logo
'KPop Demon Hunters' track makes top 10 on Billboard's Hot 100

'KPop Demon Hunters' track makes top 10 on Billboard's Hot 100

Korea Heralda day ago
Huntrix's 'Golden,' from the Netflix sensation 'KPop Demon Hunters,' reached the top ten on Billboard's Hot 100, leaping to No. 6 from last week's No. 23, according to the latest chart.
The single has remained on the main songs chart for three weeks after debuting at No. 81. It has also claimed the top spot on both the Global 200 and Global excl. US charts, becoming the first fictional act to do so according to Billboard.
The song sang by Ejae, Audrey Nuna, and Rei Ami features on the musical fantasy animation's soundtrack album, which rose to No. 2 on the Billboard 200, climbing from its first appearance on the chart at No. 8 and last week's No. 3. Seven songs from the 12-track album made Billboard's Hot 100 dated July 8.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Katseye rises as VCHA falters, spotlighting diverging K-pop localization strategies
Katseye rises as VCHA falters, spotlighting diverging K-pop localization strategies

Korea Herald

time4 hours ago

  • Korea Herald

Katseye rises as VCHA falters, spotlighting diverging K-pop localization strategies

JYP's American girl group faces member exits and stagnant growth; Hybe's Katseye dominates Billboard charts Hybe's US-based girl group Katseye is making notable strides in the US market, but JYP Entertainment's VCHA is struggling to gain traction, underscoring the contrasting outcomes of the two agencies' K-pop localization strategies. JYP confirmed Saturday that VCHA member Kaylee has left the group, marking the second departure after KG exited last December. Originally a six-member act, VCHA has now been reorganized as a quartet just ahead of its return planned for the second half of this year. The group was formed through the A2K Project, a joint global audition program with Republic Records, a subsidiary of Universal Music Group. Since debuting last January as JYP's first US-based girl group, VCHA has released two pre-debut singles and two single albums. However, none have made a meaningful impact on global music charts. As of Wednesday, the music video for their debut track "Girls of the Year" has garnered approximately 10.6 million views on YouTube over a year and a half, far behind Katseye's recent track, "Gameboy," which surpassed 13 million views in just 18 days. Last year, departing member KG sparked further controversy by criticizing JYP Entertainment's training system, alleging it contributed to her eating disorder and restricted her privacy. JYP Entertainment responded by expressing regret over what it called "false and exaggerated claims," but critics argued that the traditional K-pop trainee system might be ill-suited for Western cultural norms that value autonomy and personal freedom. 'It's difficult to implement the Korean trainee model overseas,' said an entertainment industry insider, Wednesday. 'Local labor laws don't allow the kind of intense, all-day training that's standard in Korea, and even appearance or fitness management comes with restrictions.' 'Western trainees often sign up for the glamorous side of K-pop they see in the media, but find the training life too tough to endure. Unlike Korean trainees, they won't just push through it with grit,' the official added. In contrast, Katseye — formed under Hybe's US-based audition program "The Debut: Dream Academy" last June — is gaining significant momentum. According to Billboard's chart dated Tuesday, the group's second EP 'Beautiful Chaos' ranked No. 15 on the Billboard 200, after debuting at No. 4 the previous week, setting a new group record. The EP also held steady at No. 2 on both the Top Album Sales and Top Current Album Sales charts. Their new project showcases genre-bending sounds and ambitious choreography, solidifying their presence in the global pop arena. Within a year of its debut, the group has already entered major charts in both the US and UK, signaling that K-pop's production system can successfully localize while maintaining global appeal. Hybe Chairman Bang Si-hyuk, who has emphasized exporting the K-pop business model across genres and borders, has been deeply involved in Katseye's production, overseeing everything from music and choreography to visual direction. This hands-on approach starkly contrasts with that of JYP. 'Hybe appears genuinely committed to Katseye's success. Despite modest revenue figures, Hybe America is showing meaningful progress, backed by support from Geffen Records and ongoing investment from Hybe,' another industry insider said. 'In contrast, JYP Entertainment does not seem as enthusiastic about promoting VCHA. Also, its US subsidiary, JYP USA, continues to underperform and has remained in the red since its establishment in 2022.'

Review: 'Omniscient Reader' bets big on franchise dreams, comes up snake eyes
Review: 'Omniscient Reader' bets big on franchise dreams, comes up snake eyes

Korea Herald

time5 hours ago

  • Korea Herald

Review: 'Omniscient Reader' bets big on franchise dreams, comes up snake eyes

Korea's priciest summer blockbuster faces reality check as director and cast confront adaptation challenges "Honestly, I'm quite desperate. Please help us out here." Director Kim Byung-woo's closing plea at Tuesday's press conference for "Omniscient Reader: The Prophet" at Megabox Coex carried more weight than your typical promotional patter. With a reported 30 billion won ($22 million) production budget requiring at least 6 million admissions to break even, Kim has every reason to sweat. In a year where theaters are experiencing their worst slump in decades, with "Mission: Impossible's" 3.39 million tickets representing the ceiling, that's one heck of a mountain to climb. "We're well aware of the current theater situation," Kim told reporters. "Through this film, we wanted to prove that exciting movies still exist in theaters — that was the earnest hope I shared with the cast." The film arrives bearing the weight of its source material — the web novel "Omniscient Reader's Viewpoint" launched in 2018, which later spawned a webtoon that has accumulated over 425 million views worldwide. It has the kind of built-in fanbase that seemingly guarantees success, but beloved IP cuts both ways. On one side stands an army of superfans ready to dissect every adaptation choice; on the other, newcomers who need convincing that a story about the apocalypse transforming into a real-life role-playing game — complete with floating inventory screens, mission alerts and mysterious intergalactic entities betting on human survival — merits their time and money. The cast assembled at Megabox on Tuesday clearly felt that burden. "When I first got the script, I had no idea the original was this massive," said Ahn Hyo-seop, fresh off voicing Jinu in Netflix's "KPop Demon Hunters." Playing protagonist Kim Dok-ja, he emphasized focusing on fundamentals: "All I could do was stay true to the script, collaborate with the director and my fellow actors, and give my absolute best every single day on set." Lee Min-ho, playing the mythic regressor Yoo Joong-hyuk — a hero who relives the apocalypse in endless loops — acknowledged the challenge of high expectations. "When adapting a successful IP, the key is preserving the original's emotional truth while bringing your own interpretation," he said. "I see this as an opportunity to help Korean content reach even more global audiences." Director Kim detailed his approach to bridging the gap between devotees and newcomers through extensive test screenings and feedback sessions. He also ditched handheld cameras entirely, opting for precise storyboarding to create what he hoped would be a more immersive visual experience. "I wanted to break away from the conventions I'd been following," he explained. His advice to the prospective audience: "Just sit back on that subway car. We'll handle the rest." That particular train never leaves the station, however. While Kim's stated ambition was to balance popcorn spectacle with grounded social commentary, "Omniscient Reader" achieves neither with any conviction. As blockbuster entertainment, it underwhelms with spectacular consistency. The action sequences, rather than showcasing apocalyptic grandeur, feel claustrophobically small-scale, largely one-on-one skirmishes that could have been staged in any warehouse. Also, for a film about cosmic-scale catastrophe, why should nearly every battle unfold in dingy subway tunnels? The monster design collapses into unintentional comedy. Our heroes face oversized praying mantises, serpentine sea creatures, and what can only be described as roided-out demons sporting glossy plastic textures that barely survived quality control. The crown jewel of this menagerie might be the Dokkaebi — the floating in-game guide that moderates the game's deadly scenarios and serves as Dok-ja's ad-hoc adviser. It resembles nothing so much as a Michelin Man-inspired stress toy and yaps endlessly in helium squeaks. The premise here demands particularly serious groundwork: ordinary life suddenly gamified, with floating stat screens and cosmic entities running humanity through deadly scenarios by way of intergalactic entertainment. But the film takes a curiously disinterested approach to its worldbuilding, sidestepping the fundamental task of making its universe remotely comprehensible. Rather than carefully establishing the game's core concepts, the film hurls exposition at confused viewers through Dok-ja's endless monologues as jargon like "scenarios" and "constellations" whiz past without context. Where the director appears to have invested real energy is moralizing about humanity's descent into savagery during crises and the redemptive power of community. Viewers beware, these preachings come drenched in some heavy-handed melodrama — villains all cardboard cutouts of sociopathy, while heroes spout platitudes about humanity through tears and swelling orchestral scores. Critics have already begun panning Jisoo's performance as gun-slinging warrior Ji-hye, but singling her out seems rather unfair when stilted delivery plagues the entire ensemble. The real issue seems to be the screenplay that sounds like anime dialogue run through ChatGPT. Even accomplished actors can't help but struggle when forced to deliver lines about "attribute windows" and "regression cycles" with a straight face. This summer's most anticipated tentpole looks destined to become summer's biggest disappointment: a cautionary tale about what happens when hype outpaces execution.

Restrained romance of 'KPop Demon Hunters' ignites fan imagination
Restrained romance of 'KPop Demon Hunters' ignites fan imagination

Korea Herald

time6 hours ago

  • Korea Herald

Restrained romance of 'KPop Demon Hunters' ignites fan imagination

Netflix's record-breaking hit "KPop Demon Hunters" is making major waves worldwide and has online communities buzzing with fan-made content. Many such fans longing for a deeper romance between main characters Rumi and Jinu have been creating and sharing photoshopped images of the two kissing, holding hands, or going on dates. Co-directed by Maggie Kang and Chris Appelhans, "KPop Demon Hunters" is an animated movie centered on the fictional K-pop girl group Huntrix. Its members, Rumi, Mira, and Zoey, moonlight as demon hunters, secretly protecting the world from evil spirits through music and dance. The movie quickly became a global sensation with its powerful soundtrack, vivid portrayal of K-pop fandom culture and fresh twist on the exorcism genre. At the heart of its popularity is the emotional bond between Rumi and Jinu, the leader of the rival boy group, Saja Boys, made up of demons. The tension between Rumi and Jinu is evident in the way they look at each other and exchange soft, comforting words, but the two never kiss or show any gestures that confirm a romantic relationship. Though a kiss scene was initially proposed, it was ultimately omitted from the final cut of the film, according to news reports. This only further fueled people's imaginations, giving rise to the online fandom 'RuJinu,' where fan fiction and fan edits continue the love story merely hinted at in the film. One fan asked in a Reddit post why the kiss scene between the two characters was cut, to which director Kang replied, 'The restraint is sexier.' K-drama romance: No rush to kiss In many K-dramas, a kiss rarely comes easy. The enemies-to-lovers trope is a particular favorite in romance series. 'I can't stand you' slowly becomes 'I can't stop thinking about you.' As the couple overcomes their misunderstandings, they admit their feelings for each other, sealing the scene — and often the end of the episode — with a kiss. Everything changes after the long-awaited first kiss, and the relationship develops quickly, often leading straight to marriage. In "KPop Demon Hunters," a kiss between Rumi and Jinu would have felt out of place. 'They only met twice in secret. Does it make sense for them to suddenly kiss? The beauty of K-romance lies in the push and pull,' one fan commented on Facebook. Why do kisses typically take place later in Korean TV shows? Some Koreans point to the country's 'confession culture.' 'In Korea, there's a tradition of formally confessing love before physical affection follows, although with generational shifts, that order is less strictly followed these days. I think this cultural norm has influenced media portrayals, where kisses after a confession are often depicted as a way of confirming love,' said Shin Yu-eun, 32, a student at the Graduate School of Journalism and Mass Communication at Hankuk University of Foreign Studies.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store