
Netflix, Prime Video, Apple TV+, Paramount+: 10 of the best new shows to stream in July
From Thursday, July 3rd, Netflix
Tom Sturridge returns as Dream in the second and final series of the mind-melting fantasy based on the classic comic books by
Neil Gaiman
. Dream is looking to the future of his kingdom, but there is still some unfinished supernatural business to take care of. He is going to have to pay a visit to hell to conduct a daring rescue. New cast members include Ruairi O'Connor as Orpheus, the only child of Dream and the muse Calliope; Freddy Fox as Loki, the charming god of chaos; and Laurence O'Fuarain as the rude and randy Thor.
All the Sharks
From Friday, July 4th, Netflix
In this aquatic challenge, four teams of marine explorers compete in a global race to find and photograph as many species of sharks as humanly possible. They'll be diving into the waters of the Caribbean and plunging into the depths of the Pacific on a hunt for toothy predators to add to their photo albums and, with luck, spark better understanding of these much-maligned animals. Whoever can snap the most species will win $50,000 for the marine charity of their choice.
Ballard
From Wednesday, July 9th, Prime Video
Renée Ballard is a hardworking, hard-hitting homicide cop in the LAPD, but she's a bit too hard-assed for the higher-ups in the force, so when a bust goes pear-shaped she's banished to the cold-case division, that desolate place reserved for cops who don't play by the rulebook. Maggie Q stars in this new series based on the crime novels by Michael Connelly, part of the author's Bosch universe – and yes, retired detective Harry Bosch (Titus Welliver) is on hand to give Ballard advice, guidance and the odd reality check.
Foundation
From Friday, July 11th, Apple TV+
You don't have to be a mathematical genius to save the galaxy, but, in this epic sci-fi series based on the books by Isaac Asimov, doing your sums definitely helps. Foundation tells the story of Hari Seldon (Jared Harris), who has developed the science of psychohistory, which allows him to create an algorithm that predicts the fall of the galactic empire. This is not good news for the emperor Cleon (Lee Pace). Seldon sets up the Foundation on the remote planet of Terminus, with the aim of preserving humanity's collective knowledge and wisdom in order to rebuild civilisation following the inevitable collapse of the empire. Series three features a new threat to the galaxy in the form of the Mule, a charismatic but merciless warlord. As the empire is now in an unstoppable decline, it looks as though it won't be able to resist the military and mental might of the Mule, but the Foundation is growing ever stronger: could it join forces with its historic foe to repel this new threat to the galactic order?
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Dexter: Resurrection
From Friday, July 11th, Paramount+
We've missed our favourite vigilante serial killer ever since he made what appeared to be his bloody bow in 2021. The last we saw of Dexter Morgan, he had apparently been shot dead by his son, Harrison (Jack Abbott), in the final episode of Dexter: New Blood. But Michael C Hall is back as the homicidal antihero in a brand new series, joined by big-name costars that include Uma Thurman and Peter Dinklage. Dexter's latest adventures take him to New York, where he must hide in plain sight, and where he encounters a sort of secret serial-killer society.
The Wild Ones
from Friday, July 11th, Apple TV+
How's this for an environmental challenge: travelling around the world to track down six endangered species and save them from extinction. Piece of cake. In this adventure-doc series, three wildlife experts are tasked with finding and filming these elusive animals and coming up with ways to help them thrive in an increasingly hostile world. Former Royal Marines commando Aldo Kane, wildlife camera-trap expert Declan Burley and conservationist and wildlife cinematographer Vianet Djenguet will be bringing some sophisticated equipment to Malaysia, Mongolia, Canada, Indonesia, Armenia and Gabon to capture rare and intimate footage of the Malaysian tiger, Gobi bear, Caucasian leopard, Javan rhino, North Atlantic right whale and western lowland gorilla.
The Summer I Turned Pretty
From Wednesday, July 16th, Prime Video
Get the sunblock, swimsuit and tissues ready for one last visit to Cousins Beach. Lola Tung returns as Isabel 'Belly' Conklin, a teenager who just can't seem to make up her mind. She's locked in a puppy-love triangle with brothers Conrad and Jeremiah Fisher, but now it looks as if she's decided that Conrad is her past and Jeremiah her future. As the third and final series of the romantic teen drama begins, Belly has finished her junior year in college and is looking forward to an idyllic summer with Jeremiah. The stakes are raised when he proposes marriage, sending their moms into a bit of a tailspin. And when Conrad unexpectedly comes back on the scene, all bets are off.
Untamed
From Thursday, July 17th, Netflix
Kyle Turner is a special agent for the National Park Service, and his beat is the vast and untamed wilderness of Yosemite National Park, in California, one of the most popular tourist attractions in the US. The thousands of visitors who come here every week see only 'maybe 10 per cent of the park', Turner tells rookie park ranger Naya Vasquez, adding ominously: 'Things happen different out here.' When someone is murdered in the park, Turner and Vasquez – who knows about policing in the city – must pool their disparate talents to track down a killer whose knowledge of this wilderness seems almost as good as Turner's. Eric Bana is the gimlet-eyed Turner, with Lily Santiago as Vasquez and Sam Neill as chief park ranger Paul Souter.
Leanne
From Thursday, July 31st, Netflix
There's a grand tradition of sitcoms named after their stars – Roseanne, Seinfeld, Ellen, Miranda, Newhart – and here's another one, this time starring the Tennesseean comedian Leanne Morgan as the kooky matriarch of a modern southern family. After 33 years of marriage, Leanne has been dumped by her husband for another woman, and now she must start all over again as a single, menopausal grandmother. 'When I started comedy 25 years ago, my goal was to be a part of a sitcom,' says Morgan. 'It just goes to show you it's never too late, and dreams do come true. I'm a grandmama from Tennessee, and now I have a TV show with Chuck Lorre and Netflix. What in the world?'
The Assassin
Date to be announced, Prime Video
Keeley Hawes and Freddie Highmore head the cast of this thriller series created by the crime-writing duo of Harry and Jack Williams. Hawes plays retired assassin Julie, who is living quietly on an idyllic Greek island, and hoping to put her life as a hitwoman behind her. But her solitude is interrupted by the arrival of her estranged son, Edward (Highmore), who is looking for answers about who his father is. Julie will have to consider coming out of retirement as some unwelcome faces from her past show up on the island, forcing her and Edward to flee for their lives. In this globetrotting thriller series, Hawes and Highmore are joined by a superb supporting cast including Gina Gershon, Shalom Brune-Franklin, Jack Davenport and Richard Dormer.
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Irish Times
32 minutes ago
- Irish Times
Best graphic novels of 2025 so far: ‘One of the most affecting reading experiences I've had for many years'
Checked Out by Katie Fricas (Drawn & Quarterly) is a love letter to books and bookishness, wrapped in a memoir of part-time work, queer love and the suffocating perils of writer's block. Louise is an army brat who's moved to New York to spread her wings, and finds herself working in the city's oldest private library, where she stacks shelves, plans dates and attempts to surreptitiously research a long-gestating graphic novel project about the heroism of pigeons in the first World War. Fricas's art is frenetic, matching the scuzzy, chaotic contours of early adulthood, and the bursting enthusiasm of those drawn to big-city life. Her text, too, is scratchy and blunt, as if drawn at speed, so as to better capture the natural speech of everyone around her. This is dialogue with the ring of truth, filled with nuggets of casual wit, keenly observed character moments and a pitch-perfect sense for dry non-sequiturs. Checked Out by Katie Fricas Checked Out has too many laugh-out-loud moments to count. Arriving for a date, Louise is aghast to find her partner for the evening is wearing a floppy, oversized homburg on her head. 'I think it was my dad who told me,' she tells us, deadpan, 'it's hard to get close to people in big hats.' In a book entirely stuffed with them, these are truly words to live by. Raised by Ghosts by Briana Loewinsohn (Fantagraphics) is a sweetly melancholy coming-of-age memoir, of a slightly more subdued hue, telling the story of Loewinsohn's early 1990s teenage angst. Formed from exquisitely crafted vignettes from her life as a latchkey kid – TV dinners, empty house, shifting friend groups, absent parents – it's complemented with teenage diary entries and transcriptions of the actual notes passed between Loewinsohn and her classmates in high school, largely kids falling between the cracks of adults who barely notice them. They agonise over mixtapes and fret over the spurned feelings and fallings-out that populate any ascent toward teenagerdom. READ MORE We are, in a sense, passengers in the drift of Briana's hormonal fog, but there is much sweetness to be found. The absence of her parents from the text is literal, both in the sense that Briana goes through much of her life without seeing them, and that we as the reader are never shown their faces when they do occasionally appear. Raised By Ghosts by Briana Loewinsohn These parental shortcomings are, however, small enough matters, and Loewinsohn's genius is for depicting quotidian dramas that never quite rise to the point of crises. This is not a plot-heavy book, nor one that comes off as cloyingly sombre or self-pitying. It's a marvel of tiny observations, of the diffidence and dislocation of youth, and the life-giving power of art and friendship. I came to No Time Like The Present by Paul Rainey (Drawn & Quarterly) as a devotee. Rainey's previous book, Why Don't You Love Me?, was my pick of the year for 2023 and, as any one of the dozens of people to whom I raved about it will attest, left a mark on me for some time afterward. His follow-up, then, had a lot to live up to, and with a respect for your time that its author would likely approve of, I'm happy to say: it has done. [ From the archive: Adventures in parenting, sun-worshipping and strange gifts Opens in new window ] No Time Like The Present begins in a near-future Milton Keynes, albeit in a universe where a great shift has taken place. Though the exact mechanics are not laboriously described, people of this present have been granted access to the future, via a series of 'junctions' through which time travellers from the future have recently begun to pass. No Time Like The Present by Paul Rainey For almost all ordinary people, actually traversing these junctions is prohibitively expensive, but those with a little know-how can access a future-enabled web portal called the 'Ultranet'. Through this, they can gain details of events yet to come or, in the case of our nerdy protagonists Cliff and Barry, settle for access to as-yet-unreleased Star Wars and Doctor Who properties. Saying much more about what follows would undermine the premise but, as with Why Don't You Love Me?, the genius of No Time Like The Present lies in its construction. A time-travel epic that barely leaves the bedsits, comic shops and community centres of Milton Keynes for its first 200 pages, and centres its drama entirely on the heartbreaking, heart-warming interpersonal relationships of people watching their lives slip away in entirely grounded, entirely familiar, ways. This is mind-bending sci-fi married to the tiny mundanities of modern life. Smart, funny, sad and sharp as a tack. Rainey had a seriously hard act to follow before he wrote this book. I'm delighted to say he now has two. Muybridge by Guy Delisle (Drawn & Quarterly) is a biography of rambling British inventor and entrepreneur, Eadweard Muybridge, from his start as a failed bookseller in 1850s New York to travels in the wild west, and his eventual place at the head of European art and science some decades later; a rise centred on the quest that would define his life's work: to prove, once and for all, whether all four of a horse's hooves leave the ground mid-gallop. Muybridge by Guy Delisle Delisle gets us to that point by charting, with his trademark lightness of touch, the course of one irascible man's eventful life, at a time when photography, the telegram and electricity were still brand new, and film, recorded audio and, indeed, the American west, were still being born. The many nesting connections between Muybridge's work and all these other developments are wonderfully explored, and there is scarcely a page without a scintillating factoid. In one throwaway panel, Delisle mentions that photography predates the invention of paint tubes by several decades, forcing us to reckon with the fact that Muybridge, with his bulky, expensive and temperamental equipment, was capturing his subjects with greater freedom than painters of the time. [ 'Narratively ingenious with gorgeously toothsome art and character design': The best graphic novels of 2024 Opens in new window ] Along the way, there's also deceit, death and murder, and we discover our cantankerous protagonist's work hold the seeds of everything from modern photography and film to animation techniques still used to this day. But Muybridge is, at its heart, a rip-roaring study of obsession, a triumph of biography set amid one of the most fascinating eras of scientific and artistic history. Few reads this year have given me more contemplative satisfaction than The Compleat Angler, adapted by Gareth Brookes (Self-Made Hero), a beautifully toothsome rendering of Izaak Walton's seminal book on fishing, first published in 1653. Of course, The Compleat Angler is no more solely about fishing than Jaws is solely about a shark. The Compleat Angler, adapted by Gareth Brookes In an age when the call to reject our busy, materialistic world is so common as to be a cliche, it may sound trite to call a 17th-century fishing manual timely. But we are given no other option when we encounter these themes so explicitly in its first few pages, which see Walton railing against 'money-getting-men, men that spend all their time, first in getting, and next in anxious care to keep it: men that are condemned to be rich and then always busy or discontented: for these poor-rich-men, we anglers pity them perfectly'. Much of the book's text is filled with that same wry, rambunctious energy, providing meditative paeans to the slow joys of quiet dedication, interspersed with zen-like koans about life and its many mysteries. And, yes, the rest is instructions on how to catch, and prepare, various fish. Brookes' exquisite rendering of the text, including hundreds of illustrations combining linocut printmaking and ink on bamboo paper, comprise some of the most deeply pleasing imagery you'll find in any graphic novel this year. The fish putt in and out of their four panel borders, while ink blotches mimic raindrops and air bubbles and slowly radiating ripples on glassy river streams. The Compleat Angler is, truly, a gorgeous object. It's no exaggeration to say that, barring the publisher's details on its dust jacket, every single page of this book would sit handsomely on a gallery wall. But it's also a seductive treatise on reflection – a call, one might say, to inaction, from a slower, more contented past. It's one that may not have ever existed, of course, but we could do worse than reach for it regardless. Misery of Love by Yvan Alagbé, translated from the French by Donald Nicholson-Smith (New York Review of Books) is, occasionally, a tough read. This is true in several senses. The first being that most of the book is formed of disconnected memories playing out of order in the mind of Claire, a young woman attending her grandfather's funeral in Paris. The narrative is, thus, fragmentary. Through it several patterns emerge: ruminations on death and religion; a strained, abusive relationship with her father; and, perhaps most prominently, a passionate affair with an African man, who her family rejects on grounds of his race. Parcelled out in this way, many of this book's mysteries are not initially apparent from the bricolage of experiences, snippets of conversations, flickers of sexual encounters and replayings of personal trauma we receive. All of which swirl from page to page, greatly enhanced by Alagbé's charcoal watercolours, which give every brushstroke a spectral, haunted quality. As Misery Of Love progresses, we gain greater context for the meanings of these images, and it becomes increasingly clear that the only way, perhaps, to deliver their whole without overwhelming the reader, is to ration such memories to us piecemeal. Moreover, there is a sense that this devastating carousel of fleeting glimpses mirrors Claire's own hesitance, or refusal, to address the events, and pain, they hint toward. Eventually, Misery of Love unfurls into a story about French colonialism, doomed romance and the long-lasting impacts of familial abuse, one so adroitly conveyed that its many interconnected climaxes converge to create one of the most affecting reading experiences I've had for many years.


The Irish Sun
6 hours ago
- The Irish Sun
Julian McMahon dead at 56 after Nip/Tuck and Fantastic Four actor's ‘private battle' with cancer
JULIAN McMahon is dead at the age of 56 following a 'private battle' with cancer, his family announced in an emotional statement on the 4th of July. It was not publicly known that the actor, best known for his starring roles on Nip/Tuck, Fantastic Four, Charmed and FBI: Most Wanted, was sick prior to his death. 3 Julian McMahon attends The Warner Brothers' Premiere of The Lake House in LA in 2006 3 Julian McMahon as Christian Troy in Nip/Tuck Credit: Channel 4 On Friday, Julian's family announced that he passed away on Wednesday, July 2nd, in Clearwater, Florida, after a private cancer battle. His wife, Kelly McMahon, said in a statement: 'With an open heart, I wish to share with the world that my beloved husband, Julian McMahon, died peacefully this week after a valiant effort to overcome cancer. 'Julian loved life. He loved his family. He loved his friends. He loved his work, and he loved his fans. 'His deepest wish was to bring joy into as many lives as possible. We ask for support during this time to allow our family to grieve in privacy.' READ MORE ON CELEB DEATHS Kelly concluded in the heartfelt message she first shared with Julian's last social media post celebrated what would end up being his final film. The actor boasted about his psychological thriller, The Surfer, which co-starred Nicolas Cage and was released earlier this year. He posted a series of promos for the movie after taking a year-long break from Instagram. Most read in Celebrity Before his February posts, Julian last updated his Instagram page back in July 2024. He also recently appeared alongside Uzo Aduba in the Netflix series, The Residence. Julian starred in six episodes of the show, which premiered on March 30. The Australian actor was born in Sydney on July 27, 1968 and his father, Billy McMahon, served as Prime Minister of Australia from 1971 to 1972. Watch Nip/Tuck Here He started his career in entertainment as a model but quickly transitioned to acting when he starred in the Australian soap opera, The Power, The Passion, in 1989. More to follow... For the latest news on this story, keep checking back at The U.S. Sun, your go-to destination for the best celebrity news, sports news, real-life stories, jaw-dropping pictures, and must-see videos . Like us on Facebook at 3 Julian is spotted on the NYC set of FBI: MOST WANTED Credit: Getty


The Irish Sun
14 hours ago
- The Irish Sun
Pete Taylor insists daughter Katie will ‘shock' Amanda Serrano in MSG trilogy as he admits camp is in ‘happy place'
KATIE Taylor's dad Pete will return to his daughter's corner for the trilogy showdown with Amanda Serrano . 2 Katie Taylor and Amanda Serrano face one another for a third time at MSG 2 Pete Taylor is back training his daughter for the bout and has made a prediction for what's set to be another thriller The pair famously parted ways before the For years since, Ross Enamait has been Taylor's head coach. But ahead of what could be the final fight of her career, Pete has reunited with Katie as she looks to mix it up ahead of the They first reconnected earlier this year, with Katie sharing a video of them training together in March. read more on boxing That session was their first public session together in years. And in the build-up to the bout is the focus of a new Netflix documentary, which offers behind-the-scenes footage of Pete's role in Katie's fight camp. Katie admitted it was a bug moment for the father-daughter duo. Speaking on Netflix, she said: 'To be back training with him is huge for me. You can't mention my story without mentioning my dad. Most read in Boxing 'We know each other very well at this stage. I know what I need to work on, I know what I need to do. My motivation is still the same… as it always is. Even more so.' Pete Taylor also spoke of his joy as he added: 'This is a happy place for the two of us. We're just so comfortable here together. Katie's my child and I know her inside out. 'Irish cannot handle spice' - Watch Katie Taylor struggle in hilarious challenge with TWO Hollywood A-listers 'Even though Ross has been with her for the last 10 years, I still know Katie better than anybody else. "When you have two people that's interested in one person, the conversation is always going to be constructive. Two heads is better than one. 'No matter what, she'll always find a way of winning. No disrespect to Amanda Serrano, I don't think she has the tools to beat Katie. 'Katie's got the abilities to adapt all the time and obviously, Amanda's going to adapt as well. "You've seen the best of Amanda Serrano in both the fights in all fairness, but I still don't think you've seen the best of Katie Taylor. 'I think in this fight you're going to see the best of Katie Taylor and it is going to shock Amanda Serrano.' Taylor leads the rivalry 2-0 after controversial decision wins in 2022 and 2024. But Serrano and many others has disputed both results - setting the stage for what could be a fiery decider in what's been a legendary rivalry. The fight will be broadcast live on Netflix from New York City on Thursday, July 11.