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250 years after her birth, Jane Austen's spirit lives on in India

250 years after her birth, Jane Austen's spirit lives on in India

Mint14-06-2025
Bored of reading about sewing, pianoforte sessions and perambulation, a friend and I tried rewriting Jane Austen's Pride and Prejudice and Emma to fit into our high school-setting in Chennai about three decades ago. 'Fan fiction' wasn't a term we knew, Clueless was a hit but hadn't yet reached our corner of the world, and so, in our ignorance, we felt quite bold, creative and original. We weren't really fans, but the Bennet sisters held promise, we decreed. They were more interesting and independent-minded than the four Little Women and not as preachy as Thomas Hardy's characters—also in the syllabus—but they still seemed rather old, prim and hemmed-in for 15-year-olds who borrowed adventure stories from the library and were repelled by the idea of conformity and marriage. So I was convinced there'd be little to recommend Austen to the contemporary reader in India—an opinion that was greeted by horror from the team, which wanted to mark the 250th anniversary of her birth. And I'm really glad to have been proved wrong, as the stories we've done in the past week bear out. Somak Ghoshal reports that for discerning young women, Jane Austen represents freedom of expression and pursuing one's own goals despite the circumstances. Udita Jhunjhunwala finds that Indian cinema thrives on Austen's universal themes—of family and misunderstanding, tradition and independence, duty and love. And author Mahesh Rao discovered the spirit of Jane Austen alive in Delhi, instead of her hometown in the UK where she's reduced to quotes on cushion covers. We also have a Clueless moment in our Style section, when Pooja Singh decides to make AI her stylist for five days with less than exciting results.
For more weekend activities, pick from our lists of what to watch, read, eat, and do. As for me, I'm going to finish Persuasion, which I bought when we started talking about Austen's 250th birth anniversary—and this time I am able to see its charm (and if you are invested in the fate of that early fanfic effort—it hasn't survived the years though the friendship remains much like one Austen might have written).
There's plenty to read in the print issue of Mint Lounge dated 14 June 2025.
In the 1970s and 80s, restaurants in Maharashtra had to segregate alcohol-serving areas and patrons needed a permit to drink here. These permit rooms are now making a return—but in an urbane, gentrified avatar for younger drinkers. From Goa, Bengaluru and Mumbai to New York and London, restaurateurs are now reinventing traditional toddy shops, permit rooms and tavernas, transforming these hyperlocal bars into trendy destinations. By modernising classic drinks and dishes, they're not just celebrating regional heritage, but also making communal experiences fun and relevant to a new generation, writes Sayoni Bhaduri. Read more.
Known locally as Karlsbad/Carlsbad, Karlovy Vary (literally Charles' spring) was a European spa town for centuries before Czechia got swept behind the Iron Curtain. The picturesque town is home to over a dozen hot springs, all revered for their healing properties. Anita Rao Kashi walks around the tiny town—and takes a dip in the hot springs. Read more.
Created by Lucia Aniello, Paul W. Downs and Jen Statsky, Hacks is a show about writing, the art of the joke and the commercialization of comedy—and yet it manages to be laugh-out-loud funny. The fourth season of 'Hacks' is a rousing return to form, with clever cameos and a new urgency, writes Raja Sen. Read more.
Fitness and integrated health expert Luke Coutinho thinks 10-minute deliveries are great for many things—toothpaste, masalas, even tissues and veggies. But he's also concerned that the promotion of junk food through quick commerce is messing with people's health. He tells Mahalakshmi Prabhakaran that well-intended health and wellness initiatives are being launched in the country, but alongside apps and gadgets that encourage couch-potato behaviour are also gaining a following. Read more.
Kazakh cuisine traces its roots to the country's nomadic herdsmen and their practices, and is shaped by necessity and easy availability—which means the diet is mostly meat (lamb, beef, horse) and dairy products. It is simple and yet interesting food, as Joanna Lobo discovers during a two-week trip. Read more.
With summer holidays in full swing, most people are heading to the hills to unwind and escape the heat and bustle of the plains. Besides figuring out how to get there and where to stay, the other daunting task is what to wear, especially if you are going on a trek. Yes, clothes need to be practical, functional and light, but it isn't a bad idea to look stylish for those Instagram photos. Manish Mishra asked some experts for advice for practical yet stylish looks that are great on hiking and trekking trails as well as on Reels. Read more.
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‘My content is deeply rooted in my Indian middle-class upbringing,' says ‘Aiyyo' Shraddha
‘My content is deeply rooted in my Indian middle-class upbringing,' says ‘Aiyyo' Shraddha

Indian Express

time20 minutes ago

  • Indian Express

‘My content is deeply rooted in my Indian middle-class upbringing,' says ‘Aiyyo' Shraddha

Stand-up comedy is no longer just a road that offers escape from the draining realities around us for a fixed time. Nor is it just about 'having a good laugh' and moving on. Besides being a part of the large tapestry of performing arts, stand-up comedy is almost as popular and cherished as cinema in India today, albeit not comparable in terms of financial investment or returns. The popularity it received over the past few years has been galvanising. In fact, it's so in vogue at the moment that a stand-up set or special can land the comic on the trending list of ticketing platforms or prime-time news channels. Among the many artistes who have risen to fame in the past few years is Shraddha Jain, popularly known as 'Aiyyo' Shraddha. An engineer and former radio jockey (RJ) turned content creator, Shraddha is currently on a tour with her first stand-up special, So Mini Things. After covering over 45 cities across three continents, she's set to wrap up the journey with the set. And where better for her to organise the last leg than India? With closing shows scheduled in Hyderabad, Mumbai, Chennai and Bengaluru, she is totally satisfied and elated by the responses the special received everywhere she performed so far. In an exclusive conversation with SCREEN, Shraddha opens up about So Mini Things, the experience performing her first stand-up special, her transition from an RJ to a comic, her process, politics and more. Edited excerpts: You've previously said that you owe much of what you've learned about content and storytelling to your time working in radio and your years as an RJ. But let me ask you something more specific: do you remember the first time you realised that you were funny and that people genuinely enjoy listening to you? I just wanted to make my father chuckle and laugh. Before I knew it, the videos in my native Tulu language had travelled six times around the earth. So I discovered my humour when I saw people enjoying listening to me, not just politely nodding, especially when those videos started flying across WhatsApp and inboxes abroad. What was your childhood like? Has that phase of your life shaped you as a comic in any way? My content is deeply rooted in my Indian middle-class upbringing and summers in my ancestral Karkala, where I soaked in village life. I come from the largest common denominator, which is the Indian middle class, and that's how I am able to find common ground with my audience. I spent holidays in Karkala, observing locals, and those very experiences became characters like Malathi akka and Genius Janaki. A post shared by Shraddha (@aiyyoshraddha) How similar or different are your real-life parents from the parent characters you portray in your comedy videos? In my first Tulu video that went viral, my father's reaction to pasta that had no gravy resonated instantly. That was the very first video that went viral, where I made Aglio e Olio pasta with parmesan… and my father wondered why it was dry… and he settled for eating it with sambar. My dad is my first critic, and his laughter — or sometimes his silence — truly influences my comedic tone. From doing comedy skits on social media to performing in front of a live audience, how has that transition been? I attribute my writing style to my RJ days — the discipline of radio shaped my content. And on stage, the shift was big at first. At the start, my radio jockey kicked in. I would not pause enough, and I would talk very fast. It took some time, but now I have settled into the set. Now I am comfortable with hecklers, improvisation, and the live energy. A post shared by Shraddha (@aiyyoshraddha) Let's say you have a show at 6 pm one day, and you arrived in the city the previous evening and checked into your hotel. What are the hours leading up to the show usually like for you? What do you spend that time doing? I go for walks! I really enjoy exploring new places on foot. In Melbourne, Sydney and London, I watched local stand-up shows and many musicals. I have spent whole days in art museums in Cleveland and Chicago! Right before you go on stage to perform, what's the last thing you do or make sure of? ⁠I think of my parents and I say to myself, 'Every single person in the audience is my own'. And I am ready. It's often said that 'the personal is political'. Since your set comprises mini stories, anecdotes and observational humour, let me ask, are you a political person? If so, how would you describe your politics? I'm not someone who enjoys the theatre of politics — the slogans, the mudslinging, or the relentless jockeying for power. If anything, my ideal version of politics would be very little politics; minimalist, pragmatic and focused. I believe governance should be like good plumbing: quietly efficient, not constantly in your face. In a country like India — diverse, complex, and emotionally charged — politics often gets tangled up in things it has no business meddling with. For me, the real business of governance is quite straightforward: ensure quality education, sanitation and public health, public safety, and create employment opportunities. Do you think artistes — comics in particular, given the massive legacy and impact many have had on people — should have a sense of responsibility towards society, and that their art should reflect that? Yes. As an artiste, I ask myself, 'What is my motive behind this piece that I want people to see? What do I want them to feel?' This has always given me clarity and weeded out my material. What would you say is your biggest strength, and your biggest weakness? Preparation. That is my biggest strength. The time I take to prepare is my big weakness! It takes forever to believe I am ready! And finally, the worst request anyone can ever make to a comedian: tell us a joke, Aiyyo Shraddha… How can you be sure Artificial Intelligence is a South Indian? 'Cos it's Anandu Suresh is a Senior sub-editor at Indian Express Online. He specialises in Malayalam cinema, but doesn't limit himself to it and explores various aspects of the art form. He also pens a column titled Cinema Anatomy, where he delves extensively into the diverse layers and dimensions of cinema, aiming to uncover deeper meanings and foster continuous discourse. Anandu previously worked with The New Indian Express' news desk in Hyderabad, Telangana. You can follow him on Twitter @anandu_suresh_ and write (or send movie recommendations) to him at ... Read More

Oscar-Nominated Cinematographer Máté Herbai Joins Amit Rai For Dharma Starring Pankaj Tripathi
Oscar-Nominated Cinematographer Máté Herbai Joins Amit Rai For Dharma Starring Pankaj Tripathi

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Oscar-Nominated Cinematographer Máté Herbai Joins Amit Rai For Dharma Starring Pankaj Tripathi

Máté Herbai collaborates with OMG 2 director Amit Rai for Dharma starring Pankaj Tripathi. The film explores morality and nature through visual poetry. Celebrated Hungarian cinematographer Máté Herbai, known globally for his hauntingly lyrical work on the Oscar-nominated and Berlinale Golden Bear-winning On Body and Soul, has collaborated with Indian filmmaker Amit Rai for Dharma, an emotionally charged drama that recently wrapped shooting in Bihar. Headlined by the ever-versatile Pankaj Tripathi, the film marks Rai's directorial return after the massive critical and commercial success of OMG 2 in 2023. An original tale rooted in environmental consciousness and moral inquiry, Dharma brings together an eclectic ensemble cast including Pawan Malhotra, Geeta Agrawal, Rajesh Kumar, and several actors from the Bhojpuri film industry. But what truly elevates the cinematic promise of Dharma is the visual craftsmanship of Máté Herbai, whose work is renowned for its sensitivity, poetic realism, and atmospheric depth. Speaking about how the collaboration came to be, Herbai shared, 'Arindra, the producer, had reached out to me with a few scripts before, but we never managed to match my schedule with the shoot. This time, there was a slight delay, but it finally worked out — and I was happy to say yes, especially because I really liked the script. And maybe most importantly, as a cinematographer, I found Amit (the director) super interesting just from our initial talks." That early instinct proved right. Herbai and Amit Rai struck a creative rapport quickly once filming began. 'Working with Amit was great — we clicked right away. He's full of creative ideas, and his directing style, the way he guides scenes and works with actors, is often actually fun. That's something I really appreciate — he doesn't take everything too seriously, which brings a good vibe to the scenes. Also, as a cinematographer, it's a huge plus when the director thinks in visuals — and Amit definitely does," he added. Having worked across a range of international productions in countries including the UK, Turkey, Japan, and the US, Herbai also praised the Indian crew for their professionalism and spirit. 'I had everything I'm used to, maybe even more. Here, the 1st AD takes on way more than usual, which really lightens the load for the DP. And our crew was fantastic — just a bunch of awesome people and top-notch pros. Couldn't have asked for better!" he said with enthusiasm. There was, however, one cultural curveball: 'Honestly, the only challenge was the spicy food — but even with that, the production really tried to help me out," Herbai quipped. As anticipation builds for Dharma, which promises to be as thought-provoking as it is visually rich, a release date is expected to be announced soon. With Amit Rai's storytelling prowess, Pankaj Tripathi's gravitas, and Máté Herbai's lens weaving visual poetry, Dharma is poised to be one of the most compelling Indian films of the year. First Published: July 25, 2025, 19:13 IST Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.

Vasu Raina Makes His Warner Music India Debut with 'Farebi', A Bold Sequel To His Role In Maharani
Vasu Raina Makes His Warner Music India Debut with 'Farebi', A Bold Sequel To His Role In Maharani

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Vasu Raina Makes His Warner Music India Debut with 'Farebi', A Bold Sequel To His Role In Maharani

Vasu Raina debuts with 'Farebi' under Warner Music India, blending satire, heartbreak, and drama in a sequel to his viral Maharani appearance. Watch now. Actor-musician Vasu Raina steps into the spotlight with his major label debut, 'Farebi", released in collaboration with Warner Music India. Equal parts poignant and playful, the track is a tender reflection on love, deception, and the grey area where heartbreak and humour coexist. Described by Raina as a 'tongue-in-cheek meditation on love," Farebi is more than just a breakup song — it's a narrative continuation of the visual universe that began with his on-screen role in the viral track Maharani. While Raina didn't lend his voice to Maharani, his magnetic presence in the video left a lasting impression. Farebi picks up the emotional thread right where Maharani left off, this time with Raina not just acting, but also taking creative charge of the music. The music video for Farebi opens in a chaotic hospital, setting the tone with a surreal scene where a human heart is mistakenly swapped with a tiffin box full of samosas. What unfolds is a visual spiral of satire and symbolism — heartbreak framed through absurdity. With its rich cinematic palette and sharp humour, the video turns emotional wreckage into a bizarrely celebratory spectacle. 'Farebi came from a quiet, passing thought — a gentle check-in with the heart that grew into something playful, theatrical, and deeply human," says Raina. 'From the quirky idea of a samosa-filled heart to its raw, conversational lyrics, I wanted it to carry heartbreak with a wink. Working with Warner Music India allowed me to stay true to that voice, blending drama, absurdity, and honesty into something that's both personal and a little bit mad." The video also marks the return of Karun and Lambo Drive, Raina's co-stars from Maharani. Their on-screen chemistry and off-screen camaraderie lend the sequel both narrative continuity and emotional depth. Directed by Khopcha Films, the video is a testament to what's possible when a group of young, fearless creatives come together with a shared vision. With its genre-blurring aesthetic and emotionally complex storytelling, Farebi signals the arrival of a bold new voice in Indian pop — one unafraid to mix satire with sincerity, and spectacle with soul. In a musical landscape where visuals matter as much as verses, Vasu Raina's Farebi stands out not just for its sonic appeal, but for the story it dares to tell. First Published: July 25, 2025, 19:08 IST Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.

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