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6 gripping thrillers to watch as Sarzameen releases

6 gripping thrillers to watch as Sarzameen releases

India Today2 days ago
6 gripping thrillers to watch as Sarzameen releases
As Prithviraj Sukumaran, Kajol, and Ibrahim Ali Khan's Sarzameen released on JioHotstar, take a look at gripping thrillers on OTT.
Special Ops is focused on the Research and Analysis Wing (RAW) agent Himmat Singh, played by Kay Kay Menon.
Special Ops
The story is about a serial killer, Shubh Joshi, who believes in bringing about the end of Kalyug by committing sins. It stars Barun Sobti and Arshad Warsi in the lead.
Asur 2
The Indian anthology crime thriller series features a recurring character, Madhav Mishra, played by Pankaj Tripathi, who acts as a defense lawyer navigating complex criminal cases.
Criminal Justice 5
The crime thriller web series that explores the dark underbelly of India, delving into themes of crime, politics, and social inequality.
Paatal Lok
Starring Kareena Kapoor, Vijay Varma and Jaideep Ahlawat, the film is about a single mother entangled in a criminal investigation finds an unlikely ally in her neighbor, a brilliant maths teacher.
Jaane Jaan
The American action thriller stars Gabriel Basso in the title role. The series emerged as the third-most-viewed debuting series on Netflix in its first four days.
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Sarzameen: Ibrahim Ali Khan's terrible film accidentally gets you to root for a terrorist to kill an Indian soldier, and you can't even deny it
Sarzameen: Ibrahim Ali Khan's terrible film accidentally gets you to root for a terrorist to kill an Indian soldier, and you can't even deny it

Indian Express

time24 minutes ago

  • Indian Express

Sarzameen: Ibrahim Ali Khan's terrible film accidentally gets you to root for a terrorist to kill an Indian soldier, and you can't even deny it

In Sarzameen, a stern military man allows his only son to be murdered by terrorists in Kashmir because… nation comes first or something. You often hear about parents who proudly declare that they are willing to sacrifice their children for the country, and perhaps Prithviraj Sukumaran's Vijay Menon is cut from the same cloth as those folks. The only difference is that his son isn't a soldier on the front-lines, but a child for whom he feels no love. Played by Ibrahim Ali Khan, the child's name is Harman, and the only reason his father hates him is that he isn't like the other boys; he's timid, he can't play sports, and he speaks with a stutter. Bizarrely enough, Sarzameen implies that Vijay wouldn't have let his son die had he conformed to the 'norms' of boyhood. If Harman didn't have a speech impediment, the movie suggests, he'd likely have lived. It's an astounding thought that struck absolutely nobody in the Dharma writing incubator that coughed up this script, which relies almost exclusively on contrivance, convenience, and coincidence to keep the plot moving. Sarzameen expects us to root for a reunion of some kind after it reveals that Harman miraculously survived a bullet to the head — nobody dies in this movie, even after being shot at point-blank range — but unintentionally gets us to cheer for a terrorist to kill a member of the Indian Army. Also read – Nadaaniyan: Ibrahim Ali Khan makes one of the worst debuts in years; is Karan Johar determined to set fire to his career before it even begins? Only a complete failure in storytelling can send a viewer so wildly off track. Sarzameen is directed by Kayoze Irani, who showed such promise with his heartfelt short film in Ajeeb Daastaans. For him to have selected this as his feature debut makes no sense; as it is, it feels like he wasn't involved in the conceptualisation and execution of the action scenes at all. His focus, presumably, was on the drama. And it's drama straight out of a poor '90s movie; you can imagine how competent Sarzameen is when you realise that even Netflix, which gave an enthusiastic thumbs-up to Nadaaniyan, drew the line. As with that film, it feels like every line of dialogue here has been dubbed in a booth and not performed on set. Hindi isn't Prithviraj's mother tongue, and acting doesn't come naturally to Ibrahim. He shows up only after the first act, when Harman inexplicably escapes from the clutches of his captors and reappears in his parents' lives. For some reason, his mother, played by Kajol, is still married to Vijay, even after he abandoned Harman and left him to die. Had Sarzameen shown us what happened during those eight years, her decision would've made sense. But because it doesn't, you're left to assume that the only reason she stuck around is because she has a job to fulfil in the film's third act. Unlike Brody from Homeland, who was closely monitored by the CIA after he returned from captivity tried to begin his life afresh, Harman is simply allowed to go home to his parents. They barely recognise him. He no longer has a stutter, and he seems more confident than he used to be. Vijay is convinced that he's an imposter — the fact that he believes Harman would be the same person who 'died' eight years ago is bananas. Vijay knows that Harman was living with terrorists; he knows that Harman was probably tortured and brainwashed. And still, he welcomes Harman into his house without having him cleared first. Sarzameen seems to think that the dramatic conflict of these scenes rests in whether Harman is Vijay's son, and not whether he's a terrorist. The more suspicious Vijay becomes of Harman, the more you want to lean in and remind him that it's all his fault. Consequently, you root for the kid to shoot him in the face. This almost happens in the pre-interval scene, by the way. But the scene ends with a twist so wild that its sole purpose, seemingly, is to disarm you for the further insanity that Sarzameen has prepared for the climax. Let's talk about it. It is revealed that Harman was, indeed, a militant brainwashed against his father, who, it wouldn't be a stretch to assume, is the living manifestation of India. The villains didn't have to work too hard; Vijay did have him murdered, after all. The movie would've been far more complex had Harman come from a loving home, or if it had shown Harman commit a terrible crime before resurrecting himself. It's almost as if the most interesting chunk of the story — the eight years that Harman spent away from home — was deliberately edited out. Read more – Ae Watan Mere Watan: Heartbreaking, the worst film you've seen just made some strong political points Vijay, of course, has an awakening. But nothing can redeem him; he's like the dad from Udaan, but if he was also a child-killer. The real twist — and Abbas Mustan would be so proud of Kayoze — is that Kajol's character was a double agent all along. It's like they're gifting the Saiyaara generation with their own version of Gupt: The Hidden Truth. She was sent to spy on the Indian Army, but she fell for Vijay and had a child with him. Why she fell in love with a man like him isn't something that the movie feels confident enough to explain. And, having seen what sort of guy he is, it's impossible for the viewer to fill in the blanks either. Sarzameen is, after all, a movie that paints an Army officer as the villain and projects militants as morally justified in their actions. So, why can't it be appreciated like the scores of films made about America's war crimes after 9/11? Why does Sarzameen have more in common with Kajol's own Fanaa — the film's Harry Potter connections deserve a separate article — than it does with something like The Forever Prisoner, a film that understands the difference between empathising with a wrongdoer and actively cheering them on. By relying on trivial tropes, the movie does a disservice not only to its own characters, but also a very real geopolitical issue.

Why did Kajol cry at Nysa's graduation ceremony? Check Maa actress' reaction on seeing daughter on stage
Why did Kajol cry at Nysa's graduation ceremony? Check Maa actress' reaction on seeing daughter on stage

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Why did Kajol cry at Nysa's graduation ceremony? Check Maa actress' reaction on seeing daughter on stage

Kajol and Ajay Devgn's daughter Nysa Devgan recently graduated from college and a video from the graduation ceremony is now going viral. Nysa Devgan graduated from the renowned Glion Institute of Higher Education in Switzerland with a specialisation in Luxury Brand Strategy. At the July 26 convocation ceremony, the 22-year-old received her Bachelor of Business Administration degree in International Hospitality amid roaring applause. The graduation ceremony was telecasted live on YouTube. In the viral video, one can hear proud mom Kajol's cries as her daughter receives her degree. One voice can be distinctly heard among the chatter of the masses saying, 'Come on, baby!' Dressed in the traditional graduation robe and a lilac dress, Nysa confidently pulls up on stage as her mother screams in excitement. Another video shows Kajol and Ajay Devgn seated in the audience eagerly waiting for their daughter to walk up to the stage to take her degree from her teachers. As Nysa headed towards the stage with a bright smile, fans quickly recognised the voice from behind and stated, 'Congratulations Nysa!!! (In the chaos of 100s I can actually hear Kajol's 'C'mon babyyyy!!' so clearly)." Another user wrote, 'Happy graduation #Nysa Your mom is so proud of you @itsKajolD.' A third comment read, 'Proud Mom kajol Cheers Loudly For Nysa at Graduation ceremony.' A fourth user remarked, 'watching nysa and kajol wave to each other for the 87th time today… '

'Hari Hara Veera Mallu' box office collections day 5: Pawan Kalyan's film crosses Rs 75 cr; epic period drama sees weekend growth
'Hari Hara Veera Mallu' box office collections day 5: Pawan Kalyan's film crosses Rs 75 cr; epic period drama sees weekend growth

Time of India

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  • Time of India

'Hari Hara Veera Mallu' box office collections day 5: Pawan Kalyan's film crosses Rs 75 cr; epic period drama sees weekend growth

(Picture Courtesy: Facebook) Pawan Kalyan's much-anticipated epic 'Hari Hara Veera Mallu' has crossed the Rs 75 crore mark at the Indian box office within just five days of release. As reported by the Sacnilk website, with an estimated Rs 10.91 crore earned on its first Sunday. The film gained a notable upward momentum after a sharp Friday dip. From its Wednesday premiere to the weekend, the period action-drama saw fluctuations in its daily figures, yet sustained enough audience interest to build a solid five-day total of Rs 75.56 crore net. Mixed trends through opening days Reportedly, the Telugu-language historical drama opened with Rs 12.75 crore on its premiere day, before delivering a massive Rs 34.75 crore haul on Thursday, its official Day 1. However, Friday saw a sharp drop to Rs 8 crore, which was majorly due to negative reviews for the Pawan Kalyan starrer. According to the sources, Saturday brought a modest recovery with Rs 9.15 crore, and Sunday further jumped to Rs 10.91 crore in all in Telugu. This gave the makers reason to breathe easy heading into the week. Monday's collection is still pending, but all eyes are now on the weekday hold to see if the film's momentum can continue. A star-driven spectacle with a historical backdrop Set in the 17th-century Mughal Empire, 'Hari Hara Veera Mallu' stars Pawan Kalyan as the legendary warrior tasked with recovering the Koh-i-Noor diamond to liberate a city under siege. The cast features Bobby Deol, Nidhhi Agerwal, Sathyaraj, Nargis Fakhri, Nora Fatehi, and Jisshu Sengupta. Hari Hara Veera Mallu | Song - Evaradi Evaradi On the negative side, with all these high prospects, the movie has failed to impress the audiences. 'Hari Hara Veera Mallu' is getting only mixed reviews from the audieces and majority of them are complaining about the inconsistent story telling and poor VFX. Let's wait and watch whether the film's collections will maintain in the coming days.

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