Dreamers built a 1920s utopia in the Palisades. How remnants of that Chautauqua movement survived the fire

Los Angeles Times

13-06-2025

On a recent walk through the charred and twisted remains and scraped-flat plateau of the Pacific Palisades, local historian Randy Young paused a couple of hundred yards into the mouth of Temescal Canyon, above Sunset Boulevard, to let the eerie randomness of the January flames sink in. So much was erased in so little time, leaving the lasting impression, whether from afar or close-up, of a wasteland — a place almost wiped off the map.
But here, in the narrows of the canyon, where Temescal Creek tickled the roots of sycamores and cooled the air beneath the heavy branches of valley oaks, Young lighted up with the enthusiasm of an amateur botanist.
'The oak trees took all of the fire's embers. They caught them like catcher's mitts,' said Young, who grew up in adjacent Rustic Canyon and until recently lived in a Palisades apartment near Temescal.
Those trees, and the green (and thus less flammable) edges of the creek, helped to save a row of small, wooden cottages and a cluster of wood-shingled, pitched-roof buildings that were the remains of the 77-acre Chautauqua Assembly Camp, once the thriving nucleus of a 1920s effort to shape the Palisades as a spiritual and intellectual lodestar on the California Coast. The Chautauqua movement — founded in 1874 at Lake Chautauqua, N.Y., to better train Sunday-school teachers — swept the country in the late 19th century, blossoming into a network of assemblies drawing rural and working-class Americans hungry for education, culture and social progress. While short-lived, the local camp would form the blueprint for Pacific Palisades to this day.
Young, who has co-written books about the Palisades and its surrounding communities, stepped onto the short boardwalk fronting a modest wooden structure. 'This was the grocery store and meat market,' he noted. Rounding the slope at the back, he pointed to an old Adirondack-style dining hall — now called Cheadle Hall but originally Woodland Hall — its simple post-and-beam and wood wainscoting preserved from the early 1920s. He also spoke of what had been lost over the decades: Across the glade had stood a barnlike, three-tiered auditorium. Nearby, he said, had been a log-cabin library. Up and down the canyon were dozens of river-rock cottages and timbered casitas, and 200 canvas tents raised on wooden platforms.
South of Sunset Boulevard (then known as Marquez Road), on a site that now includes Palisades Charter High School, was the Institute Camp, containing an amphitheater carved out of a natural bowl, where thousands of summertime campers would hear the likes of Leo Tolstoy's son, Illya, speaking on 'The True Russia,' or Bakersfield-born Lawrence Tibbett, who would become one of the country's greatest baritones, perform selections from his Metropolitan Opera repertoire. The Institute Camp also housed the Founders Oak, a tree that marked the site of the community's 1922 founding ceremony, and lots for independent groups, like the WE Boys and Jesus our Companion (J.O.C.), Methodist-affiliated clubs who made a former Mission Revival home into the Aldersgate Lodge (925 Haverford Ave.) in 1928.
In the sylvan canyon, the Palisades Chautauqua offered a bewildering array of ways to lift oneself up: hiking and calisthenics, elocution and oratory, homemaking and child psychology, music, history, politics, literature and theater. Tinged with piety, these were, in their own words, 'high class, jazz-free resort facilities.'
The official dedication of the Palisades Chautauqua on Aug. 6, 1922, would be the last of its kind in the country. It was spearheaded by Rev. Charles Holmes Scott, a Methodist minister and educational reformer who dreamed of creating the 'Chautauqua of the West.' The influence of the movement was so central to the Palisades' identity that in 1926, one of its main thoroughfares — Chautauqua Boulevard — was named in its honor.
Scott, inspired by the Chautauqua tradition's ideals of self-transformation, envisioned Pacific Palisades as a place where character would matter more than commerce. 'Banks and railroads and money is always with us. But the character and integrity of our men and women is something money cannot buy. We will prove the worth of man,' Scott declared. Residents signed 99-year leases to ensure the community's cooperative nature. The leasehold model was also meant to prevent speculation, fund cultural facilities and events, and uphold moral standards. Alcohol, billboards and architectural extravagance were all prohibited — as was, alas, anyone who wasn't Protestant or white.
The Palisades Assn., under Scott's guidance, purchased nearly 2,000 acres of mesa, foothills and coastline. Pasadena landscape architect Clarence Day drew up the first plans, establishing a new axis, Via de la Paz, or Way of Peace, eventually home to Pacific Palisades United Methodist Community Church (1930) and terminating at a neoclassical, Napoleonic-scaled Peace Temple, atop Peace Hill. He laid out two tracts: Founders Tract I, a tight-knit grid of streets (now known as the Alphabet Streets) for modest homes above Sunset Boulevard, and the curving Founders Tract II, closer to the coast with larger lots for more affluent residents.
Soon after, Day was replaced by the renowned Olmsted Brothers, who refined the layout to follow natural contours, planted thousands of trees and designed a stately civic center in which they wanted to include a library, hotel, lake, a park with a concert grove and a far larger, permanent auditorium. Only one major element of that center was realized: Clifton Nourse's Churrigueresque-style Business Block building at Swarthmore and Sunset, completed in 1924.
By the end of 1923, it seemed as if the Palisades was destined to become a boom town, with 1,725 people making down payments totaling more than $1.5 million on 99-year renewable leases. In early 1924, demand slumped, never to revive. To preserve the dream, in 1926 Scott abandoned the lease-only model and began selling lots. That same year the association borrowed heavily to purchase 226 more ocean-view acres from the estate of railway magnate Collis P. Huntington, installing underground utilities and ornamental street lighting in an area that would become known as the Huntington Palisades. Debt soared from $800,000 in 1925 to $3.5 million by the end of 1926.
As the 1929 stock market crash hit and revenue dried up in the Great Depression, the association collapsed. Its assets were sold off. Grand plans, like the Civic Center and the Peace Temple, were abandoned. The dream withered.
'There wasn't a moment where they said 'we're stopping,'' Young said. 'It just sort of petered out.'
Yet fragments endured, stubbornly. In 1943, the Presbyterian Synod purchased the Chautauqua site and operated it as a retreat. In the late '70s and early '80s, local activists fought off a plan to extend Reseda Boulevard right through Temescal Canyon (though buildings like the library and assembly hall had already been torn down in anticipation of the roadway). In 1994, the Santa Monica Mountains Conservancy acquired the land. Today, it survives as the city-run Temescal Gateway Park, its board-and-batten cabins and rustic halls weathered but largely intact.
The Business Block — since January a fire-blackened shell awaiting its undetermined fate — narrowly escaped demolition in the 1980s when a developer proposed replacing it with a concrete and glass mall. A preservationist campaign under the slogan 'Don't Mall the Palisades' saved the structure.
But by then, the character of the Palisades had begun to shift. Faint echoes of the quiet, rustic past remained, but modest bungalows had given way to mansions. The artists, radicals and missionaries were largely gone.
'It's not Chautauqua anymore — it's Château Taco Bell,' Young quipped, of much of the area's soulless new built forms.
Today, thanks to the fire's brutality, the original Chautauqua sites offer something unusual: a landscape where past and present momentarily coexist. Slate roofs held firm. Ancient oak groves performed better than modern landscaping. For Young, the fires stripped away modern gloss to reveal what continues to matter.
'When you go through a fire,' he said, 'you get down to the basics.' He added: 'The fires brought us back to 1928.'
Pacific Palisades is one of a long list of failed California utopias. Like Llano del Rio, the socialist settlement in the Antelope Valley, or the Kaweah Colony, a cooperative in the Sierra foothills, it was a high-minded gamble dashed on the shoals of capitalism and human nature. The idealistic outpost lingers, etched into the land, embossed in the Palisades' deeper memory. The dream may no longer be intact, but its traces are still legible.