Break The Block: Exclusive Party Bundles and Tickets for 16+
Kicking off at 7 PM, the party begins with Le Hash, Dubai's own DJ and producer, presented by Miss Lily's. Next up, DJ Mathea brings her signature mix of deep house, techno, and lounge beats, followed by WASS, who will debut his 9-track LP, Gharam Electric , blending modern Arabic sounds with sensual vocals and synth hooks.
The night's headliner is none other than Bonobo, the British electronic music maestro behind hits like Kong and Cirrus . Closing out the night are JAEL and Rosey Gold, two Soulection heavyweights known for their genre-defying beats and South African-inspired rhythms. An Immersive Visual Spectacle
The iconic Al Wasl Plaza will transform into a mesmerizing canvas of light shows and animations, syncing perfectly with the music. The world's largest interactive immersive dome will come alive with vibrant colors and dynamic patterns, creating a fully immersive experience. Add buzzing bars, delicious bites, and nonstop beats, and you've got a night that's nothing short of spectacular. Ticket Details
Tickets are now available on www.ticketmaster.ae: Ages 16-20 GA : AED 125 (dedicated zone)
: AED 125 (dedicated zone) 21+ GA : AED 195 (access to all zones)
: AED 195 (access to all zones) Group Discounts : Party of 4: AED 146.25 per person Party of 7: AED 139.25 per person
:
For an elevated experience, upgrade to the VIP Lounge with prime stage views, table service, and exclusive perks. Packages start at AED 1,000 for groups of two to eight. Seamless Travel with Careem
Make your night hassle-free with 15% off Careem rides to and from Expo City Dubai using the promo code 'EXPOCITY'. Don't Miss Out!
Break The Block 2025 is set to be Dubai's most unforgettable block party. Grab your tickets now and get ready to dance, celebrate, and break the block like never before!
When: February 1st, 7 PM – 3 AM
Where: Al Wasl Plaza, Expo City Dubai
Tickets: www.ticketmaster.ae
News Source: Katch
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
The National
3 hours ago
- The National
Yallah: Arabic word for 'let's go' is a call to action and an encouragement
In Arabic, yallah is used to move things along. It is a call to action, an expression of urgency, encouragement or even impatience. It can be translated to 'let's go', but its meaning is shaped entirely by context. You might hear it when someone wants you to hurry up, when a group is ready to leave, or when a conversation has gone on too long. It can be warm, firm, supportive or exasperated. Yallah is a fusion of two words: ya, which is a vocative particle similar to 'oh' or 'hey' in English, and Allah, the Arabic word for God. It is a contraction of ya Allah, meaning oh God. Over time, it became secularised in daily speech. Its religious weight is not as overt any more, but the word retains the energy of its plea. If you are running late and you would like a friend to hurry up, you could say: yallah taakharna. If you're waiting for them downstairs and want to hurry up and make a move: yallah, ana taht. You could even use it to wrap up a conversation: yallah, binhki baadein – or yallah, we'll talk later. To encourage someone, you could say: yallah, feek taamilha – yallah, you can do it. You could even use it to cheer your favourite sports team, simply by shouting yallah, yallah. Yallah is one of those words that has outgrown its origins, perhaps due to its flexibility. This is most evident by its prevalence in pop culture and music. Nancy Ajram, Cheb Khaled and Ragheb Alama all have songs with yallah in their title, but non-Arab singers have also adopted the word. Romanian singer Inna has a 2015 dance hit named Yalla. Iranian-Swedish singer Arash also has a song with US rapper T-Pain called Yalla.
Web Release
7 hours ago
- Web Release
Raise a Toast to International Beer Day at The Docks, Crowne Plaza Dubai Jumeirah
Cheers to beer! This International Beer Day, The Docks at Crowne Plaza Dubai Jumeirah is pouring happiness by the pint with an ice-cold offer that's too good to pass up. On Friday, 1st August, guests are invited to celebrate the joy of beer with Heineken pints for just AED 30 — all day long. Whether you're gathering with friends after work or kicking off the weekend with a laid-back vibe, The Docks sets the perfect stage. With its warm pub-style atmosphere, screens showing the latest sports action, and a hearty bar menu to pair with your pint, it's the kind of place where every sip comes with a side of good company and great energy. Heineken lovers, this one's for you — crisp, refreshing, and globally adored, your favourite lager is ready to be enjoyed at a price worth toasting. Location: The Docks, Crowne Plaza Dubai Jumeirah Date: Friday, 1st August 2025 Offer: AED 30 per pint of Heineken – available all day For reservations call 04 702 7050 Whether you're a local hopping in for happy hour or a visitor looking to celebrate in style, The Docks is where the spirit of International Beer Day comes alive — one pint at a time.
The National
12 hours ago
- The National
Ozzy Osbourne AI tribute sparks 'digital resurrection' debate
Fans of Black Sabbath singer Ozzy Osbourne have criticised musician Tom Morello after he shared an AI-generated image of the rock star, who died this week at the age of 76. Osbourne bid farewell to fans earlier this month with a Black Sabbath reunion show in the British city of Birmingham. His death led to tributes from fans and musicians. They included Morello's post, which sparked anger among X users. The backlash over the stylised image – which included deceased rock stars Lemmy, Randy Rhodes and Ronnie James Dio – centred on what many saw as an exploitative and unsettling trend, with users questioning the ethics of sharing such visuals so soon after Osbourne's death. It is the latest flashpoint in a growing debate: when does using AI to recreate someone's likeness cross the line from tribute to invasion of privacy? While the tools behind these hyper-realistic images are evolving rapidly, the ethical frameworks and legal protections have not yet caught up. Deepfakes and grief in digital age Using AI to recreate the dead or the dying, sometimes referred to as "grief tech" or "digital resurrection", is becoming increasingly common, from fan-made tributes of celebrities to "griefbots" that simulate the voice or personality of a lost loved one. In an example of grief tech, Canadian Joshua Barbeau last year used Project December, a GPT-3-based chatbot created by Jason Rohrer, to recreate conversations with his dead fiancee from September 2020, eight years after her death. The chatbot's responses were so convincing that she "said" things like: "Of course it is me. Who else could it be? I am the girl that you are madly in love with." Mental health experts warn that such recreations can profoundly affect the grieving process. "The predictable and comforting responses of AI griefbots can create unrealistic expectations for emotional support, which could impact a person's ability to build healthy relationships in the future," said Carolyn Yaffe, a cognitive behaviour therapist at Medcare Camali Clinic in Dubai. "Some people find comfort and a sense of connection through them. In contrast, others might face negative effects, like prolonged denial, emotional pain, or even feelings of paranoia or psychosis." Interacting with AI likenesses can blur the lines between memory and reality, potentially distorting a person's emotional recovery, Ms Yaffe said. "These tools may delay acceptance and create a space where people stay connected to digital surrogates instead of moving on," she added. "Grief doesn't fit into neat algorithms." Lack of legal safeguards There is limited legal protection against these practices. In the Middle East, specific laws around AI-generated likenesses are still emerging. Countries including the UAE and Saudi Arabia address deepfakes under broader laws related to cyber crimes, defamation, or personal data protection. But there are still no clear regulations dealing with posthumous image rights or the AI-based recreation of people. Most laws focus on intent to harm, rather than on consent or digital legacy after death. In the UK, for example, there are no posthumous personality or image rights. Some states in the US, including California and New York, have begun to introduce limited protections, while others do not offer any. In China, draft legislation has begun to address AI deepfakes. Denmark, however, has been a pioneer on the issue, proposing a law that would grant people copyright-like control over their image, voice and likeness. The legislation, expected to pass this year, would allow Danish people to demand the removal of unauthorised deepfake content and seek civil damages, even posthumously, marking the first time such protections would be implemented in Europe. "Copyright does not protect someone's appearance or voice," said Andres Guadamuz, a reader in intellectual property law at the University of Sussex. "We urgently need to reform image and personality rights to address unauthorised AI depictions, particularly for vulnerable individuals, including the deceased or critically ill, where dignity, consent, and misuse risks are paramount." Consent, culture and control Ethical concerns about recreating the image or voice of someone who is critically ill or dead go beyond legal frameworks. Arda Awais, co-founder of UK-based digital rights collective Identity 2.0, believes that, even when AI tributes are carried out with good intentions, they carry significant risks. "Even with consent from the deceased, there could be ways a likeness is used which might not be 100 per cent in line with someone's wishes, too. Or how it's use evolves," Ms Awais said. She added that a one-size-fits-all approach may not be practical across different cultures, emphasising the need for more inclusive and diverse conversations when establishing ethical standards. While some families or individuals may welcome AI tributes as a means to preserve memories, others may view it as exploitative or harmful, particularly when it involves celebrities, whose images are frequently recycled without their permission. "Grief is such a personal experience," Ms Yaffe said. "For some, griefbots might provide a moment of relief. But they should be seen as a bridge, not the final destination." Experts warn that AI should never replace the emotional labour of mourning or the human connections that aid the healing process. "AI-generated responses can completely miss the point, not because the technology is harmful, but because it lacks the essential quality that grief requires – humanity," Ms Yaffe said.
