when the commercial fishing of orange roughy started, it was believed that they only lived for 30 to 40 years. By the mid-1990s marine scientists estimated that they lived between 125 and 250 years, the longest-lived commercial fish species. They don't breed until they are between 20 and 40 years of age and, even then, not every year. By the end of the 1990s, three of the eight New Zealand orange roughy fisheries had collapsed and were closed. I was astounded. We were led to believe that it was a sustainable fishery practice, when in fact it was based on incomplete scientific information. That was when I made the decision to stop eating fish. We talk about sustainable fishing, but the orange roughy and the Atlantic northwest cod are just two examples of commercial fishing that were not sustainable. We are also faced with a decline in penguin colonies. One of the reasons they are struggling is that they no longer have access to enough food to rear their young, due to the demand of commercial fishing fleets. Combine this lack of food with loss of habitat, pollution, disease and climate change, and we can see why many of the world's penguin species are endangered, including our own yellow-eyed penguin which is considered the world's rarest. A third of the world's studied fisheries are currently pushed beyond their biological limits, according to the Food and Agriculture Organisation of the United Nations. We have been fighting to SAVE THE WHALES, but what about SAVE THE KRILL? Without krill, which is being heavily overfished, a number of seabirds, whales, fish, penguins and albatross would starve. Millions of krill are scooped up from the Southern Ocean to be made into pet food, food for fish farms and health supplements. My stand not to eat fish is based on solid ground, and there is more than enough evidence to prove that we need to look after our oceans. Read Colin Butfield and David Attenborough's latest book, Ocean: Earth's Last Wilderness. Like so many of the books on our oceans, the reading is harsh and confronting. I am not saying that everyone should stop eating fish. Take, for example, communities who rely only on fish for their protein. Generally they have, or did have, low impact, traditional fishing techniques. What I would like to encourage is for more people to consider the health of our oceans which have over 80% of the world's biodiversity. Having dived in Fiordland, I have seen a world which is full of beauty, colour and life forms that could be out of a science fiction book. I have seen the stunning colour of inquisitive blue cod, witnessed the cheeky behaviour of girdled wrasse, and watched in wonder as dolphins and seals interacted with us. I want my grandchildren to witness the magic of our undersea world, and the only way I can do that is to help protect it by not eating fish. I know I have made the right decision for me.
NZ Herald
3 days ago
- NZ Herald
Peaky Blinders creator to pen new James Bond movie
Steven Knight will write the highly anticipated next James Bond movie. Photo / Getty Images Listening to articles is free for open-access content—explore other articles or learn more about text-to-speech. Already a subscriber? Sign in here Access to Herald Premium articles require a Premium subscription. Subscribe now to listen. Steven Knight will write the highly anticipated next James Bond movie. Photo / Getty Images Steven Knight, the creator of gritty TV crime series Peaky Blinders, will write the highly anticipated next James Bond movie, studio Amazon MGM announced today. Knight will work alongside previously announced director Denis Villeneuve (Dune) to bring the world's most famous fictional spy back to the big screen after a prolonged absence. Amazon MGM Studios acquired creative control of the 007 movies in February and has moved quickly to get one of Hollywood's most valuable franchises back into production. There has been no new Bond film since 2021's No Time To Die. Knight is best known as the mind behind violent British gangster series Peaky Blinders, which was set in industrial England at the turn of the 20th century and became a global hit.
NZ Herald
3 days ago
- NZ Herald
Cigarette-lighter cameras, paralysing pens - a look inside the spy museum's den of secrets
Many of the artifacts in the vault came from one man: H. Keith Melton, a founding board member of the museum, who became one of the world's renowned spy collectors. He is not a former intelligence agent himself; rather, he made his money as one of the country's largest McDonald's franchise owners. Disguises in the vault of the International Spy Museum in Washington. Photo / Alyssa Schukar, The New York Times A condition of his donation, which he first pledged in 2016, was that the collection would eventually be moved to the museum itself, Melton said. 'To properly care for, maintain, catalogue, access the artifacts, they needed to be on the premises,' Melton said in an interview. 'You can't deal with it remotely. Artifacts need care and feeding and vigilance, and they need to make sure they're not deteriorating.' The collections team at the International Spy Museum recently opened the doors to its den of secrets, offering a reporter and photographer a look at tools of the trade that, like much of spy craft itself, are kept out of public view. There are roughly 4000 books in the vault, most of them donated by Melton. The most treasured of these is a World War II-era briefing book created by MI9, a wartime branch of British intelligence, to get Americans up to speed on its top-secret espionage innovations. It includes designs for cameras disguised as cigarette lighters, coat buttons and gold teeth concealing compasses, and maps printed on clothing. Laura Hicken, the museum's collections manager, estimated that there were fewer than 20 copies of this book in the world. Among the museum's newest acquisitions are original courtroom sketches by William Sharp, an illustrator who died in 1961. One is of Rudolf Abel, the Soviet spy who operated undercover in the US for almost a decade and who was portrayed by Mark Rylance in the 2015 Steven Spielberg thriller Bridge of Spies. In the drawings, Sharp portrayed Abel as looking stressed. A mini-motorcycle that British spies could unfold in seconds after parachuting behind German lines during World War II, in the vault of the International Spy Museum in Washington. Photo / Alyssa Schukar, The New York Times 'For us, where so much of our history is told through gadgets and weapons and concealment devices, this is so incredibly personal and such an intimate look into the consequences of the things we cover,' Hicken said, referring to the sketch. The museum, which is recognised by Guinness World Records as the world's largest espionage museum, has come under criticism in the past for sanitising the unethical behaviour of spy agencies. Another set of Sharp-penned sketches is from the trial of Ethel and Julius Rosenberg, who were arrested in 1950 for espionage and executed in 1953. The drawings feature Judge Irving R. Kaufman, who sentenced them to death, and an unguarded Ethel Rosenberg, whose culpability has come under doubt in the last decade. The Spy Museum has also received gifts and loans from international governments. The South Korean Government, for example, lent items said to have been seized from a North Korean spy who crossed into the south. Among these is a pen that, when clicked a certain way, would have been capable of injecting a paralysing agent into an unsuspecting victim, as well as a code sheet that spies could use to communicate with someone equipped with a counter code sheet. The German Government lent an army propaganda rocket from the early 1940s. These were launched over Russian soldiers on the battlefield, where they would eject pamphlets encouraging them to abandon Josef Stalin. According to a translation, the pamphlets inside the rocket say: 'Red Army men! You will not experience peace, you will not return to your home. Stalin will not allow this because he knows that any Red Army soldier who has been in Europe will pose a threat to the Stalinist system.' Sitting on top of a large shelf is a couch that belonged to Robert P. Hanssen, a former FBI agent who spied for Moscow off and on for decades. Suitcases and radios in the vault of the International Spy Museum in Washington. Photo / Alyssa Schukar, The New York Times Hanssen died in 2023 in his Colorado prison cell. Melton also persuaded Hanssen's family to donate other items, including a suit and watches. The museum has no shortage of knives, some of which are hidden in spatulas and boots. But there are less subtle blades, including one developed by the Office of Strategic Services, a precursor to the CIA, to be a combat weapon. 'There are a lot of challenging elements to our collection because so much of it was meant to kill or destroy or distract,' Hicken said. 'We have powders that were meant to be tipped into gas tanks that would essentially erode the gas tank very quickly so you could disable somebody's vehicle.' Also in the vault are several items that once belonged to Tony Mendez, the celebrated CIA officer who was played by Ben Affleck in the 2012 Academy Award-winning movie Argo. Mendez was particularly known for disguises, exfiltration and forgery. One drawer in the vault includes wigs he designed and a pair of shoes with lifts inside to make the wearer appear significantly taller. In addition, there's a self-portrait of Mendez, a former board member of the museum, depicting several aspects of the Argo story, which involved Mendez's plan to rescue American diplomats trapped in Iran in 1980. 'Everything in our collection is two things,' Hicken said. 'The purse actually conceals a camera. The pen conceals a microdot viewer. The shoe has a knife in it.' This article originally appeared in The New York Times. Written by: Sopan Deb Photographs by: Alyssa Schukar ©2025 THE NEW YORK TIMES
