
‘Lilo & Stitch' review: Disney puts another one through the de-animation machine
Stitch and Lilo are now in a live-action movie. The new 'Lilo & Stitch' constitutes adequate if wearying fan service at best, and at worst, a new reason to check in with your dentist about a mouth guard for apparent teeth-grinding.
The movie makes me wonder: If you don't grow up with the animated versions of whatever Disney has sent through the de-animator this time, is it a matter of coming to it with the wrong expectations, or just expecting too much? There's charm here, and a periodic human pulse, even as the remake fights with its own frenetic shrillness to the bitter end, in an adaptation by screenwriters Chris Kekaniokalani Bright and Mike Van Waes sticking closely to the animated version, while adding 23 more minutes.
For newbies: Orphaned after the death of their parents, 6-year-old Lilo (Maia Kealoha), ostracized at school, is being raised by her devoted but harried teenage sister Nani (Sydney Agudong), nearing the age of adult guardianship. Nani has shelved her college dreams (already she has been accepted by the University of California-San Diego, a long way from Lilo and Hawaii) to become a marine biologist.
It's a somewhat wrenching family scenario, as was the animated feature a generation ago, with conflict introduced by the sisters' wary interactions with a skeptical social worker (Tia Carrere, who voiced Nani in the earlier version). The larger conflict is interstellar. Later nicknamed Stitch by Lilo, once he crash-lands his getaway spaceship near the sisters' house, the small blue maniac from somewhere Out There is an 'illegal genetic experiment' gone haywire, lab-created by scientist Jumba on a distant planet. The scientist, more hapless than mad, must retrieve Stitch in the name of the United Galactic Federation (Hannah Waddingham voices the imperious leader).
The live-action redo imagines Jumba and his cohort, the dippy Earth expert Pleakley, as aliens far more frequently depicted in human form, as played by Zach Galifianakis and Billy Magnussen. The former appears somewhat flummoxed by his material, guessing as to what kind of comic energy or tone would work. Meanwhile, Magnussen mugs hard enough to turn the audience into mugging victims, though as staged and edited, the ramshackle physical comedy dominating 'Lilo & Stitch' is more obstacle than answer.
Even with director Dean Fleischer Camp coming off the terrific and hilarious and moving 'Marcel the Shell With Shoes On' feature, based on the lovely Marcel short films, his handling of this material feels thwarted. It's a prefabricated commodity, and those are not easy to activate. The main problem? Violent physical comedy can succeed or fail a million different ways in the realms of animation, least well, probably, in photorealistic animation. Tellingly, the 2002 Disney movie was not photorealistic; its animated watercolor palette and more traditional, storybook visual approach let Lilo and Stitch be themselves, in a frenzy or in heartfelt reflection, and that approach worked.
But in live-action? Well, it's different, even if the story is the same. Watching people getting clobbered with mops, or Stitch making messes and starting fires at the open-air beach resort where Nani works — the funny's diminished in live-action. It's more bombastic, and more realistic. And those two qualities don't improve anything. Every action beat, and even the simplest dialogue exchanges, feel aggressively rushed and pushy here.
The saving graces are Agudong and Kealoha. Their characters' sibling relationship, fractious but loving, keeps at least five toes in the real world and in real feelings, thanks to the actors. 'Lilo & Stitch' always was a nutty collision of any number of films and stories, from 'Frankenstein' to 'E.T.' to any prior Disney project featuring two characters who might plausibly sing 'You've Got a Friend in Me' to each other. That song, of course, belongs to 'Toy Story,' but you get the idea.
While Disney has no financial imperative to modify a business plan centered on what they've already made — and for the record, the recent 'Snow White' was far from the worst of its recent remakes — they do have a creative imperative. They have an obligation to their own future, and to the film medium's. It can't be lost on the creative artists involved with each new Disney drag-and-drop, including 'Lilo & Stitch': Live-action recycling makes characters you know and love more 'real.' And too often, that realism comes with only trace elements of real charm, or magic.
'Lilo & Stitch' — 2 stars (out of 4)
MPA rating: PG (for action, peril, and thematic elements)
Running time: 1:48
How to watch: Premieres in theaters May 22
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Business Insider
41 minutes ago
- Business Insider
I've become notorious as a 'vertical villain' in Chinese-style mini-dramas. Being evil is fun, but draining.
This as-told-to essay is based on a transcribed conversation with 32-year-old Sarah Moliski, based in Los Angeles. It has been edited for length and clarity. As an actor on the digital circuit, I usually get cast as the villain. In YouTube giant Dhar Mann 's videos, I was always the mean girl — the evil babysitter, the mean cheerleader, the lesson to be had. I think it's due to having blonde hair and a strong personality. Today, I've made a name as a villain in the vertical mini-drama space, an explosively popular format born in China. At this point, it really does come naturally to me. At ReelShort, I've won awards and have dedicated fan pages, and I'm proud of that. In a lot of verticals, the female lead is sweet and innocent, almost like a Disney princess. But if the villain's not there, there's no story. We bring the spice, the stunts, and the drama. Some of the stories are crazy. In " Hillbilly Girlie Marries a Billionaire," I take a man's sperm and get myself pregnant with it to prove we had sex. Then, it turns out it was the maid's husband's sperm. In " His One and Only Love," I hire a drunk doctor to give someone an abortion. There's a lot of food stuff where I'll throw food at people. Being a villain is fun because there are a lot of different layers to them. They're not just mean-spirited — there's always a reason. I like adding precursor stories about what hurt me, like having an unrequited crush on my enemies, or that my parents didn't love me. The mannerisms and physical comedy are like the fun little frosting on top. @reelshortapp The moment you've been waiting for... 🥁🔥 👑 The crown for Best Villain goes to @sarahmoshow😈 🖤 We loved every second of her wickedness🫦 ✨What was your favorite savage moment? Drop it below ⬇️ #reelshort #bestvillan #reelshortawards ♬ original sound - ReelShort - ReelShort But there are so many times when I feel bad — especially if it's with a greener actor or someone I'm not already friends with — because I'm an emotional person and it's hard for me to be mean to people. I've also gotten hate online for years, especially when I was on YouTube, but nowadays, most people understand that these are soap operas, and I've gotten better about not paying attention to it. Sometimes, I also feel like I have to overcompensate and be everyone's best friend on set. Sometimes I feel drained because there's already so much prep and memorization — we do 17 to 18 pages a day — and then you also want to be really cool and likeable. That can be exhausting — trying to prove that you aren't a villain. When I get home, I need to rot on the couch. I have absolutely no energy to socialize. Pushing for more powerful lead roles for women Being an aspiring actor in New York, you have to have a subway rat mentality. You have to make money to eat. It's a kind of grit and determination unique to the city. I've had other jobs in addition to acting, including as a red carpet host, standup comic, and personal assistant to celebrities. When I let go of achieving superstardom and comparative thinking and embraced the goal of simply making enough money to exist — and having fun while doing it — that's when I fell into verticals, and it changed everything for me. I shot my first vertical two years ago after submitting a self-tape online and booking the role of an 18-year-old bully in " Ms. Swan, Teach Me Love." I wasn't familiar with mini-dramas at the time, but after seeing new casting opportunities continue to be posted and others achieving success, I decided I wanted to try to become a staple in the space. Every actor's biggest dream is consistency. Even today, I'm astonished by the view counts. Even the ones that aren't doing as well are still getting 20 million views. And the fans are so invested. Today, myself and others are pushing for stronger female lead roles. I just wrapped my first lead, the best vertical script I've ever read. It's about a twin avenging her sister's murder. I'd describe the character as a mix of Angelina Jolie in "Tomb Raider" and Rosamund Pike in "Gone Girl." She's really fun and complex. In the future, I would love to help the vertical industry continue to grow. In addition to acting, I work in casting for ReelShort and also created a podcast. I like witnessing how this space is changing so many people's lives.
Yahoo
an hour ago
- Yahoo
'Tron: Ares' brings the Grid, light cycles and Nine Inch Nails soundtrack, to Comic-Con
SAN DIEGO (AP) — The Grid took over Comic-Con on Friday, bringing the stars of the new 'Tron: Ares' films to unveil footage and reveal the story behind the franchise's third movie. The film stars Jared Leto, Jeff Bridges, Greta Lee and Jodie Turner-Smith as the story brings the virtual environment of the Grid, complete with light cylces, into the real world. Disney showed off several minutes of footage, including a light cycle chase scene in the real world and another in the red-hued Grid. Propelling the onscreen action is a propulsive Nine Inch Nails soundtrack. 'It's fun to see it on the big screen for the first time,' said director Joachim Rønning. Disney turned the Hall H panel into a spectacle, with red lasers filling the room and characters in suits with red lights entering the massive hall. Asked what excited her about joining the 'Tron' franchise, Lee responded: 'I just wanted to ride a light cycle.' Leto spoke affectionately about the original saying: 'This movie just grabbed a hold of me and took me to a place that I'd never been before. It kind of rattled my imagination and it kind of showed me what was possible in the world.' He praised Bridges and Steven Lisberger, who created 'Tron' and directed the 1982 original. Lisberger attended Friday's panel and laid out his case for why the franchise remains relevant. 'My feeling about 'Tron' is that the most important thing is we kick this technology around artistically before it kicks us around,' Lisberger said. 'I am weary about hearing all the grim news about the future,' he said, and the way he thinks it can be avoided is to 'inspire young people what can be done with this technology.' Friday's panel ended with the premiere of the music video for "As Alive as You Need Me to Be," the first Nine Inch Nails song from the soundtrack. 'Tron' has never been in the top tier of sci-fi franchises. The original 1982 film starring Bridges as Kevin Flynn, a man sucked into a computer vortex known as the Grid, was admired for its ground-breaking concept and effects, and was a modest hit with moderately good reviews. Perhaps more importantly, it won a cult following and has been maintained enough in cultural memory to remain a valuable property for Disney. The 2010 film 'Tron: Legacy,' starring Bridges and Garrett Hedlund, made more than $400 million globally. A TV show that followed, 'Tron: Uprising,' lasted just one season. Rønning has helmed other Disney franchise films: 2017's 'Pirates of the Caribbean: Dead Men Tell No Tales' and 2019's 'Maleficent: Mistress of Evil.' The Norweigan director said he was interested because he dreamed about making a sci-fi film and enjoyed the twist of 'Ares' bringing the Grid into the real world. Leto and Bridges are both Oscar winners, and Rønning is an Oscar nominee. ___ AP Entertainment Writer Andrew Dalton contributed to this report. Solve the daily Crossword
Yahoo
2 hours ago
- Yahoo
Comic-Con Sneak Peek Teases Jamie Fraser's Fate in Final Season of 'Outlander'
Comic-Con Sneak Peek Teases Jamie Fraser's Fate in Final Season of 'Outlander' originally appeared on Parade. The stars of Outlander were at Comic Con San Diego on Friday, July 25, and they were ready to open up about filming the final season of the popular series based on the books written by Diana Gabaldon. Outlander stars Sam Heughan (Jamie Fraser), Sophie Skelton (Brianna Fraser), Richard Rankin (Roger MacKenzie), and executive producers Maril Davis and Matthew B. Roberts all sat on the series panel on Friday morning to dish about what viewers can expect in the new season. Caitríona Balfe (Claire Fraser) was unable to make it due to work on another project, but did send in a video message wishing attendees well and expressing her regret that she couldn't attend in person. Heughan did open up about what it was like filming the final season, which has already wrapped filming. He shared, "It was a very, very hard season to shoot. I think there were so many emotions going around. And I think day to day, you'd be like, 'Oh, this is just another day at work. We've been doing doing this 11 years.' But then other days, you'd be like, 'This is the last time I'm gonna work with this person or put on this costume or whatever.' So it made the last season very charged, I think, and a lot of scenes are very charged, but that all adds to this very dramatic storyline anyway. So it's more Outlander, just a mega XL version." The show-runners also shared a video at Comic Con that consisted of a compilation of the first seven seasons, with a never-before-seen sneak peek at the eighth and final season: In the clip, Jamie can be seen reading a book that was written by Claire's first husband Frank (an historian in the future). She asks Jaime, "What does it say?" He ominously replies, "War is coming to the back country ... and that James Fraser dies in it." 🎬SIGN UP for Parade's Daily newsletter to get the latest pop culture news & celebrity interviews delivered right to your inbox🎬 Fans aren't too concerned yet though — Jamie has already "died" at least twice, and been near death too many times to count. Regardless, our time with Jamie, Claire, and all the inhabitants of Fraser Ridge are coming to a close in early 2026. As sad as we are that the series is drawing to a close, we can't wait to see what happens. Comic-Con Sneak Peek Teases Jamie Fraser's Fate in Final Season of 'Outlander' first appeared on Parade on Jul 25, 2025 This story was originally reported by Parade on Jul 25, 2025, where it first appeared. Solve the daily Crossword