
Sydney Sweeney's 'good jeans' ad just sparked a culture war — here's what happened
It has. The question now is whether some of the public reactions the fall denim campaign produced is what American Eagle intended.
Titled "Sydney Sweeney has great jeans,' the campaign sparked a debate about race, Western beauty standards, and the backlash to "woke' American politics and culture. Most of the negative reception focused on videos that used the word "genes' instead of "jeans' when discussing the blonde-haired, blue-eyed actor known for the HBO series "Euphoria' and "White Lotus.'
Some critics saw the wordplay as a nod, either unintentional or deliberate, to eugenics, a discredited theory that held humanity could be improved through selective breeding for certain traits.
Marcus Collins, an assistant professor of marketing at the University of Michigan's Ross School of Business, said the criticism could have been avoided if the ads showed models of various races making the "genes' pun.
"You can either say this was ignorance, or this was laziness, or say that this is intentional,' Collins said. "Either one of the three aren't good.'
Other commenters accused detractors of reading too much into the campaign's message.
"I love how the leftist meltdown over the Sydney Sweeney ad has only resulted in a beautiful white blonde girl with blue eyes getting 1000x the exposure for her 'good genes,'" former Fox News host Megyn Kelly wrote Tuesday on X.
American Eagle didn't respond to requests for comment from The Associated Press.
The ad blitz comes as the teen retailer, like many merchants, wrestles with sluggish consumer spending and higher costs from tariffs. American Eagle reported that total sales were down 5% for its February-April quarter compared to a year earlier.
A day after Sweeney was announced as the company's latest celebrity collaborator, American Eagle's stock closed more than 4% up. Shares were volatile this week and trading nearly 2% down Wednesday.
Like many trendy clothing brands, American Eagle has to differentiate itself from other mid-priced chains with a famous face or by saying something edgy, according to Alan Adamson, co-founder of marketing consultancy Metaforce.
Adamson said the Sweeney campaign shares a lineage with Calvin Klein jeans ads from 1980 that featured a 15-year-old Brooke Shields saying, "You want to know what comes in between me and my Calvins? Nothing.' Some TV networks declined to air the spots because of its suggestive double entendre and Shields' age.
"It's the same playbook: a very hot model saying provocative things shot in an interesting way,' Adamson said.
Chief Marketing Officer Craig Brommers told industry news website Retail Brew last week that "Sydney is the biggest get in the history of American Eagle,' and the company would promote the partnership in a way that matched.
The campaign features videos of Sweeney wearing slouchy jeans in various settings. She will appear on 3-D billboards in Times Square and elsewhere, speaking to users on Snapchat and Instagram, and in an AI-enabled try-on feature.
American Eagle also plans to launch a limited edition Sydney jean to raise awareness of domestic violence, with sales proceeds going to a nonprofit crisis counseling service.
In a news release, the company noted "Sweeney's girl next door charm and main character energy - paired with her ability to not take herself too seriously - is the hallmark of this bold, playful campaign.'
In one video, Sweeney walks toward an American Eagle billboard of her and the tagline "Sydney Sweeney has great genes.' She crosses out "genes' and replaces it with "jeans.'
But what critics found the most troubling was a teaser video in which Sweeney says, "Genes are passed down from parents to offspring, often determining traits like hair color, personality and even eye color. My jeans are blue.'
The video appeared on American Eagle's Facebook page and other social media channels but is not part of the campaign.
While remarking that someone has good genes is sometimes used as a compliment, the phrase also has sinister connotations. Eugenics gained popularity in early 20th century America, and Nazi Germany embraced it to carry out Adolf Hitler's plan for an Aryan master race.
Civil rights activists have noted signs of eugenics regaining a foothold through the far right's promotion of the "great replacement theory,' a racist ideology that alleges a conspiracy to diminish the influence of white people.
Shalini Shankar, a cultural and linguistic anthropologist at Northwestern University in Evanston, Illinois, said she had problems with American Eagle's "genes' versus "jeans' because it exacerbates a limited concept of beauty.
"American Eagle, I guess, wants to rebrand itself for a particular kind of white privileged American,' Shankar said. "And that is the kind of aspirational image they want to circulate for people who want to wear their denim.'
Many critics compared the American Eagle ad to a misstep by Pepsi in 2017, when it released a TV ad that showed model Kendall Jenner offer a can of soda to a police officer while ostensibly stepping away from a photo shoot to join a crowd of protesters.
Viewers mocked the spot for appearing to trivialize protests of police killings of Black people. Pepsi apologized and pulled the ad.
The demonstrations that followed the 2020 killing of George Floyd by a white police officer in Minneapolis pushed many U.S. companies to make their advertising better reflect consumers of all races.
Some marketers say they've observed another shift since President Donald Trump returned to office and moved to abolish all federal DEI programs and policies.
Jazmin Burrell, founder of brand consulting agency Lizzie Della Creative Strategies, said she's noticed while shopping with her cousin more ads and signs that prominently feature white models.
"I can see us going back to a world where diversity is not really the standard expectation in advertising,' Burrell said.
American Eagle has been praised for diverse marketing in the past, including creating a denim hijab in 2017 and offering its Aerie lingerie brand in a wide range of sizes. A year ago, the company released a limited edition denim collection with tennis star Coco Gauff.
The retailer has an ongoing diversity, equity and inclusion program that is primarily geared toward employees. Two days before announcing the Sweeney campaign, American Eagle named the latest recipients of its scholarship award for employees who are driving anti-racism, equality and social justice initiatives.
Marketing experts offer mixed opinions on whether the attention surrounding "good jeans' will be good for business.
"They were probably thinking that this is going to be their moment," Myles Worthington, the founder and CEO of marketing and creative agency WORTHI. "But this is doing the opposite and deeply distorting their brand."
Melissa Murphy, a marketing professor at Carnegie Mellon University's Tepper School of Business, said she liked certain parts of the campaign but hoped it would be expanded to showcase people besides Sweeney for the "sake of the brand.'
Other experts say the buzz is good even if it's not uniformly positive.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Arab Times
2 hours ago
- Arab Times
‘The Bad Guys 2' goes bigger, not better
LOS ANGELES, Aug 2, (AP): The good news for fans of 'The Bad Guys' is the new sequel is stellar. But that's because a good portion is actually set in - are you kidding us? - outer space. 'The Bad Guys 2' has clearly lost its moorings. Returning director Pierre Perifel, writers Yoni Brenner and Etan Cohen and the same voice cast have done what all sequels do these days - amp it all up like everyone is on molly, try to hit the same emotional notes and layer an insane plot with the fate of the world at stake. It's hard to watch a franchise drift so expensively and pointlessly in Earth's orbit. The gang is all back: Sam Rockwell as Mr. Wolf, Marc Maron as safe-cracker Mr. Snake, Craig Robinson as master of disguise Mr. Shark, Anthony Ramos as Mr. Piranha and Awkwafina as hacker Ms. Tarantula. We left them in the last movie, walking out of prison early after good behavior and trying to turn their back on badhood. It's not that easy since would-be employers these days want to know about gaps in their job experience - they were robbing banks, after all - workplace trust issues and salary expectations. No one wants to hire a bunch of ex-cons. 'Anyone who wants to change has to start somewhere,' Mr. Wolf, pushing the George Clooney-like charm offensive, begs one dubious interviewer. 'I'm just asking for a chance.' A life on the straight-and-narrow is hard for four of the former baddies, but not Maron - so perfectly cast as the grouchy, self-loathing snake. Now he spends his days doing Vinyasa yoga, listening to Sabrina Carpenter's 'Espresso,' telling people 'namaste' and sips wheatgrass kombucha with dandelion. He's even more irritating. Soon all five are caught in a series of traps and doublecrosses by a new robbery crew - Danielle Brooks' lollipoplicking venomous snow leopard, Maria Bakalova's Bulgarian wild boar engineer and Natasha Lyonne's wry raven, using her same vocal tick as on 'Poker Face.' These dames have a plan to get very rich using a substance known as Mac- Guffinite, a clever - or lazy - joke on the object that everyone wants in a movie like this, which drives the plot. There's soon a trip to a Mexican wrestling festival and then a wedding needs crashing in order to gain control over a rocket owned by an Elon Musk-like billionaire - voice acted by Colin Jost - who runs the MoonX company. Then the rocket has to be stopped before a gadget aboard creates a '24-carat catastrophe.' The animation is amazingly kinetic and with no corners cut, from tiny bugs illuminated in a light beam at night to the bumpy way a truck moves on the highway. The franchise's love of vroooming and fishtailing Looney Tunes-like car chases stays intact, as does the wavy green air farts that emanate from Piranha. Based on Aaron Blabey's popular graphic book series, the first movie in 2022 drove hard into the nature of good and evil - like asking if DNA determines behavior - as our heroes whipsawed between heroic and villainous, to the glee of all the kiddies in the theater. 'We may be bad, but we're so good at it,' was the slogan. It was all nicely set against a zombie guinea pig uprising. This time the writers have just given up on what side of the ethical divide their anti-heroes are on. 'Are we bad again?' ask the confused piranha. Replies Mr. Wolf: 'I get it. We're all over the place.' Left unexplored is the concept of doing wrong for a greater good, and can being bad be excused if it stops a worse badness? 'What if the bad life was your best life?' asks one of the newcomers. (Another thing to chew on: If 'The Bad Guys 2' is a worse sequel, does that make 'The Bad Guys' good?) When we say the gang is all here, they're all here without any editing: Zazie Beetz returns as Gov. Diane Foxington, Alex Borstein comes back as the top cop and even the kitten from the first film meows in the second. So is Richard Ayoade as Professor Marmalade, the evil guinea pig who is now surprisingly swole and tatted up in prison. He threatens again to steal the show and may if there's a 'The Bad Guys 3.' (There's going to be a 'The Bad Guys 3.') The joy of 'The Bad Guys' was that it was a respectful send-up of the movies of Quentin Tarantino and caper flicks like 'Ocean's 11.' This time, the 'Fast & Furious' series gets mocked, as does 'Silence of the Lambs,' 'Men in Black' and maybe 'Moonraker,' which is now 46 years old. But the subversion is painfully flat now: The first film in the franchise would have laughed at one climactic line in the second: 'We've got one shot to save the world. Let's make it count!'


Arab Times
13 hours ago
- Arab Times
Jeannie Seely, soulful country singer behind hits like 'Don't Touch Me,' dies at 85
NEW YORK, Aug 2, (AP):Jeannie Seely, the soulful country music singer behind such standards like "Don't Touch Me,' has died. She was 85. Her publicist, Don Murry Grubbs, said she died Friday after succumbing to complications from an intestinal infection. Known as "Miss Country Soul' for her unique vocal style, Seely was a trailblazer for women in country music, celebrated for her spirited nonconformity and for a string of undeniable hits in the '60s and '70s. Her second husband, Gene Ward, died in December. In May, Seely revealed that she was in recovery after undergoing multiple back surgeries, two emergency procedures and spending 11 days in the ICU. She also suffered a bout of pneumonia. "Rehab is pretty tough, but each day is looking brighter and last night, I saw a light at the end of the tunnel. And it was neon, so I knew it was mine!' she said in a statement at the time. "The unsinkable Seely is working her way back.' Dolly Parton was one of several country music luminaries paying her tribute on Friday, saying she met Seely when they were both young and starting out in Nashville. "She was one of my dearest friends,' Parton said on her social media accounts. "I think she was one of the greater singers in Nashville and she had a wonderful sense of humor. We had many wonderful laughs together, cried over certain things together and she will be missed." Seely was born in July 1940, in Titusville, Pennsylvania, about two hours north of Pittsburgh and raised in nearby Townville. Her love of country music was instant; her mother sang, and her father played the banjo. When she was a child, she sang on local radio programs and performed on local television. In her early 20s, she moved to Los Angeles to kick-start a career, taking a job with Liberty and Imperial Records in Hollywood. She kept writing and recording. Nashville was next: She sang on Porter Wagoner's show; she got a deal with Monument Records. Her greatest hit would arrive soon afterward: "Don't Touch Me,' the crossover ballad written by Hank Cochran. The song earned Seely her first and only Grammy Award, for best country & western vocal performance in the female category. Cochran and Seely were married in 1969 and divorced in 1979. Seely broke boundaries in her career - at a time when country music expected a kind of subservience from its women performers, Seely was a bit of a rebel, known for wearing a miniskirt on the Grand Ole Opry stage when it was still taboo. And she had a number of country hits in the '60s and '70s, including three Top 10 hits on what is now known as Billboard's hot country songs chart: "Don't Touch Me,' 1967's "I'll Love You More (Than You Need)' and 1973's "Can I Sleep In Your Arms?', adapted from the folk song "Can I Sleep In Your Barn Tonight Mister?' In the years since, Seely continued to release albums, perform, and host, regularly appearing on country music programming. Her songs are considered classics, and have been recorded by everyone from Merle Haggard, Ray Price and Connie Smith to Ernest Tubb, Grandpa Jones, and Little Jimmy Dickens. And Seely never stopped working in country music. Since 2018, she's hosted the weekly "Sunday's with Seely' on Willie Nelson's Willie's Roadhouse SiriusXM channel. That same year, she was inducted into the Music City Walk of Fame. She appeared nearly 5,400 times at the Grand Ole Opry, which she has been a member of since 1967. Grubbs said Saturday's Grand Ole Opry show would be dedicated to Seely. She released her latest song in July 2024, a cover of Dottie West's "Suffertime,' recorded at the world-renowned RCA Studio B. She performed it at the Opry the year before.

Kuwait Times
2 days ago
- Kuwait Times
American Eagle ‘jeans' campaign that stars Sydney Sweeney under fire
An advertising campaign starring Sydney Sweeney for the clothing brand American Eagle has triggered the latest online firestorm causing an Internet meltdown. Some social media users are outraged, saying the wordplay of the tagline 'Sydney Sweeney has great jeans,' coupled with the actor's blue eyes and blonde hair, has racial undertones. Others are praising the campaign as lacking 'woke' politics. 'Genes are passed down from parents to offspring, often determining traits like hair color, personality and even eye color. My genes are blue,' Sweeney, wearing denim on denim, says in one video. People across social media have leveled criticism spanning the gamut, with some saying the campaign promotes 'white supremacy' and 'eugenics' while others have called it 'sterile,' a sign of 'regression' or simply 'rage bait.' But many others have applauded the campaign, posting comments like 'woke is broke!' and 'culture shift!' Conservative Republican senator Ted Cruz of Texas posted a photo of Sweeney on X and wrote, 'Wow. Now the crazy Left has come out against beautiful women. I'm sure that will poll well.' Neither American Eagle nor the Emmy-nominated Sweeney, the 27-year-old actor best known for roles in the series 'The White Lotus' and 'Euphoria,' have publicly responded to the backlash. 'Sweeney's girl next door charm and main character energy - paired with her ability to not take herself too seriously - is the hallmark of this bold, playful campaign,' AE said in a statement last week when the advertisements launched. 'Values of another time' The company said its collaboration with Sweeney was meant to 'further elevate its position as the #1 jeans brand for Gen Z.' As part of the campaign, AE had also said it was launching a limited-run 'Sydney Jean' that retails for $79.95 and features a butterfly motif on the back pocket, which the brand said is meant to represent domestic violence awareness. Proceeds from the jeans will go to Crisis Text Line, a nonprofit offering mental health support, AE, a company started in 1977, said. In the wake of the chatter triggered by the campaign, Washington Post fashion critic Rachel Tashjian wrote that whether or not the ad had racial undertones or anything intentional to say beyond selling jeans, it 'is part of a wave of imagery of influencers, pop stars and musicians that feels tethered to the values of another time.' 'For the past five or six years, it seemed like fashion and pop culture were very interested in - even dedicated to - body positivity. Now we're being fed a lot of images of thinness, whiteness and unapologetic wealth porn,' Tashjian said. — AFP