
Kaleidoscope 2025: See photos from Wicklow's family music festival
Presented by Glenveagh, this year's festival featured headliners including legendary Scottish band Texas, Birmingham's Ocean Colour Scene and home-grown favourites, The Coronas, while Allie Sherlock, The Riptide Movement, Hermitage Green, and The Jerry Fish Electric Sideshow added to the star power.
In true birthday spirit, Jerry Fish led the crowd in a full festival sing-along of Happy Birthday to mark the milestone moment on Sunday afternoon.
In its fifth year, the family music festival fully embraced its house party theme. The Zozimus music stage becoming the festival's dance floor all weekend long, with sequinned crowds singing at the top of their lungs to ABBAesque, grooving to the Daft Punk Tribute, and head-banging with The Year Grunge Broke.
DJ Kelly-Anne Byrne and Love Sensation lit up the evening with disco-charged sets, while These Charming Men and The Irish House Party brought classic indie rock and trad energy into the mix.
Beyond the music, families immersed themselves in over ten jam-packed family areas and stages, from science experiments and awe-inspiring fire acts, to illustration workshops, and baby rave parties.
Budding foodies rolled up their sleeves at the Scrumdiddlyumptious Festival of Food, while little adventurers delved into the wild wonders of The National Reptile Zoo. Young stars also took the spotlight, with appearances from 11-year-old DJ Seán M, 15-year-old Toy Show alum DJ Calum Kieran, and seven-year-old social media sensation Jacob Robinson, making their festival debuts.
Shell Holden, head of marketing at Kaleidoscope, commented: 'This year, we wanted to do something truly special to celebrate our fifth birthday, and what better way than by hosting Ireland's biggest ever family house party!
'From tiny tots discovering circus for the first time, to parents dancing their hearts out to their favourite 80s and 90s hits, to moments shared between generations, this weekend set the bar high for summer memories.'
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Irish Independent
9 hours ago
- Irish Independent
‘The Sweeney' at 50: How a brash, brutal police drama transformed British television
The Sweeney first hit screens (and also gave a good walloping to every wayward villain in west London) in January 1975. Its second series, of a total of four broadcast on ITV, followed in September of the same year. Alongside Thaw, who died in 2002, Dennis Waterman co-starred as the affable, capable DS George Carter. Waterman died in 2022, leaving few members of the fictionalised Flying Squad (the series derived its name from cockney rhyming slang: 'Sweeney Todd') still with us, let alone still working. But Nick Brimble, who played DC Gerry Burtonshaw, never stopped. Today a mainstay of the detective drama Grantchester, the 80-year-old recalls his Sweeney debut in the programme's sixth episode, 'Night Out'. 'It might have been my first day,' says Brimble, 'and we were doing a fight [scene] in a pub. I was there with Dennis, and we were running late. They said: 'OK, Dennis, Nick, make sure you don't get hurt. And go!' Suddenly, the whole place – which I thought was full of extras, turns out it was the entire stunt register – started smashing chairs over each other's heads and throwing bottles. I just stood there looking surprised!' But that's how it was, says the actor, who appeared in three series and the first of two Sweeney films (which made so much money they enabled production company EMI Films to make The Deer Hunter). During the pub fight, Brimble recalls Scottish actor Brian Coburn being knocked unconscious by a bottle that was meant to be made from toffee glass. These days, he says, projects don't come close to this level of realism – or violence. 'And obviously, you want to be safe,' adds Brimble, 'but sometimes you feel that things are a bit restricted. The Sweeney was flying by the seat of your pants – fights, action, the whole thing.' Cast members frequently arrived on set before seeing a script, and the wardrobe department would often call actors the night before filming to ask if they had a spare leather jacket for the shoot tomorrow. 'I had suede. 'That'll do!' they said,' Brimble recalls. 'Even now, the show has a great energy,' he adds. 'And people still respond to it, watching reruns all these years later. It doesn't feel like some dusty old show. It feels, in a way, more lively than many things on TV now.' There's a reason for that. The Sweeney began life as 'Regan', a 1974 episode of anthology series Armchair Cinema. And, for all its envelope-pushing and convention-smashing, the show started off as something of a composite, borrowing elements from other crime dramas. Producers picked Thaw after seeing him play a military policeman in the drama series Redcap, while Waterman was chosen after he guest-starred in ITV's crime saga Special Branch. Writer Ted Childs was inspired by Gene Hackman thriller The French Connection. Series creator Ian Kennedy Martin looked to films including the Michael Caine vehicle Get Carter, Sitting Target with Oliver Reed, and the gangster movie Villain, starring Richard Burton, to inform the show's style. As such, when The Sweeney first aired – multiple influences under its belt, and a pilot in its pocket – it arrived fully formed. And there wasn't any laborious world-building to do, because this wasn't a far-fetched, fantastical London. This was the real thing – violence, hardship and all. 'The Seventies was a tough time. A gritty time,' says Tony Jordan, a seasoned writer and the creator of programmes including Hustle and Beyond Paradise. 'It can feel like it was quite shiny, polished and pop-arty. But it wasn't really like that. Everything was in economic decline, crime was rising – particularly in cities – and it was all a bit fractious. Television didn't truly represent that. Our crimefighters were things like The Avengers, all a bit nonsensical. There were exceptions, of course, but general mainstream television felt like a fantasy world. Heroes were heroes, and that's the way it worked.' Then came Jack Regan. 'He lived in the world we all lived in. He had moral ambiguity; he worried. He was a flawed hero, but he was on our side. He did terrible things – like kidnapping people – but he'd never take a bribe for himself. There wasn't a holier-than-thou reverence to it. He clearly had his demons, but still he did the right thing.' And Regan, says Jordan, more closely resembled the police he knew as a rebellious teenager. In fact, many of the show's catchphrases – 'We're the Sweeney, son, and we haven't had any dinner'; 'Get your trousers on, you're nicked!' – were borrowed from real-life, off-duty Flying Squad members whom producers spoke to in pubs around Scotland Yard. Regan and co may have been fictional, but they were real: human, fallible, and capable of making mistakes. 'It was aware of other TV,' Jordan explains. 'At one point, Regan has a lollipop and George says, 'Who loves ya, baby?', referencing Kojak. He'd say stuff like 'Life isn't like Z-Cars' or whistle the theme tune to Dixon of Dock Green. So audacious! How could you not love the audacity of that?' The Sweeney resonated across culture. Both Squeeze and Kate Bush namedropped the series in their lyrics. 'It wasn't about dissecting your lines or finding your character's motivation, says Brimble. 'It was about turning up and doing stuff. I think half of the show's realism comes from the fact it was done very fast. Energy is the word that comes to mind – lots of testosterone flying about. If there was a fight in a pub, you went and had a fight in a pub.' Brimble later played Little John in Robin Hood: Prince of Thieves. On set, that film's star, Kevin Costner, would constantly ask Brimble about London gangsters and his work on shows like The Sweeney. 'I had to say, 'I'm not one, Kevin – I'm just pretending, love.'' But The Sweeney attracted A-listers itself. Among the guest stars were John Hurt, Brian Blessed, Richard Griffiths – even Morecambe and Wise. Ray Winstone made his acting debut in series three, and went on to star in a flimsy cinematic reboot that bore little resemblance to the original show. That film, released in 2012, spawned a French remake in 2015 starring Jean Reno, which has itself produced a sequel. In the Nineties, Nissan spoofed the show in an ad campaign, and Matt Berry recently described his short-lived sitcom Year of the Rabbit as 'The Sweeney, but set in Victorian times'. The Sweeney lives on, then – not least in every hard-edged, hard-drinking copper on television today. 'Well, they'd like to be The Sweeney,' says Brimble. 'But that realism and action and energy is hard to reproduce these days. It was the first one that felt real – that's why people still aspire to it. But drama today is often too complicated. The Sweeney worked because it wasn't complicated. It was an adrenaline-fuelled rush.' (© The Independent)


Sunday World
18 hours ago
- Sunday World
Scottish gangster linked to Lyons clan hangs out backstage at Oasis gig
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Extra.ie
2 days ago
- Extra.ie
It's a grand old team - 50 Cent reveals which Scottish team he supports ahead of Glasgow gig
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