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42 Actors Who Weren't Acting In These Movie Scenes That Were Way More Genuine Than You Realized

42 Actors Who Weren't Acting In These Movie Scenes That Were Way More Genuine Than You Realized

Buzz Feed05-05-2025
1. Anya Taylor-Joy actually got a nosebleed in the Emma scene where Mr. Knightley confesses his love. "I don't know what happened, but I guess I believed I was in the moment enough that my nose really started bleeding. It was just so magic, and Johnny and I were looking at each other like, 'Oh my God, oh my God, oh my God, roll the cameras.'" Apparently, Taylor-Joy used to get lots of nosebleeds as a kid, but she never expected to spontaneously get one at the perfect moment. "The plan was to pause filming and add the blood and then continue," Taylor-Joy said. "I provided the blood, so there was no need."
2. Tricky was not told just how big the explosion behind him and Gary Oldman would be in this scene from The Fifth Element — in fact, the fire was even scarier than expected, as the wind brought the flames back towards the actors and even melted some of Oldman's costume. As such, Tricky's reaction was real. "Tricky soiled his costume," Oldman joked.
3. Similarly, the maid in Ghostbusters, played by Frances Nealy, was truly scared by the cart explosion in the film. She had been told it was going to blow up, but didn't expect the level of pyrotechnics. Visual effects director John Bruno said, "It scared the hell out of her. She fell to the ground, looked up, and was like, 'What the hell are you doing?' It wasn't scripted. It's just what happened."
4. Multiple actors in Casablanca were real-life refugees who had fled the Nazis. In the La Marseillaise scene, many of the actors were truly moved by singing the song of resistance. Madeleine Lebeau, in particular, had fled Nazi-occupied France two years before filming the scene, and her teary-eyed close-up became famous for how authentic it felt. Leslie Epstein, whose father Philip Epstein and uncle Julius Epstein wrote the film, noted, "They're not tears of glycerin shed by an actress. The tears in her eyes are real." Epstein also said, "When people speak here, the accents are real. ... In a sense, they're playing themselves."
5. James Marsden was really hit by bikers in this scene from Enchanted. In the first few takes, the bikers would lightly bump him, and he'd fake falling over, but Marsden didn't feel it was funny enough. It was also his last day of shooting, so he wasn't too worried about delaying production with an injury. "'Just take me out!'" Marsden recalled telling the stuntpeople. "So he knocked the hell out of me, but it's funnier. My voice squeaks and he just knocks me down, but there was a pad in front of me, and, actually, the prince's suit is pretty padded."
6. Jack Nicholson and his costars were really high in the Easy Rider campfire scene. "We were all stoned the night we shot the campfire scene," Nicholson recalled. "The story about me smoking 155 joints – that's a little exaggerated. But each time I did a take or an angle, it involved smoking almost an entire joint. After the first take or two, the acting job became reversed. Instead of being straight and having to act stoned at the end, I was now stoned at the beginning and having to act straight."
7. Similarly, Norm Macdonald was really drunk while filming some of Billy Madison."They wanted me to play a drunk, so I said, 'You got some booze?'" he revealed on Conan. In fact, in one pool scene, he fell asleep while the camera was rolling, he was so drunk — and didn't understand why everyone was calling him Frank (his character's name).
8. And Nicolas Cage was truly blackout drunk while filming this breakdown scene in Leaving Las Vegas. He spent most of the film sober — besides what he said was a taste here and there "just to get a sense of, like, the Albert Finney" — but he decided he would try out, just once, getting blackout drunk. He actually had a "drinking coach" who got him drunk on Sambuca. "I was drinking the Sambuca and I went downstairs, and I was like, whatever happens, get it, because this isn't gonna happen again," Cage recalled. The resulting footage of the devastating moment was used in the film.
9. In The Deer Hunter, writer/director Michael Cimino told Christopher Walken to truly spit in Robert De Niro's face in this scene. De Niro had no idea he was going to do this, and was reportedly truly angry at the time, though he later said, "It worked. It got the reaction the scene needed."
10. In the same film, Walken was truly slapped in the Russian Roulette scene. "We shot that in the jungle," Walken said. "We were put in bamboo cages. It was all for real. Right down to the slap in the face." De Niro had actually told the actor to slap Walken, who wasn't expecting it.
11. In Deep Blue Sea, the cast dealt with an accident on-set that made it into the film. In the helicopter scene, after hooking up Whitlock, the crew runs back to the elevator as waves crash around. "At one point, three tons of water got thrown on us by accident, and we got swept toward those cargo bays, and everyone thought we were going into the drink, and people were tumbling around this metal grating," star Samuel L. Jackson revealed."They hit us full on with three tons of water. That was not supposed to happen, and we didn't have safety harnesses on, and we were flailing around on this deck." While Jackson claimed they were "still acting," it was still a genuinely unexpected moment that ended up in the film and made it seem more real.
12. This memorable scene at the end of Captain Philips, where Philips is evaluated by a corpsman, was made to feel even more genuine by using a real corpsman. The scene wasn't in the original script, and director Paul Greengrass decided to add it on the day while shooting at Norfolk Naval Station. He asked a corpsman there, Danielle Albert, to improvise a scene with star Tom Hanks. She wasn't an actor, and she really treated Hanks as if he were a patient.
13. Russell Crowe was actually talking about his own home when his character talked about home in Gladiator. He ad-libbed much of the speech, throwing in references to his real home in Australia.
14. The people talking about dust storms at the start of Interstellar were actual witnesses of the 1930s Dust Bowl. The clips are an excerpt from the 2012 documentary The Dust Bowl.
15. The scene in Spider-Man when Peter caught the food on MJ's tray was not done with CGI — Tobey Maguire actually caught it (though his hand was glued to the tray). It took 156 takes.
16. Similarly, you can see from the bloopers that Michael Cera really made this package-throwing shot in Scott Pilgrim vs. the World...but it took him 33 tries.
Universal Pictures / Via youtube.com
17. Even more impressively, Kurt Russell actually made all those shots in the basketball scene from Escape From L.A.
Rysher Entertainment / Via youtube.com
18. Tippi Hedren was truly attacked by birds in this horrifying scene from The Birds. They were originally going to use mechanical birds, but Hedren was told they were not working and that she would be attacked by live birds instead. For five days, Hedren said, live birds trained to peck her were thrown at her and even tied to her. When one almost pecked her eye, she broke down and had to spend a week in bed due to exhaustion. This is the footage you see in the film.
Distributed by Universal-International Pictures / Via youtube.com
19. Jake Gyllenhaal was always meant to hit the mirror in Nightcrawler, but it wasn't supposed to break. When it did, it cut Gyllenhaal's hand, and he had to go to the ER to get stitches. This take, with Gyllenhaal's real-life injury, actually ended up in the movie.
Open Road Films / Via youtube.com
20. Director Ivan Reitman had most of the kids ad-lib about their real dads' jobs in this Kindergarten Cop scene.
Universal Pictures / Via youtube.com
21. The opening airport scene of Love Actually featured real couples and families genuinely embracing.
Universal Pictures / Via youtube.com
22. In the beginning scene of 22 Jump Street, when Schmidt is attacked by a bird, Jonah Hill's reaction is authentic — he really is terrified of birds.
Sony Pictures Releasing/Metro-Goldwyn-Mayer
23. In a comedic moment of 1941, John Belushi's Kelso falls not once but twice as he's trying to get back onto his plane. He then recovers with an ironic bravado. The second fall — the more serious one — truly happened by accident. Belushi actually fell off the wing and landed on his head, sustaining such a serious injury that he had to go to the hospital. However, it made the scene even funnier, and it was kept in.
Universal Pictures/Columbia Pictures / Via youtube.com
24. While filming The Passion of Christ, Jim Caviezel was hit by a cross that weighed over 250 pounds. "It fell on my head, and I bit through my tongue and my cheek," he said. "And it was actually in the film. You see blood streaming out of my mouth."
Newmarket Films / Via youtube.com
25. In the Anchorman scene where Ron wanders the streets, drinking milk, Will Ferrell improvised the "milk was a bad choice" — because it was exactly what he was thinking. "He's sitting there with a carton of milk — we're shooting in San Pedro and it's hotter than hell — and Will just said it for real. It's perfect, because it was an honest moment from the human Will Ferrell speaking through Ron Burgundy," David Koechner revealed.
DreamWorks Pictures / Via youtube.com
26. In Cheech & Chong's Up in Smoke, the dog that eats Chong's burrito was a real stray that just wandered up and ate the burrito. It wasn't in the script.
Paramount Pictures / Via youtube.com
27. At one point in Blade Runner, Daryl Hannah's Pris runs and falls onto a van, jamming her elbow into the window before continuing to flee. This was Hannah genuinely slipping. She finished the take, then had her elbow looked at and found out it was chipped in eight places. However, it added to her character's desperation and was kept in.
Warner Bros / Via youtube.com
28. Dustin Hoffman actually accidentally farted in the phone booth scene in Rain Man, and Tom Cruise's reactions were improvised and somewhat real. Hoffman called it his "favorite moment" of any film he's done. "That includes Shakespeare that I've done on stage, anything."
MGM/UA Communications Co. / Via youtube.com
29. In Burnt, Bradley Cooper improvised his character's suicide attempt, and his costar Matthew Rhys was genuinely afraid Cooper might die. "It was late at night, and we didn't have much time, and the bag thing just sort of happened in one of the takes," Cooper said. Rhys acted quickly, saving Cooper, and the scene made it into the final film.
The Weinstein Company / Via youtube.com
30. The actors' reactions to the gunfire in this Boyz n the Hood scene were real, according to star Ice Cube. Director John Singleton didn't tell the actors there would be real gunfire in the scene.
Columbia Pictures / Via youtube.com
31. Child actor Oliver Robins truly was being strangled in the clown scene in Poltergeist. Robins explained to Fright how the extended arm of the clown got caught around his neck: "I was in a tight, confined space under the bed, and ... it's almost like a car accident. You know how a car accident happens so fast, you don't remember, but if you don't act, something is going to happen? Well, Steven saw that, probably in the video assist, and he pulled me away from it. Who knows what might have happened otherwise."
Metro-Goldwyn-Mayer
32. Lorenza Izzo was really drowning in one frightening scene from The Green Inferno, where Justine tries to escape a canoe of cannibals and jumps into the water. Izzo grabbed a rock and fought against the current as she screamed; she had a safe word to use if she was really in danger, but it was too loud for anyone to make it out. They thought she was acting until they realized she was shouting in English and Spanish. The footage ended up in the film.
High Top Releasing/BH Tilt
33. The lion attack from Tarzan, the Ape Man was real. The lion unexpectedly darted for star Bo Derek while filming a scene where she first meets Tarzan (played by Miles O'Keeffe). O'Keeffe put himself between the lion and Derek, who tried to crawl to safety into the water, where the lion would not follow. She got away, but not before the lion sliced her shoulder with his paw. The footage stayed in the final cut — in fact, the scene was adjusted so that the attack could be included.
United Artists/Cinema International Corporation
34. Michael McDonald was truly hit by a phone book in this scene from The Heat. McCarthy ended up being positioned closer than McDonald had thought she would be, and he didn't have time to dodge, meaning he was hit directly in the face, and his reaction was real. "Everyone, including Melissa and me, was thinking that my nose was broken," he revealed. "All I could think of was, 'Nobody break. Nobody laugh.' Because I only want to do this once." Luckily, his nose was alright, though Melissa was soon injured as well: "She ran over so fast to see if I was all right that she slid on the phone book on the floor, and then everybody just ran to Melissa, of course." He joked, "I knew where I ranked."
20th Century Fox / Via youtube.com
35. In Clueless, Alicia Silverstone actually thought"Haitians" was pronounced that way — she wasn't trying to act dumb. The director, Amy Heckerling, thought it was so funny that she declined to correct her.
Paramount Pictures / Via youtube.com
36. The actors' reactions in this scene from Rocky Horror Picture Show — where Dr. Frank-N-Furter pulls off the tablecloth to reveal a dead body — were real. None of the actors, except Tim Curry, knew it was there, as director Jim Sharman wanted a genuine reaction.
Michael White Productions / Via Facebook: TheZENRoom
37. Will Ferrell's reaction of surprise to the Jack-in-the-box in Elf was also real. Director Jon Favreau controlled the jack-in-the-boxes from offscreen so that Ferrell's surprise would be genuine.
New Line Cinema
38. And finally, we'll end with some behind-the-scenes facts from 1974's The Texas Chainsaw Massacre, which was a real-life nightmare to shoot. The cast and crew were pushed to their breaking point while acting in horrible conditions, particularly during the 26-hour shoot of the dinner scene, which took place in over 100-degree heat around rotting animals (cast and crew would periodically go outside to puke).
Vortex Inc. / Via youtube.com
39. At one point, Gunnar Hansen, who played Leatherface, got impatient with problems involving the fake blood and really did cut star Marilyn Burns's finger and put it to actor John Dugan's lips. Dugan reportedly didn't realize he drank her real blood until years later, when he called it "kind of erotic."
Vortex Inc.
40. Allen Danziger was genuinely frightened the first time his character saw Leatherface — as it was also his first time seeing the actor in-costume. His scream was real.
Vortex Inc. / Via youtube.com
41. Hansen also used a real chainsaw while chasing the actors around, and at one point, he was doing so while high after accidentally ingesting pot brownies during the shoot. Burns also really did twist her ankle when jumping six feet for her character's escape scene. Hansen was so terrifying that at one point, Burns said, she began to question whether this was actually a snuff film and he really did want to hurt her.
Vortex Inc. / Via youtube.com
'You scared me to death,' Burns later told Hansen. 'I didn't know you really at all, and by this time, you're not sure if it's real or a movie. And snuff films were just coming in at this time, and I'm thinking, This is too real. The leering, leering when you started coming at me, that was really scary.'
42. In the scene where actor Jim Siedow beats Burns, he really did hit her multiple times (with her permission). She actually passed out when filming cut. "Every time we'd try it, she'd come up with a few more bruises. Finally, I got with it and started having fun doing it and started really slugging her, and we kept that up — we did eight shots — and then they finally said, 'That's a take.' She just fainted dead away. The poor girl was beaten up pretty badly," Siedow said. TL;DR: The film was a LOT more real than you thought.
Vortex Inc.
What's your favorite movie moment that was actually genuine? Let us know in the comments!
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The women in Carl Jung's shadow
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Emma and Carl Jung at an Eranos Foundation Conference. Photograph by Margarethe Fellerer via INTERFOTO / Alamy Stock Photo For two generations, Emma Jung—the wife of the famous Swiss psychoanalyst Carl Jung—was remembered inside her family mostly as a beloved mother and grandmother. Her original work documenting the deep and rigorous exploration of her own unconscious simply wasn't discussed. 'No one was any longer aware of what she actually produced,' says Thomas Fischer, great-grandson of Carl and Emma—and the former director of the Foundation of the Works of C.G. Jung—who currently serves as a board member and the editor for the foundation. Now, 150 years after Carl Jung's birth, Emma and several of his other female collaborators are finally stepping into the spotlight and being recognized as brilliant thinkers of their own who helped shape some of Jung's most famous theories, including individuation and the archetypes. Like Sigmund Freud, Jung—the founding father of analytical psychology—believed in the importance of the unconscious and dream analysis. (The two men enjoyed a close personal and professional relationship early in Jung's career, and Freud considered the younger man his successor until the two had a falling out.) Jung, however, broadened the concept to a theory he called individuation. Jung thought the deep psychological work of every human was not only exploring the individual unconscious but also exploring the collective unconscious (or the universal symbols and archetypes inherited and shared by all humans that can appear in places like dreams) and integrating those two forces with the conscious to achieve self-actualization. Beyond establishing a new branch of psychoanalysis, Jung pioneered the idea of introversion and extroversion in his personality-type work that inspired the Myers-Briggs personality test. He originated the theory that every person has a 'shadow' self, or suppressed characteristics and desires. He identified 12 archetypes of the human psyche that have been used as storytelling devices by writers in all forms, including those in Hollywood. His ideas have influenced artists like Jackson Pollock and the abstract expressionists, writers like Herman Hesse and Olga Tokarczuk, and musicians like David Bowie and the South Korean boy band BTS. In honor of Jung's sesquicentennial birthday, the XXIII International Congress on Analytical Psychology will be hosted in Zurich this August. But the opening presentation won't be about the man himself. Instead, the topic will be a new book published in January, Dedicated to the Soul: The Writings and Drawings of Emma Jung, which, for the first time, documents the private work of his wife, Emma. 'Emma Jung was at the center of [Carl] Jung's life,' says Sonu Shamdasani, Professor of Jung History at University College London and editor of The Red Book, Jung's dive into the depths of his own unconscious during a troubled time in his life, which had been locked away in a bank vault and left unpublished in his lifetime. 'Without Emma Jung, his work would not have been possible, and not just in terms of maintaining the household, raising the children, and so forth, but as a co-participant in his work.' (Not an extrovert or an introvert? There's a word for that.) There are many wives of great men who were only later given credit for the critical role they played in their husbands' work. (Pollock's wife Lee Krasner, Alfred Hitchcock's wife Alma Reville, and Vera Nabokov, to name a few). While Emma Jung was celebrated during her life and in the nearly 70 years since her death as a key supporter of her husband, the record has largely been silent on her role beyond wife, mother and associate to Jung—that is, on her independent inquiries into her own psyche that she expressed through poetry, paintings, dream analysis, lectures, and other writings that established her as an intellectual force in her own right. And she isn't alone. Jung was surrounded by female followers, so much so that the women were given derogatory nicknames at the time—including Jungfrauen ('Jung's women') and 'Valkyries.' Some started as patients, some as students, but many became scholars, psychoanalysts, and Jungian acolytes. Some also became Jung's lovers. 'These women had come from all over the world,' writes Maggy Anthony, author and one-time student at the C.G. Jung Institute in Zurich, in Salome's Embrace: The Jungian Women. 'Once there, the charisma of Jung and his thought, which took the feminine seriously for the first time, induced them to want to share it with others through analysis and through their writing.' Many of these women have been celebrated along the way for their role as Jung's muses, collaborators, and disciples. But in the past two decades, several, including Sabina Spielrein and Toni Wolff, have begun to step out of the great psychoanalyst's shadow. With the publication in January of Dedicated to the Soul, Emma also now is joining the ranks of Jungian woman who are being recognized for their original work and their contributions to the field of psychology. 'I hope people start to see the individuality of each and every one of these women, and that we better understand their contributions,' says Fischer. As a trained historian, Fischer says he hopes Jungian scholarship moves 'away from the hagiographic tale of Carl Jung.' 'He didn't operate in a vacuum. And that goes for the women, but also for other men around him. His work is deeply rooted in these intellectual networks and exchanges.' Antonia Anna "Toni" Wolff (1888-1953) was a Swiss Jungian analyst and a close associate and sometime lover of psychiatrist Carl Jung. Photograph by Bridgeman Images Maiden and Mother Growing up in Schaffhausen, Switzerland, Emma Jung—née Rauschenbach—was an avid student who was denied an advanced education following the rules of propriety for women of her high-class station. Instead of going to college, she went to Paris on something of an independent study-finishing school year. After she returned home, she began exchanging letters with Jung in 1899. The exact details of how they first became acquainted remain unknown, but they did have some distant family ties (his uncle was an architect who built her family home; her mother babysit for young Carl on occasion as an act of charity for the struggling Jung family). Their courtship was filled with both romance and ideas. Jung encouraged Emma's intellectual curiosity and included lists of book recommendations in his letters. Once they were married, Emma eagerly assisted her new husband with his work. Jung was at the start of his career, working for what would become the famous mental institution, the Burghölzli. Emma was his translator, notetaker, test and case study subject when needed, and even assisted him with patients. Over the course of their marriage, the Jungian education Emma received led her to become an analyst herself, as well as the first elected president of the Psychology Club of Zurich. She also published two books: one on the legend of the Holy Grail, a subject of fascination since her youth, and a set of papers exploring Jung's ideas of animus and anima, or the masculine and feminine aspects of the psyche. Throughout the scholarship on and preservation work of Jung's legacy since his death in 1961, Emma has not been entirely overlooked. The description for the Foundation of the Works of C.G. Jung, the foundation established by his heirs in 2007, states that they are 'dedicated to the maintenance and development of the literary and creative heritage of Carl Gustav Jung and his wife, Emma Jung-Rauschenbach.' The mission of the Haus C.G. Jung, the family home on the banks of Lake Zurich in Küsnacht, Switzerland, which is a public museum and still occupied by family members, is to keep 'the memory alive of the physician and explorer of the human soul, Carl Gustav Jung (1875-1961), and that of his wife and associate, Emma Jung-Rauschenbach.' All this—the work Emma had done in support or in tandem with her husband's ideas—the family knew about. But they didn't know what else she had been working on in private. (The ancient origins of astrology archetypes) That all changed when the family discovered a trove of her papers. According to Fischer, interest in Emma and the other women around Jung began to grow in the 1990s and early 2000s. Around that time, a French author named Imelda Gaudissart began research for a biography (eventually published in 2010) of Emma and approached the family about the rights to publish some of her papers. Ultimately, they declined. The reasons were two-fold: 'I felt it was our obligation to do her justice, and I wanted it to do myself,' Fischer explains. But also, they just didn't know what was in there. Family lore had it that Emma had destroyed a lot of her personal papers in the months before her death in 1955. Plus, the Jungs' children had other priorities. 'I think because in that first generation of descendants, they wanted to keep their mother private to them, they didn't even look into the material,' Fischer says. The keeper of the family archives had also been busy for years fielding requests concerning Carl Jung. 'Up until then, Emma Jung hadn't been that much in the focus, so I don't think he had too many reasons to check in more detail her papers.' Gaudissart's interest prompted Fischer to take a deeper look into the family archives. What he found was a treasure trove that would become Dedicated to the Soul, a book he co-edited and published earlier this year. Dedicated to the Soul is a collection of Emma's lectures, poetry, letters, and drawings that show the depth of Emma's private inquiry, the creativity and breadth of her thinking, and the strength of the analytical work she was doing on herself. Fischer describes the discovery as like finding pieces of Emma's mosaic 'to get a much better understanding of how she became who she was and who she was portrayed and remembered [as] at the end of her life.' 'We don't have to exaggerate; she doesn't necessarily have [Jung's] originality, but she's very curious. She works for years on her own psychological material and takes it to a very deep [place], and I think that that somehow got lost,' Fischer says. 'You could tell this woman made peace with her situation, namely in her married life. And you have to wonder how she did it. It can't have been easy.' Self and Shadow One of the chief difficulties in Emma's marriage was the other women—and her husband's wandering eye when it came to his female collaborators and followers. Sabina Spielrein was one of the first. Spielrein met Jung when she was committed to the Burghölzli at 19. Her upbringing had been difficult, characterized by emotional and possible sexual abuse. She reached her breaking point after the death of a beloved younger sister and eventually landed in the mental institution in Zurich where Jung was working and where she was diagnosed with hysteria. For decades, the story told about Spielrein embodied all the sensational stereotypes of the Jungfrauen. She was reduced to the femme fatale who fell in love with and seduced the genius young doctor on the verge of developing a revolutionary new field in psychology. The dramatized and ahistorical portrayal of her life in David Cronenberg's 2011 A Dangerous Method didn't help. The truth, of course, is much more complicated—and much more interesting. She was Jung's first affair, but not the last, and the exact nature of their relationship is not fully known. But at the Burghölzli, Spielrein turned her life around. Within three months, she was recovering, had applied to medical school, and was on her way to becoming 'one of the most innovative thinkers in psychology in the twentieth century,' according to an article in European Judaism by John Launer, the author of the first biography of Spielrein in English published in 2014. 'The erasure of her life story and intellectual achievements, and the invention in their place of an erotic walk-on part in Jung's life, is one of the more shocking examples of how women's histories have often been rewritten to diminish them,' Launer writes. Sabina Spielrein, who corresponded with both Jung and Freud and helped the latter develop the concept of the death instinct. Photograph by Eraza Collection / Alamy Stock Photo Throughout her career, as catalogued by Launer, Spielrein conducted the first study of schizophrenic speech (the subject of her dissertation); came up with early ideas that contributed to the development of the death instinct, an idea later fully formed and introduced by Freud (who gave her a glancing nod in a footnote); wrote a handful of innovative papers on family dynamics; radically combined several scientific fields of study in her work on child development; and began working on ideas that would eventually pop back up in the field of evolutionary psychology. Spielrein promoted her ideas through lectures and in her professional work, but there were several factors working against their having a lasting influence at that time, according to Klara Naszkowska, a gender, sexuality, and women's studies professor at Montclair State University and founding director of the International Association for Spielrein Studies. First, her groundbreaking perspective on combining ideas from different disciplines extended to combining ideas from different schools of thought. Spielrein had a complicated relationship with Jung and Freud—the former for the obvious reasons, the latter due to a three-way correspondence that developed between Jung, Freud, and Spielrein, 'which puts both men in a poor light as they had tried to silence her' about the affair, according to Launer. But that didn't stop her from also trying to draw on both their schools of thought in her work. Unfortunately, by that time, the intellectual schism between Jung and his one-time mentor Freud was firmly in place, and the camps maintained a scholarly separation. (What makes a genius? Science offers clues.) Second, Spielrein moved to Russia in 1923, far away from the hub of the psychoanalytic movement. 'She basically moves to Mars,' says Naszkowska. Then, during the Holocaust, she and family were murdered by the Nazis, and 'she completely disappears from the intellectual record for 35 years.' Naszkowska says the erasure of Spielrein started to change in the 1970s when a box of her papers was discovered during renovations at the Rousseau Institute in Geneva. People were initially interested in her because of her interactions with both Freud and Jung. While the first wave of attention focused on the affair, in the past few decades, more attention has been paid to Spielrein's own groundbreaking achievements. The International Association for Spielrein Studies was founded in 2017. According to Naszkowska, 'The main idea behind it was always to make the wrongs right with our work, to do her justice that wasn't done to her during her lifetime, but also after her death for many, many, many decades, so that her name is known and so that her ideas not only receive the recognition they deserve, but also they're used, incorporated in syllabi, and taught.' Toni Wolff may not have languished in quite the same decades-long obscurity, but her reputation and ideas have only begun to receive more serious attention since the publication of The Red Book in 2009, with her critical role in that period of Jung's life attracting more notice. Wolff met Jung six years after Spielrein, but under similar circumstances. She would become one of the most serious of Jung's affairs, both in the intense connection between the two and in how interwoven Wolff became in the lives of Jung and his family. Wolff arrived in Jung's world as a patient after a breakdown induced by the death of her father. Following the set pattern, she came for treatment and stayed as a Jungian convert after her recovery. According to Anthony, their professional relationship turned personal around the time that Jung was going through his seismic breakup with Freud and beginning the deep and difficult exploration of his own unconscious that would become The Red Book and set the foundation for his lifetime's work. It was this last event that would establish their close relationship. 'For it was to Toni that he turned as he began his descent into the dark, largely unexplored realms of the unconscious,' Anthony writes. 'In essence, she had to become his analyst.' Wolff would go on to become one of his primary assistants and his muse before becoming a professional analyst herself. While Wolff would work mostly within the Jungian model—unlike Spielrein, who also pursued inquiries outside of it—she was critical in developing a framework that addressed how Jung's idea of individuation specifically applied to women. She is best known for a paper she published in 1956 titled, 'Structural Forms of the Feminine Psyche.' When it comes to Jung's ideas, both Shamdasani and Fischer say that what the scholarship around the Jung women shows is that Jung was not on a solo intellectual journey. His work was collaborative, both in its nature and in the necessity for Jung to see that the ideas he was generating based on his own unconscious work were replicable in others. 'I think with every individual story that is being more profoundly researched, it becomes clear that [Jung] wasn't just a solitary genius working everything he ever wrote out from his inner self,' Fischer says. 'He operated in dialogue not only with his soul, but also with the people around him…I see much of it is an interplay, and it's sometimes hard to really pin it down to one person or the other as being the sole original originator of a concept or of an idea.' Emma Jung, Spielrein, and Wolff aren't the only three women whose collaborations and ideas touched Carl Jung and who deserve their own spotlight. Their stories show that the work unpacking the lives and intellectual worlds of the early women of psychoanalysis will only lead to a deeper, richer understanding of the intellectual history of the field As Emma wrote to her husband on February 5,1902: 'The world is full of the enigmatic and the mysterious, and people just live their lives without asking many questions…O who could know much, know all!'

Big Brother: Unlocked: Which Two Former Houseguests Are Hosting Season 27's Companion Series?
Big Brother: Unlocked: Which Two Former Houseguests Are Hosting Season 27's Companion Series?

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time15 hours ago

  • Yahoo

Big Brother: Unlocked: Which Two Former Houseguests Are Hosting Season 27's Companion Series?

Rachel Reilly isn't the only returning Big Brother houseguest who will be gracing our TV screens this season. CBS announced Tuesday that former winners Derrick Levasseur (BB16) and Taylor Hale (BB24) will join together to host Big Brother: Unlocked, the new bi-weekly offshoot that will give fans an inside look at Season 27. Airing every other Friday starting July 25 at 8/7c (on CBS), the new companion series will highlight 'never-before-seen broadcast footage from the house, exclusive interviews, surprise guest appearances and unprecedented behind-the-scenes access,' per the official description. 'Former houseguests will share firsthand insight and expertise as they analyze gameplay, assess the competition and give their insider's perspective.' More from TVLine Percy Jackson and the Olympians Reveals Season 2 Release Date and Trailer, Casting for Nico/Bianca The Legend of Vox Machina Renewed for Final Season - Plus, Mighty Nein Spinoff Gets Prime Video Release Date Vampire Rom-Com From Ghosts Bosses Lands CBS Pilot Order Taylor and Derrick will be joined by mystery celebrity guests and surprise Big Brother alumni to break down the season's drama and deliver exclusive insights you won't be able to get anywhere else. Unlocked will also feature recurring segments like 'BB Fantasy Draft,' 'Big Move/Bad Move' and 'Binge Worthy or Cringe Worthy,' which will keep viewers well informed about everything happening inside those Hotel Mystère walls. Taylor made history as the first Black woman to win Big Brother and the first houseguest to win both the grand prize and America's Favorite Houseguest. Derrick, a former undercover detective, dominated Season 16 with his Hitmen alliance, and didn't face eviction until the Final 3. Will you be watching Taylor and Derrick break down all the Season 27 haps? Let us know your thoughts — and who want to see pop up for a future Friday installment of ! Best of TVLine Stars Who Almost Played Other TV Roles — on Grey's Anatomy, NCIS, Lost, Gilmore Girls, Friends and Other Shows TV Stars Almost Cast in Other Roles Fall TV Preview: Who's In? Who's Out? Your Guide to Every Casting Move!

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