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The Edge granted Irish citizenship

The Edge granted Irish citizenship

Perth Now24-06-2025
U2 guitarist The Edge has become an Irish citizen.
The 63-year-old guitarist was born in Essex, East England, but moved to Ireland as a young child and on Monday (23.06.25), he was officially conferred along with thousands of other new citizens during a ceremony in Killarney, Co. Kerry, which he hailed as "a monumental day for all of us."
According to Irish outlet The Journal, he told reports afterwards: "I guess, you know, I'm a little tardy with the paper work.
"I've been living in Ireland now since I was one year old. But the time is right. And I couldn't be more proud of my country for all that it represents and all that it is doing.
"It's showing real leadership right now in the world and it couldn't come at a better moment for me so I am just so happy to be at this point to be in even deeper connection with my homeland."
The Edge - whose real name is David Howell Evans - admitted the process was "quite straightforward" and he could have gone through it much sooner, but taking Irish citizenship now felt "more meaningful".
He said: "Honestly there were many moments in the past when I could have done it with just the form to be filled out but I'm happy it's now. It feels more significant, it feels more meaningful.
'Because of what is going on in the world right now.
"What Ireland stands for, it's very powerful. We are talking really about showing leadership in the world, supporting our international bodies, the ICC, UN, speaking truth to power. Really important what Ireland is representing right now."
The Edge isn't the only member of U2 not to be born in Ireland, despite him, Bono, Adam Clayton and Larry Mullen Jr. forming the band during their schooldays in Dublin.
Adam was born in Oxfordshire, South East England, but raised in Ireland and the 65-year-old bassist was granted citizenship back in 1989.
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Four Letters of Love is also full of cliches from the Emerald Isle and from movies set there. Dancing merry jigs to jolly songs? Tick. A stern Mother Superior at a drab Catholic girls' boarding school? Tick. Impractical husbands and longsuffering wives? A score featuring wordless, ethereal female vocals? To be sure, to be sure. There are no banshees, but there do appear to be ghosts. There's also some spectacular scenery, gorgeously shot by Damien Elliott. The story begins in the 1970s. One day at the office, civil servant William Coughlin (Pierce Brosnan) has an epiphany and chucks in his job to become a painter. He abruptly leaves his wife Bette (Imelda May) and son Nicholas (Fionn O'Shea) to head west, leaving them bewildered and poor: Bette never recovers from the shock, and William comes and goes as he pleases. 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Not that the full gushing Hollywood treatment was needed but the handling seems clumsy. The way Nicholas is kept around for story purposes isn't entirely convincing either. There's an air of muted fatalism about things: people don't seem to get too passionate or upset. The film benefits from a fine cast. O'Shea was very likeable in the heartwarming boarding-school drama Handsome Devil (in which he starred with Nicholas Galitzine) and, playing a fairly subdued character here, is a sympathetic hero throughout. Skelly is also very good: you hope things will end well for them. Brosnan seems slightly odd casting as a scruffy bohemian but he and the other veterans are good to have around. Romantic dramas can end happily or tragically, hopefully or bittersweetly: without spoiling the film, the ending doesn't seem entirely clear, which is a little frustrating. But the painting, when finally viewed, does have some impact. It, like the film, could have had more.

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