&w=3840&q=100)
Karan Tacker joins Anupam Kher's Tanvi: The Great team at Cannes for the film's prestigious screening
After making waves at the UK Asian Film Festival earlier this year, actor Karan Tacker is now set to take yet another bold leap in his career — this time, on the most prestigious international platform of them all. The actor will make his debut at the iconic Cannes Film Festival with the screening of Tanvi: The Great, directed by veteran actor Anupam Kher.
In the film, Karan features in a special appearance as Captain Samar Raina — a powerful part that marks a defining moment in his artistic journey, and a significant step into cinematic storytelling from his acclaimed work in the digital space.
STORY CONTINUES BELOW THIS AD
Known for his gripping performances across OTT platforms, Karan has steadily carved a niche for himself as one of the most dynamic and emotionally resonant talents of his generation. His appearance at Cannes marks a milestone — both personal and professional — as he steps into the global spotlight with a role that promises emotional depth and intensity.
Tanvi: The Great also marks the directorial return of Anupam Kher after more than two decades. Co-written by Kher alongside Ankur Suman and Abhishek Dixit, the film is produced by Anupam Kher Studio in collaboration with the National Film Development Corporation (NFDC) and Lower Middle Class Corporation.
Reflecting on this moment, Karan shares, 'I'm honoured to be debuting at Cannes, a festival I've revered throughout my career. To have Tanvi: The Great screen there feels surreal — not just because it's a story that moved me deeply, but because it demanded everything from me emotionally and artistically.
I've always believed in the slow burn — in doing work that lasts, that leaves something behind. This screening at Cannes is a culmination of years of quiet hustle, learning, unlearning, and pushing myself to find stories that matter. I feel incredibly grateful to be here, not just as an actor, but as a cinema lover witnessing the world's best come together to celebrate storytelling in its raw form.'
STORY CONTINUES BELOW THIS AD
On the work front, Karan has just completed the final leg of filming for Prime Video's much-anticipated thriller series Bhay, with its last schedule wrapped in London. Touted as one of the most challenging roles of his career so far, Bhay is already creating buzz in industry circles as a potential game-changer. With a host of exciting projects across platforms and genres lined up, Karan Tacker is steadily emerging as a name to watch in 2025 and beyond.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Time of India
an hour ago
- Time of India
Ishaan Khatter on reuniting with Janhvi Kapoor: ‘We Could Lean Onto Each Other'
/ Jul 28, 2025, 03:08PM IST 'Dhadak' co‑stars Ishaan Khatter and Janhvi Kapoor reunite in Neeraj Ghaywan's much‑anticipated film 'Homebound', which premiered at Cannes 2025. In a recent interview, Ishaan opened up about the emotional bond they rediscovered:'we could lean onto each other on set.'He reflected that working together again brought a level of comfort and creative chemistry only time could deepen. Their reunion is not just nostalgic—it's a celebration of their evolution as artists from debutants in 'Dhadak' to peers in a Cannes spotlight.


Time of India
2 hours ago
- Time of India
SRFTI alumnus only Indian among 24 emerging Asian filmmakers at Busan
A file photo of Arnab Laha KOLKATA: Arnab Laha has been officially selected as one of the 24 emerging filmmakers from across Asia, out of 40 countries, and will attend the prestigious Busan International Film Festival (BIFF). The alumnus of Satyajit Ray Film and Television Institute (SRFTI) is the only talent from India to be selected for the festival's prestigious educational programme called CHANEL X BIFF Asian Film Academy. Laha was selected among eight cinematographers from all over Asia and will be shooting one short film that will be screened at BIFF. The intensive 20-day programme will run from Sept 7 to Sept 26. For cine enthusiasts in Kolkata, BIFF is recognised as Asia's largest and most influential film festival and is regarded as one of the six top festivals in the world, alongside Cannes, Venice, Berlin, Rotterdam, and Toronto. You Can Also Check: Kolkata AQI | Weather in Kolkata | Bank Holidays in Kolkata | Public Holidays in Kolkata This highly competitive fellowship programme is a platform for talented filmmakers to receive mentorship from global industry leaders, collaborate across cultures, and premiere their work on the international stage. The other fellows are from Iran, China, Nepal, Korea, Thailand, Hong Kong, Myanmar, Bangladesh, Armenia, Kazakhstan, Krygyzstan, Lebanon and Pakistan. According to Laha, this selection is a big step forward since it will allow him to deeply understand how filmmakers in South Korea operate—especially in the post-Bong Joon-ho era, when global storytelling standards have risen. 'I'll get to interact with experts, connect with renowned South Asian filmmakers, and gain insights into the Asian film market. This exposure will directly influence my next feature, as I aim to raise the bar for Bengali cinema to meet international standards. As part of BAFA, I'm attending the 'Bridge to Hollywood' workshop with the Motion Picture Association. It offers mentorship from a Hollywood producer and a pitching competition, with a chance to attend film events in the US and Australia,' Laha said. The fellowship will give Laha a 'chance to co-create'. He will be collaborating with an Iranian director to make a five-to-seven-minute short film for an international audience. 'It will premiere at BIFF, giving me a strong platform for global circulation and cultural exchange through cinema,' Laha added. Laha's journey began at St. Xavier's College with a foundation in multimedia and animation before he joined SRFTI's cinematography department. A landmark in his career was serving as the cinematographer for 'The Horse from Heaven', India's official entry to the 95th Academy Awards, Oscars in the Best Live Action Short Film category. His filmography includes 'The Strange Life of Dhrubo' (2025), 'Academy of Fine Arts' (2025), 'Colored Sweets' (2024), 'Horse From Heaven' (2022), and 'Termites' (2021). His cinematography in 'The Strange Life of Dhrubo', which won the Best Film award in the Bengali Panorama segment of KIFF, was lauded by many. Laha thanked his exposure and training at St. Xavier's and SRFTI for shaping him as a multi-disciplinary artist. 'Both institutions shaped me deeply. St Xavier's nurtured my roots in painting and graphic design, and being a topper there gave me the confidence and mentorship to pursue any creative direction. SRFTI provided rigorous training, a treasure of cinema books, and access to great minds like Anil Mehta, Anurag Kashyap, Aditya Vikram Sengupta, and Sudeep Chatterjee. Together, they helped me grow as a holistic artist, not just a technician,' he said.


Indian Express
2 hours ago
- Indian Express
‘Father Yash Johar had to sell his land, mother Hiroo sold her jewellery after 4 flops': Karan Johar says dad would have laughed at nepotism tag
Karan Johar came to be infamously known as 'the flag-bearer of nepotism' after Kangana Ranaut labelled him that on an episode of his chat show Koffee with Karan in 2017. The filmmaker, known for launching star kids like Alia Bhatt, Varun Dhawan, Ananya Panday, Janhvi Kapoor, and Ishaan Khatter among others, is the son of late producer Yash Johar and Hiroo Johar. But Karan is amused by the tag of nepotism getting attached to him because of the long patch of failures his father endured in the 1980s and '90s as a producer. 'When my father produced his very first film in 1980, that did really well. And four films subsequently failed. We had a tough financial time. There was no funding from studios or banks those days,' recalled Karan on Jay Shetty's podcast. Dharma Productions, Karan's banner founded by his father in 1980, rolled out a hit that year with Raj Khosla's buddy movie Dostana, starring Amitabh Bachchan and Shatrughan Sinha. However, four films after that tanked at the box office — Ramesh Talwar's Duniya (1984), Prakash Mehra's Muqaddar Ka Faisla (1987), Mukul S Anand's Agneepath (1990), and Mahesh Bhatt's Duplicate (1997). Bhatt's Gumrah (1993) was only a moderate success. 'Those old-fashioned producers sold homes and jewellery, and all that happened to us. My mum had to sell her maternal house, there was jewellery sold, my father sold the only piece of land he owned, because we delivered back-to-back disasters at the box office. Just watching them fail… and today, when there's so much chatter about nepotism, especially surrounding me, I laugh,' added Karan. 'My father would have the biggest laugh. We weren't even on the radar of the most influential production house. We'd failed, stumbled, and fallen, but were still rising because my father was a good man and loved by the business. He was very loved by the movie fraternity, but he wasn't a success story,' said Karan. He confessed watching his parents go through that financial rough patch wasn't easy. 'To watch my mum cry when your dad wasn't watching was tough. I was watching both from a distance because they'd keep me away and shelter me. But every day, I'd see sadness in the house, yet given so much love and so much joy. Everything they had, they'd give me,' recalled Karan. Also Read — Sarzameen review: Ibrahim Ali Khan spared solo lifting in dull and forgettable Karan Johar production Karan said the silver lining to that dark cloud came in the form of his 1998 directorial debut Kuch Kuch Hota Hai. The film, backed by Dharma Productions and starring Shah Rukh Khan, Kajol, and Rani Mukerji, was a monstrous hit both domestically and overseas. Karan further followed it up with the resounding success of the 2001 family drama Kabhi Khushi Kabhie Gham. However, after the release of his third film, Nikkhil Advani's romantic comedy Kal Ho Naa Ho (which Karan produced and wrote), his father died of cancer in 2004.