
Belfast TradFest: Hundreds in traditional music flash mob bring park to life
Belfast TradFest, now in its seventh year, is running until 3 August.The Artistic Director of Belfast Tradfest Dónal O'Connor led the 900 strong group in a rendition of 'The Blarney Pilgrim'."We thought it would be a nice idea to have a spontaneous session and bring the students out of their classrooms and come together to play a tune, dance and sing together."I don't think I've ever been in the company of so many traditional musicians in one place, and the beauty of the summer school is that there are people of all ages, from five years old, to our oldest student being 85."He added: "Traditional music brings people together, with young people learning from the old and old learning from the young".
Mr O'Connor also explained the intentional choice behind the tune "The Blarney Pilgrim"."It made famous by the band Planxty in the 70s, but is often a tune that many people learn at the early stages of their music learning career, it is a brilliant unifier."
Éimear, 21, has been playing the flute for nine years and said it "has been great to see everyone of all ages and all abilities come together to play a tune". Nellie, a summer school student, told BBC News NI the importance of the music."I live in England and have come over specifically for TradFest. I come from a very musical family and just love playing and listening to traditional music.""Trad music for me is a way to communicate. I can go in to any pub and have something in common with someone else there, it creates an instant human connection over a shared love."
Family influence also plays a big part in many of the young people's journeys with their instruments.Which is the case for Eimhear, 13, from Portadown who has been playing the harp for four years."I started learning the harp because of my great granda... there's always music being played in my house and at family parties. My uncles and cousins also play so I wanted to do it too."
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Mrs Brown makes her entrance on a mobility scooter to a raucous reception. 9 mins: Another peek behind the comedy curtain as Agnes drives her granny wagon from one set to another, chatting to the camera crew as she goes. If Fleabag had done this, it would have been hailed as avant-garde genius. 12 mins: The mobility scooter causes more mayhem at the Wash & Blow salon. Never let it be said that Mrs Brown doesn't milk a gag for every last drop. 19 mins: Dermot and Buster present Agnes with a surprise gift: an automatic recline-and-rise armchair. Hark, I hear more slapstick opportunities coming over the horizon. 27 mins: A chaotic final sequence sees Agnes wearing a sombrero (best not to ask) and getting rumbled for faking her injuries. Yes, she can walk after all. It's a medical miracle. As everyone takes her to task , she slumps into her new armchair. It promptly malfunctions, blows up and throws her across the room. After one last cuppa, we roll credits on the series. Mercifully, my Mrs Brown's Boys marathon is at an end. But what have I learnt? Yes, what have I learnt? To my surprise, I realise I have actually been sucked in by the pathos of several storylines. The humour might be hit-and-miss, but the emotion isn't. This is a show about family, friendship and community. Unfashionable topics in our fractured age, perhaps, but the new series does have huge warmth… Sure, it's frequently panto-adjacent (oh, yes it is), but it also plays with the sitcom form, with fourth-wall breaks and knowing nods to its own artifice. It's unabashedly working class and exists far outside the metropolitan bubble. The liberal elite might blanch, but it's not for them. Ratings have declined from a blockbuster peak of 11 million, but it still pulls in 4 million loyal viewers – figures that most comedies (and many dramas) would kill for. In an era when critically lauded comedies often struggle to get recommissioned, such review-proof longevity is surely to be applauded. I'll raise a pint of the black stuff at Foley's Bar to that. Mrs Brown's Boys airs on Fridays at 9.30pm on BBC One. The whole series is available on BBC iPlayer now