
Good books: The 20 best holiday reads this summer
The Compound by Aisling Rawle (Borough Press, £16.99)
Working in a dead-end job in a near future plagued by wars and environmental catastrophe, Lily just wants an easier life. Which is why she applies to be part of a hugely popular reality show in which men and women spend months in a constantly filmed compound in the middle of an unnamed desert, competing challenges in order to get everything from basic food and furniture to luxury items. As the group forms alliances and the challenges get darker (we're told no violence is allowed until only five contestants are left, but then all bets are off apart from actual murder), Aisling Rawle paints a chillingly convincing picture of what people will do for material gain.
The Naming of the Birds by Paraic O'Donnell (W&N, £15.99)
Seven years after their first outing in The House on Vesper Sands, Inspector Cutter, his sensitive sergeant Gideon Bliss and journalist Octavia Hillingdon return in another atmospheric tale of dark deeds in late Victorian London. Rich and powerful men are being murdered in deeply mysterious circumstances – but does something bigger lie behind these deaths? O'Donnell's ability to create a convincing 19th century world is as strong as ever, and this ripping yarn doesn't disappoint.
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The Naming of the Birds by Paraic O'Donnell: Brilliantly compelling
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Cover Story by Mhairi McFarlane (HarperCollins, £9.99)
A funny, swoon-worthy love story in which the characters behave and feel like real people is the romantic comedy goal, and no one delivers it quite like Mhairi McFarlane. In Cover Story journalist Bel gets a tip-off that could lead to the biggest story of her career. She decides to do some undercover investigating – but then the paper's annoying new intern Connor nearly blows her cover. Forced to improvise, Bel pretends he's her boyfriend, and the two unwilling colleagues have to work together to get the story. A satisfying and witty romance with emotional depth.
It Should Have Been You by Andrea Mara (Bantam, £16.99)
When Susan O'Donnell accidentally sends a bitchy message about a neighbour to a local community WhatsApp group instead of her sisters, she's horrified and embarrassed. But she doesn't realise that she's set in chain a series of events that will end up in more than one death.
Andrea Mara's
new thriller is so full of carefully choreographed twists and turns that I literally gasped more than once. Just don't read it before bed if you want an early night because once you start reading, it's hard to stop.
READ MORE
The Treasures by Harriet Evans (Penguin Viking, £16.99)
Summer is the perfect time to curl up with a big family saga and they don't come much bigger or more satisfying than The Treasures, the first in what will be a trilogy by Harriet Evans. It tells the ultimately intertwining stories of Alice Jansen, who grows up by an orchard in upstate New York in the 1960s, and her contemporary Tom Raven, who moves from a remote corner of Scotland to London. Fate will bring them together in a city that's changing by the second. A compelling and richly evocative tale.
The Ghosts of Rome by Joseph O'Connor (Vintage, £15.99)
In 1944, Rome is occupied by the Nazis. But under the nose of the Gestapo's Paul Hauptmann, an escape line known as the Choir is hard at work, smuggling out refugees and Allied POWs to safety. Its members include the glamorous and aristocratic Contessa Giovanna Landini, who attracts Hauptmann's vindictive attention. Like
O'Connor's
last novel
My Father's House
, The Ghosts of Rome draws inspiration from real people and true events to create a brilliantly realised historical thriller.
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Joseph O'Connor: 'I don't know what modern Ireland is yet. I'm suspicious about the new sacred cows'
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Ordinary Saints by Niamh Ní Mhaoileoin (Manila Press, £16.99)
Jay is on a train in London when she gets a phone call from her father saying that her brother Ferdia is being considered for canonisation. It's 13 years since her devoutly religious brother died suddenly, and as far as Jay's deeply religious parents are concerned, him becoming a saint would be a wonderful thing. But Jay has long ago left a church from which, as a queer woman, she feels utterly alienated. As she's forced to confront the canonisation process, Jay also confronts her relationship to her family and her own past. Ní Mhaoileoin writes about these big issues with warmth and humour as well as sadness.
Fundamentally by Nussaibah Younis (Weidenfeld & Nicolson, £15.99)
Nadia is an academic working in criminology who has appalled her conservative Muslim mother by abandoning religion. Sara is a sarky young woman who joined Islamic State as a teenager. But when they meet in a UN-run camp in Iraq, where Nadia has been tasked with establishing a rehabilitation centre for 'Isis brides' from around the world, they gradually form a rapport that turns into a friendship. Because Nadia, despite all their ostensible differences, can see herself in this angry, sweary young woman. A funny and provocative novel.
The Last Ditch: How One GAA Championship Gave a Sportswriter Back His Life by Eamonn Sweeney (Hachette Books Ireland, £16.99)
In 2023 the sports writer Eamonn Sweeney was asked by his publisher to travel around Ireland, following the GAA championships, retracing the journey he'd taken in his 2004 book The Road to Croker. Sweeney loved the idea, but he was sure he couldn't do it. Because since that early odyssey, he'd developed a travel phobia that meant even buying a train ticket was an ordeal. As Sweeney decides to tackle his fears and write this powerful and moving book, he witnesses and celebrates a changing Ireland, and a changing GAA.
Eat The Ones You Love by Sarah Maria Griffin (Titan Books, £9.99)
Shell is at a crossroads in her life when she takes a job in a florist's shop at a crumbling north Dublin suburban mall. She's immediately drawn to her charismatic new boss Neve – but she doesn't realise that Neve's heart already belongs to a strange orchid that grows in the mall's terrarium and whose tendrils extend throughout the building, a creature known only as Baby. Gorgeously written and incredibly atmospheric, this very Irish horror story is a brilliant exploration of desire, fear and belonging.
Love In Exile by Shon Faye (Allen Lane, £20)
After a heart-rending break-up, the writer Shon Faye gradually realised that maybe her feelings of romantic failure weren't based on any fault of her own. Maybe the fault lay in how society presents love itself, and what we expect our romantic relationships to give us? In this beautifully written, thoughtful, moving and ultimately hopeful exploration of love in the 21st century, Faye draws on her own experiences as a trans woman, as well as everyone from Ovid and Engels to
bell hooks
and Lana del Ray, to draw up a new blueprint of what love can mean.
Let Me Go Mad In My Own Way by Elaine Feeney (Harvill Secker, £14.99)
Claire O'Connor is an academic who breaks up with her English partner Tom and moves home to the west of Ireland to care for her dying father. Years later, Tom shows up in the neighbourhood to work on a book, and his return not only disrupts Claire's new life but brings out memories of her past. In this superb novel,
Elaine Feeney
examines everything from intergenerational trauma and violence to tradwives with insight, wit and compassion.
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Elaine Feeney on her new novel: 'I was pushing a sort of Chekhov dinner party in the west of Ireland'
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Julie Chan is Dead by Liann Zhang (Raven, £16.99)
Julie Chan works in a supermarket. Her identical twin Chloe, who was adopted by a rich white couple after their parents died in an accident when the girls were young, is an influencer with millions of followers. The sisters have only met once since then, when Chloe used Julie in a viral stunt – but when Julie finds Chloe's lifeless body, she's genuinely horrified. And then she realises her face can unlock Chloe's phone … Julie declares herself dead, takes over Chloe's life and joins her inner circle of mega-influencers – but she'll soon discover the darkness that lies behind their perfect facades. A darkly comic satire that's as gripping as a thriller.
Long Story by Vicki Notaro (Penguin Sandycove, £14.99)
Irish movie star Tara O'Toole is devastated – and humiliated – when her famous husband leaves her for another woman. She turns to Alex Curtis, her best friend since their teenage days in a Dublin stage school, for support. But then she discovers that their old schoolmate, rock star Sean Sweeney, is publishing a memoir – and what he's written about Tara could destroy her friendship with Alex, who's never quite got over her time with Sean. There's grit as well as gloss in this entertaining read, as Notaro touches on some dark issues as well as delivering a glittering depiction of the high life.
The Frozen People by Elly Griffiths (Quercus, £22)
Introducing an immediately likable new detective to the fictional crime canon, this is a gripping murder mystery with a difference. Ali Dawson is part of a secret London police department that investigates very, very cold cases, travelling briefly back in time to find evidence. When she's asked to spend a longer than usual time in Victorian London to clear the name of a government minister's ancestor, Ali finds herself trapped in the past – while, in the 21st century, her son finds himself accused of a crime that might just be connected to the one she's investigating.
Words for my Comrades by Dean Van Nguyen (White Rabbit, £25)
When the future hip-hop legend Tupac Shakur was 10 years old, he was asked by a religious minister what he wanted to be when he grew up. His answer? 'A revolutionary.' Irish writer Dean Van Nguyen's fascinating new book tells the story of a musical icon's political life, looking at the influence of his Black Panther activist mother Afeni and showing how his life influenced his political sensibility. Insightful, readable and thoroughly well researched, this is a must-read for anyone interested in the intersection of politics and pop culture.
The Marriage Vendetta by Catherine Madden (Eriu, £13.99)
Eliza Sheridan was once an acclaimed concert pianist. But she abandoned her career to focus on her daughter Mara – and support her playwright husband Richard. When Richard gets an all-consuming job running a Dublin theatre, Eliza finds herself becoming more and more resentful. She consults a marriage counsellor – but she doesn't get the advice she expects. Inspired by the relationship between the playwright
Richard Brinsley Sheridan
and his musical wife Elizabeth Linley, this is an original and darkly funny exploration of marriage – and how to escape a bad one.
Atmosphere by Taylor Jenkins Reid (Hutchinson Heinemann, £15.99)
You don't have to be interested in the space programme to be immediately gripped by the new novel from the author of Daisy Jones and the Six, which begins with a horrific disaster aboard a space shuttle in the 1984 before jumping back four years to astronomer Joan Goodwin's first days as a Nasa recruit. The training programme is intense, but Joan forges strong bonds with some of her colleagues – especially the charismatic aeronautical engineer Vanessa Ford. Both a deeply touching love story and a heartfelt homage to human ingenuity, Atmosphere is, simply, stellar.
When the Going Was Good: An Editor's Adventures During the Last Golden Age of Magazines by Graydon Carter (Grove Press UK, £20)
Graydon Carter became editor of Vanity Fair magazine in 1992, an era in which 'the budget had no ceiling. I could send anybody anywhere for as long as I wanted'. Those days are long gone for any magazine, but they live again in this entertaining, gossipy memoir, which tells Carter's story from his Canadian student journalism days to his infamous teasing of Donald Trump at Spy magazine (
his description of Trump as a 'short-fingered vulgarian'
clearly haunts the autocratic president to this day) and eventually his reign at the ultimate celebrity-filled glossy.
City Girls Forever by Patricia Scanlan (Simon & Schuster, £14.99)
Irish commercial fiction as we know it wouldn't exist without Patricia Scanlan's groundbreaking City Girls novels, which made north Dublin suburbia feel as glamorous as any international blockbuster. In City Girls Forever, the iconic City Girl Gym and Spa is celebrating its 35th anniversary – and old friends Maggie, Devlin and Caroline are planning to celebrate in style. But fate has other plans. Full of drama and warmth, this is vintage Scanlan.
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Author Patricia Scanlan: 'I'm working on an unanticipated project of healing from breast cancer'
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The Irish Sun
10 hours ago
- The Irish Sun
Apprentice star axed from show in anti-Semitism storm is selling £29 sick notes on demand despite being suspended doctor
AN APPRENTICE star who was axed from the show after a string of complaints over anti-Semitic comments is now peddling £29 sick notes on demand. Advertisement 4 Dr Asif Munaf was also suspended from the medical register after a series of anti-Semitic and sexist social media rants Credit: Instagram 4 Dr Asif was dropped by the BBC in 2024 after the comments emerged Credit: PA 4 His now defunct University of Masculinity website also came under fire for its controversial postings and retweeting posts by Andrew Tate Credit: Instagram/@drasifofficial He now runs Dr Sick Ltd, a company that offers same-day sick notes for as little as £29. Without any face-to-face or phone consultation, his company sold sick notes enabling customers five months off work for Covid, six weeks for anxiety over a sick pet, and four weeks of home working to enable them to go on holiday abroad. All requests were granted within a few hours, according to The axed Apprentice star, 37, told the newspaper: "I don't issue the medical notes – I run the business. Advertisement Read more "Dr Sick Ltd is an ICO-registered, UK-based digital service with a team of five fully GMC-registered UK doctors who issue fit notes in accordance with HIPAA-aligned guidelines." Because he has been suspended by the GMC, he is not allowed to practise medicine or present himself as a medical doctor. In 2024, NHS doctor turned wellness business owner and aspiring online 'guru' from the Apprentice after receiving complaints about his conduct from the Board of Deputies of British Jews. The Sun previously revealed how the Sheffield-born doctor and accusations of misogyny before the series kicked off. Advertisement Most read in The Sun Breaking Complaints had been sent to the BBC, including directly to Director General Tim Davie as well as its chairman, Samir Shah, over a social media post. Dr Asif made reference to a "godless, satanic cult [of Zionists]" before asking his followers: "Have you ever met even a semi-average looking Zionist? Aren't they all odiously ogre-like?" The BBC are understood to have discovered his His now defunct University of Masculinity website also came under fire for its controversial postings and retweeting posts by Advertisement In one While a video on his Instagram account is said to have been titled "Don't Trust What Women Say." It emerged a week after he was Advertisement He said in a video: 'A lot of brothers have got sick of feminism in the West generally. "Being in the corporate world as a woman all of your life, you are going to rub shoulders with a lot of men. "That is osmosis — you are going to absorb a lot of masculine ideals in terms of competitiveness, being blunt — it is a real problem in the UK." Responding - before the series began - to concerns about Asif's postings, a spokesperson on behalf of The Apprentice said: 'After filming had taken place, we were made aware of concerns over social media posts that Asif had made after he had left the process. As soon as we were alerted, we took immediate action and spoke to Asif in detail on this. Advertisement 'Asif took part in specialised training to understand why his posts may cause offence. We are committed to providing an inclusive environment on and off screen.' Dr Asif said at the time: 'I apologise for any offence caused by my online content/social media. "It was not my intention to offend anyone, and I am of course open to all views. The beliefs I hold and have shared are based on the values that I was brought up with.' 4 Dr Asif Munaf, Paul Bowen and Phil Turner on the Apprentice Credit: PA Advertisement


Irish Times
17 hours ago
- Irish Times
Glastonbury Festival says chants about Israel Defense Forces by Bob Vylan ‘crossed the line'
Glastonbury Festival has said chants about the Israel Defense Forces (IDF) from punk duo Bob Vylan have 'crossed the line', with footage from their set to be assessed by English police. Bobby Vylan led crowds on the festival's West Holts Stage in chants of 'Death, death to the IDF' on Saturday. A member of Belfast rap trio Kneecap later suggested that fans should 'start a riot' at his bandmate's upcoming court appearance . In a joint Instagram post, Glastonbury Festival and Emily Eavis, daughter of the festival's founder Michael, said: 'As a festival, we stand against all forms of war and terrorism. READ MORE 'We will always believe in – and actively campaign for – hope, unity, peace and love. 'With almost 4,000 performances at Glastonbury 2025, there will inevitably be artists and speakers appearing on our stages whose views we do not share, and a performer's presence here should never be seen as a tacit endorsement of their opinions and beliefs.' The post said Glastonbury and Ms Eavis were 'appalled' by the statements made by Bob Vylan on Saturday. Eamily Eavis, daughter of Glastonbury Festival founder Michael Eavis. Photograph: Oli Scarff/AFP via Getty Images 'Their chants very much crossed a line and we are urgently reminding everyone involved in the production of the Festival that there is no place at Glastonbury for anti-Semitism, hate speech or incitement to violence.' UK health secretary Wes Streeting said chants of 'death' to the IDF at Glastonbury were 'appalling' and that the BBC and festival have 'questions to answer'. 'I thought it's appalling, to be honest, and I think the BBC and Glastonbury have got questions to answer about how we saw such a spectacle on our screens,' Mr Streeting told Sky News. He said what people should be talking about in the context of Israel and Gaza is the humanitarian catastrophe and the fact that Israeli settlers attacked a Christian village this week. Asked if the BBC should have cut the live feed, he said the broadcaster has questions to answer. He said he did not know what the editorial and operational 'challenges' involved were. Palestinian flags on display as crowds watch Kneecap performing on the West Holts Stage during the Glastonbury Festival on Saturday. Photograph: Ben Birchall/PA Wire Avon and Somerset Police said video footage would be assessed by officers 'to determine whether any offences may have been committed that would require a criminal investigation'. On social media, the Israeli Embassy in Britain said it was 'deeply disturbed by the inflammatory and hateful rhetoric expressed on stage at the Glastonbury Festival'. Conservative leader Kemi Badenoch called the scenes 'grotesque', writing on X: 'Glorifying violence against Jews isn't edgy. The West is playing with fire if we allow this sort of behaviour to go unchecked.' A BBC spokesperson saod: 'Some of the comments made during Bob Vylan's set were deeply offensive. 'During this live stream on iPlayer, which reflected what was happening on stage, a warning was issued on screen about the very strong and discriminatory language. We have no plans to make the performance available on demand.' Culture Secretary Lisa Nandy has spoken to the BBC director general about Bob Vylan's performance, a UK government spokesperson said. Kneecap have been in the headlines after member Liam Óg Ó hAnnaidh, who performs under the name Mo Chara, was charged with a terror offence. Kneecap performing on the West Holts Stage during the Glastonbury Festival at Worthy Farm in Somerset on Saturday. Photograph: Yui Mok/PA Wire In reference to his bandmate's forthcoming court date, Naoise Ó Cairealláin, who performs under the name Móglaí Bap, said they would 'start a riot outside the courts', before clarifying: 'No riots just love and support, and support for Palestine'. In the run-up to the festival at Worthy Farm in Somerset, several politicians called for Kneecap to be removed from the line-up and prime minister Keir Starmer said their performance would not be 'appropriate'. During the performance, Ó Cairealláin said: 'The prime minister of your country, not mine, said he didn't want us to play, so f*** Keir Starmer.' He also said a 'big thank you to the Eavis family' and said 'they stood strong' amid calls for the organisers to drop them from the line-up. – PA


Irish Times
a day ago
- Irish Times
The days of families huddling around the Late Late Show or Glenroe are gone - and that's no bad thing
By the end of the latest season of Doctor Who , it was clear the BBC 's once high-flying franchise was on life support. Ratings had collapsed. Lead actor Ncuti Gatwa was keen to move on to Hollywood. Whatever the television equivalent of urgent medical attention is, the Doctor needed lots of it. The real surprise, though, was that the decline of the Doctor went largely unnoticed. There had been widespread speculation among hard-core Whovians that the BBC and its international partners in the franchise, Disney +, were considering pulling the plug on the Tardis (the eventual twist was far more shocking, with former Doctor's assistant Billie Piper revealed is to be the new custodian of the venerable blue police call box). What was most telling, however, was that, amid all the online chatter, nobody in the real world much cared. The entire saga of the Doctor's rumoured demise and the character's bombshell resurrection in the guise of the former Because We Want To chart-topper passed without comment – in contrast to the widespread anguish that had attended the cancelling of the series for the first time in 1989. Billie Piper in the final episode of Doctor Who. Photograph: James Pardon/Bad Wolf/BBC Studios Such has been the pattern in recent decades – and not just in the context of time-travelling British eccentrics. Contrast the present-day television landscape with that distant time when The Late Late Show on RTÉ ranked as unmissable viewing. Or what about Montrose's perpetually okay-ish soap opera Fair City, which once held the entire nation in its thrall - including when it aired Ireland's first on-screen kiss between two men in 1996. Or in November 2001, when 800,000 viewers tuned in to the soap to see abusive sociopath Billy Meehan beaten to death by the son of his partner, Carol. People were talking about it at the bus stop and in the pub (back when the pub was a place we frequented in numbers). Even if you wanted to, you couldn't get away from bad Billy and his bloody exit. READ MORE Those days are clearly long over. According to RTÉ, some 280,000 people watch Fair City each week (with more tuning in on RTÉ Player). But when last did you hear someone discuss a Fair City plotline – or even acknowledge its existence? It's still out there, and fans still enjoy it, but to the rest of us, it's gone with Billy in the grave. The fracturing of television audiences has long been a source of dismay to those who care about such matters. In 2019, Time Magazine fretted that the end of Game of Thrones would be 'the last water cooler TV show'. That same year, author Simon Reynolds despaired of the great geyser of streaming TV and how it had deprived us of unifying cultural milestones. With so much entertainment jetting into our eyeballs, how is it possible for any of us to hold dear any particular film or show? 'There is,' he wrote in the Guardian, 'always something new to watch… an endless, relentless wave of pleasures lined up in the infinite Netflix queue.' More recently, Stephen Bush wrote in the Financial Times that 'everywhere in the rich world, the era of truly 'popular culture' is over'. This, he posited, 'is bad news for modern states, which are held together to some extent by the sense that we are all part of a collective endeavour ... the decline of shared viewing is eroding shared cultural reference points'. The death of monoculture is generally presented as a negative. Weren't we all better off in the old days, when Biddy and Miley's first kiss in Glenroe held the nation transfixed, and the big reveal as to who shot JR was a global news event that pushed trivialities such as the Cold War off the front pages? But is that such a loss? It's easy to look back with nostalgia, but the age of the monoculture was the era of having everyone else's tastes forced on you. Consider the great cultural tragedy that was Britpop, where lumbering, flag-waving Beatles cover acts became the dominant force in music. Liam Gallagher (left) and Noel Gallagher of Oasis. Photograph: Simon Emmett/Fear PR/PA Those bands never really went away, and some of them are back in force this summer – asking you to pay an arm-and-a-leg for the privilege of a ringside seat (or, indeed, a seat miles away). The difference is that today, you have the option of not participating. Instead of going to Oasis in Croke Park, I'll be in London watching the K-pop band Blackpink. Thanks to streaming and the general fracturing of popular culture, I can, moreover, essentially put my fingers in my ears and pretend Oasis doesn't exist. Thirty years ago, that option was not available. They were everywhere – in the summer of 1996, it felt as if Wonderwall was stalking us. But because mass entertainment has splintered, you no longer have to feel as if you are being followed around by Liam Gallagher every time you leave the house. It is also important to remember that the monoculture is still occasionally capable of making its presence felt. Let's go back to The Late Late Show, which, according to the latest statistics, is watched by about 400,000 people. That may be a long way off the annual Toy Show spectacular, which in 2024 drew 1.6 million viewers, but it remains a national talking point – every bit as much as Billy Meehan getting his just deserts. Adolescence. (L to R) Stephen Graham as Eddie Miller, Owen Cooper as Jamie Miller, in Adolescence. Photograph: Netflix © 2024 The same effect can be seen in streaming. Granted, the extraordinary response to the Stephen Graham drama Adolescence , which streamed on Netflix earlier this year, was in some ways a product of a moral panic more than an epoch-defining cultural moment. But while the show had some astute points about misogyny in our schools, its depiction of what it's like to be a 13-year-old boy was painfully wide of the mark. Still, it did capture the public imagination. And maybe there will be a similar response to series three of Squid Game, which was released on Netflix this weekend. So it isn't as if we aren't capable of bonding over our favourite TV shows any more. It's just that such instances are far rarer than they used to be. But is that a bad thing? Nowadays, we are free to follow our own interests, rather than having someone else's forced on us. And when we do come together, that moment of shared excitement feels all the more precious. The water cooler is dead; long live the water cooler.