
Sunset mayhem
during the twilight call to prayer. But where the original managed to maintain a strong grip on psychological fear and mythological roots, Waktu Maghrib 2 feels more like a fever dream, disjointed, overly dramatic and often unintentionally hilarious.
Plot
Directed by Sidharta Tata, the story is set in the haunted rural village of Giritirto, decades after the events of the first film. A group of teenagers, Yogo, Dewo, Wulan and others find themselves at the centre of a new supernatural threat after tempers flare during a football match.
As dusk sets in, they shout vulgarities and curse one another during the sacred time of Maghrib, unknowingly inviting an ancient curse. Not long after, one of them becomes possessed, setting off a chain of chaotic, often confusing, supernatural events.
Ummu Sibyan, the central demon, is revived as a terrifying force plaguing the village, but instead of a coherent progression of terror, the film hops from one screamfest to another without much rhyme or reason. Scenes abruptly change tones, timelines blur without explanation, and most of the emotional beats are undercut by unintentional comedy.
Cast and characters
If there is anything worth applauding in Waktu Maghrib 2, it is the children. The young cast members bring genuine energy and commitment to their roles, even when the story falters. One standout is the little girl (Wulan), played by Anantya Kirana, who displays impressive emotional range from wide-eyed innocence to unsettling dread. Her performance grounds several scenes, giving the audience something to hold onto amid the film's supernatural frenzy.
The boys, Yogo (Sulthan Hamonangan), Dewo (Ghazi Alhabsyi) and the rest also carry their parts well. Scenes of them panicking in the forest, reacting to unseen terrors or fighting off possessions, they deliver believable fear and camaraderie. There is a sincerity in how the kids portray confusion and terror, which helps inject some authenticity into otherwise chaotic moments.
Omar Daniel plays Adi, a returning adult figure connected to the original curse. He attempts to bring maturity and context to the story, but the script gives him little room to breathe. Still, he holds his own alongside the younger cast, often serving as the calm in the storm.
Pros & cons
There is no denying that Waktu Maghrib 2 is full of moments that will make you flinch or jump, thanks to well-timed (if predictable) scares, sudden loud audio cues and disturbing visual imagery involving children. The film's rural setting also adds a distinct eeriness, with lingering wide shots of empty roads and glowing orange sunsets that build atmospheric tension.
However, where the film utterly fails is in narrative clarity and emotional depth. Plot points are introduced and discarded with little logic. Characters disappear without explanation. The mythos of Ummu Sibyan, which could have added rich lore, is barely explored and instead replaced with incoherent exposition dumps. Dialogue is stilted, and any attempt at message or meaning gets drowned in over-the-top acting and bizarre tonal shifts.
Editing and music
The editing is choppy at best. Transitions between scenes feel abrupt and unnatural, giving the whole film a student-project energy. Scenes that should carry emotional weight are cut short, while possession sequences drag on with slow-motion gimmicks and flashback filters. The musical score, however, does a decent job of elevating tension especially during quiet, suspenseful moments. Unfortunately, it is also overused to the point where even mundane conversations are laced with ominous chords.
The sound design deserves praise for crafting effective jump scares, which are the only consistent source of entertainment. Sudden door slams to guttural whispers in the dark, these moments are what will keep viewers on edge even if they do not ultimately serve a meaningful plot.
This is not a good movie by any cinematic standard, but it is undeniably fun to watch with friends. It is the kind of film you laugh about after, even while clinging to your seat during its loud, chaotic moments. Best enjoyed in a cinema surrounded by equally confused viewers, it offers entertainment through shared gasps and giggles rather than genuine horror.
Waktu Maghrib 2 is now running in cinemas.
DIRECTOR: Sidharta Tata
CAST: Omar Daniel, Anantya Kirana, Sulthan Hamonangan, Ghazi Alhabsyi, Muzakki Ramdhan
E-VALUE: 5
ACTING: 7
PLOT: 4

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


New Straits Times
18 hours ago
- New Straits Times
#SHOWBIZ: Cakra Khan promises an unforgettable concert
POPULAR Indonesian singer Cakra Khan is all set to make a grand return to the Malaysian stage next month. And he's pulling out all the stops to deliver a night to remember for his fans. With his signature husky vocals and emotive delivery, the 33-year-old artiste is gearing up for his much-anticipated solo performance, the Cakra Khan Divine Concert. The show is set to take place on Aug 2 at the Plenary Hall in the Kuala Lumpur Convention Centre. Speaking at a recent press conference to announce the concert, Cakra playfully expressed his deep love for performing. "If it were entirely up to me, I'd love to sing more than 30 songs during my concert! "As long as the audience is enjoying themselves, I could sing all night." However, despite his enthusiasm, he admitted that some compromises had to be made. "After detailed discussions with the production team and taking into account the time limits, we had to narrow down the song list. "I love being on stage, but we also want the show to be polished and well-paced." Presented by Shiraz Projects, the Kuala Lumpur concert is part of a two-stop showcase. Cakra had previously performed across the Causeway at The Star Theatre in Singapore on July 18. The concert's theme, "Divine", was carefully chosen to represent more than just a musical performance. As explained by Shiraz Projects managing director Shirazdeen Karim, the word "Divine" embodies Cakra Khan's extraordinary journey — from humble beginnings to successfully establishing a solid presence in the Southeast Asian music scene. "This concert comes at a timely moment, as Cakra continues to solidify his status as one of the most unique vocalists in the region," said Shirazdeen. "It's a celebration of his voice, artistry and the emotional depth he brings to every performance." Fans can expect an evocative mix of hits, from timeless favourites like 'Kekasih Bayangan' to fresh new tracks that showcase the evolution of his sound. What's more, Cakra has promised a different setlist for each city, ensuring that fans in Malaysia and Singapore enjoy unique experiences. "There will be some songs I performed in Singapore that I won't sing in KL, and vice versa," he explained. "I'm also including some new songs and reworking the arrangements for older ones. It's about creating something special and unforgettable for each audience." But that's not all, as Cakra won't be taking to the stage alone. Fans are in for a treat, as the concert will also feature special appearances by renowned guest performers, including Marsha Milan, Ade Govinda, Titi DJ, Trio XL and Faizal Lubis. These collaborations are expected to elevate the night's musical atmosphere further, giving fans and music lovers a truly memorable experience. Cakra emphasised that he has personally invested time and energy into every detail of the show, from the lighting to the stage design to the musical arrangements. "This time around, I've been really hands-on with everything. I want the entire experience, visually and sonically, to be satisfying for everyone who comes." As for the final number of songs, he revealed that the concert will feature close to 30 tracks, carefully selected and arranged to deliver both emotional depth and powerful vocals without overwhelming the timeline. "We had to be realistic. Initially, I really did want to perform over 30 songs, but once we broke down the rehearsal schedule and concert duration, we had to cut back a little," he said with a smile. "Still, I'm confident fans will feel the magic we've put into this." With anticipation steadily building, the Cakra Khan Divine Concert promises not only a night of great music but also a celebration of passion, perseverance and the power of a voice that continues to move hearts across generations.


Hype Malaysia
a day ago
- Hype Malaysia
(Video) Michael Wong Successfully Concludes 2-Day Concert At Stadium Merdeka
The past weekend saw a bunch of concerts, including back-to-back shows by Malaysian singer-songwriter Michael Wong, fondly known as Guang Liang (光良). The singer's two-day concert at Stadium Merdeka was a huge success and also earned the singer praise for a respectful gesture. Last Friday and Saturday (18th and 19th July 2025), Michael Wong held his 'Never Apart. Lonely Planet 3.0' concerts at Stadium Merdeka. The two-day show received a lot of attention from the start after the star announced that all tickets to the concert were uniformly priced at RM199. The generous move was to show Michael's gratitude to his fans for their love and support throughout his 30-year career in the music industry. The two shows were a success, with a total of 40,000 tickets sold for both days. Fans were also satisfied with the performances, as Michael sang all his classic love songs for more than three hours each night. Most amusingly, during Day 2, fans wouldn't leave the stadium after the show ended and continued chanting 'encore' despite it being after midnight. While Michael was flustered that fans wouldn't leave the hall, he continued singing for another half an hour. Michael also celebrated the success of his concert tour with a celebration banquet. During the event, he received a certification from the ASEAN Records for being the first artist to perform twice at Stadium Merdeka with full capacity and uniformly priced tickets. He also spoke candidly about how he fulfilled his promise to return to Malaysia and thanked the fans for their continued support. Interestingly, the singer and his concert also received praise for a respectful gesture. On Twitter, journalist Norman Goh revealed that both concerts started at 9pm to respect the Maghrib and Isyak prayers. The crew also paused the music at the venue during the Azan. Many netizens praised Michael and the concert organiser for respecting religion during the show and for showing cultural sensitivity. We congratulate Michael on the success of his concerts and his new ASEAN Record. We also share our kudos to him for respecting the prayer times. Check out some clips from his concerts below: Sources: China Press (1)(2), Twitter

Barnama
a day ago
- Barnama
Wayang Santri: Unique Tradition Of Javanese Commmunity With Moral Teachings
By Kamarul Halim M Kamal MUAR, July 21 (Bernama) — Wayang Santri stage performances may still be unfamiliar to many Malaysians, but this unique art form holds deep roots in the Javanese community across the Indonesian archipelago, where it has been passed down from generation to generation. According to a young millennial Wayang Santri puppeteer, Ki Haryo Susilo Enthus Susmono, many Malaysians still mistakenly associate Wayang Santri with wayang kulit, particularly the well-known versions from Kelantan and Terengganu. He said it was to address this misconception that the Wayang Santri stage tour was launched in Johor and Kuala Lumpur, starting July 19, to introduce the traditional art form to Malaysian audiences. 'Beyond serving as a platform for cross-cultural artistic exchange, the tour also aims to strengthen cultural ties between Malaysia and Indonesia, which share a deep and inseparable heritage. 'Unlike wayang kulit, which is performed behind a screen, Wayang Santri or also known as wayang golek, is performed live using wooden puppets,' he told Bernama after the Malaysia Wayang Santri Tour 2025: Indonesia-Malaysia Cultural Diplomacy at Keraton Mbah Anang here recently. Keraton Mbah Anang, a centre for cultural activities rooted in Javanese customs and traditions, served as the venue for the Wayang Santri performance in Johor. Ki Haryo explained that the Wayang Santri performances are distinctive in their emphasis on moral teachings and Islamic dakwah narratives, with the stories often about the Islamic kingdom of Sunan Kalijaga and are interwoven with contemporary elements, while remaining true to the original concept and values. Ki Haryo, who inherited the puppeteering skills from his father, the legendary Ki Enthus Susmono, shared that each performance is supported by 17 to 20 musicians who play a variety of traditional instruments, including the demung, saron, gong, bonang and Sundanese drums, alongside modern instruments like the violin and keyboard.