Heavy metal icon Ozzy Osbourne dies at 76
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RNZ News
9 hours ago
- RNZ News
From Siberia to the South Pacific
This audio is not downloadable due to copyright restrictions. Novosibirsk Opera House; Lev Sivkov's home town. Photo: Alexander Klink If Lev Sivkov wasn't a musician, maybe he'd be a farmer. The Siberian-born cellist is in New Zealand to play the solo role in Britten's Cello Symphony with Orchestra Wellington , along with making chamber music as one third of the Levansa Trio. Growing up in Siberia gave him a deep appreciation of nature, something he also enjoys when he comes to New Zealand. It's Sivkov's third visit to Aotearoa. His friendship with fellow Levansa players (New Zealand-based violinist Andrew Beer and pianist Sarah Watkins) has made him more than an occasional fixture in the NZ chamber music scene. The Levansa Trio already has one album out on the Atoll label and there are plans to record another during the cellist's current trip. Levansa Trio: Andrew Beer (vln), Sarah Watkins (pno), Lev Sivkov (cello), Photo: Supplied Wellington Chamber Music Trust Sivkov spoke with RNZ Concert ahead of his gig with Orchestra Wellington, and part-way through his tour with the Levansa Trio. He certainly likes to mix things up. A few weeks back he was leading the cello section of the orchestra of Opernhaus Zürich in a concert performance of Brahms' 4th Symphony. Sivkov met the New Zealand members of the Levansa Trio through an ex-pat Kiwi currently living in Switzerland. This year's tour has already taken the ensemble to Hamilton, and there are also has concerts in Wellington, Auckland, Christchurch and Wairarapa. Sivkov describes Britten's Cello Symphony, which he wrote for the great Russian cellist Mstislav Rostropovich, as a "very intellectual" work, but one which rewards close listening. "It's an old joke about Russian literature: there are books where the reader suffers, there are books where the writer suffers, but when both reader and writer suffer - that is the great book of Russian literature." He suspects Britten had that sense of Russian depth when he wrote the Cello Symphony. Sivkov still has a soft spot for the "tough" old-school Russian teachers of his youth, although he wouldn't necessarily teach his own students that way. Maybe something between the old Russian approach and the more liberal ways of Western Europe. Does he miss Russia? Yes, although if he went back to Novosibirsk he probably wouldn't work as a full-time cellist, maybe he'd take up farming - although he's not exactly sure what sort of farmer he would be. Funnily enough, the last concert of his current NZ tour with the Levansa Trio will be on an apple orchard in Wairarapa. "Perhaps I can discuss farming options when I am there," he jokes. RNZ Concert host Bryan Crump and cellist Lev Sivkov. Photo: RNZ
RNZ News
a day ago
- RNZ News
Gumboot Friday gets green light for second year of funding
Gumboot Friday has had a green light for its second year of funding but has had its targets increased after meeting the minimum numbers set for its first year. Last year the process by which the charity was awarded 24 million dollars funding came under scrutiny by the auditor-general who said the way the decision came about was "unusual and inconsistent". But mental health Minister Matt Doocey has backed the charity saying it's helping thousands of young people get access to support faster. Founder of Gumboot Friday Mike King, spoke to Melissa Chan-Green. Tags: To embed this content on your own webpage, cut and paste the following: See terms of use.
NZ Herald
a day ago
- NZ Herald
Phil Gifford: When Ozzy Osbourne and Black Sabbath lit up a farm in Ngaruawahia
Black Sabbath (L-R) Bill Ward, Geezer Butler, Tony Iommi and Ozzy Osbourne pose for a portrait on May 31, 1970 in London, England. Photo / Getty Images 'I hope we didn't freak you out,' yelled Ozzy. 'This one should help you. It's called PARANOID!' The Ngāruawāhia festival came three years after the film documentary on Woodstock was screened here. Woodstock was a turning point in first world youth culture, radically departing from older generations' attitudes to everything from drugs to nudity. I'd been despatched to Ngāruawāhia as a reporter by the newspaper in Auckland where I was writing about everything from music to sport to shipwrecks. It was quickly clear the massive influence Woodstock had on many of the music fans who headed to our first home-grown festival. After a restless night trying to sleep in a small tent, I was puzzled by what the material was in the bikini the topless woman from the tent next door was wearing. Then I realised she wasn't wearing anything. Tribute to Black Sabbath front man and legend of heavy metal music, Ozzy Osbourne, by NZ Herald cartoonist Rod Emmerson. Nudity, a la Woodstock was commonplace over the next three days. The opening act, Kiwi singer Corben Simpson, sang a couple of songs and then announced it was 'too hot'. He stripped naked to finish his set. Five months later he was in court where he was fined for 'wilfully and obscenely exposing his person'. Musically, Ngāruawāhia offered a stage to an amazing range of future giants in New Zealand music. The festival's co-promoter Barry Coburn was the manager of a gifted Auckland group calling themselves Split Ends. Sadly it was the wrong place and the wrong time for a band, which was then featuring flute and violin solos. At best the audience reception could be described as cool. Ozzy Osbourne (left) and American musician Randy Rhoads (1956-1982), on electric guitar, as they perform during the Blizzard of Oz tour, at Nassau Coliseum in 1981. Photo / Getty Images The future Split Enz weren't the only ones battling, at the very start of their careers, to win the crowd over. Dragon, with just one Hunter brother, Todd, played to a muted reception. On the other hand, there was an ecstatic reaction to the co-headline act, the British folk band Fairport Convention. Very much the yin to Black Sabbath's prototype heavy metal yang, the Fairports had the moshpit dancing to old Scottish and Irish reels and jigs. But there was no question that the big-name act was Sabbath. To get them to New Zealand required a trip to Britain for tyro promoter Coburn. In 2011, he wrote in the Herald how he had flown to Europe and saw Sabbath's manager Don Arden, at Arden's home in London. Coburn was greeted at the door of the luxury house in Wimbledon by Arden's daughter, the then-teenaged Sharon. (Who would have guessed that Sharon would later marry Ozzy and become known throughout the world with the stunning success of the reality TV show The Osbournes?) Coburn was just 22, so dealing with Arden, described by the Guardian when he died in 2007, as the 'Al Capone of British music' took some backbone. In the mid 1970s in Auckland I found myself sitting next to Arden and his Irish wife Hope at a dinner hosted for the visitors by a local record company executive. Hope, a former dancer, was a delight, rolling out anecdotes about film star Cary Grant, their next door neighbour when they were in Los Angeles. Don was exactly what I had expected, revelling in stories that basically painted him as a semi-gangster. When he heard that rock and roll pioneer Chuck Berry had recently been in Auckland, he took special delight in recounting details of a show he had co-promoted in the 1960s in Germany with a former SS officer. Berry was refusing to go on stage until he had been paid. 'The German pulled out this big Luger pistol and pointed it at Berry's head. There were no more arguments.' The night made it very clear that any charm Sharon Osbourne has comes from her mother.
