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Neil McCormick: Why Oasis are the greatest rock band of the modern age

Neil McCormick: Why Oasis are the greatest rock band of the modern age

Well, I know exactly where I was. I was standing deep in the heart of that crowd, with my arm over the shoulder of my own brother, singing along at the top of my voice.
As I wrote in The Telegraph at the time: 'Great earthshaking, groundbreaking, world-beating rock and roll occurs at a point where the expression of an artist and the needs of the audience coincide. Right now, this is where Oasis stand.'
Later, when the band had been ­helicoptered away to continue fighting, cursing, slurping and snorting at their leisure, their audience were left to shuffle painfully towards the exits. For three hours, packed in bomber jackets and bucket hats, we barely moved. Yet all that time, we kept our spirits high by singing Don't Look Back in Anger, Wonderwall and Live Forever.
And now we are about to do it all again.
Britain has produced many gold-standard rock bands, and I would cite The Beatles, The Rolling Stones, The Who, Pink Floyd, Led Zeppelin, Queen and The Clash as the greatest of all time. To that pantheon we must add Oasis, the outstanding British rock band of the modern age.
I know there will be scepticism about such a proclamation, although not among the 14 million people who desperately scrambled to buy tickets when the reunion was announced, or the two million set to attend 40 shows of a world tour that kicks off at Cardiff's Principality Stadium on Friday.
We all know what we are going to get, and it is nothing fancy. Oasis perform as if showmanship is beneath them. They stand still, battering out songs with thunderous drums, fuzzy guitars and barely a hint of musical nuance. Liam spits out lyrics as if he is ready to take on the whole world in a fight. Noel's elegantly rising and falling melodies do the rest, inspiring the biggest communal sing-alongs you could ever hope to hear.
I've never been interested in pushing music forward. Life is so chaotic in Oasis anyway
Oasis songs are absurdly catchy, bristling with earworm hooks and snappy lyrics performed with total commitment, putting melody at the heart of hard rock. It is like hearing a whole history of British rock in three-minute bursts, the power of Led Zeppelin playing Beatles songs with swagger of The Rolling Stones. 'I've never been interested in pushing music forward,' according to Noel. 'Life is so chaotic in Oasis anyway, I don't want to be experimenting as well. 'Let's try this in an urban cyber-sonic punk style.' No, give us that Marshall stack and that guitar, I know where I am, thank you very much.'
When Oasis signed to Creation Records in 1993, Noel had one question for the label: 'We're going to be the biggest band in the world. Can you handle it?'
And then, boom. In April, 1994, ­Supersonic was the perfect debut single for the Britpop era, riding in on an insolent riff, sneering vocals and euphoric surrealistic lyrics bound by the assertion that 'you can have it all'. It only reached number 31 but it was enough to put Oasis on Top Of The Pops and give us a glimpse of the future.
A month later, Definitely Maybe became the fastest-selling debut album in UK pop history.
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Oasis scored 22 consecutive top 10 singles and eight No 1 albums between 1994 and 2008, with an estimated 75 million record sales. Their second album, (What's the Story) Morning Glory was the biggest selling album in the world in 1995. The Gallaghers became the nation's favourite soap opera.
They fought, they swore, they stormed off tours, cancelled gigs and fell out with each other and every original member of the band, and yet achieved something no pop group since The Beatles had done, infusing a whole country with their own self-belief.
Britpop was a great time to be a music journalist. There was a blurring of lines between bands, fans and media. I had many memorable encounters with Oasis, one of the oddest being Liam playing peacemaker when a food fight broke out in a cafe between members of the Spice Girls and All Saints. The most surreal was driving across San Francisco's Golden Great Bridge in a van with U2 and Oasis after a stadium double bill, everyone singing U2's One.
The way Oasis swept everything before them, there was an assumption that the sky was the limit. In 1997, third album Be Here Now was initially acclaimed a masterpiece, yet despite notching up six million sales came to be regarded as overworked and hollow.
As members left and were replaced, each successive album was scrutinised through a lens of their explosive past and found mysteriously lacking.
The critical consensus was that Oasis had lost their way, but it might simply be that the pop zeitgeist moved on, while Oasis continued surfing their own mighty wave.
They released towering singles throughout the 2000s (Go Let it Out, The Hindu Times, Songbird, Lyla, The Importance of Being Idle, The Shock of the Lightning). With the public onside, Oasis continued to play packed stadiums to the bitter end.
Liam's like a man with a fork in a world of soup
And it was bitter, rooted in the antagonistically contrary personalities of the duelling brothers. For a while their sibling conflict had provided much public amusement, with tiffs conducted in a ludicrously comedic language. Noel characterised Liam as 'the angriest man you'll ever meet. He's like a man with a fork in a world of soup'.
Liam branded Noel a 'working-class traitor' for the sin of eating tofu. Yet the animosity directed towards each other was counterbalanced by the unity with which they faced the outside world, performing anthems of togetherness such as crowd favourite Acquiesce, duetting: 'We need each other, we believe in one another.'
Until they didn't. Oasis split minutes before a concert in Paris in August 2009, when another trivial argument escalated, guitars were smashed and Noel stormed out. His subsequent statement made it sound like he was suffering from PTSD, insisting: 'I simply could not go on working with Liam a day longer.'
​ Sixteen years after breaking up, Oasis still have 25 million monthly listeners on Spotify, over twice the number of their erstwhile Britpop rivals Blur.
Their eight No1 studio albums and three major compilations remain regular fixtures of the charts, collectively amassing 1,824 weeks in the top 75.
Wonderwall has clocked up 2.4 billion streams on Spotify. According to music data ­analytics site Chartmetric, Oasis are still ranked in the top 20 British artists in the world, and in the top 10 in the UK itself. It is not unusual to hear spontaneous outbreaks of crowds singing Oasis songs at public gatherings. An impromptu rendition of Don't Look Back in Anger in St Ann's Square, Manchester, in July 2017 in response to the Manchester Arena bombing was a powerful demonstration of its enduring emotional significance.
What's fascinating is how much Oasis matter to people too young to remember Britpop. Both Noel (now 58) and Liam (52) have carved out arena-level, chart-topping solo careers, but it is Liam who has really carried the Oasis torch. He played to 170,000 fans across two nights at Knebworth in 2022, a larger audience than Oasis drew in 1996. They certainly weren't all men of a certain age fishing out bucket hats for one last hurrah.
Liam has a near legendary status amongst younger music lovers, who have been indoctrinated by their parents' record collections while connecting with his wackily amusing online personality and steadfast refusal to mature beyond the lairy spirit of rock'n'roll. Liam is widely celebrated as The Last Rock Star Standing, a man who delivers every note of every song in a tone that cuts right through the mix and burns to the soul.
Ultimately, it is the songs that have kept Oasis in the ether. Noel may talk down his sophistication as a songwriter, but he has a rare gift: the magic that makes things flow. His songs are not always particularly clever, and are rarely radical or earth-shattering, but there are moments when you hear them and nothing else will do. And that moment has arrived once more.
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Family silverware: Incredible story of Markham family and their minor miracle
Family silverware: Incredible story of Markham family and their minor miracle

Irish Daily Mirror

time2 hours ago

  • Irish Daily Mirror

Family silverware: Incredible story of Markham family and their minor miracle

TOM Markham is making his way up the steps of the Cusack Stand. The two-year-old has just escaped from a photo with his grandad Tom Markham and his dad Tom Markham and the Tom Markham Cup — all pictured together for the very first time. 'It's a special moment for us,' says grandad Tom (or Tom III) as he heads after the youngest. This is the story of five Tom Markhams and a trophy that's played for the Electric Ireland GAA Football All-Ireland Minor Championship every year. The first was as a gun-runner and spy for Michael Collins, the second played for the Dublin minors for five years, the third played with some of the biggest names in Irish sport, the fourth works with some of the biggest names in soccer, film and video games. The fifth? Well, he's just getting going… But let's start with the trophy. On Sunday Kerry and Tyrone meet in Newbridge in the 2025 minor decider. The winner will collect the Tom Markham Cup. It has passed through some famous hands — from future All Stars to TV presenters and movie stars with everyone from Sean Cavanagh and David Clifford to Paddy Kielty lifting it down the years. Harry Potter star Daniel Radcliffe was even pictured with the cup after partying with the 2012 victorious Dublin minor team. But there was little contact between the Markham family and the trophy for decades. 'I was invited to the Roscommon celebration dinner in 2006,' says Tom III. 'And that happened by accident really. I just happened to meet a Roscommon man on a building site and he contacted the Roscommon PRO. 'It was an amazing night. They put myself and my wife Deirdre at a table with the only living survivors from the last Roscommon minor team that won the All-Ireland in the early 1950s. 'These men were all in their 80s by then and they were seriously emotional. They were all wearing their medals pinned to their lapels and it was such a memorable night. 'That was what sparked me to start finding out a bit more about my grandfather.' The first Tom Markham was born in Ballynacally near Ennis in 1878. In a 2020 lecture for Clare County Library, the writer Joe Ó Muircheartaigh described his colourful life and times: 'He was a British civil servant, but an Irish Volunteer and an IRA man. A gun runner, a veteran of Easter Week, a social activist, a champion of the sick during a global pandemic, an Irish language activist, a youth worker, a newspaper editor and a writer.' Tom Markham I was in Croke Park with the Dublin team on Bloody Sunday and set up GAA clubs in the city. He also worked in Dublin Castle and became one of Collins' key intelligence men during the War of Independence. 'My grandfather died 13 years before I was born, but I'm immensely proud of him,' says Tom III. 'I think it was an extraordinary era to be living through. 'My dad was quite a quiet man and there is only one story from that whole era that he ever mentioned to me. 'My grandad was bringing my father home from school and they came to a British checkpoint somewhere near Ballybough. 'My grandfather actually had a pistol on him and it wouldn't have been an option to turn around or whatever. So he slipped the pistol into my dad's school bag. 'They searched him, but they never searched the school bag. 'The hair is standing up on my neck thinking about that and how people lived on their wits. It's extraordinary. 'Imagine the pressure of dealing with that on a day-to-day basis if you were involved.' Tom Markham I was the chairman of the Dublin Minor Board and founded the Desmonds and Crokes clubs. He died in 1939 and the Tom Markham Cup was presented to the All-Ireland minor football winners for the first time the following year. By this point, the second Tom Markham had already carved out his own little piece of history by playing minor football for the Dubs for five consecutive years from 1929 to 1933. He also played in a match at Croke Park in the 1930s to raise funds for 1916 veterans and the medal from that game is something Tom III holds dear. 'An old boy came up to me at his funeral and said, 'Do you know your father at 13 used to take the 50s with an old leather ball and could put them over the bar,' says Tom III. 'I just couldn't believe that. 'There's a great photo in Humphrey Kelleher's book 'GAA Family Silver' of the Dublin minor team in 1930. My dad is in the front and my grandfather is in the back.' As a kid, the third Tom Markham was brought to Croke Park and knew about the cup and the connection, but went to rugby playing schools in Cork and Dublin and amazingly never played GAA. Instead, Tom III played rugby for Clontarf alongside Dublin GAA legends David Hickey and Brian Mullins and with Brian O'Driscoll's dad Frank before lining out with former Ireland captain Ciaran Fitzgerald on the Army team. 'I played with Dave (Hickey) in UCD and in Clontarf. He was unbelievable,' he says. 'He would run flat at somebody and they would just bounce off him. He was so strong. 'I lived on St Lawrence Road and Brian Mullins lived on the next road. We played soccer together in one of the street leagues where the two streets combined. 'He was playing centre-half and he was about two years younger than me, but he was more than holding his own with the older kids. 'In the air he took everything out and he was a talented rugby player too.' Tom III ended up playing rugby for Athlone and was selected for Connacht, only for injury to deprive him of the chance to play. But he got to play alongside Triple Crown-winning captain Fitzgerald during their time together in the Army. 'His ability to motivate players was exceptional. He seemed to be able to get into people's heads,' he says. When the fourth Tom Markham was due in 1982, Tom III and his wife Deirdre discussed the topic of names. There was an obvious choice, but he wasn't convinced. 'I remember saying, 'You know, maybe we've had enough of all this Tom Markham stuff. Maybe we should call him something else,' he says. 'Deirdre obviously mentioned that to her mum and I got a phone call about two or three days later saying, 'Tom, it's not for me to say, but this is a very important family name and I think he should be called Tom.' 'So it was probably my mother-in-law who was the biggest driving force.' And along came the fourth Tom Markham. He's a huge Arsenal fan — there's a family connection on his mother Deirdre's side through her uncle Billy Duffy who was at the club in the 1940s — and he lives in the grounds of the old Highbury Stadium. After working for a bank in Dublin, he did a PhD in football finance and has become one of the most respected figures in the business side of the beautiful game, brokering deals between major clubs and prospective owners. Tom IV even had a spell as CEO of Wigan Athletic. He was also head of strategic business development at the company behind the Football Manager video game and more recently has been producing hit documentaries about Brazilian footballers — Kaiser in 2018 and The Phenomenon, the story of Ronaldo in 2022. 'He heard this story about a footballer in Brazil who had a long career without ever playing a game,' says Tom III. 'Tom actually went into the favelas and found him and got him to agree to tell his life story for Kaiser. 'Then he was involved in a film about Ronaldo. We went to the premiere in Madrid and that was a great night. (Carlo) Ancelotti was there and quite a few other big names.' Tom III served in Lebanon with the UN in the 1980s before setting up his own business as an engineer. He's still working, but his current job for Ballyboughal GAA club might be his last before retirement. That will leave more time for researching his grandfather Tom I and for trips to London to see his grandson Tom V. The fifth Tom Markham covered the back seat of the car with his breakfast on arrival at Croke Park, but then he wouldn't be the first to have a jittery stomach before taking to the famous field. Thankfully his dad, Tom IV, had a change of clothes at the ready. On the side of the pitch the famous cup has caught the eye of Tom V. It's gleaming in the morning sunlight after a fresh lick of polish. Maybe he'll be back to pick it up again one day as a player... 'That really would be something,' says Tom III, laughing. 'We might need Tom (IV) and his wife Eleanor to move back from London for that to happen. But you never know.' With his name, anything is possible.

Oasis, Abba, Bono and more: What it's like to play in one of Ireland's top tribute acts
Oasis, Abba, Bono and more: What it's like to play in one of Ireland's top tribute acts

Irish Examiner

time4 hours ago

  • Irish Examiner

Oasis, Abba, Bono and more: What it's like to play in one of Ireland's top tribute acts

For James Bermingham, it was a question of Faith; that, and the other albums. Matt Houlihan has become something of a Super Trouper. Derek Power found what he was looking for, and as for Gavin Fleming, well, he's feeling Supersonic. Is it even better than the real thing? Definitely? Maybe. Just ask some of the members of tribute bands who this weekend — almost every weekend — are playing shows to people up and down the country, and sometimes overseas. According to Gavin Fleming, electrical engineer and marathon runner by day, but who turns into Liam Gallagher at the weekends, 'I know some people look at tribute bands as a bit 'cruise ship', but our fans would say different — I psyche myself up, it's raw, you get into the zone, and the day you lose that, you should give it up'. There's not much chance of that these days, with Live Forever, the Oasis tribute band fronted by Gavin, playing shows to audiences already hyped by the prospect of the real Liam and Noel Gallagher getting back together again and playing a string of mega shows, including two nights in Croke Park this August. The re-formed Mancunians taking to the stage for the first time in more than 15 years has provided a boost to Live Forever, just one of a number of tribute acts who in some peculiar, opaque way, seem to become something beyond a facsimile of another group. Often, the whole enterprise takes on a life of its own. 'I'm a passionate person, to put it mildly,' says Gavin, who is from Dublin. A self-described 'Oasis fanatic', he had no experience of music when he won a karaoke competition in the Swallows pub in his native Clondalkin, which led to him teaming up with Paul, aka Noel, and the other members to hone what they describe as the 'definitive' Oasis experience. And while the band still work regular jobs, it means that every weekend, they are cranking up both the volume and the attitude to appreciative audiences who may even like the odd obscure B-side being dropped into the setlist. 'It's what they represent,' Gavin says of Oasis, sounding like a true believer. 'They are the band that defined an era, they are saying you can still get through this, it's the way out, it's the Irishness, it's that punching the air thing...' YOU GOTTA HAVE FAITH James Bermingham as George Michael: 'I'm so passionate about George's music, I fell into the role,' he says. 'It was like a hand in glove.' James Bermingham knows the feeling. Another Dub, he was a taxi driver whose livelihood took a huge hit in the economic crash, ultimately pushing him towards his passion for the work of George Michael. A trained musician, James had been a pop fan since his childhood, but it was the album Faith which propelled his own particular obsession. 'I couldn't get work for love or money so I said I would go back to my first love,' James says of the recession years. 'I gave it a proper go. In 2011, I did my first show, I did the solo circuit in pubs and clubs, from there on in it accelerated, I got better with the feedback. You're programming yourself to be someone. It can be a pseudo science, and I applied those techniques to the tribute thing.' According to Robbie Lee, the Svengali behind James is 'the head off George Michael', yet James himself says that he focused first on the voice, and then later on the appearance, the mannerisms. He even took a kind of method acting approach, finding that on listening to George's old media interviews, if he replicated George's English accent when speaking, it helped with his impressive vocal delivery. 'I'm so passionate about George's music, I fell into the role,' he says. 'It was like a hand in glove.' James Bermingham as George Michael: 'It is a privilege, to replicate someone who has been adored for decades and who is a timeless artist.' Yet that doesn't mean that it did not take a whole pile of work to get to the point where being George Michael is now his full-time profession. As James points out, George had a relatively small back catalogue, even including the Wham! era — 'it was quality over quantity'. It means he had to nail every number so he can mix up the setlist. Evidently, it's working: when we speak, he is gearing up for a main slot at the prestigious summer festival dedicated to George in his home suburb of Goring in London. It surely helps that George's appeal is far from dimming and if anything, is growing among younger fans. 'My eldest daughter is 25, they love the '80s, they are crazy about the '80s,' James says. 'Her old classmates, they love Wham!, Duran Duran ... I'm 51 myself, and there was something magical about the '80s that was probably on a par with the '60s, it was a magical decade.' It might say something that the ever-brilliant RnaG radio show An Taobh Tuathail, presented by Cian Ó'Cíobháin, recently finished its Friday night electronic/club show with the relatively obscure Wham! cut Nothing Looks the Same in the Light. James is delighted with this news. 'What I do when I find myself down and out sometimes is to never take it for granted,' he says. 'It is a privilege, to replicate someone who has been adored for decades and who is a timeless artist.' A PERSONAL WATERLOO Abbaesque, Matt Houlihan as Benny, top left: 'They are amazing songs, they are arranged beautifully. It's not Leonard Cohen or Rage Against The Machine but they are so well crafted." Photo: Gareth Chaney For Matt Houlihan, the story was a little different. 'No, I was not [a fan], I will admit,' he says of Swedish pop legends Abba. Which, given he is Benny in the ultra-successful group Abbaesque, may have proved an issue. 'I had pretensions to be a serious musician back then, I had a future ahead of me of rock stardom and Glastonbury and all that kind of stuff and Abba was not on my radar at all.' Born in England, raised in Clonmel, and a self-declared funk fan, being Benny was initially a bit of a challenge. 'For a few years I didn't like that fact that I was doing it,' he continues. 'I remember being in a bar in New York with my wife-to-be and sitting down talking to this fella and he was all about music and my wife said 'my husband plays music' and I started kicking her leg under the table. "The band was Abbaesque, for whom Matt has played for approximately 25 years. 'I can still remember his name — Ramon. And he said, 'oh man, that's so bad, I feel so bad for you.'' It is safe to say those feelings don't linger these days. 'Now, I love it,' Matt says. 'They are amazing songs, they are arranged beautifully. It's not Leonard Cohen or Rage Against The Machine but they are so well crafted. They're about love and innocence. We get audiences from infant to 90 years old, and the division of the sexes has changed a lot — there are more un-ironic male fans coming to the gigs, and that was never was the case before.' Matt denies he had a Damascene moment where he ultimately embraced his role in what is a hugely successful enterprise, playing in an acclaimed band with its own dedicated following, but he does recall sharing a cigarette outside a club as he turned 50 with another musician. 'I said 'look at me, I'm wearing a wig, putting on high heels, acting like a twat on stage — what the fuck am I doing?' And she said: 'look at you, you're wearing a wig, putting on high heels, you're dancing around a stage for a living... And I said 'you're right'.There are worse ways to make a living.' FINDING WHAT HE'S LOOKING FOR Derek Power, in his former role as Bono: 'It takes a lot of work — it goes from really low to really high, it takes a lot of power.' If Derek Power ever sold his soul, it was in the services of U2, more specifically his role as Bono for many years in the Joshua Tree. Now retired from wearing the shades, and happily living in Tenerife, Derek's introduction to U2 was the classic War album, though his favourite is Achtung Baby. 'Bono has a distinctive vocal,' he says of the artist formally known as Paul Hewson. 'It takes a lot of work — it goes from really low to really high, it takes a lot of power.' That range is something he mastered over the years, but he admits that when it comes to emulating Ireland's greatest ever band, there are some downsides. 'Everybody hates Bono,' he says with a laugh. 'Now, if I did it in mainland Europe, I'd make a fortune but in Ireland, it's marmite, people like him or people don't.' Derek met Bono once, and found him to be absolutely charming. Gavin has met Liam, and had a similar encounter. Robbie Lee, who first set up the tribute bands website way back in 1998, is convinced that the musicians are all invested in what they do. He recalls a time when Live Forever were doing a show and Gavin had been preparing for a marathon, meaning his on-stage pint — always more of a prop in any case — was non-alcoholic. 'The publican says, 'you'd know he wasn't drinking.'' Gavin chuckles at this, and adds that Liam himself doesn't drink these days. In fact, Liam is looking and sounding as good as ever, and as for a metamorphosis, it's arguable that anyone who listens to Colombia at high enough volume will end the song at least 20% Liam and feeling biblical. So Oasis are very much here, but according to Robbie Lee, there can be a risk in the tribute scene when it comes to an act who has passed on, as their profile starts to slip away. LIVING THE DREAM Live Forever, the Oasis tribute band. Picture: Emily Quinn Yet given the appetite for tribute acts, it seems the scene is as robust as ever, particularly in an era where the traditional pathway for an original band — demo, radio airplay, short-term deal with a label, potential stardom — seems a relic of another era. 'I'm not as factional as when I was a kid,' Matt says, sounding like someone who misses the era where you were almost defined as much by what bands you didn't like as those you did. He is not the only interviewee to remark that these days, how you fare on social media, and particularly TikTok, is as likely to be a bellwether for future career prospects as a spin on a radio show. Derek wonders whether a modern day U2 would make it as a far as album three or four, while James remarks that today, thanks to the internet, everything is effectively available all the time, instantly: 'You have multifaceted trends happening at the same time.' There we were, now here we are. Are we in danger of drowning in a sea of nostalgia? According to Gavin, absolutely not. 'The biggest rock and roll comeback of all time is coming,' he says with relish. Live Forever will be 15 years on the go by next January. 'We always play it down but the people who come to our show, they're supporters of the band, and they say 'you constantly deliver'. I think we are more than a tribute band … we are normal working class lads out living a dream.' Music can always exert its strange power. James Bermingham recalls the time he played a gig in a place near Sydney, Australia. 'We did a venue where the promoter forgot to promote the show, and the warm-up act was a thrash metal band, and I said 'how am I going to do this?' The other band said to try George's song Freedom 90. I went up and did that song with them, they stayed on for my set, it was all pop and glam, and those fans who were there for the death metal band stayed for the full hour of my set. Careless Whisper... they knew that song inside out.' Live Forever will play Whelans Dublin from 2pm before Oasis take the stage in Croke Park on August 16 and 17. Tickets from Abbaesque play Gleneagle Arena, Kerry on August 9 and Dolan's Warehouse, Limerick on September 20. Tickets from The Ultimate George Michael Tribute performs at Palmerstown House Estate, Kildare on July 25. Tickets from Read More Tom Dunne: Bruce Springsteen gives us an early Christmas gift

Fan ‘stretchered out' after ‘medical emergency' during Oasis comeback show
Fan ‘stretchered out' after ‘medical emergency' during Oasis comeback show

The Irish Sun

time5 hours ago

  • The Irish Sun

Fan ‘stretchered out' after ‘medical emergency' during Oasis comeback show

AN Oasis fan was rushed out of the reunion concert on a stretcher needing urgent medical attention. The reveller was carried out of the gig in Cardiff tonight by paramedics after falling ill. Advertisement Another member of the crowd claimed the female fan was carried away during the band's song D'You Know What I Mean. 1 An Oasis fan was rushed out of the concert on a stretcher needing urgent medical attention Credit: AP

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