400 Grateful Dead banners to fly across San Francisco as 60th anniversary celebrations begin
City leaders hope the effort will bolster local businesses and tourism during a crucial phase of economic recovery.
The concerts are expected to draw 60,000 fans nightly, with special guests including Billy Strings, Sturgill Simpson (as Johnny Blue Skies) and the Trey Anastasio Band.
'San Francisco is coming alive to celebrate 60 years of the Grateful Dead,' Mayor Daniel Lurie said in a statement marking the official kickoff Tuesday, July 22. 'Our bars and restaurants will be packed, our hotels will be booked, our neighborhoods will come alive, and there will be more revenue to fund the services that benefit all San Franciscans.'
Hotel demand between July 31 and Aug. 3 has surged by more than 50%, according to city officials — a spike that has them optimistic about exceeding nearly $31 million in economic impact generated by Dead & Company's 2023 visit to Oracle Park.
To ease the flow of concertgoers, Muni will provide expanded service on the 5 Fulton and N Judah lines, and offer free rides to ticket holders through the 'Your Ticket, Your Fare' program.
Shakedown Street, the unofficial open-air market synonymous with Dead tours, returns as a fully sanctioned event along JFK Promenade during the three-day concert. Nearly 100 vendors are expected.
'It's a vibrant, colorful bazaar of modern-day hippies selling their wares,' said organizer Molly Henderson.
Other c itywide events will stretch into the fall, including art exhibitions, after-parties, tribute concerts, panel discussions and special performances — from Jerry Day in McLaren Park to the San Francisco Giants' Grateful Dead tribute night at Oracle Park on Aug. 12.
'This three-day festival is more than just an anniversary — it's a homecoming,' said Phil Ginsburg, general manager of San Francisco Recreation and Parks, in a statement. 'It promises the kind of energy, joy, and soulful creativity that only Deadheads can bring.'
Meanwhile, the Grateful Dead announced Tuesday that a 50th anniversary deluxe edition of its album 'Blues for Allah' will be released Sept. 12, featuring a newly remastered album and nearly two hours of unreleased live and rehearsal recordings. The set captures the band's groundbreaking 1975 comeback with rare performances and restored audio from original analog tapes.
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San Francisco Chronicle
17 hours ago
- San Francisco Chronicle
‘It's a big deal': Grahame Lesh readies for S.F.'s Grateful Dead 60th anniversary celebration
Grahame Lesh had a front row seat to one of the country's most cherished jam bands as a kid. Now, he's helping to carry forward its legacy. The son of Grateful Dead founding bassist Phil Lesh, the 38-year-old grew up immersed in the music and culture of the Bay Area band. Though he was only 8 years old when its founding guitarist Jerry Garcia died of a heart attack in 1995, he learned much of the music by watching his father perform in the spinoff group Phil Lesh & Friends, which was formed in 1998 and featured a rotating cast of musicians inspired by the Dead. Lesh even jammed with his father on several occasions. When the Rock & Roll Hall of Fame inductee died in October at 84, Lesh made it his mission to continue honoring his father's legacy through his own career. He plans to do so with the Heart of Town, a three-night concert series at San Francisco's Pier 48 that will be part of the electric city-wide celebration of the Grateful Dead's 60th anniversary year. Scheduled for July 31-Aug. 2, the guitarist and his band Grahame Lesh & Friends will honor the influential band, which was founded in the 1960s and became emblematic of the era's counterculture movement, with an array of special musical guests. 'It just seems that the entire world of Grateful Dead fans are going to descend on the city,' Lesh said, describing the weekend as 'a celebration of the entire city and the music that came from San Francisco, especially in the '60s.' The Heart of Town's kickoff show is slated to begin at 8 p.m., but the Aug. 1-2 shows, which overlap with Dead & Company's sold-out three-show run, will begin at 11 p.m. to allow Deadheads to attend both concerts without being too crunched for time. Lesh spoke with the Chronicle a few weeks before kicking off the Heart of Town shows. This interview has been edited for length and clarity. Q: What inspired the Heart of Town run of shows? A: It's the 60th, it's a big deal … It really just seemed perfect to try and gather as many musicians that have been inspired by the Grateful Dead, because there's countless of them, including myself. A: I've lived in the Bay Area my whole life, in Marin and in San Francisco, so it's not unfamiliar to me what the community is like. … I run into Deadheads everywhere, and my dad would as well. It's very cool to give everyone in the community, and the familiar faces that I'm going to see, a place, basically the whole city, to go and celebrate the music and the community that we all love. Q: Is there a particular memory you have growing up around the Dead that really sticks with you as a musician today? A: I was younger when it was the actual Grateful Dead, so I kind of learned this music when my dad started Phil Lesh & Friends a few years later. … The breadth of musicians that came through is very memorable to me, and I really learned and have memories from them that are maybe even stronger than my memories of the Grateful Dead. But every time my dad and Bob and Mickey and Billy would get back together and do something as the Dead or as the Other Ones, it was always really special. They all harkened back to the long history they had since they were in their teens and 20s. It's kind of crazy how far back the music goes and reaches deep into the roots of American music that predate even them. My brother and I grew up in this whole community and it's going to outlive us all too. Q: What is the most helpful piece of advice you received during that experience? A: My dad would talk a lot about the way they approached the music. But the takeaway generally was just that they always did what felt right, and they pursued what they wanted, what they thought sounded good, what they thought was fun, what they thought was right for each song in each moment. That sort of freedom is definitely what I try to bring to every time I approach the music. Q: What does it feel like to be carrying forward your father's legacy with these upcoming San Francisco shows? A: It's been nine months or so since he passed, so it's all still relatively fresh. It's all very special. I was lucky enough to play with him in San Francisco, especially in the last five or so years, kind of a lot. The Grateful Dead is kind of just the ultimate American music to me and to a lot of people. It's always very special to be a part of that.
San Francisco Chronicle
a day ago
- San Francisco Chronicle
We have seen better days, San Francisco
It's the midpoint of a long, cold summer, and San Franciscans are restless. San Francisco seems to have lost its edge. Now is the summer of our discontent, as Shakespeare might say. If Shakespeare were here, he'd be worried, too. The arts are in trouble, community theaters have lost their audiences, museums are closing or cutting staff, the Opera is having problems, and Esa-Pekka Salonen has left the S.F. Symphony. Even the venerable Mountain Play skipped a season on Mount Tamalpais this year for the first time in 80 years. The audience wasn't there. San Francisco's formally fabled nightlife has gone dark. The gloom is widespread: D'Arcy Drollinger, the city's Drag Laureate, plans to close Oasis, a fabled drag club. 'We've been struggling, like a lot of other venues,' he said. 'Our margins are razor-thin.' Ben Bleiman reopened Harrington's, an old school bar in the Financial District, on the theory that the city was on the rebound. 'The fact that we are breaking even is a miracle,' he said. He should know. He's the president of the city's entertainment commission. The main question now is to find someone, or some group, to blame for this situation. The current thinking is that it's the young people — Gen Z, those born starting in 1997 and mostly in their 20s now. They drink tap water and Red Bull instead of craft beer and martinis, according to experts. Or maybe it's Gen X who are to blame for ruining things. Or the millennials, born after 1980, the children of Baby Boomers. They are old enough now to know better. One thing is clear: San Francisco is not what it was. It's those new people. They don't understand. My father used to talk that way, too. He used to say San Francisco was a lot better years ago — it was a golden age, he said. It was only later that I realized it wasn't a golden age for San Francisco so much as it was a golden age for him. It was like what they said about Lefty O'Doul: He was here at a good time, and he had a good time when he was here. You don't know Lefty O'Doul? You must be new in town. I was thinking of those times one day last week when I rode the 1-California bus from an appointment out in the Richmond heading downtown. Through the Western Addition, down California Street, switched to Sacramento Street, over Nob Hill, through Chinatown to Portsmouth Square, through the oldest part of the city. It was remarkably unchanged; the buildings looked the same, and the city had that hard-to-define San Francisco feel, as if something interesting might happen at any time. The city is full of high tech and AI is next, but on Kearny Street near Sacramento, two women were making dumplings by hand in a restaurant window. Enough of the familiar San Francisco. I thought. So I headed south, south of Market, south of the ballpark, to Mission Bay. It's a new city down there, all square glass buildings, not a breath of the old city. I am reminded again of the story Herb Caen told about the San Franciscan who died and went to heaven. 'It's nice,' he said. 'But it's not San Francisco.' I had lunch at Thrive City and watched a lunch hour exercise class, men and women stretching, bending, reaching for the sky outdoors in the plaza. Not the graceful tai chi programs you see at Washington Square in North Beach. Something new. Crowds of people, much younger than the usual city crowd, streamed by. The area around Chase Center is full of new restaurants, new parks and new people. Only a few years ago, this area on the edge of the bay was derelict, like the seacoast of nowhere — the railroad yard was empty, the ships had sailed, and weeds grew wild. A few remnants remain, including a dock where barges carrying freight cars tied up, like an artifact from the industrial past. Next to that is the clubhouse of the Bay View Boat Club, where salty San Franciscans come to drink beer and tell stories about the good times. Lady Gaga played Chase Center that night. A sold-out crowd. She had a show people wanted to see. Maybe all is not lost. So maybe this is the future of San Francisco, a mix of an older city and the new one. All glass and clean living mixed in with the city and a lifestyle we all came to admire. That's the way of cities: Tastes change. The best of the past survives, but something better usually comes along. Old-timers remember the scent of roasting coffee on the Embarcadero, but Hills Bros. could not compete with Starbucks. Maybe Gen Alpha — the only generation to live entirely in the 21st century — will adopt the philosophy of Marine Gen. O.P. Smith, a graduate of UC Berkeley. When asked whether his troops were retreating, he said: 'Retreat, hell! We're just attacking in another direction.'
The Verge
4 days ago
- The Verge
A unifying theory of the podcast sound.
Posted Jul 23, 2025 at 7:01 PM UTC A unifying theory of the podcast sound. Our friends over at Switched on Pop just did a fun episode about the history of the way podcasts sound. The Grateful Dead is in there, as is the infamous Breakmaster Cylinder, who wrote the theme for every podcast ever. Including ours! It's fascinating — and a good combo listen with this Vergecast episode from last year. It also might have ruined podcast jingles for me, forever. All podcast themes sound the same — why? [Switched on Pop] Follow topics and authors from this story to see more like this in your personalized homepage feed and to receive email updates. David Pierce Posts from this author will be added to your daily email digest and your homepage feed. See All by David Pierce Posts from this topic will be added to your daily email digest and your homepage feed. See All Audio Posts from this topic will be added to your daily email digest and your homepage feed. See All Tech
