
Why Nanomotion Leads the Way in Motion Systems Innovation
At the heart of Nanomotion's innovation lies its patented Ultrasonic Standing Wave Motor technology. Unlike traditional electromagnetic motors, these advanced motion systems offer unlimited linear and rotary movement with ultra-quiet operation, making them ideal for high-performance applications in noise-sensitive environments.
The unique nature of ultrasonic motion allows Nanomotion motors to perform reliably under vacuum, in cleanrooms, and in harsh environments, all while achieving unparalleled precision. Whether it's micro-machining in semiconductor equipment or targeting accuracy in defense optronics, Nanomotion's motors are built to meet the highest standards.
Their technology supports multiple motor sizes and power levels, offering flexibility for low-power applications—such as optronic sensors—and high-performance industrial automation systems. These motors operate within a closed-loop servo system, ensuring consistent, repeatable motion with nanometer-level resolution.
So what makes Nanomotion's Piezoelectric Motors so powerful and precise? The answer lies in the Piezoelectric Effect, a phenomenon where certain materials generate an electrical charge when mechanical stress is applied—and conversely, deform when subjected to an electric field.
Derived from the Greek word piezein meaning 'to squeeze or press,' this effect is what allows Nanomotion's piezoelectric elements to achieve sub-micron movements with high force. First discovered by Pierre and Jacques Curie in 1880, this principle has been refined and applied to numerous modern technologies—from ultrasound machines and microphones to atomic-level microscopes.
Nanomotion uses this effect not only for its high precision but also for its responsiveness, scalability, and ability to operate silently. These properties are especially important in applications that demand both accuracy and compact design—two characteristics where Nanomotion's solutions excel.
Nanomotion has leveraged the unique properties of piezo crystals to engineer a family of motors that offer unmatched accuracy, flexibility, and reliability. These Piezoelectric Motors are capable of generating precise motion by applying directional force through ultrasonic vibration. The motor consists of ceramic elements that, when energized, create waves which then drive a ceramic strip or platform forward.
One of the standout features of these motors is their ability to maintain a static position without consuming power—providing inherent braking and eliminating servo dither. With motor configurations ranging from a single piezo element (producing 0.4Kg of force) to an eight-element version (producing 3.2Kg of force), Nanomotion motors can support a wide range of applications.
Key features include: Linear and Rotary Motion : One motor design for multiple movement types
: One motor design for multiple movement types Wide Dynamic Range : Speed from microns/second to 250mm/sec
: Speed from microns/second to 250mm/sec Compact Form Factor : Ideal for embedded systems and small-scale assemblies
: Ideal for embedded systems and small-scale assemblies High Holding Force: Enables inherent braking without power draw
These characteristics make Nanomotion's Piezoelectric Motors ideal for industries like medical imaging, semiconductor lithography, defense targeting systems, and industrial automation.
The piezoelectric materials that power Nanomotion's motors come in both natural and synthetic forms. Natural materials like quartz and tourmaline were the first to be used, but modern applications typically rely on synthetic materials like barium titanate and lead zirconate titanate (PZT) due to their higher piezoelectric constants.
In response to environmental and regulatory demands (such as the EU's RoHS directive), there's an ongoing push toward lead-free alternatives. Nanomotion continues to explore these greener materials to meet sustainability goals without compromising performance.
Nanomotion's motion systems are not generic solutions—they're precision-crafted for specific high-performance environments. Their motors and motion platforms are often integrated into: Semiconductor Manufacturing : Where vibration-free, cleanroom-compatible components are a must.
: Where vibration-free, cleanroom-compatible components are a must. Medical Imaging and Surgical Tools : Where silent operation and pinpoint accuracy are critical.
: Where silent operation and pinpoint accuracy are critical. Aerospace and Defense Optronics: Where real-time targeting and sensor alignment can't afford a single misstep.
What sets Nanomotion apart in these fields is their ability to maintain performance under extreme constraints—whether it's limited space, high-vacuum conditions, or the need for complete electromagnetic silence.
There are many reasons why engineers and system designers across the globe choose Nanomotion as their motion systems provider. Here are a few of the standout benefits: Silent Operation : Perfect for sensitive environments like labs and medical facilities.
: Perfect for sensitive environments like labs and medical facilities. Nanometer-Level Precision : Enabling ultra-fine positioning for demanding applications.
: Enabling ultra-fine positioning for demanding applications. Modular Design : Making it easy to integrate into existing systems.
: Making it easy to integrate into existing systems. Low Power Consumption : Especially important for mobile and battery-operated systems.
: Especially important for mobile and battery-operated systems. Proven Reliability: Trusted across mission-critical industries like defense and semiconductor manufacturing.
Nanomotion's commitment to innovation is evident not just in their patented motor technology but in their deep understanding of motion system integration—from individual piezo components to complete motion platforms.
With the industry pushing for more compact, efficient, and intelligent devices, the role of high-precision motion systems has never been more critical. Nanomotion is at the forefront of this revolution, combining deep technical expertise with real-world application knowledge to deliver solutions that push boundaries.
Whether you're building the next breakthrough in semiconductor tech or developing advanced surgical instruments, Nanomotion offers the tools and support needed to make your system smarter, quieter, and more precise.
From the early research of the Curie brothers to today's advanced Piezoelectric Motors, the journey of piezoelectric technology has been long and transformative. And in this journey, Nanomotion leads the way—not just in theory, but in every application, module, and movement.
If you're ready to integrate state-of-the-art motion systems into your next innovation, it's time to explore what Nanomotion can do for you.
Learn more about Nanomotion's products and how they're redefining motion control at the micro and macro scale.
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Time Business News
12 hours ago
- Time Business News
Why Nanomotion Leads the Way in Motion Systems Innovation
When it comes to precision movement in demanding environments, Nanomotion has firmly established itself as a trailblazer in motion systems innovation. With a product line that includes advanced motion solutions, sub-system modules, and highly specialized piezo motor/drive components, Nanomotion caters to a wide spectrum of industries—from medical devices and semiconductor fabrication to cutting-edge optronics. Leveraging proprietary technology rooted in the Piezoelectric Effect, Nanomotion's solutions are helping redefine what's possible in precision positioning and motion control. At the heart of Nanomotion's innovation lies its patented Ultrasonic Standing Wave Motor technology. Unlike traditional electromagnetic motors, these advanced motion systems offer unlimited linear and rotary movement with ultra-quiet operation, making them ideal for high-performance applications in noise-sensitive environments. The unique nature of ultrasonic motion allows Nanomotion motors to perform reliably under vacuum, in cleanrooms, and in harsh environments, all while achieving unparalleled precision. Whether it's micro-machining in semiconductor equipment or targeting accuracy in defense optronics, Nanomotion's motors are built to meet the highest standards. Their technology supports multiple motor sizes and power levels, offering flexibility for low-power applications—such as optronic sensors—and high-performance industrial automation systems. These motors operate within a closed-loop servo system, ensuring consistent, repeatable motion with nanometer-level resolution. So what makes Nanomotion's Piezoelectric Motors so powerful and precise? The answer lies in the Piezoelectric Effect, a phenomenon where certain materials generate an electrical charge when mechanical stress is applied—and conversely, deform when subjected to an electric field. Derived from the Greek word piezein meaning 'to squeeze or press,' this effect is what allows Nanomotion's piezoelectric elements to achieve sub-micron movements with high force. First discovered by Pierre and Jacques Curie in 1880, this principle has been refined and applied to numerous modern technologies—from ultrasound machines and microphones to atomic-level microscopes. Nanomotion uses this effect not only for its high precision but also for its responsiveness, scalability, and ability to operate silently. These properties are especially important in applications that demand both accuracy and compact design—two characteristics where Nanomotion's solutions excel. Nanomotion has leveraged the unique properties of piezo crystals to engineer a family of motors that offer unmatched accuracy, flexibility, and reliability. These Piezoelectric Motors are capable of generating precise motion by applying directional force through ultrasonic vibration. The motor consists of ceramic elements that, when energized, create waves which then drive a ceramic strip or platform forward. One of the standout features of these motors is their ability to maintain a static position without consuming power—providing inherent braking and eliminating servo dither. With motor configurations ranging from a single piezo element (producing 0.4Kg of force) to an eight-element version (producing 3.2Kg of force), Nanomotion motors can support a wide range of applications. Key features include: Linear and Rotary Motion : One motor design for multiple movement types : One motor design for multiple movement types Wide Dynamic Range : Speed from microns/second to 250mm/sec : Speed from microns/second to 250mm/sec Compact Form Factor : Ideal for embedded systems and small-scale assemblies : Ideal for embedded systems and small-scale assemblies High Holding Force: Enables inherent braking without power draw These characteristics make Nanomotion's Piezoelectric Motors ideal for industries like medical imaging, semiconductor lithography, defense targeting systems, and industrial automation. The piezoelectric materials that power Nanomotion's motors come in both natural and synthetic forms. Natural materials like quartz and tourmaline were the first to be used, but modern applications typically rely on synthetic materials like barium titanate and lead zirconate titanate (PZT) due to their higher piezoelectric constants. In response to environmental and regulatory demands (such as the EU's RoHS directive), there's an ongoing push toward lead-free alternatives. Nanomotion continues to explore these greener materials to meet sustainability goals without compromising performance. Nanomotion's motion systems are not generic solutions—they're precision-crafted for specific high-performance environments. Their motors and motion platforms are often integrated into: Semiconductor Manufacturing : Where vibration-free, cleanroom-compatible components are a must. : Where vibration-free, cleanroom-compatible components are a must. Medical Imaging and Surgical Tools : Where silent operation and pinpoint accuracy are critical. : Where silent operation and pinpoint accuracy are critical. Aerospace and Defense Optronics: Where real-time targeting and sensor alignment can't afford a single misstep. What sets Nanomotion apart in these fields is their ability to maintain performance under extreme constraints—whether it's limited space, high-vacuum conditions, or the need for complete electromagnetic silence. There are many reasons why engineers and system designers across the globe choose Nanomotion as their motion systems provider. Here are a few of the standout benefits: Silent Operation : Perfect for sensitive environments like labs and medical facilities. : Perfect for sensitive environments like labs and medical facilities. Nanometer-Level Precision : Enabling ultra-fine positioning for demanding applications. : Enabling ultra-fine positioning for demanding applications. Modular Design : Making it easy to integrate into existing systems. : Making it easy to integrate into existing systems. Low Power Consumption : Especially important for mobile and battery-operated systems. : Especially important for mobile and battery-operated systems. Proven Reliability: Trusted across mission-critical industries like defense and semiconductor manufacturing. Nanomotion's commitment to innovation is evident not just in their patented motor technology but in their deep understanding of motion system integration—from individual piezo components to complete motion platforms. With the industry pushing for more compact, efficient, and intelligent devices, the role of high-precision motion systems has never been more critical. Nanomotion is at the forefront of this revolution, combining deep technical expertise with real-world application knowledge to deliver solutions that push boundaries. Whether you're building the next breakthrough in semiconductor tech or developing advanced surgical instruments, Nanomotion offers the tools and support needed to make your system smarter, quieter, and more precise. From the early research of the Curie brothers to today's advanced Piezoelectric Motors, the journey of piezoelectric technology has been long and transformative. And in this journey, Nanomotion leads the way—not just in theory, but in every application, module, and movement. If you're ready to integrate state-of-the-art motion systems into your next innovation, it's time to explore what Nanomotion can do for you. Learn more about Nanomotion's products and how they're redefining motion control at the micro and macro scale. TIME BUSINESS NEWS


Tom's Guide
2 days ago
- Tom's Guide
Nothing Headphone (1) review: Bringing the weird
It's always difficult to know what to expect when a new manufacturer joins the headphones game. Which part of the package is going to stand out, which is going to need work for the next model? With Nothing and its new Headphone (1), things were slightly easier to foretell. Like the Oracle of Delphi, I could have told you that the headphones were going to look excellent. And they do — point one for the Oracle. I also could have told you they'd undercut the competition in price — and they do that too. Another point for the Oracle. What I couldn't have told you is how they were going to sound. Now that I've got them in my hands, I can tell you how they sound, and while the story is no Greek tragedy, it's not a shining tale of godly heroism, either: The Nothing Headphone (1) are treacherously close to being some of the best headphones, but they're going to require some work from you to adjust the EQ to your liking. And that's far easier said than done. The Nothing Headphone (1) have launched at a surprisingly compelling price for something that comes with so many flagship features. Here in the U.S. they undercut the Sony and Bose alternatives by a healthy $100 at $299, making them cheaper than both the Sony WH-1000XM5 and the Bose QuietComfort Ultra Headphones. And that's important in the grand scheme of things. They're aimed directly at the flagship models with comparable build, styling and features. That's an impressive package for such a saving — but things do get trickier for Nothing's new headphones when you start to consider some of the similarly priced competition. They've got to fight off Cambridge Audio's less expensive and sonically superior Melomania P100, for one. That's a tall order with the gaping void between the two in core sound. Then there's the Marshall Monitor III, which take the battery life claims of the Headphone (1) to school. So yes, they are a similarly specced but cheaper alternative to the flagship models, but there's still plenty of competition for the Nothing Headphone (1) in an arguably more well-stocked price bracket. Nothing has become well-known for its standout, transparent design. The Nothing Headphone (1) were never going to be an exception to the rule, and from the moment you pull them from their cardboard prison, you're treated to one of the most unique-looking and feeling pairs of headphones you can buy today. They're square, a bit like the AirPods Max, but flatter thanks to Nothing's cassette motif. The initial plane of the earcups is metal and feels great under the finger, and then the transparent panel that brings the Nothing house style sits on top. Under that clear panel is what looks like a cassette on each ear. Remember those? It looks like the designer at Nothing does, because there are constant references to audio gear of the past all over the place. They've got a retro futuristic style, and it's one that I really appreciate. Headphones should be fun, and that's something that Nothing has got very, very right. I imagine the design will be quite divisive, however. Not everyone will be interested in a pair of headphones that look quite so 'out-there', instead preferring the classic look of the competition. And that's ok — it's nice to have variety. The spice of life, as it were, is different-looking headphones. The design and its thick cushioning make for a fairly comfortable fit, although there are a couple of foibles to dampen the experience. The headband foam isn't the thickest in the world, and I found that after a couple of hours of wear, I could feel the plastic headband beneath. The earcups are overall comfortable too, but a word of warning for earring and stud wearers (like me): If you've got a cartilage piercing, I found that the headphones press down in just the wrong place. It's not initially uncomfortable or painful, but it is annoying. They also have a habit of pressing down on my lobes in such a way that my piercings there were disturbed. Again, more annoying than uncomfortable. So that they can battle better against the established options from Bose and Sony, Nothing has packed the Headphone (1) full of features. That means you can expect a form of head-tracked spatial audio on board, a solid app to change a range of settings, and even different wired listening modes that rely on both the headphone jack and USB-C ports. We'll start with the spatial audio implementation — and, as with so many other uses of the term, it's another custom thing that Nothing has used. In this case, it's not going to use Dolby Atmos Mixes brought from Amazon Music Unlimited or Apple Music, instead doing its own job to try and widen the soundstage. If you absolutely need your music to sound like it's coming from all around you it's fine. But in the long run, it serves more to thin out the already anemic mid-range, and completely obliterate any form of body that the sound once had. Head tracking is fine, but overall, a mode worth leaving in the 'off' position. You'll find that 'off' switch in the Nothing X app, the same one you'll have used for Nothing and CMF's earbuds. It's a simple application to use, with large buttons and well-labelled functions and features. Here, you'll be able to control the ANC level, change the way that the on-device physical controls work, and play with the settings. There's also a very strong EQ menu which you're going to have to become extremely intimate with should you choose to pick up a pair of the Headphone (1)s. I'll talk more about it later on, but for now I'll just say this — I'm glad that there's so much adjustment here, because the core sound is so imminently disappointing that it needs a lot of work from you, the person who bought them, to sound better. There's also a bass slider. It makes the headphones sound boomy, even at the lowest level. Don't touch it. No, don't you touch that dial. There's also a very strong EQ menu which you're going to have to become extremely intimate with. There are three different listening modes. The Bluetooth connection is 5.3, with support for LDAC and other hi-res codecs. It's good, and about what you'd expect from Bluetooth headphones. Then there are the two wired listening modes. The first is the 3.5mm headphone jack. That means you can listen from older devices, like an iPod. It's fine, although it still requires the headphones to be turned on and filled with battery juice for it to work. That's a shame. Once the headphones are dead, they're dead. Boo. Secondly, there's the USB-C listening mode, which lets you listen to hi-res tracks from Apple Music, Qobuz and Tidal. It's great! I'm not entirely sure that many people are going to notice a groundbreaking sonic difference given the internals aren't capable of such nuance, but it's a welcome addition to the cans. There are few things I hate in this world. Wasps. Mashed potato. Square pizza. Touch controls. So you can imagine how excited I was when I discovered that Nothing would be bringing physical controls to the Nothing Headphone (1). I was even more excited when I discovered how intuitive they are. Starting with the simple ones, there's a power switch on the bottom of the right earcup and a customizable button on the outer surface. Both are clicky and responsive, although the switch is perhaps a little small. It's the playback controls that are truly lovely, however. There's a volume roller thing which spins under the finger. It's an alternative to Apple's digital crown from the AirPods Max, and I love it. It clicks down to change ANC mode and play/pause the music as well. Underneath the volume roller there's what Nothing calls a paddle. It clicks forward and backward to skip tracks, and you can hold it to scroll through a track. Both controls are easily accessible and intuitive to use. There was no adjustment period here, just pure, rolly, clicky from one annoying issue. The sound that's piped into the headphones when you use the controls. The volume control clicks at an uncomfortable timbre, and the audio cues that tell you ANC is on and off are grating. It's a bit like nails on a chalkboard or someone rubbing some packing polystyrene. I'm not a fan and you can't turn them off. This is about as close to Sony and Bose as you're going to get if you're looking for solid noise canceling. I've been super impressed with the ANC of the Nothing Headphone (1) during my testing. It's got all the bells and whistles, including different ANC levels and even an adaptive mode that changes depending on the noise level of your environment. Play music and the outside world is all but completely silenced. In my small office space, I couldn't hear my fan at max level (it's really, really hot), the humming of my laptop, the sound of the fan outside or even the clacking of my keyboard — something that other ANC models often struggle with. If I tried really hard, I could defeat it — but what's the point of that? Taking the ANC outside gave me similar results. The bus was instantly calmer and more comfortable thanks to the headphones, with tire and engine noise silenced. There is one problem, however, and that's wind noise. The headphones struggle with blowy breezes more than some, as I found when I could hear the air from my fan and then the wind outside while I was on a walk. It's not massively distracting, but it is noticeable. And disappointing. I've found that the Headphone (1)'s call quality is almost the same amongst options at this price, but not quite up there in mic quality. The mic is uncommonly bad when compared to other options out there. My call partner complained that I sound like I was talking down a metal tube; not good. Things on my end were fine, thankfully — although you'll want to use the mic in your laptop for conference and work calls. The Nothing Headphone (1) are, apparently, tuned by one of my favorite audio brands: KEF. I love KEF. My speakers are KEF, my TV speakers want to be KEF, and my endgame HiFi contains a set of the brand's completely out-of-reach blade speakers. So you can imagine how I felt when I discovered that KEF would be behind the sound of the Nothing Headphone (1). Imagine my disappointment when I put the Headphone (1) on my head and discovered a sound signature that seemed counter to everything that I love about the brand. KEF is known for sonic analysis: High frequencies that are able to extract precise detail from a track and show you all the little bits you've been missing. The Nothing Headphone (1)s are…not that. My first listen showed me a pair of headphones that were mid-focused. With more listening, however, I noticed that there's a significant darkness thanks to an over-reliance on mid-bass, which swallows the highs and the mids completely. It's a restrictive soundstage, and it leaves music feeling distant and one-note. It's not horrible by any stretch of the imagination, but there are similarly priced headphones that sound much better out of the box. Thankfully, the EQ in the app is very strong, and lets you dial in the sound to your preferred listening curve. For better sound quality, I boosted the upper mids so that I can get more guitar and musical body, then lowered some of the mid-bass to get rid of some of the tonal darkness. The highs have been increased so that I can get more detail as well. It's worked well enough, although I suspect I will spend more time tinkering to get the sound I really want. As it stands, they now sound good, although there are still options out there that sound better, like the Cambridge Audio Melomania P100. The chainsaw guitars of Witchery in Legion require some of the upper-mid edge to sound as scary as they should, and after my adjustments, we're pretty much there. The dual guitars are fairly easy to separate throughout the brutal assault on your eardrums, but even after some adjustment to the lowest bass frequencies, the kick drum lacks a certain amount of 'oomph' that I look for. The vocals are well defined though, and after my high-range changes, the cymbals sound good and airy. It's cold and unforgiving, just as intended. TWICE's Strategy brings some decent low-end to the table, but some of the impact is lost at the very bottom. The vocals really shine, though, as the girls talk you through their titular strategy. The synths wobble smoothly, and every bell 'ting' is clear and concise. There's perhaps some control lacking in the very low stuff, but it's otherwise a good performance. Finally, Limp Bizkit bring the '90s with My Way. The mid-bass comes into its own, filling the soundscape with distorted bass guitar; Durst's slurred pseudo-singing is clear and well-defined, and the drums sound very good indeed. We're lacking some impact, again, but it's about as sludgy and filled with attitude as you'd hope. Nothing, where does that extra 45 hours worth of battery go when I turn the ANC on? The ANC is very good, but that's a gaping inconsistency that feels strange when the Sony and Bose options have far less difference between ANC on and off. The 80 hours of ANC off battery is very good, to be clear, but 35 hours with ANC on is about what you'd expect from the competition. Given how long they last with noise canceling off, it does feel like a shame that the battery isn't quite up there when it's on. Still, they've got decent battery life. My testing showed the battery life claims to be pretty much on the mark. After 8 hours of use I was down to about 70% battery, which is about what you'd expect. That's with volume at medium and with the ANC turned on. Just keep in mind that the overall battery life will vary depending on the set volume level, ANC level, and even the genre of music you're listening to. I'm torn. On the one hand, I really like the Nothing Headphone (1). They look excellent, and I'm genuinely excited to see something different in terms of design. I like how the price undercuts the likes of Sony and Bose while bringing comparable specs to the table, and I think it's important for upstarts to upset the established headphone norm. But there's a big sound-shaped issue that keeps me from whooping and hollering about the Headphone (1). EQ should be a nice extra to help you dial in your headphones to your preferred sound, not a fix for middling sound out of the box. It goes to show just how good a job Cambridge Audio did with the Melomania P100, mind you. In fact, I'd say you should probably look at those instead, if you don't mind leaving spatial audio behind. The Nothing Headphone (1) are a good pair of headphones, but their sonic downfall makes it tricky to recommend them over the competition. Instead, I can suggest you wait for the Nothing Headphone (2) to come out further down the line. If the sound is fixed, we're onto a surefire winner.
Yahoo
2 days ago
- Yahoo
New Sci-Fi Horror Series Debuts With First Novel That Centers on an Unholy Alliance Between the Cosmos and the Crypt
Palmetto Publishing Announces the Release of EYES IN THE BLACK Eyes in the Black Charleston, SC, July 18, 2025 (GLOBE NEWSWIRE) -- In the future, history bites back. Welcome to the 23rd century, where humanity has reached the stars only to uncover chilling truths. Humans' myths and legends of vampires are not mere stories. As we explore the universe, we discover they wait for us in the vast expanse of the Black. They're still on Earth too, and they're famished. The newly released Eyes in the Black combines history, space exploration, and riveting combat. It unveils the profound influence vampires have had through human history, shaping our myths and legends. 'We don't believe the idea of dealing with a vampiric species who is the traditional boogeyman in our mythos has come up in the past,' said the authors. 'Facing them in naval battles, ground warfare and counter-intel operations is what this book is about. The galaxy is a scary place to begin with, and now we discover the classic Evil out there in the Black.' Eyes in the Black is available for purchase online at and Barnes and For more information about the authors, please visit any of their social media platforms Website: Facebook: Eyes in the Black About the Authors: Craig Bell, a San Francisco Bay Area native now residing in Seattle, developed a love of military history and science fiction at an early age. This passion was ignited by discovering the worlds of Star Trek, along with Greek and Roman mythology as a young man. His love for these genres has grown through the years. He lives happily with his wife, Sara, and two cats, Tank and Arty, by his side. His journey in writing is a testament to his lifelong fascination with the stars. Cyd Cassone, in addition to being a writer, has been an internationally known musician and performing artist since the late 1970s and tours globally since the 1990s. Born and raised in the Pacific Northwest, her fascination with science fiction and fantasy has been lifelong, and she finds magic all around her in every place she's ever been and in the people she's met along the way. She has three adult children and now resides in Texas with Washington, her amazing partner of twenty years. As for the creative partnership, Cyd and Craig have been close friends for 48 years and together they embarked on this creative journey into the dark expanse of an unknown galaxy filled with both allies and terrifying creatures. Media Contact: Craig Bell & Cyd Cassone, craig@ cyd@ Available for interviews: Authors, Craig Bell & Cyd Cassone Attachment Eyes in the Black CONTACT: Leah Joseph Palmetto Publishing publicity@ in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data