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Exclusive: Vivek Agnihotri on India's soft power, 10 US premieres of Bengal Files

Exclusive: Vivek Agnihotri on India's soft power, 10 US premieres of Bengal Files

India Today2 days ago

Filmmaker Vivek Ranjan Agnihotri on Friday announced that he would showcase his upcoming film 'The Bengal Files' at 10 grand premieres in the US. In an interview with India Today.in, the director now opened up on promoting his film as 'India's soft power', and beginning the worldwide promotions first than marketing the film in India.'The Bengal Files', which is the third chapter in his trilogy, will be screened at mega-premieres across the United States, starting July 19 in New Jersey and concluding on August 10 in Houston. The premiere tour will include special screenings in key cities like Chicago, Atlanta, Washington DC, Raleigh, Tampa, Phoenix, Los Angeles, and the San Francisco Bay Area.advertisementAgnihotri spoke about his decision to screen the film in the US first, and said, "At the time of 'The Kashmir Files', the first film of my trilogy, I had realized that Indian films don't work as the soft power for India to create a grand narrative in the world. Therefore, we decided to showcase our films in different parts of the world, even before they are released in India. We have seen the success of the Kashmir Files, we have seen the grand, unprecedented success of 'The Kashmir Files'."
The director said his films stand for the truth, the kind of uncomfortable narrative that most filmmakers shy away from. He explained, "Because these narratives people wanted to know, these truths people wanted to know, but nobody was telling them. The films which had truth in them were made small like our films, but they were only for domestic consumption, and the world never got to know about those stories. So therefore, instead of going to the international market, we decided that we will go top to down."advertisementAgnihotri talked about what he called the 'top to bottom' approach for the promotion of his film. He said the journey of 'The Bengal Files' promotions will begin in the US with the 10 grand premieres across the country."We will start with international market and come to India. This is something which is very close to my heart, and I am very very happy, delighted and proud that the Bengal Files is going to reach people in US, policymakers, congressmen, senators, media people, blacks, Jews, people from different diverse international communities, and they will understand that what happens when a community is being persecuted for more than 1000 years. And it also gives a message that why it is so important for every citizen of the world to protect humanity," he went on. Agnihotri continues, "And this film conveys that, and that's why I am taking this film to the USA, and all the local organisers and our national partners in the USA, Kohona and GKPD, are working so hard. And this work is done only by volunteers. It's not a commercial project; it's a purely philanthropic charity and non-profit exercise by the volunteers who want to promote truth cinema."advertisementAgnihotri's decision to promote 'The Bengal Files' in the overseas market first also comes from the audience's response to 'The Kashmir Files' in the same market. The filmmaker enjoys a growing global appeal and the rising excitement for his kind of cinema beyond India.A teaser for 'The Bengal Files' was released earlier this month, featuring all the prominent cast members. One striking scene featured Goddess Durga's idol engulfed in flames. Later, as the scene became a topic of discussion on social media, the filmmakers clarified that they had backed the story by thorough research.The teaser was headlined as: "If Kashmir hurt you, then Bengal will haunt you."The Bengal Files is written and directed by Vivek Ranjan Agnihotri and produced by Abhishek Agarwal and Pallavi Joshi. It stars Mithun Chakraborty, Pallavi Joshi, Anupam Kher, and Darshan Kumar. The film, presented by Tej Narayan Agarwal and I Am Buddha, is a part of Agnihotri's Files trilogy that includes 'The Kashmir Files' and 'The Tashkent Files'. It will arrive in theatres on September 5, 2025.- Ends

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Meet Neena Gupta's husband Vivek Mehra: CA, corporate leader and family man who stays away from the limelight
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Meet Neena Gupta's husband Vivek Mehra: CA, corporate leader and family man who stays away from the limelight

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Aditya Narayan wants Diljit Dosanjh 'to make amends' for casting Hania in Sardaar Ji 3: 'There's a limit to tolerance'
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Kolhapuri goes to Milan: From Rs 150 streets to Rs 1 lakh runway sandals
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Writer Shobhaa De, a lifelong wearer of the iconic Kolhapuri chappals, says these have been her go-to footwear, right from college, though she admits it's getting harder to find a good pair. She doesn't see the Prada Kolhapuri as a 'threat'. 'What's disheartening is that Prada did not bother to identify this unique footwear. It is NOT a sandal—it is a chappal! But maybe the buzz around the Prada Kolhapuri will inspire young fashionistas to rediscover our Kolhapuri and indirectly support its revival.' Live Events Getty Images SHOE STOPPER De could be right. Since the Prada show on June 22, Google Trends has shown a spike in searches for Kolhapuris. Harshwardhan Patwardhan, founder of Pune-based, Kolhapuri-first footwear brand Chappers, has seen an uptick in the buzz around his brand, with a 400500% jump in social media engagement. Its physical stores in Pune and Nashik, apart from 100 stockists across India, have had more walk-ins than before. Chondamma Cariappa, founder of The Sole Sisters , known for its colourful Kolhapuris, too says there has been a significant increase in sales and inquiries along with a noticeable rise in social media activity. After the Prada show, netizens were up in arms, demanding credit. However, Shwetasree Majumder, managing partner, Fidus Law Chambers, who specialises in GI matters, says the Prada controversy is misplaced. She says a GI tag does not mean the holder has legal recourse against Prada for inspiration. 'A GI registration is given under a domestic law. A chappal has to be made in certain districts of Maharashtra and Karnataka and with specific materials, tools, techniques and dyes to be a Kolhapuri chappal. Prada primarily makes its leather sandals in Italy. The GI law has no applicability to perceived 'lookalikes',' she says. She says had Prada sold its chappals as Kolhapuris, it would have been an infringement of GI. 'The GI law prohibits a craft that is not from that specific geography from being called by that particular name.' CAREFUL INNOVATIONS Meanwhile, Indian designers too have been reinventing the wheel. Patwardhan, who has worn Kolhapuris all his life, started his brand in 2015 after he felt the centuries-old design— vegetable-dyed leather, handsewn and flat—could do with an upgrade. He tanned the leather with chromium salts to make it softer. He added contemporary colours, memory foam to the sole and an anti-skid base. He says, 'The intention is to change with the trends but not at the cost of the craft.' The sentiment is echoed by Cariappa and Aprajita Toor, who operate in the premium luxury segment, with Kolhapuris starting at Rs 3,500. Aprajita Toor, founder of an eponymous label she started in 2011, says she not only admires the Kolhapuri but lives in it. 'The true beauty of the Kolhapuri lies in its versatility, it moves fluidly across eras, aesthetics and wardrobes, yet never loses its essence.' It is a sentiment echoed by wearers as the chappal works as daywear, nightwear and even occasionwear. Fashion commentator Prasad Bidapa says, 'The craft of Kolhapuris stands at a crossroads today. A craft must adapt to stay relevant, but this should be done thoughtfully, respecting its heritage and the artisans who have preserved it.' He says only when brands strike a balance between innovation and preservation can Kolhapuris thrive and evolve while maintaining their cultural significance. Agrees Toor, who says that, for her, it was never about reinvention but respectful reinterpretation. She adds, 'What makes it timeless is its rootedness. The Kolhapuri is more than a mere footwear, it's a living legacy. We have consistently experimented with it and, in many ways, pioneered new silhouettes and design languages, but never at the cost of the story that grounds it.' She has worked with refined textures, intricate embroideries and structural elements like heels. Cariappa calls the Kolhapuri the quintessential Indian shoe. She says she keeps the base intact and uses it as a canvas to showcase various crafts in a manner that is fresh—like adding colour and accents like palm weave or handwoven cane wicker craft. Craft and design historian Tanishka Kachru, senior faculty, exhibition design, National Institute of Design, Ahmedabad, says artisans should have full ownership of the design of Kolhapuri chappals as it is their innovation over centuries that has shaped the cultural identity of the footwear. However, she says the fashion industry can provide a huge boost: 'This visibility [thanks to Prada] could drive demand and in turn open up space for artisanal innovation and bring economic benefits to the community.' Toor says the chappals will remain iconic, thanks to its ability to adapt. She says, 'That fluidity is what gives it cultural weight.' The Prada Kolhapuri is probably the push the chappal needs to walk the talk.

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