Cardi B nearly spills out of VERY low-cut dress after slamming ex Offset amid bitter divorce battle
At the star-studded event, the 32-year-old rapper put on a daring display in a plunging, corset dress with a sarong-inspired skirt in a snakeskin pattern.
The Grammy-winning star was honored with the prestigious ASCAP Voice of the Culture Award from the music industry group.
While posing for photos with her award, she held the trophy close to her chest when she wasn't using her hands to hold her bust and make sure she wouldn't have a wardrobe malfunction in public.
She appeared to be in high spirits after making a shocking claim about her estranged husband Offset, 33, amid her whirlwind romance with NFL star Stefon Diggs, 31.
After taking the stage in her very tight-fitting dress, she accepted the award, gave a speech and was later seen dancing her way off the stage and down the aisle.
While her bodyguards flanked either side, she looked carefree as she celebrated her accomplishment and showed off the skintight ensemble that hugged her body and accentuated her ample assets.
For the special occasion, she looked glamorous with her long, jet black hair down in a sleek, straight hairstyle.
Peeking out of her silky, raven hair was a pair of dramatic statement earrings with contrasting, silver details.
For jewelry, Cardi B, born Belcalis Marlenis Cephus, also showed off her cheekbone piercing and the sparkling diamonds on her fingers.
To complete her glamorous look, she rocked a sultry makeup look featuring a smoky eye with wispy, full eyelashes paired with baby pink nude lips.
At the event, Nicole George-Middleton, Executive Vice President of the ASCAP Foundation, was seen posing for a photo with DJ Spinderella and Cheryl James of Salt-N-Pepa.
For the celebration, Cheryl James, also known as Salt, rocked a chic black and white outfit with a skintight dress paired with a sharp blazer and a fedora.
Christopher Reid, who is famous for his role as Kid in the 1990 musical comedy House Party, made a rare appearance at the celebration too.
While posing for photos with her award, she held the trophy close to her chest when she wasn't using her hands to hold her bust and make sure she wouldn't have a wardrobe malfunction in public
The rapper and actor, now 61, looked effortlessly stylish with a denim jacket layered over a black T-shirt and paired with green cargo pants.
He sported a similar hairstyle to the one he made famous and rocked massive diamond earrings.
Cardi B's appearance at the celebration held by the nonprofit American Society of Composers, Authors and Publishers comes on the heels of her shocking claims about her cheating ex.
She revealed that she had no choice but to file for divorce from her now-estranged husband Offset back in July 2024 following six years of marriage.
She said that she was traumatized 'waking up each day' to a new article about his philandering ways.
Cardi B also recalled how she started seeing a therapist last year because she was suffering from 'frequent headaches' and was 'literally losing my mind.'
She confessed on X Spaces last Tuesday: 'I gave chances after chances after chances after chances.
'If I was still there [in that marriage], I was going to end up going to jail because I was going to end up killing him. Seriously, with my own bare hands, because it was getting too much.'
Cardi B and Offset, born Kiari Kendrell Cephus, legally separated in November 2023 but the on-off nature of their romance resulted in the birth of their baby girl Blossom, now eight months.
The rapper and actor, now 61, looked effortlessly stylish with a denim jacket layered over a black T-shirt and paired with green cargo pants
'My baby came out five pounds because I couldn't eat because I was so depressed because of the lies and the constant drama,' she said. 'This is more than the cheating. It's just like the constant lies, the gaslighting — it was really messing with my head.'
Offset previously accused Cardi B of cheating on him 'with a baby inside' but on Tuesday, she clapped back at the allegations.
'I was married for seven years. I was faithful for seven years. Before that, I was engaged for three years.'
She then counted her blessings — 'talent, health, wealth, cars, property, cute children' — and noted that Offset was her only liability.
'We did help each other with our jobs. But it's like, you're helping me, but you're destroying me at the same time. 'You gotta go. You become a liability to my work, you gotta go.'
Last week, their divorce battle turned bitter when he filed for spousal support. He also requested joint legal custody of their daughter Kulture Kiari Cephus, six, their son Wave Set Cephus, three, and their baby girl Blossom.
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Geeky Gadgets
35 minutes ago
- Geeky Gadgets
Create Entire Game Worlds in Seconds with Runway AI
What if creating an entire game world was as simple as describing it in a sentence? Picture this: you type 'a misty forest with glowing mushrooms and ancient ruins' into a platform, and within seconds, a fully realized, interactive environment appears before your eyes. No coding, no months of development—just instant creativity brought to life. Bold claim? Not anymore. With the rise of Runway AI, game development is being reimagined, breaking down barriers that once made creating immersive worlds the domain of only the most skilled developers. This isn't just a tool—it's a revolution, putting the power of dynamic storytelling and world-building into the hands of anyone with a vision. In this overview, Olivio Sarikas explore how Runway AI is reshaping the gaming landscape, offering tools that allow creators to generate rich, interactive worlds in mere moments. From adaptive narratives that respond to player choices to AI-driven characters with evolving motivations, this platform is more than a shortcut—it's a gateway to endless creative possibilities. Whether you're an aspiring game designer or a seasoned developer, Runway AI promises to make your imagination the only limit. But how does it work, and what does this mean for the future of gaming? Let's unravel the potential of this new technology. Runway AI Game Design Core Features of Runway AI Runway AI simplifies the process of game creation by transforming your ideas into fully realized, interactive game worlds. Its core features include: World Building: Simply describe your vision—whether it's a sprawling dystopian metropolis, an enchanted forest, or an alien planet—and the platform generates a detailed, visually stunning environment to match your imagination. Simply describe your vision—whether it's a sprawling dystopian metropolis, an enchanted forest, or an alien planet—and the platform generates a detailed, visually stunning environment to match your imagination. Customization: Tailor every aspect of your game, from art style and gameplay mechanics to genre and tone, making sure the final product aligns with your creative goals. Tailor every aspect of your game, from art style and gameplay mechanics to genre and tone, making sure the final product aligns with your creative goals. No-Code Development: By eliminating the need for programming skills, Runway AI allows anyone with an idea to bring it to life, making game design more inclusive and accessible. This approach provide widespread access tos game development, making sure that creativity takes center stage, while technical expertise becomes secondary. Dynamic Storytelling: Evolving Narratives in Real-Time One of Runway AI's standout features is its ability to create dynamic, adaptive storylines that evolve in real-time based on player interactions. This ensures that no two playthroughs are ever the same. Key storytelling capabilities include: Character Depth: AI-generated characters come with rich backstories, unique motivations, and the ability to evolve based on your decisions, creating a sense of realism and emotional engagement. AI-generated characters come with rich backstories, unique motivations, and the ability to evolve based on your decisions, creating a sense of realism and emotional engagement. Interactive Narratives: Your choices directly influence the storyline, shaping the game world in unpredictable and personalized ways. For instance, a character's loyalty might shift depending on how you interact with them, or the overarching plot could take a completely different direction based on your decisions. This level of responsiveness keeps players engaged and ensures a fresh experience with every session. How Runway AI Makes Game Worlds In Seconds Watch this video on YouTube. Browse through more resources below from our in-depth content covering more areas on AI game development. Enhanced Gameplay and Immersive Interactivity Runway AI improves gameplay by tailoring it to your preferences and playstyle, creating a deeply immersive experience. Key gameplay enhancements include: AI-Driven NPCs: Interact with non-playable characters (NPCs) that respond dynamically to your actions, making the game world feel alive and reactive. Interact with non-playable characters (NPCs) that respond dynamically to your actions, making the game world feel alive and reactive. Personalized Gameplay: The platform tracks your progress, preferences, and behavior, adapting challenges, quests, and storylines to suit your unique playstyle. The platform tracks your progress, preferences, and behavior, adapting challenges, quests, and storylines to suit your unique playstyle. Dynamic Environments: Game worlds evolve in response to your decisions, creating a sense of unpredictability and immersion. Whether you're solving intricate puzzles, managing resources, or navigating complex storylines, Runway AI ensures that every aspect of the game feels tailored to you, enhancing both engagement and replayability. Fostering Creativity and Collaboration Runway AI is not just a tool for individual creators; it also serves as a platform for collaboration and community building. It encourages users to connect, share, and inspire one another through features such as: Exploring User-Created Games: Play and learn from games designed by other users, gaining fresh perspectives and inspiration for your own projects. Play and learn from games designed by other users, gaining fresh perspectives and inspiration for your own projects. Collaborative Creation: Work with other creators to share ideas, strategies, and feedback, fostering a sense of community and shared innovation. Work with other creators to share ideas, strategies, and feedback, fostering a sense of community and shared innovation. Participating in a Creative Ecosystem: Contribute to a growing network of gamers and developers, enriching the platform's overall experience and potential. This collaborative environment not only enhances the creative process but also positions Runway AI as a hub for innovation and shared creativity. Expanding the Boundaries of Gaming Runway AI's applications extend far beyond traditional gaming, offering tools that can be used in a variety of creative and interactive contexts. These include: Creating Rich Lore: Generate detailed histories, world events, and character backstories to deepen the immersion and complexity of your game world. Generate detailed histories, world events, and character backstories to deepen the immersion and complexity of your game world. Interactive Streaming: Integrate with live-streaming platforms, allowing audiences to influence game elements in real-time, creating a participatory experience. Integrate with live-streaming platforms, allowing audiences to influence game elements in real-time, creating a participatory experience. Collaborative Storytelling: Engage players and viewers in shaping the narrative, making gaming a more interactive and communal activity. These features push the boundaries of what games can achieve, opening up new opportunities for storytelling, audience engagement, and creative expression. Examples of Unique Gameplay Scenarios The versatility of Runway AI is evident in the diverse gameplay scenarios it can generate. Imagine: Surviving on an Alien Planet: Navigate a hostile, ever-changing environment where your decisions shape the challenges you face. Navigate a hostile, ever-changing environment where your decisions shape the challenges you face. Ghost-Hunting Adventures: Solve AI-generated mysteries with evolving clues, unexpected twists, and dynamic interactions. Solve AI-generated mysteries with evolving clues, unexpected twists, and dynamic interactions. Dynamic Role-Playing: Assume character roles with unique abilities and backstories, influencing the game world in meaningful and unpredictable ways. Each scenario is designed to feel fresh, engaging, and deeply immersive, making sure that every playthrough offers a unique and memorable experience. The Future of AI in Game Development As artificial intelligence continues to advance, platforms like Runway AI are set to play a pivotal role in shaping the future of the gaming industry. Potential advancements on the horizon include: Enhanced Visuals: Improved graphics and animations that bring game worlds to life with greater realism and detail. Improved graphics and animations that bring game worlds to life with greater realism and detail. Complex Narratives: Deeper, more intricate storylines that respond intuitively to player input, offering unparalleled levels of immersion. Deeper, more intricate storylines that respond intuitively to player input, offering unparalleled levels of immersion. Greater Responsiveness: AI systems that adapt even more seamlessly to player actions, preferences, and behaviors. These developments promise to make gaming more interactive, creative, and immersive than ever before, further blurring the lines between player and creator. Empowering the Next Generation of Creators Runway AI represents a significant leap forward in game development, providing tools that empower users to create dynamic, personalized game worlds. By removing technical barriers and fostering creativity, it makes game design accessible to everyone, regardless of their experience level. Whether you're crafting a sprawling fantasy epic or a small, intimate story, Runway AI equips you with the resources to bring your vision to life. As AI technology continues to evolve, the platform's potential will only grow, paving the way for a new era of gaming innovation. Media Credit: Olivio Sarikas Filed Under: AI, Gaming News, Top News Latest Geeky Gadgets Deals Disclosure: Some of our articles include affiliate links. If you buy something through one of these links, Geeky Gadgets may earn an affiliate commission. Learn about our Disclosure Policy.
The Guardian
an hour ago
- The Guardian
‘The film wouldn't even be made today': the story behind Back to the Future at 40
The actor Lea Thompson has had a distinguished screen career but hesitated to share it with her daughters when they were growing up. 'I did not show them most of my stuff because I end up kissing people all the time and it was traumatic to my children,' she recalls. 'Even when they were little the headline was, 'Mom is kissing someone that's not Dad and it's making me cry!'' Thompson's most celebrated role would be especially hard to explain. As Lorraine Baines in Back to the Future, she falls in lust with her own son, Marty McFly, a teenage time traveller from 1985 who plunges into 1955 at the wheel of a DeLorean car. Back to the Future, released 40 years ago on Thursday, is both entirely of its time and entirely timeless. It was a box office summer smash, set a benchmark for time travel movies and was quoted by everyone from President Ronald Reagan to Avengers: Endgame. It is arguably a perfect film, without a duff note or a scene out of place, a fantastic parable as endlessly watchable as It's a Wonderful Life or Groundhog Day. It also, inevitably, reflects the preoccupations of its day. An early sequence features Libyan terrorists from the era of Muammar Gaddafi, a caricature wisely dropped from a stage musical adaptation. In one scene the young George McFly turns peeping tom as he spies on Lorraine getting undressed. To some, the film's ending equates personal fulfilment with Reagan-fuelled materialism. It caught lightning in a bottle in a way that is unrepeatable. 'If you made Back to the Future in 2025 and they went back 30 years, it would be 1995 and nothing would look that different,' Thompson, 64, says by phone from a shoot in Vancouver, Canada. 'The phones would be different but it wouldn't be like the strange difference between the 80s and the 50s and how different the world was.' Bob Gale, co-writer of the screenplay, agrees everything fell into the right place at the right time, including the central partnership between young Marty (Michael J Fox) and white-haired scientist Doc Brown (Christopher Lloyd). The 74-year-old says from Los Angeles: 'Oh man, the film wouldn't even be made today. We'd go into the studio and they'd say, what's the deal with this relationship between Marty and Doc? They'd start interpreting paedophilia or something. There would be a lot of things they have problems with.' Gale had met the film's director, Robert Zemeckis, at the USC School of Cinema in 1972 and together they sold several TV scripts to Universal Studios, caught the eye of Steven Spielberg and John Milius and collaborated on three films. The pair had always wanted to make a time travel movie but couldn't find the right hook. Then Gale had an epiphany. 'We put a time travel story on the back burner until I found my dad's high school yearbook and boom, that was when the lightning bolt hit me and I said, ha, this would be cool: kid goes back in time and ends up in high school with his dad!' Gale and Zemeckis pitched the script more than 40 times over four years but studios found it too risky or risque. But Spielberg saw its potential and came in as executive producer. After Zemeckis scored a hit with Romancing the Stone in 1984, Universal gave the green light. The character of Doc Brown was inspired by Gale's childhood neighbour, a photographer who showed him the 'magic' of developing pictures in a darkroom, and the educational TV show Mr Wizard which demonstrated scientific principles. Then Lloyd came in and added an interpretation based on part Albert Einstein, part Leopold Stokowski. Thompson was cast as Lorraine after a successful audition. She felt that her background as a ballet and modern dancer gave her a strong awareness of the movement and physicality required to play both versions of Lorraine: one young and airy, the other middle-aged and beaten down by life. 'I was perfectly poised for that character,' she says. 'I understood both the dark and the light of Lorraine McFly and understood the hilarity of being super sexually attracted to your son. I thought that was frickin' hilarious. I understood the subversive comedy of it.' Thompson has previously worked with Eric Stoltz, who was cast in the lead role of Marty at the behest of Sidney Sheinberg, a Universal executive who had nurtured Spielberg and put Jaws into production. But over weeks of filming, starting in November 1984, it became apparent that Stoltz's serious tone was not working. Gale recalls: 'He wasn't giving us the kind of humour that we thought the character should have. He actually thought the movie turned out to be a tragedy because he ends up in a 1985 where a lot of his life is different. People can argue about that: did the memories of his new past ripple into his brain, did he remember both his lives? That's an interesting conversation to have and it gets more interesting the more beer you drink.' Eventually it fell to Zemeckis to inform Stoltz that his services were no longer required. Gale continues: 'He said he thought that possibly Eric was relieved: it was not like a devastating blow to him. This is just hindsight and speculation but maybe Eric's agents thought that it would be a good career move for him to do a movie like this that had Spielberg involved. Who knows?' Stoltz's abrupt departure came as a shock to the rest of the cast. Thompson says: 'It was horrible. He was my friend and obviously a wonderful actor. Everybody wants to think that making a movie is fun and that we're laughing for the 14 hours we're standing in the middle of a street somewhere. 'But it's also scary because you need to feel like you've made a little family for that brief amount of time. So the minute someone gets fired, you're like, oh wait, this is a big business, this is serious, this is millions of dollars being spent.' Stoltz was replaced by the young Canadian actor Michael J Fox, whom Zemeckis and Gale had wanted in the first place, and several scenes had to be reshot. Fox was simultaneously working on the sitcom Family Ties so was often sleep-deprived. But his boundless charm, frazzled energy and comic timing – including ad libs – were the missing piece of the jigsaw. Thompson comments: 'He is gifted but he also worked extremely hard at his shtick like the great comedians of the 20s, 30s and 40s: the falling over, the double take, the spit take, the physical comedy, the working on a bit for hours and hours like the greats, like Laurel and Hardy and Charlie Chaplin. Michael understood that. 'Being a dancer, I was fascinated and kind of weirdly repelled because it didn't seem like the acting that we were all trying to emulate: the De Niro kind of super reality-based acting that we were in awe of in the 80s, coming out of the great films of the 70s. I feel like Eric Stoltz, who is a brilliant actor, was trying to do more of that. Michael was the face of this new acting, especially comedy acting, which was in a way a throwback and a different energy.' It was this lightness of touch that enabled Fox and Thompson to carry off moments that might otherwise have seemed weird, disturbing and oedipal. When 1950s Lorraine – who has no idea that Marty is her future son – eventually kisses him inside a car, she reports that it is like 'kissing my brother' and the romantic tension dissolves, much to the audience's relief. Thompson says: 'It was a difficult part and it was a very dangerous thread to put through a needle. I have to fall out of love with him just by kissing him and I remember Bob Zemeckis obsessing about that moment. It was also a hard shot to get because it was a vintage car and they couldn't take it apart. Bob was also worried about the moment when I had to fall back in love with George [Marty's father] after he punches Biff. 'For those moments to be so important is part of the beauty of the movie. These are 'small' people; these are not 'great' people; they're not doing 'great' things. These are people who live in a little tiny house in Hill Valley and to make the moments of falling out of love and falling in love so beautiful with that incredible score is fascinating.' Back to the Future was the biggest hit of the year, grossing more than $200m in the US and entering the cultural mainstream. When Doc asks Marty who is president in 1985, Marty replies Ronald Reagan and Brown says in disbelief: 'Ronald Reagan? The actor? Then who's vice-president? Jerry Lewis?' Reagan, a voracious film viewer, was so amused by the joke that he made the projectionist stop and rewind it. He went on to name-check the film and quote its line, 'Where we're going, we don't need roads,' in his 1986 State of the Union address. Thompson, whose daughters are the actors Madelyn Deutch and Zoey Deutch, was amazed by Back to the Future's success. 'But when I look at the movie, I do understand the happy accident of why it's become the movie it's become to generation after generation. The themes are powerful. The execution was amazing. The casting was great. The idea was brilliant. It was a perfect script. Those things don't come together usually.' And if she had her own time machine, where would she go? 'If I could be a man, I might go back to Shakespeare but as a woman you don't want to go anywhere in time. Time has been hard on women. So for me, whenever I'm asked this question, it's not a lighthearted answer. I can only give you a political answer.' The film ends with Doc whisking Marty and girlfriend Jennifer into the DeLorean and taking off into the sky. But Gale points out that the message 'to be continued' was added only for the home video release, as a way to announce a sequel, rather than being in the original theatrical run. Back to the Future Part II, part of which takes place in 2015, brought back most of the main characters including the villain Biff Tannen, who becomes a successful businessman who opens a 27-storey casino and uses his money to gain political influence. Many viewers have drawn a comparison with Donald Trump. Gale explains: 'Biff in the first movie is not based on Donald Trump; Biff is just an archetype bully. When Biff owns a casino, there was a Trump influence in that, absolutely. Trump had to put his name on all of his hotels and his casinos and that's what Biff does too. 'But when people say, oh, Biff was based on Donald Trump, well, no, that wasn't the inspiration for the character. Everybody has a bully in their life and that's who Biff was. There's nothing that resembles Donald Trump in Biff in Part I.' Back to the Future Part III, in which Marty and Doc and thrown back to the old west, was released in 1990. A year later Fox was diagnosed with Parkinson's disease at the age of 29. He went public with his diagnosis in 1998 and became a prominent advocate for research and awareness. He also continued acting, with roles in shows such as The Good Wife and Curb Your Enthusiasm, and in October will publish a Back to the Future memoir entitled Future Boy. Thompson, whose brothers both have Parkinson's, sees Fox twice a year. 'He's endlessly inspiring. He's very smart and he's done the spiritual work, the psychological work on himself to not be bitter about something awful happening to him but also be honest: this sucks.' Time's arrow moves in one direction but Back to the Future found a way to stage a comeback. One night after seeing the Mel Brooks musical The Producers in New York, Zemeckis's wife Leslie suggested that Back to the Future would make a good musical. Gale duly wrote the book and was a producer of the show, which premiered in Manchester in 2020 and has since played in London, New York and around the world. Gale says: 'It was total euphoria. The first time I saw the dress rehearsal with the DeLorean, before we had an audience, I went out of my mind how great it was, and then to see the audience going completely out of their minds with everything was just such a joyous validation. 'I'm so blessed to have a job where I get to make people happy. That's a great thing to be able to do and get paid for that. I don't ever take any of this for granted. I'm having a great time and the idea that Back to the Future is still with us after all these years, as popular as it ever was, is a blessing. I think about it all the time that if we had not put Michael J Fox in the movie, you and I probably wouldn't even be having this conversation right now.' Why, indeed, are we still talking about Back to the Future four decades later? 'Every person in the world wonders, how did I get here, how did my parents meet? The idea that your parents were once children is staggering when you realise it when you're about seven or eight years old. 'Your parents are these godlike creatures, and they're always saying, well, when I was your age, and you're going, what are they talking about, how could they have ever been my age? Then at some point it all comes together. If you have a younger sibling and you're watching them grow up, you realise, oh, my God, my parents were once screw-ups like me!' And if Gale had a time machine, where would he go? 'I don't think I would go to the future because I'd be too scared,' he says. 'We all see what happens when you know too much about the future. My mom, before she was married, was a professional musician, a violinist, and she had a nightclub act in St Louis called Maxine and Her Men. I'd like to travel back in time to 1947 and see my mother performing in a nightclub. That's what I would do.'
Daily Mail
an hour ago
- Daily Mail
Kerry Katona insists 'I'm focusing on keeping my family safe' as she weighs in on Israel-Iran conflict
Kerry Katona has weighed in on the terrifying Israel-Iran conflict, insisting she's 'focusing on keeping her family safe'. In her weekly New! magazine column, Kerry, 44, admitted she's been 'really afraid' watching the war break out between Israel, Iran and the US. She wrote: 'I've been really afraid about the conflict going on between Iran and Israel, especially with the US getting involved. 'It's such a scary world we live in right now - I feel like it keeps getting worse and worse. Every time I read the news or watch it on TV, something else utterly devastating is happening. 'I try to focus on my family - my priority - and keeping us safe, but what's going on internationally is so concerning.' Israel began a blitz campaign against nuclear, military and civilian sites across Iran, which the US later join, in the so-called 12-day war. The war, which saw Iran retaliate against Israeli and American military and civilian sites, began as US and Iranian diplomats sat down for talks over the Middle Eastern nation's nuclear programme. Amid her fears, Kerry revealed she is 'going under the knife' again after suffering from a side effect following her recent two-stone weight loss. The former Atomic Kitten star, who is a mother of four, explained that her transformation has also caused her breast to shrink in size. Elsewhere in her New! magazine column, she confessed she was finally getting her 'long-awaited boob job'. She penned: 'Ever since losing weight, I feel like I've also lost my old boobs, so I'm excited to have some again. 'I'm going under the knife again this month for my long-awaited boob job. You guys might remember that I was going to get one earlier this year but I ended up having to reschedule due to being in Thailand soon after, because you can't fly for a while after having the procedure.' Kerry then admitted that while she is looking forward to it, she is nervous because she is 'never really good at coping in the lead-up'. Earlier this year, Kerry revealed she has been forced to cancel her long awaited fourth boob job this week over safety concerns. Kerry, who has had three previous augmentations, announced earlier this year that she was planning to go under the knife again after being left tripping over her nipples' following her most recent weight loss. But after retuning from her recent break in Thailand, doctors stopped the procedure going ahead amid concerns it was too soon for surgery after a long-haul flight. She wrote in her OK! column: 'I headed to get my boob job the other day and ended up not being able to get it done, I didn't realise that you can't get surgery after flying and I had just returned from Thailand. 'It's a shame, but I'm glad Pall Mall Cosmetics - where I was booked in - take safety so seriously and put regulations above the procedure.' Adding: 'I could have rebooked it, but I'm going back to Thailand next week so I would have had to cancel my trip and the kids told me to just leave it for now. '[Daughters] Molly, Lilly and Heidi all said: 'Go to Thailand, don't get your boobs done!' 'I think they just don't want me getting any more surgery! I'm going to leave it until summer when I'm less busy.' Kerry is mother to Molly, 21, Lilly-Sue, 20, Heidi, 16, Max, 14, and eight-year-old DJ. Kerry initially planned a breast reduction before making a shock U-turn - after losing weight following her split from fiancé Ryan Mahoney. She recently said that she was imminently going to be going for breast reduction surgery as she bemoaned her 'saggy' breasts before deciding on having a boob job instead. She'd previously complained about her breasts saying: 'Seriously, I lie down and I look like a nine-year-old boy. Take my bra off, I trip over my nipples.' 'It's health and safety. I walk around my house in a hard hat and a visibility jacket. So I decided it's got to be done just for my own health and safety, people. Pall Mall, I'll see you later today guys.' Speaking to Closer, Kerry recently revealed her two-stone weight loss and told how she is in the 'best shape' of her life. She said: 'I'm slimmer now than I was in Atomic Kitten. I'm getting there emotionally, but physically this is the best shape I've ever been in.' She attributed the weight loss to both the fallout from the split, and performing three shows a day during pantomime with Katie Price.
