logo
When moose took over Toronto: Artists reflect on city art project, 25 years later

When moose took over Toronto: Artists reflect on city art project, 25 years later

CTV Newsa day ago
As people around the world welcomed a new millennium, Torontonians in the year 2000 were welcoming something even bigger – a herd of hundreds of life-size moose statues.
Twenty-five years ago, Toronto launched its Moose in the City campaign, a project featuring 326 colourful moose statues decorated by artists and placed all over the city in an effort to usher in the new year with a boost for local tourism and art sectors.
The project came at no cost to the city, according to council minutes from April 2000, and the statues were sponsored by various companies. The public could stumble upon the hoofed, herbivore masterpieces at locations including the CN Tower, Pearson Airport and city hall.
Some of the artists involved say the project was emblematic of the city's culture and shows how municipalities can step up to support the art scene — even as some of the famed sculpted creatures have disappeared in the years since.
Moose in the City was a 'great collaboration with the city' for artists, said Kelly Borgers, who was commissioned to do three of the statues. There was even a launch party for the project, with music and a sculpture parade.
'All the moose were all together. We pushed them on wheels down the street like a stampede,' she recalled.
Borgers said she produced three statues: Park Moose, Driving Moose Daisy and Florence Moosingale. She's not sure what happened to the first two – decorated with nature scenes and granny glasses, respectively – but Florence lives in the city's midtown outside the headquarters of a home care agency.
Lee Grunberg, the president and CEO of Integracare, said Florence used to get Valentine's Day cards addressed from another moose that's perched on the roof of a house in nearby Mount Pleasant neighbourhood.
'The people that bought these moose, they love the camaraderie of owning these moose,' Grunberg said.
Borgers likes to drive by and see Florence once in a while, she said, and knowing her art is still out there 25 years later brings her joy.
'She's always dressed up in all different costumes, for Valentine's Day, for Easter, for Christmas, for Canada Day,' Borgers said with a laugh.
'It's awesome. I'm proud of my moose. She has a better wardrobe than I have.'
Borgers said the project was symbolic of the fun to be had in the city, and it 'lightened things up.'
'I just think it had a good sense of humour, that was nice,' she said. 'Nobody saw moose and frowned.'
Lindsay Davies, who is based in Aurora, Ont., said the project gave her and other artists a chance to 'show their thing.'
Davies was commissioned by Belinda Stronach, daughter of billionaire businessman Frank Stronach, to paint a moose statue to look like former Toronto Maple Leafs goalie Curtis Joseph. The statue was complete with a jersey, hockey socks and a detailed goalie mask covering the moose's snout. It was placed in front of the Hockey Hall of Fame.
'I just felt totally honoured and absolutely thrilled where it ended up downtown on Front Street,' said Davies.
Despite reports at the time of moose vandalism — including alleged antler thefts — Davies said she'd love to see the city do a similar project again, especially given the participants' diverse art styles.
'It's just wonderful, and it's very inspirational,' said Davies. 'I think the public in general really benefits from something like that.'
Davies said her moose was auctioned for $25,000 that went to charity shortly after the project. Though she said she doesn't know where Curtis Joseph Moose is today, she theorizes he's somewhere in Little Britain, Ont., after a local bakery took ownership years ago.
Toronto-based artist Teri Donovan said George Cohon, the founder of McDonald's Canada, brought up the public art idea with then-mayor Mel Lastman, who became very interested in the project and stood behind it.
Donovan said she got involved after a friend sent her a brochure about the campaign and she ended up creating two sculptures: the Bay Street Moose and the Strawberry Moose with Whipped Cream.
'It was really an interesting thing to do. It had its challenges, of course, but in the end, it was a lot of fun,' she said.
She isn't sure about the fate of her two moose, although she discovered through online research that the Bay Street sculpture was missing.
There were controversies surrounding the project, she recalled. The quality of some sculptures was not very good, she said, and critics complained that the statues were not actually art.
'But it wasn't supposed to be high art, it was supposed to be a fun project for the city,' she said.
Donovan remembers her neighbours and their kids routinely checking on the progress of one of her moose creations as she painted it in her driveway.
'I live in a quiet neighbourhood in the east end of Toronto and there isn't a lot of that kind of thing that happens here,' she said.
Donovan said Moose in the City was a draw for tourists and it also helped raise money for charities as some of the moose were auctioned off.
Laurel Brooks still has the moose her family purchased at auction and moved to their Muskoka cottage, where it stayed until 2012.
She said her daughter and ex-husband initially wanted to get Tourist Moose, with a hat and a camera around her neck, but the bidding for that one was 'pretty competitive.'
They ended up getting a moose built by Toronto District School Board students, she said.
After separating from her ex-husband, Brooks brought the moose back to Toronto where it now sits on an elevated platform in her backyard. The sculpture, too big to fit through the garage or the side of the house, had to be hoisted and moved with ropes, she said.
It's made of paper-mache, with layers coming off over the years, and has been repainted with red flowers that look like poppies.
'I just really liked it,' Brooks said with a laugh when asked if the hustle of moving the moose back and forth was worth it.
'It's just a cool thing to have.'
With files from Fatima Raza.
This report by The Canadian Press was first published July 29, 2025.
Sharif Hassan and Rianna Lim, The Canadian Press
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Toronto's JFL to welcome comics Gabriel Iglesias, Dropout Improv, Sarah Millican
Toronto's JFL to welcome comics Gabriel Iglesias, Dropout Improv, Sarah Millican

CTV News

time31 minutes ago

  • CTV News

Toronto's JFL to welcome comics Gabriel Iglesias, Dropout Improv, Sarah Millican

Comic Gabriel Iglesias, seen in this handout photo, will perform at Scotiabank Arena in Toronto on Sept. 19, 2025, during the Just For Laughs Festival. THE CANADIAN PRESS/Handout - Just For Laughs (Mandatory Credit) TORONTO — Toronto's edition of Just For Laughs will welcome standup stars Gabriel Iglesias, Maria Bamford, Big Jay Oakerson and Ron Funches. Organizers announced a first round of comics that also includes 'Daily Show' correspondent Al Madrigal, the U.K.'s Sarah Millican and Dropout Improv. Social media star Che Durena along with Jay Jurden and Gina Yashere will hit Toronto after appearances at the recently concluded Montreal festival. The showcase returns under new president and CEO Sylvain Parent-Bédard, who has promised a revitalized 'comedy first' approach after JFL filed for bankruptcy in 2024. Just For Laughs Toronto runs Sept. 18 to 27. Pre-sale tickets are available Wednesday and a public sale begins Thursday. 'We're proud to bring a great Just For Laughs lineup to Toronto this year,' Sylvain Parent-Bédard, president & CEO of Just For Laughs, said Tuesday in a release. 'It's a great opportunity to share our comedy spirit with audiences in the city.' Canadians include Alistair Ogden of 'Canada's Got Talent,' Ashwyn Singh of the viral Desi Translations series, Vancouver's Gavin Matts of 'Hacks,' and comic actor Mark Forward, whose credits include 'Letterkenny' and 'Fargo.' This report by The Canadian Press was first published July 29, 2025.

20 powerful nonfiction books featured on Bookends with Mattea Roach
20 powerful nonfiction books featured on Bookends with Mattea Roach

CBC

time3 hours ago

  • CBC

20 powerful nonfiction books featured on Bookends with Mattea Roach

Looking for a thought-provoking book to read this summer? This list of nonfiction titles featured on the first season of CBC Radio's Bookends with Mattea Roach is a good place to start. On the show, Roach talks to authors from Canada and around the world. Here are all the nonfiction titles that sparked the conversation this past year. My Fighting Family by Morgan Campbell My Fighting Family is a detailed history of one family's battles across the generations and reckons with what it means to be a Black Canadian with strong American roots. Sports journalist and writer Morgan Campbell traces his family's roots in the rural American south to their eventual cross-border split and the grudges and squabbles along the way. From the South Side of Chicago in the 1930s to the Civil Rights movement, the Vietnam War to racial tensions in Canada — My Fighting Family is about journeying to find clarity in conflict. Campbell is an Ontario-based journalist and a senior contributor at CBC Sports. He was a sports writer at the Toronto Star for over 18 years. His work highlights where sports intersect with off-the-field issues like race, culture, politics and business. His memoir My Fighting Family is his first book. Hope is a Woman's Name by Amal Elsana Alh'jooj A Bedouin Palestinian activist born in Israel, Amal Elsana Alh'jooj shares her life's story in Hope is a Woman's Name. Starting with her early childhood and spanning her activist career thus far, she shares her fight for justice, peace and equality. Alh'jooj is a professor at McGill University and a founder of several NGOs including Arab-Jewish Centre for Equality and Economic Empowerment and Cooperation. She was nominated for the Nobel Peace Prize in 2006 and won the New Israel Fund's Human Rights Award in 2013. She is the founder and executive director of the organization PLEDJ (Promoting Leadership, Empowerment, Development and Justice). Soft As Bones by Chyana Marie Sage In Soft As Bones, Chyana Marie Sage shares the pain of growing up with her father, a crack dealer who went to prison for molesting her older sister, and the self-destructive ways with which she coped. By revisiting her family's history, she describes the experience of overcoming generational trauma that began with her grandfather, who was forcibly separated from his family through residential schools and the Sixties Scoop. She reflects on how the traditions of her Cree culture played a crucial role in her healing. Sage is a Cree, Métis and Salish writer based in Edmonton. Her journalism has appeared in the Toronto Star, Huff Post and the New Quarterly. Sage won first place in the Edna Staebler Personal Essay Contest and silver in the National Magazine Awards for her essay Soar. She holds an MFA in creative nonfiction from Columbia University where she taught as an adjunct professor. She also teaches Indigenous youth about cultivating self-love and healing through the Connected North program. 52 Ways to Reconcile by David A. Robertson 52 Ways to Reconcile is a guide for both Indigenous and non-Indigenous people who want to take action when it comes to reconciliation — and shows how we can work together on the long road ahead. Robertson, a two-time Governor General's Literary Award winner and member of the Norway House Cree Nation, has written more than 30 books for both children and adults, including the Misewa Saga series, picture books On the Trapline and When We Were Alone, graphic novel Breakdown, and his memoirs Black Water and All The Little Monsters. He lives in Winnipeg. The Vinyl Diaries by Pete Crighton Growing up in the midst of the HIV/AIDS epidemic left Pete Crighton with a huge fear of sex — and he threw himself into music as a way to cope with those anxieties. It wasn't until his 40s that Crighton knew he needed to face his fears and figure out how to live his queer life to the fullest. In his memoir The Vinyl Diaries, he takes readers on this journey — pairing big moments with the music that shaped them. The Vinyl Diaries is his first book. He lives in Toronto. A Physical Education by Casey Johnston For years, Casey Johnston thought fitness was all about shrinking down. She was terrified of weightlifting and what it would do to her body. Now, she's a writer and fitness advocate with a massive following of fellow lifters. Her book, A Physical Education, tells the story of how stepping into the weight room changed her life — body, mind and heart. Casey Johnston is a writer and editor from the United States. She writes the advice column "Ask A Swole Woman" for multiple publications and the newsletter "She's a Beast." Sucker Punch by Scaachi Koul In Sucker Punch, Scaachi Koul candidly recounts the painful events that turned her life upside down, from her marriage falling apart to her mother's cancer diagnosis and everything in between. With her signature humour, Koul reflects on navigating struggle — shifting from her belief that fighting is the only way out — to exploring when to fight and when to let go in the face of life's unexpected challenges. Koul is a writer from Calgary who currently lives in Brooklyn, New York. Her debut book, , was a New York Times Editors' Choice and a finalist for the Leacock Medal for Humor and the Kobo Emerging Writer Prize. She is currently a Senior Writer at Slate and co-hosts the Ambie Award-winning podcast Scamfluencers. Koul also co-hosted the Emmy-nominated Netflix series Follow This, and her work has been published in The New Yorker, This American Life, New York Magazine and The Cut. She has also appeared in documentaries such as Quiet On Set and Pretty Baby. Everything is Tuberculosis by John Green In Everything Is Tuberculosis, John Green looks into the different ways tuberculosis has been perceived over centuries — and how that shapes who lives and dies from it today. Green is the author of bestselling young adult novels including Looking for Alaska, The Fault in Our Stars and Turtles All the Way Down. He has won a Printz Medal, a Printz Honor and an Edgar Award. He is the writer and host of the podcast The Anthropocene Reviewed and has worked with his brother, Hank, on video projects like Vlogbrothers and Crash Course. He lives in Indianapolis, Indiana. Hounds of Love by Leah Kardos As part of Bloomsbury Publishing's 33 ⅓ series, in which each title dives into a single music album, writer and musician Leah Kardos wrote about Kate Bush's album Hounds of Love in a book of the same name. In it, she explores her connection to the album, its rise to popularity and its resurgence, nearly 40 years later. Kardos is a senior lecturer in music at Kingston University London, U.K. She is also the author of Blackstar Theory: The Last Works of David Bowie and a musician. It Must Be Beautiful to be Finished by Kate Gies When Kate Gies was born without her right ear, plastic surgeons vowed to make her "whole" and craft the appearance of an outer ear. The Toronto author underwent 14 surgeries before the age of 13, many of which failed, leaving permanent scars — both physically and mentally. Gies shares her harrowing experiences and path to accepting her body through poignant vignettes that form her debut memoir, It Must Be Beautiful to Be Finished. Gies is a Toronto-based writer and educator. She teaches at George Brown College. Her writing has been published in The Malahat Review, The Humber Literary Review, Hobart, Minola Review and The Conium Review. She was also longlisted for the 2018 CBC Nonfiction Prize. is her first book and her essay Foreign Bodies will be included in the forthcoming Best Canadian Essays anthology. Black in Blues by Imani Perry Imani Perry's latest book, Black in Blues, is an evocative exploration of what the colour blue can tell us about being Black in the United States today — and the extraordinary human capacity to find beauty in the face of devastation. Perry is an American author, scholar and professor at Harvard University. She's written several other nonfiction books including South to America which won the National Book Award in 2022. Acme Novelty Datebook: Volume Three by Chris Ware Acme Novelty Datebook: Volume Three is the third and final instalment of a series that offers readers a look into American cartoonist Chris Ware's personal sketchbooks. covers the last 20 years and tells of his journey into fatherhood and the rise of social media. Ware is the author and illustrator of Jimmy Corrigan: The Smartest Kid on Earth, which won the Guardian First Book Award in 2001, Building Stories and Rusty Brown, which was a finalist for the PEN/Jean Stein award. He has designed 32 covers for The New Yorker and his work has been exhibited in many museums worldwide. Here After by Amy Lin Here After tells the powerful love story between Amy Lin and her husband, Kurtis, and how she copes with his sudden death. Lin shares how this loss upended her ideas of grief, strength and memory. Lin is a Calgary-based writer whose work has been published in Ploughshares. She has also received residencies from Yaddo and Casa Comala. Here After is her first book and was shortlisted for the 2024 Hilary Weston Prize for Nonfiction. Q&A by Adrian Tomine Before the Internet, many comic books included a section to send letters to the creators and get insight into their work and their process. When cartoonist Adrian Tomine was growing up, he would send those letters — and now he's answering them. Q&A dives into the questions he most often hears from readers, and responds to them with a combination of words, photos and illustrations. Something, Not Nothing by Sarah Leavitt Following the medically assisted death of her partner of 22 years, cartoonist Sarah Leavitt began small sketches that quickly became something new and unexpected to her — the graphic memoir Something, Not Nothing. The abstract images mixed with poetic text, layers of watercolour, ink and coloured pencil combine to tell a story of love, grief, peace and new beginnings. All Our Ordinary Stories by Teresa Wong In the graphic memoir All Our Ordinary Stories, Teresa Wong uses spare black-and-white illustrations and thought-provoking prose to unpack how intergenerational trauma and resilience can shape our identities. Starting with her mother's stroke a decade ago, Wong takes a journey through time and place to find the origin of her feelings of disconnection from her parents. Wong is the Calgary-based author of the graphic memoir Dear Scarlet, which was on the Canada Reads longlist in 2020 and was a finalist for the City of Calgary W.O. Mitchell Book Prize. Her work has appeared in The Believer, The New Yorker, McSweeney's and The Walrus. CBC Books named her a writer to watch in 2019. Everything and Nothing At All by Jenny Heijun Wills Everything and Nothing At All is an essay collection that discusses Jenny Heijun Wills' quest for belonging as a transnational and transracial adoptee, a pansexual and polyamorous person and a parent with a life-long eating disorder. Drawing on her life experiences, she creates a vision of family — chosen, adopted and biological all at once. Wills is a writer born in Seoul and raised in Southern Ontario. Her memoir Older Sister. Not Necessarily Related won the 2019 Hilary Weston Writers' Trust Award for Nonfiction and the 2020 Eileen McTavish Sykes Award for Best First Book. She currently lives in Winnipeg and teaches English at the University of Winnipeg. The Knowing by Tanya Talaga The Knowing starts with the life of Tanya Talaga's great-great grandmother Annie Carpenter and charts the violence she and her family experienced for decades at the hands of the Church and the government. Talaga is a writer and journalist of Anishinaabe and Polish descent. She is a member of Fort William First Nation. Her book Seven Fallen Feathers: Racism, Death and Hard Truths in a Northern City won the RBC Taylor Prize, the Shaughnessy Cohen Prize for Political Writing and the First Nation Communities Read: Young Adult/Adult Award. Her book All Our Relations: Finding the Path Forward was the basis for the 2018 CBC Massey Lectures. Degrees of Separation by Alison McCreesh Degrees of Separation blends stories, drawings and sketches that chronicle Alison McCreesh's decade spent living in the North. From being stranded in the High Arctic to raising a baby in a small shack with no running water, the book is a coming-of-age story that recounts the challenges and joys of life living and working north of the 60th parallel. McCreesh is an artist who currently lives in Yellowknife. She has travelled around the Arctic and sub-Arctic and the theme of contemporary day-to-day life in the North carries through her creative work. Grief is for People by Sloane Crosley When American writer Sloane Crosley first met Russell Perreault, he was her boss for a publishing job at Vintage Books. The two became fast friends, both in and out of the office, taking on the literary world and beyond for most of Crosley's adult life. Exactly a month after a break-in shook up Crosley's sense of security, Perreault died by suicide, leaving her with profound pain, confusion and grief. In Grief is for People, Crosley reckons with the grief of losing her best friend using philosophy and art as a framework, writing with her trademark irreverence and honesty.

Government of Canada supports Tlingít cultural revitalization in Yukon
Government of Canada supports Tlingít cultural revitalization in Yukon

Cision Canada

time14 hours ago

  • Cision Canada

Government of Canada supports Tlingít cultural revitalization in Yukon

Government of Canada supports the Carcross/Tagish First Nation's Haa Ḵusteeyí celebration of language and community, honouring Tlingít culture. CARCROSS, YT, July 29, 2025 /CNW/ - For Indigenous communities, the act of gathering ais about more than tradition; it is a way to ensure language, culture, history and sacred bonds with the land are able to thrive and grow stronger. Brendan Hanley, Parliamentary Secretary to the Minister of Northern and Arctic Affairs and Member of Parliament (Yukon), announced a $95,000 investment in support of the Carcross/Tagish First Nation's Haa Ḵusteeyí celebration, a gathering of Tlingít communities from across the Yukon, British Columbia and Alaska, held from July 24 to 26, 2025. He made the announcement at the gathering's opening ceremony, on behalf of the Honourable Steven Guilbeault, Minister of Canadian Identity and Culture and Minister responsible for Official Languages. The Carcross/Tagish First Nation received $50,000 through the Development component of the Canada Arts Presentation Fund. The investment helped support the celebration's artistic program, which featured more than a dozen traditional and contemporary dance, drumming, storytelling and musical performances that reflect the histories, identities and living traditions of participating Indigenous nations. The Carcross/Tagish First Nation also received $45,000 through the Events component of the Multiculturalism and Anti-Racism Program to deliver a series of inclusive, hands-on cultural workshops and youth engagement activities. Haa Ḵusteeyí featured Elder-led workshops on seal-skin moccasin making, hide tanning, cedar hat weaving and carving, among other topics. They encourage intercultural connection and intergenerational sharing of cultural knowledge. The celebration brought together more than 3,000 people, to honour Tlingít language and traditions through storytelling, dance, ceremony and shared learning. Quotes "Haa Ḵusteeyí is a beautiful celebration of Tlingít culture and a living expression of Indigenous tradition and identity. It also allows Canadians to build meaningful relationships, rooted in reconciliation. Our government is proud to invest in programs that advance reconciliation, honour culture, preserve language, and sustain cultural teachings and knowledge. Events like this allow all of us to build meaningful relationships rooted in respect and walk the path of reconciliation together." —The Honourable Steven Guilbeault, Minister of Canadian Identity and Culture and Minister responsible for Official Languages "I was deeply honoured to be invited to the Carcross/Tagish First Nation for Haa Ḵusteeyí. It was profoundly moving to see how communities sustain the rich and vibrant traditions of the Tlingít people through language, culture and teachings. Having chosen to call the Yukon home for more than three decades, I am proud of our government's commitment to Haa Ḵusteeyí. It's a clear demonstration of reconciliation in action." — Brendan Hanley, Parliamentary Secretary to the Minister of Northern and Arctic Affairs, and Member of Parliament (Yukon) "Haa Ḵusteeyí is an important biennial celebration of Inland Tlingit culture, but this year has been a difficult one. In such times in our history, Haa Ḵusteeyí has continued. We have upheld this tradition in proudly hosting Haa Ḵusteeyí 2025 and by bringing our ancestors with us through ceremony, by offering a fire plate each evening and keeping a sacred fire burning throughout the celebration. I thank our Carcross/Tagish First Nation citizen and Haa Ḵusteeyí coordinator, Nicole Welin, and her team for skillfully meeting many challenges. Through their work and the support of many volunteers and major sponsors, like the Department of Canadian Heritage, Haa Ḵusteeyí 2025 has been a success." — Maria Benoit, Haa Sha du Hen (Chief), Carcross/Tagish First Nation Quick Facts The biannual Haa Ḵusteeyí is a Tlingít cultural gathering that rotates between host First Nations in the Yukon and British Columbia. The gathering allows Tlingít people to come together, actively use their language and contribute to the revitalization and preservation of Tlingít heritage and culture in their communities. Haa Ḵusteeyí (pronounced Haa Khoo-s-tee-yee) means "our culture" or "Tlingít way" in the Tlingít language and its roots date back centuries. This traditional gathering was revived by Elders in 2005. The Canada Arts Presentation Fund supports organizations that professionally present arts festivals or performing arts series as well as organizations that fund arts presenters. The Development stream supports emerging arts presenters and presenter-support organizations that focus on underserved communities or artistic practices. The Multiculturalism and Anti-Racism Program's Events component helps fund community-based events that promote intercultural or interfaith understanding, promote discussions on multiculturalism, diversity, racism and religious discrimination, or celebrate a community's history and culture. Carcross/Tagish First Nation Multiculturalism and Anti-Racism Program SOURCE Canadian Heritage

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store