US woman lists what she loves and hates about living in India: 'I love it, but…'
In the now-viral video, Fischer wrote: 'As a foreigner living in India, I am not ashamed to admit that no place is perfect. I love India, but it is by no means perfect. It certainly has flaws and aspects I don't like.'
She also acknowledged that the United States has its own set of issues. 'There will be flaws anywhere we go, and our job is to learn to see the good in all of it, no matter what. I believe we have the power to create our own happiness, no matter where we are,' she added.
Kristen then listed the things she likes and dislikes about living in India: I miss my family
I prefer Indian food
I like being a minority
I hate Delhi pollution
India is a better place for kids
I think being vegetarian is better
India is a more modest country
I hate the garbage on the streets
Food is healthier here
Hospitality in India is better
Local farming is better
She concluded the video with a reflective message: 'It is a choice. Will you choose to focus on the negative, or will you choose to see the positive? I believe this outlook significantly affects our joy and satisfaction in life.'
The video has garnered over 1.48 lakh views on Instagram and sparked a flood of comments.
One user wrote, 'Such an inspiring post. I've been focusing on the negative for quite some time, but your post and words motivated me to look at the positive. Truly, you are amazing. Much love.'
Another commented, 'I admire your honesty. You're absolutely right, no place is perfect. If we can adjust comfortably, that's enough.'
A third user added, 'We love you not as a foreigner, but as someone who has become an integral part of our country. Despite all the challenges here, we welcome you like family. Sending love to you and your lovely kids.'
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Indian Express
9 minutes ago
- Indian Express
I'm Gen Z, and I went to watch Saiyaara to figure out why young Indians are crying on camera
My fifth trip to the theatre this month – thanks to a generational movie run this summer – was a solo date. A conscious choice to watch Saiyaara alone and soak in the Mohit Suri magic, mascara-free, without friends teasing me for shedding fat tears the moment the hero kneels before a zoomed-in shot of his girl's kohl-rimmed eyes. Young and old, friends and couples, had queued up to watch newcomers Aneet Padda and Ahaan Pandey prove their mettle to critics and audiences alike, holding their own against Metro…In Dino's seasoned ensemble. Hushed whispers about the film's aggressive PR and meme marketing had already made their way into my Instagram algorithm. But by the time the end credits rolled, I was bombarded by clips of people sobbing on theatre floors, arriving with IV drips strapped to their arms, and snappy edits comparing Saiyaara's leads to Suri's previous heartbreak icons from Aashiqui 2. After its smashing opening weekend, Saiyaara was everywhere. What Saiyaara pulled off wasn't accidental virality; it was a moment of cultural ignition. And what's remarkable is that this wave wasn't powered by stars or conventional advertising, but by digital emotion and peer validation. The crying reels weren't 'content pieces' in the usual sense; they became the campaign. According to Himanshu Singla, co-founder, Idiotic Media, what worked in this case was the authenticity of emotion paired with the absence of noise. 'There were no back-to-back interviews, influencer blitzes or media overkill. Just one powerful trailer, a deeply affecting soundtrack, and then the internet took over,' he said. From a meme marketing perspective, Singla saw an organic yet incredibly effective shift. Memes like 'China's building AI, India's crying over Saiyaara' went viral not because they captured a cultural moment, but because they reframed emotion into commentary. 'That's the beauty of memes: they translate complex sentiment into something instantly shareable,' he told A post shared by The Bad Engineer (@satirical_dhruv) For people walking into theatres with no context, the emotional frenzy was disarming. Hushed sobs, long hugs in silence, stunned expressions – the emotional intensity created rare, unprompted curiosity. 'Why are people reacting like this? What's going on in this film?' Even those who didn't walk away emotionally shattered wanted to see what the fuss was about. 'That's a very modern form of digital pull rooted not in persuasion, but participation,' said Singla. Pranav Bhardwaj, an advocate, believes audiences were missing this kind of cinema. 'An over-the-top, fantastical, intense, slightly cringey love story. Mohit Suri knows exactly what his audience wants. Saiyaara sticks to the classic bad boy–good girl formula, and pairs it with a solid album. It's a decent film, and we hadn't had that in a while,' he said. Crying during movies is natural – from Kal Ho Naa Ho to Rockstar, we've all walked out of theatres with red eyes. But Bhardwaj believes crying on camera is now part of a digital performance: 'It's become fashionable; a way to get followers, engagement, or even hate comments.' You cried a little in the dark cocoon of the theatre, so what? But recording yourself thrashing on the floor, on the verge of passing out, hyperventilating, and uploading it — has Gen Z taken it too far? While some say it's performative, others see something deeper. Pavitra Singh believes this trend points to a larger loneliness epidemic. 'This digital closeness makes them feel seen and heard. Many don't have anyone to vent to in real life, so they turn to their digital audience for solidarity,' she said. For Shubhangi Priyadarshini, a graphic designer, the rise of emotional honesty online is also about reclaiming vulnerability. 'It's either a performance or a cry for help,' she said. 'And when a film like Saiyaara gives us a socially acceptable reason to release those emotions, it feels safer. It's easier to cry for a fictional story than to confront your pain.' From a millennial's perspective, Mini believes the younger lot today is far more emotionally expressive. 'They don't hold back. Whether in films or real life, they're upfront, vocal, and less concerned about perception,' she said, crediting this shift to growing up in a culture that encourages conversations around mental health. 'When someone shares those raw moments online, it resonates. People are slowly realising that it's okay to not feel okay, and that they're not alone,' said the communications specialist. Everything you see online is not real. Much like Shilpa Pal, who watched the film on its second day, I, too, was surprised to find a relatively composed theatre. No one is convulsing on the floor. No IV drips. No dramatic breakdowns. I won't lie, I was a little bummed. 'What you see on social media is exaggerated,' said Pal, PR consultant at Pitchfork Partners. 'No one was howling or sitting on the floor. That just didn't happen.' According to her, the reason why youngsters are expressing themselves so dramatically online is simply because 'that's what people do these days'. They share emotions publicly on social media. But is this the first time we're seeing something like this? No. During Aashiqui 2, people had similar reactions. More recently, when Sanam Teri Kasam re-released, such dramatic reactions did go viral. 'This movie could mean to them what Kaho Naa Pyaar Hai or DDLJ meant to millennials. While the intensity of their reactions may feel excessive, having a film they'll cherish and reference for years to come is completely valid,' Pal said, adding, 'And honestly, aren't we all a little tired of watching actors in their 50s romancing women in their 20s and 30s? Who doesn't enjoy a fresh change?' As a generation raised being told not to cry or show too much emotion, it's no wonder we're spilling it all now — sometimes in the wrong places. Whether you joined the hate bandwagon or tore through a box of tissues while rooting for the leads, Saiyaara made you feel something — pain, joy, love, or cringe. That's for you to decide. As for me, I'll just go back to my playlist and hum along to Faheem Abdullah's soulful voice. Ishika Roy is a is a Sub Editor for the lifestyle desk at The Indian Express. She shares a keen interest in reading, writing and researching on all things beauty, entertainment, pop culture and lifestyle. Ishika holds a Bachelor's degree in Sociology from Miranda House, Delhi and a Post-graduate degree in Journalism from Symbiosis Institute of Media and Communication, Pune. ... Read More
Hindustan Times
9 minutes ago
- Hindustan Times
German TikToker dancing in Kerala mundu stopped by Bengaluru cops mid-performance: 'First time being taken to station'
German Tiktoker Noel Robinson, known for his street dance videos in which he shows off his afro, was recently detained by police in India. According to a video shared by the content creator, the cops took him to the police station for about 15 minutes after 'too many people' gathered where he was shooting his video. He said he had to pay a fine after being detained. German TikToker Noel Robinson was taken to the police station by Bengaluru cops. (Instagram/@noel) 'This was my first time being taken to the Police Station!! I was scared they would send me to prison but luckily everything was fine! I'm Safe and I love India!!' Robinson wrote as he posted the video. In the clip, he is seen shooting for a video while wearing traditional Indian attire. Within moments, he is stopped by police and taken away in a vehicle. The latter part of the clip shows him at the police station, eventually walking out after getting released. The TikToker says that the police told him he was being detained for shooting without permission. In an update in the comments section of his video, Robinson said that the incident could have happened to him anywhere in the world. 'Don't be sorry guys! This could have happen in every Country! It's Not about India!! One Little experience like that won't Take away my love for India.' What did social media say? An individual stated, 'Sorry from Karnataka.' Another remarked, 'The arrest is not the problem; everyone is subject to the law. The issue is how they handle him. How can they push someone this hard?' A third expressed, 'Not a big mistake by the police. It's common in every country. Those uneducated Indians in the comments go abroad and dance in public. At least in 15 minutes, he is out of the station without a case.' A fourth wrote, 'Why is that dude pushing him at the back?' Who is Noel Robinson? Noel Robinson started posting his videos on social media to promote his dance classes. However, he soon gained loyal followers, which later increased to millions. His unique dancing style turned him into a German superstar with fans all over the world. What is his dancing style? During his conversation with Red Bull last year, he said he started freestyling but mainly likes Hip-hop. 'Hip-hop is my main thing, but I started out with freestyle. I went to dance school to learn choreography, which is especially important for videos. In 2022 I added afro.' Why does Noel Robinson pop out his afro? He started this move during the pandemic, when he was confined to his home and couldn't shoot his dance videos outside. 'I made a video in which I let my hair pop out of my hood to a sound, and suddenly it had 40m views. That was briefly my thing during the time when I couldn't do anything outside.' He later included his hair as a part of his signature style. When Bengaluru cops interrupted Ed Sareen, detained Younes Zarou: Earlier this year, the cops interrupted Ed Sheeran's performance during his +-=÷x 2025 India Tour. The police stopped him while he was performing on the street in Karnataka. Later, the singer clarified that it was not a surprise performance and he had 'permission to busk.' In a separate but recent incident, another German TikToker, Younes Zarou, faced intervention from Bengaluru police after a large crowd gathered when he announced his visit to Church Street. Zarou is known for his eye-catching illusion videos and public stunts.
Hindustan Times
9 minutes ago
- Hindustan Times
Raj Nidimoru gives death stare to paparazzi as he gets spotted with rumoured girlfriend Samantha Ruth Prabhu again
Actor Samantha Ruth Prabhu and filmmaker Raj Nidimoru, who have been linked romantically for the past few months, were spotted together in Mumbai on Wednesday. However, things took an interesting turn when Raj gave a cold stare to the paparazzi as they were entering their car, seemingly unhappy about being photographed together. For the outing, Samantha Ruth Prabhu and Raj Nidimoru kept things casual. Raj Nidimoru seems miffed Samantha and Raj were spotted together in Mumbai on Wednesday. Several videos of their outing have emerged on social media. In the clip, they are seen leaving a restaurant. As Samantha exited the restaurant, she appeared carefree and cheerful, seemingly unbothered by the cameras, and made her way to the car. On the other hand, Raj, who joined her later in the same car, seemed visibly irked by the media attention. One video shows Raj giving a stern glare to the paparazzi through the car window before swiftly driving away in the car, with Samantha beside him. For the outing, Samantha kept it casual, pairing a chic white and navy striped full-sleeve sweater with jeans. Raj sported a laid-back look with a black cap and olive green overshirt, paired with a black T-shirt and jeans. More about Samantha and Raj Samantha and Raj worked together for the web series, The Family Man and Citadel: Honey Bunny. The romance rumours surrounding Samantha and Raj gained momentum after she frequently shared photos with him on her Instagram, fueling speculation about their relationship. While neither party confirmed nor denied the rumour, they have often been spotted together. At the moment, she is now working with him on Rakt Brahmand: The Bloody Kingdom. They have also partnered up for the pickleball team, Chennai Super Champs. Raj is married to Shhyamali De, and they share a daughter. Samantha was married to Naga Chaitanya, but they split in 2021. Raj, along with DK, is also busy with the third season of The Family Man, which will bring back Manoj Bajpayee in the role of Srikant Tiwari.
