Stay tuned . . . I want to be the best bowler in the world, says Proteas Women's star Nonkululeko Mlaba
Image: CSA
JOHANNESBURG - Nonkululeko Mlaba rushes off into a corner, hands her canteen of silverware to Proteas Women's team media liaison Lita Gqirana, and calls on her personal make-up artist.
'We'll be on camera right? … Okay, just give a few minutes to top up,' Mlaba says ahead of our interview.
The left-arm spinner is not just an outstanding cricketer, but she's also a fashionista that looks splendid in her gold gown that's fitting for South Africa's newly-crowned Women's Cricketer of the Year.
'So, this dress was made by my friend. I went to school with her,' before admitting she had overcome a fashion faux pas on the night.
'Actually, I had side arms on the side, but then I was celebrating my friend's award winning. And then I don't know what happened. Everything just went south.
'But then I tried to make it look like this now. Hopefully you're not going to get mad at me, girl. I still look pretty!' Mlaba said.
A little dress mishap was certainly not going to spoil a glorious night at Emperors Palace for the 25-year-old, who swept the board at Cricket SA's annual awards ceremony.
Along with the premier prize in South African cricket, she was also honoured with the Women's T20 International Player of the Year, Women's Players' Player of the Year and the Best Delivery Fuelled by KFC.
'It means a lot, firstly. And to be honest, I've been working hard because I want to be the best bowler in the world,' Mlaba said.
'So there you've heard it. I'm setting high standards for myself. And it doesn't stop here.
'I'm only reaching higher and higher. So just watch the space, stay tuned. There's more to come from me. This is not the end.'
The 25-year-old from KwaMashu in KwaZulu-Natal has created history during the past 12 months when she became the first South African women cricketer to record a 10-wicket haul in the once-off Test against England in Bloemfontein.
But despite the achievement, Mlaba's focus remains on the white-ball formats as she openly admits the longer version of the game 'is a bit boring'.
'To be honest, I don't really like Tests because it's long. I've watched a lot of Tests from guys and I'm like, this is too much for me. It was boring,' she said.
'Um, but yeah, I played against England and it turned out to be the best Test I've ever played, so far. Maybe as the time goes by or the more I get to play Test matches, then I'll fall in love with the game.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Citizen
37 minutes ago
- The Citizen
Don't complain if you're part of the problem
From pirated newspapers to poor theatre etiquette, South Africans often bemoan decline while contributing to it. We get what we deserve. It's a thought that seems to miss many of those who complain the most. People complain about the paucity of newspapers, but they don't buy them, instead they're happy to pirate digital logins on WhatsApp. It's the same Karens and Kevins who moan on their social media platform of choice about main stream media (MSM) not picking up a story, ignoring the fact that it was invariably broken by MSM journalists. There's fertile ground for them to complain. The common thread is one of entitlement. There's no deeper reflection, especially not about the effort or cost that goes in to producing something, particularly in the arts and the media. It was wonderful to see the ongoing success of one of Johannesburg – and South Africa's – finest exports, the multitalented and ferociously hard-working Jonathan Roxmouth playing to another full house at the weekend. South African performers, though, have a hard row to hoe, there's little to no government support, the number of theatres we have across the country are dwindling, with those struggling to maintain sustainable runs of longer than a couple of weeks normally only in venues that are cross-subsidised in gaming-type resorts. ALSO READ: Journalism's battle for survival starts with readers who care For the arts to flourish, like so much else in this country, ordinary citizens need to support them, it's too important an asset to leave to government. But do showgoers even deserve that which they pay for? The commentariat is quick to moan about dropping standards but loathe to observe the same standards themselves. Paying for tickets to go to the theatre is one thing, but there is also a concomitant requirement to behave when the lights dim in a way that doesn't detract from the other patrons' enjoyment. If you must check your e-mails on your smartphone, you obviously don't have the time to be there. No-one needs you to live tweet the show and even less to take grainy videos or snapshots during the performance – especially not from 16 rows back. It's the same WhatsApp group that moans about corruption in the country but sees nothing wrong about slipping a cop a couple of grand to look the other way when they're caught in a roadblock over the limit on a Saturday night. If we are serious about building a South Africa fit for all, we've got to make sure we're not part of the problem we are railing against. NOW READ: Why modern cinemas are failing to keep audiences happy


Eyewitness News
8 hours ago
- Eyewitness News
Shubman Gill: India's elegant captain
LONDON - Shubman Gill will fly home to India with plenty of credit after a sensational campaign with the bat against England and a hard-earned series draw in his first outing as Test captain. The stylish batsman scored a remarkable 754 runs in five Tests, falling just 20 shy of Sunil Gavaskar's long-standing series record for an Indian cricketer. Gill, nicknamed "Prince", arrived in England in early June under intense pressure and with a modest Test average of 35. Not only was he succeeding Rohit Sharma as captain, he was also filling the number four slot vacated by the great Virat Kohli, who followed Rohit into Test retirement in May. But Gill has led from the front in spectacular style, combining an effortless elegance with an ability to go through the gears and innovate when necessary. The 25-year-old scored 147 in his first innings of the series at Headingley. During the second Test at Edgbaston he compiled a majestic 269 in the first innings and a turbo-charged 161 in the second innings as India won to level the series. After a quiet third Test at Lord's, won by the hosts, Gill returned to form in Manchester, grafting for 103 in 238 balls as the tourists battled successfully to draw the match and keep the series alive. An unnecessary first-innings run-out in the fifth Test at the Oval left him an agonising 31 runs short of Gavaskar's mark and he fell for just 11 in his final innings of the campaign. Gill grew into his role as captain during a series in which he faced several challenges, including the vocal presence of several senior players and the limited availability of paceman Jasprit Bumrah. The series was still alive heading into the final match in London but India appeared to be sliding inexorably towards defeat before England suffered a dramatic collapse, with fast bowler Mohammed Siraj doing most of the damage. The nervy six-run win turned a potential 3-1 series defeat into a 2-2 draw, dramatically changing the narrative, and Gill collected India's player-of-the-series award to add gloss to his tour. CHILD PRODIGY Born in Fazilka, near the border with Pakistan, Gill moved to Mohali aged eight to be closer to better cricket facilities. As a boy he wanted to know what Kohli's scores and achievements were when he was at an equivalent age. And when Kohli, a former India captain, first saw his eventual successor in the nets, he said he had not even had 10 percent of Gill's talent when the same age. Gill made his one-day international debut in 2019 but it was in his first Test series, in Australia in 2020/21, that he caught the eye, notably with a fluent 91 in India's thrilling series-clinching win at the Gabba. His first Test hundred came in Chattogram at the end of 2022 and a month later, aged 23, he became the youngest player to make a one-day international double-century, smashing 208 off 149 balls against New Zealand. But it has not all been plain-sailing for the prodigiously talented batsman, whose average dipped below 30 after a duck against England in Hyderabad last year. Rahul Dravid, the then India coach, resisted the temptation to drop Gill, who went on to make two centuries during a series India won 4-1. Gill, who has skippered India in T20 cricket and leads the Gujarat Titans in the Indian Premier League, was the man chosen to replace Rohit as Test skipper despite his relative youth. He has passed his first major test, with elated India great Sachin Tendulkar posting on social media after Monday's thrilling success: "Series 2–2, Performance 10/10!"

IOL News
11 hours ago
- IOL News
ZULO's new EP 'Z' - a heartfelt love letter to South Africa's enduring spirit
South African rapper ZULO makes a bold comeback with 'Z', a punchy three-track EP that delivers beyond its brief runtime. Image: Supplied South African rapper and cultural commentator ZULO has made a striking return to the music scene with the release of 'Z', a tightly constructed three-track EP that packs far more than its brief runtime suggests. Blending elements of faith, cultural homage and hard-earned resilience, 'Z' is a deeply personal and political work - an introspective yet explosive project that sees ZULO claiming his place as a fully formed, unapologetic voice in South African hip hop. At first glance, the EP might seem minimal in scale, but its emotional and sonic impact is anything but. Each track is a meticulously crafted chapter in a larger story of identity, legacy, and survival. With this project, ZULO distils his years of growth - both personal and artistic - into a clear and commanding sound that is equal parts bold, vulnerable and proudly rooted in his South African upbringing. Anchoring the project is the lead single, 'Sweeter Success', a rhythmically rich, Afrobeats-inspired anthem that carries the warm glow of nostalgia. Built around a shimmering sample of UPZ's timeless 'Pure Surprise', the song captures a feeling many South Africans know well - that moment when a familiar tune cuts through the noise and anchors you to a place, a memory, a people. 'The fact that you can go to every event in the country and the DJ always drops 'Pure Surprise', that's culture,' says ZULO. 'I needed that feeling. I needed them to feel a memory when listening to this song. It's a cheat code.' At first glance, "Z" might seem minimal in scale, but its emotional and sonic impact is anything but. Image: Supplied But beneath the track's soulful bounce and catchy melodies lies something more complex. 'Sweeter Success' confronts the often-unseen emotional cost of ambition - the burnout, the sacrifice, the endless grind. Produced by ZULO himself, with contributions from Miglow and SpiceDrums, the song balances light and darkness, triumph and tension. It's both a celebration and a cry for help. The EP opens with 'God's Armour', a commanding track that blends gospel undertones with the grit of trap drums and brass instrumentation. It's a protest song - raw, righteous and rooted in spiritual resistance. ZULO isn't just rapping here; he's bearing witness, channelling divine protection while standing firmly in defiance of societal pressures and inner demons. The closing track, 'Spaan', brings the project full circle, diving into SA's unhealed wounds. Sampling Kamazu and laced with a gritty sonic palette, the song touches on the realities of addiction, generational poverty and post-apartheid disillusionment - all through the lens of Coloured South African identity. It's a fearless reckoning with the past and present, told from the perspective of someone who's lived both. 'These songs are battle cries and war journals,' ZULO explains. ''Z' is everything I've fought through to stand where I am. It's my truth. It's my fingerprint.' ZULO's musical journey began early. Born and raised in Johannesburg, he first gained attention in high school under the moniker Lil Trix, releasing no fewer than eight mixtapes before matriculating. His early work earned him radio airplay on YFM and 5FM, as well as a finalist spot on Channel O's 'ShizNiz: King of the Mixtape' - a rite of passage for many rising local hip hop stars. But as he matured, so did his artistry. Shedding the Lil Trix name, ZULO emerged with a more refined vision - one that prioritises substance over flash, and legacy over virality. His rebrand marked not only a change in name but a full creative rebirth. With this new identity, he has consistently delivered music that fuses personal narrative with cultural commentary, earning him respect as both a lyricist and a visionary. Recent singles like 'Adawise', 'JOL', 'Garden', and 'Smaak To Love (Lamza)' laid the foundation for 'Z', offering glimpses of his sonic versatility.