
Melodic house group Mistier reveal playlist ahead of latest release Waiting
With support from dance music royalty, such as Armin van Buuren, Will Clarke, and Roger Sanchez, Mistier have carved out a unique space in contemporary electronic music.
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New release Waiting was inspired by events at Burning Man festival
The visual art collective is led by vocalist, producer, and composer Andre Mistier. While he serves as the creative core of the project, Mistier collaborates with a network of artists and producers to bring their immersive sound to life.
Waiting, is their most profound release to date, a vocally rich, soul-stirring track that blends euphoric grooves with poetic lyricism.
Inspired by the luminous, transformative moments of sunrise at Burning Man in the Nevada Desert, Waiting captures a search for connection and meaning amid a kaleidoscope of synths, rhythms, and live instrumentation.
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Andre Mistier offers up a melodic masterpiece in Waiting
Curated to compliment the release, Andre has compiled an exclusive playlist for us that reflects Mistier's evolving sonic identity, where melody meets depth, and each track tells a story.
Plug in and drift through an ever-expanding world of sound:
Ben Bohmer – Breathing
It's really just a beautiful song. The mood, the vocal performance and tone, the production. I feel like everything I love about Ben Bohmer is encapsulated in this track. Breathing was a definite influence on our next single, called Waiting.
Mistier – Waiting
I wrote this track thinking about a moment at Burning Man during sunrise, watching people bike by, waiting for my girlfriend (now wife) to arrive.
Thinking about how all these people were off on their own explorations and adventures, and all of them are different lives and journeys (what would life be like if I was one of that group?). Then reaffirming that I was where I wanted to be, waiting for the person I wanted to be with.
I wanted this track to evoke the mixed feelings of sadness, longing, joy, and the haunting and beautiful quality of sunrise.
Panama & Tinlicker - Fade Into Black
I love Tinlicker! Their combination of beautiful melodies, powerful grooves, and stirring transitions always uplifts me.
This track is a particular favourite - I feel like the combination of Panama's gorgeous vocals and lyrics with Tinlicker's swelling sound just gives me something I need all of the time.
I often listen to this track as the first thing I do when I step outside in the morning.
Aaron Hibell, Alex Wann - Set Me Free
I love his mix of afro and melodic house - it can feel so uplifting and poignant at the same time.
Besides his well-crafted and beautiful sound, Alex Wann has a gorgeous touch with how he builds and leads the energy into his drops.
I feel the same energy and elevation inside me every time I reach those moments in this track, no matter how many times I hear it. I have definitely been inspired by how he does that and studied it for my current writing and productions.
Mistier - The Time Is Now
The Time is Now celebrates a couple of important ideas to me. First, that there truly is no moment but the present. Every moment is a now, the past a use of the present for recollection and the future a use of the present for projection.
Once you accept this, then every moment as being now is connected, one infinite now. Second, get up! There is no other time but now. There is no point in waiting - we have this moment to do what we will, so seize your life! Also, I love the bassline for this track. . .
CamelPhat, Yannis - Hypercolour (ARTBAT Remix)
CamelPhat and ARTBAT are 2 of my absolute favourite artists. Yes, their combination for "For a Feeling (feat. Rhodes)" is also great, but this track, to me, is one of my all-time favourites.
The break and build-back that starts at 3:10 is so intense and dramatic that it just takes my head off. This is everything I like about each of these artists wrapped together and flung off the top of a majestic cliff.
There is a short version but treat yourself to a full 8-minute extended version. You deserve it.
Rufus du Sol - Surrender
A couple of years ago, for my wife's birthday, we tried something called KAP (Kundalini Activation Process). It's meant to be a high-powered jump into activating your Kundalini.
We all had very different reactions, but mine was the most intense visual trip of my life (involving no substances). Swathes of pastel colours - at one point, I was rowing through the sky - at another, riding a hippo on a rainbow. It was intense and vivid!
The high point of this experience was when this beautiful song came on. And, wouldn't you know it, a peaceful summer rain started right as he began to sing, "Let the rain come down."
That was actually the first time I had ever heard this song. It was a tremendous experience and one that I vividly remember every time I hear it.
Mistier - In You (Lost & Found)
I am amazed and delighted by how love can fulfil such contradictory needs in us at the same time. I am overwhelmed and lost in you. I am found and safe in you. You make me feel like I am so powerful. Your opinion means more to me than my own etc.
What we see in ourselves through becoming truly vulnerable to another person is just remarkable and life-affirming. That's what this song is about.
Francis Mercer, Nitefreak, Idd Aziz - Kamili
To me, afro house at its best can evoke so many feelings at the same time. This gorgeous track is intense, haunting, joyful, good to dance in the sunlight, in the moonlight, good to walk in the rain, good for cooking, good for the car . . . you get the idea. It moves me deeply in basically any context I have ever heard it.
Peter Gabriel - In Your Eyes (Secret World Live)
If you were alive in the 80s or have ever seen a John Hughes movie, this is likely an incredibly important song to you. But honestly, if you are a human being with a heart and soul, this song either is or should be an important song to you.
Peter Gabriel is connected to truth, and this love song has such specificity. It's just one of the greatest songs of all time. But this live version takes it to a whole other level - from 4-minute pop song to 10-minute afro-fused anthemic festival of joy, love and music.
It's both one of the most anthemic music experiences ever and yet still nonchalant at the same time. It feels so pure and authentic. And the singing! Wow! Knocks me over every time.
To me this song is where the mix of afro house and melodic house that really moves me got its start, in both sound and mood.
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He also claimed that it was the same story with the last four Hollywood blockbusters, which were filmed in the country, claiming that despite the film industry looking like it is thriving on the surface, nobody in Scotland is benefiting from them. 'You see these Hollywood red carpets, and it's all glitz and pure glamor, and you see these ordinary-looking actors with supermodels. Well, that's Scotland right now,' he explained. 'We're turning up at these events and hiring a supermodel. It looks glamorous but there's just no substance to it. 'On the surface, we look absolutely amazing. We look like we're booming with these major Hollywood productions all over Scotland, but there's no benefit to us. 'There's absolutely no benefit. Nobody in Scotland benefited from this. 'When these production companies are coming to Scotland, they are wiping their feet on their way out.' (Image: Supplied) Wilkie (middle) has claimed that the London-based firm Entertainment Partners was chosen to provide talent for Spider-Man: Brand New Day. He also claimed that Scottish firms weren't even given the opportunity to speak with either Sony or Marvel, who are the main forces behind the film, about working on it. 'The state of Scotland's Creative Industries is that unless you have a London-based agent, you're not going to get it if you're an actor,' he said. 'Unless you've got a London-based agent, you're not going to get any work in Scotland.' Wilkie said he has decided to speak out about Scottish firms being overlooked by film projects, as he said after eight years of the 'biggest talent platform' in the country, he has seen his opportunities, along with his colleagues from other agencies, become fewer. He said: 'We never moaned. We just got on. But now we were not even given the opportunity.' Wilkie has now called on Screen Scotland, a national body set up to support Scotland's film and TV industry, to do more to champion the industry. Screen Scotland says its purpose is to drive development of all aspects of Scotland's film and tv industry, through funding and strategic support, which includes improving employment opportunities in the sector. However, Wilkie argues that the government agency has lost sight of one of its core commitments to help improve employment opportunities for Scots in favour of over-focusing on promoting the country to the world. He said: 'Their function, they believe, is to promote Scotland. And I'll tell you what, I'll give them ten out of ten for it, because they are seriously promoting Scotland. 'There's some great productions coming to Scotland, but there's nobody in Scotland benefiting from that.' Wilkie added: 'They are bringing work to Scotland, but for who?' The agency boss said he would like Screen Scotland to understand what it's like working in the industry and how it is 'impossible' for Scots to reach all the 'amazing productions' that are coming to the country to film. He added: 'I would love there to be a facility in Scotland for people that work in TV and film in Scotland to access these productions. 'Right now, it's a closed shop, and Screen Scotland are helping keep it closed' Wilkie said that Screen Scotland is good at supporting Scots if they 'tick the right boxes' but there is no follow-up. He said that young first-time writers or directors who are given some money to make the content they want are left with no support or help from the government agency. He added that Screen Scotland should be trying to get Scots practical experience on the big productions that are coming to Scotland in a bid to help cultivate the country's own talent pool and has called for them to create a branch to develop the industry's opportunities. (Image: Supplied) 'The key to Screen Scotland is to get back to basics. Remember why they're here,' Wilkie (above) said. 'They've done a phenomenal job of promoting Scotland. If they were to put the same energy into the people in Scotland working within TV and film, that's where the success will lie. 'What they need to do is create a branch within creative Scotland that is only there to promote us.' Wilkie said along with establishing a branch in Screen Scotland to promote Scottish workers, there should also be a legislative change in how production companies can recruit. He said that there should be an introduction of some form of quota of Scottish people to work on productions shot in Scotland, or that people with Scottish postcodes should take priority over those outside the country. 'I'm not saying every job should be filled with people from Scotland on average,' Wilkie said. 'I'm just saying I think we should be scooping up the talent in Scotland first and then when that talent runs out, look to the bigger pools that are in England.' Wilkie also said the Scottish Government should take note of how Wales and Northern Ireland prioritise homegrown talent and incentivise productions to hire from inside the country instead of looking to London. One example is the Foot in the Door initiative by Ffilm Cymru, which aims to connect people with opportunities in the creative sector, regardless of their background. Wilkie added: 'There's just no support for us out here. There's just no support from Screen Scotland at all.' Earlier this week, John Swinney said more needs to be done to increase the number of Scots benefitting from Scotland's screen industry. The First Minister said that the [[Scottish Government]] needs to 'make sure' that there is better access to screen infrastructure for Scots, adding that there needs to be more recognition of the 'economic benefits' the sector brings. A Screen Scotland spokesperson said: 'Screen Scotland is committed to supporting Scotland-based film and TV talent as well as maximising the benefits that filming creates across the wider Scottish economy. We encourage incoming productions to utilise local crews and services. 'That said, the majority of our production funding remains focused on films and [[TV]] programmes from Scotland, which regularly hire local crew and facilities. Recent projects from Scotland developed and produced with Screen Scotland's support include Only Child, Mayflies and Dinosaur for BBC Scotland, An t Eilean (The Island) for BBC Alba, Summerwater for Channel 4, The Rig for Amazon Prime, and the feature films The Outrun, Aftersun, My Old School, Janey, On Falling, California Schemin' and Tornado.' Entertainment Partners and Sony have been approached for comment.