‘Slow Horses' hasn't premiered season 5 yet, but it's already been renewed for season 7
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The early renewal is a sign of confidence from the streamer; the show has proved a hit with critics, earning a slew of award nominations and an Emmy win for the show's writing (possibly Apple will keep renewing it until Oldman gets his own Emmy). It's now proving to be one of the network's longest-tenured programs, matching early winners like '
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Indianapolis Star
8 hours ago
- Indianapolis Star
Jon Stewart warned comedians get 'sent away first.' Now it's happening.
'Go f--- yourself.' That was just one of the many 'witticisms' Stephen Colbert had for President Donald Trump and his "Late Show" audience on July 21, his first since breaking the news the show was coming to an end. Not in a year. Not after a farewell tour. Next May. No replacement. No streaming continuation. Yes, CBS made what it called an "agonizing" business decision to cancel the most-watched show at 11:30 p.m. ET/PT, just days after Colbert mocked the network's parent company for a $16 million payout to Trump. Colbert thanked CBS but also criticized its anonymous leak to the New York Post that the show loses between $40 million and $50 million a year amid falling ratings and advertising for late-night TV shows. On the one hand, you have those arguing this is simply a case of corporate cost cutting and media evolving. While others are raising the alarm this is a political decision disguised as a financial one. Both can be – and are – true at the same time. Before Colbert called his bosses' bosses' settlement with Trump a 'big fat bribe," his "Late Show" monologues have taken direct aim – nightly – at authoritarianism, misinformation, corporate cowardice and Trump for nearly a decade. One could even argue that he owes his success to Trump, because during his initial months at 'Late Show,' Colbert faltered in the ratings. In 2017, however, he began to see a surge of success as he got to mock Trump 1.0 in his monologues. Soon his show was No. 1 in late night, a ranking it held for nine straight TV seasons while simultaneously racking up 33 consecutive Emmy nominations. Colbert became a go-to voice for Trump-resistant Americans who enjoyed their political despair with a side of satire. In many ways, he took up the mantle left by his old boss, Jon Stewart, offering comedic catharsis in chaotic times. Despite this context, CBS claimed the decision to cancel was purely financial and 'not related in any way to the show's performance, content or other matters happening at Paramount.' According to the company, the show had become too expensive to produce amid shrinking ad revenues and changing viewer habits. Opinion: Critics said Trump would ruin America. Six months in, he's proving them wrong. CBS is not wrong: Late-night advertising has by some estimates dropped by half since 2018. Anecdotally, I watch a lot of late-night viral clips on my phone, but I can't tell you the last time I watched any late-night television live on my television. But not everyone's buying the "it's just business" line. Sen. Elizabeth Warren, D-Massachusetts, called for scrutiny while Sen. Adam Schiff, D-California, who taped the July 17 show when Colbert broke the news, echoed the concern. The Writers Guild of America issued a statement suggesting the move raises 'significant concerns' about political retribution. There are countless scathing opinion columns, letters to the editor and social media posts containing similar sentiments. Meanwhile, Trump gloated. He posted on Truth Social, "I absolutely love that Colbert' got fired. His talent was even less than his ratings. I hear Jimmy Kimmel is next." CBS is just one part of a massive merger between Paramount Global and Skydance. After Colbert's cancelation, the deal received approval from the Federal Communications Commission. The chairman of the FCC, Brendan Carr, was appointed by Trump. If you need a clue about whether his loyalties lie with the Constitution or the current occupant of the White House, Carr swapped out an American flag lapel pin for a gold medallion in the shape of Trump's profile just months ago. When corporations' incentives line up so conveniently with silencing dissent, we should be alarmed. Because both things can be true: The economics of late-night television, and the cultural influence of it, has been changing. And the timing of the settlement combined with the end of the "Late Show" is deeply concerning. Here is how it appears: The Trump administration made it clear that certain media deals wouldn't get approved unless certain broadcasting decisions were made. That would be the government using its power to punish dissent and influence private business decisions in order for political favor. In his 2022 Mark Twain Prize acceptance speech, Jon Stewart warned, 'When a society is under threat, comedians are the ones who get sent away first. It's just a reminder to people that democracy is under threat. Authoritarians are the threat to comedy, to art, to music, to thought, to poetry, to progress, to all those things.' That's the part that should concern us. The question isn't what happens to Colbert (he will be fine). It's what happens to us: the audience, the public, the people who depend on sharp, fearless voices to cut through the fog. Opinion: Public media funding cuts create fair competition for local news in Indiana The federal government defunded NPR and PBS. Now one of the most popular comedians on television is being nudged off the air. At what point do we stop calling this "just a business decision" and start calling it slow, strategic silencing? Because when cost cutting trims away the voices willing to laugh at power in real time, what's really being cut is dissent. And if that's not political, then what is?
Yahoo
17 hours ago
- Yahoo
Breaking Bad creator's new show streams on Apple TV+ November 7
Apple has announced that Pluribus, a new science fiction drama from Breaking Bad creator Vince Gilligan, will premiere on Apple TV+ on November 7. Gilligan was confirmed to be working on the project back in 2022, when Better Call Saul's Rhea Seehorn was also announced as its primary star. Alongside the premiere date, Apple also released a short (somewhat ominous) teaser for the series that shows a hospital employee mindlessly licking donuts. Pluribus is supposed to follow "the most miserable person on Earth" (presumably Seehorn) as they "save the world from happiness," but your guess is as good as mine as to how the two tie together. Apple's penchant for backing science fiction shows has been well-documented at this point. The company is currently producing a television adaptation of William Gibson's Neuromancer, and has made three seasons and counting of Foundation, based on the novel series by Isaac Asimov. Toss in things like Severance, Murderbot, Silo and For All Mankind and you've got a pretty varied catalog of sci-fi media to choose from. Just how "science fiction" Pluribus will actually be remains up in the air. When reports went out in 2022 that Apple was ordering two seasons of the show, it was described as "a blended, grounded genre drama." Apple's premiere date announcement pitches the show as "a genre-bending original." Pluribus' nine-episode first season will premiere on November 7 with two episodes. New episodes will stream weekly after that, all the way through December 26.
Yahoo
18 hours ago
- Yahoo
There's A New Highest-Grossing Live-Action Sports Movie of All-Time
There's A New Highest-Grossing Live-Action Sports Movie of All-Time originally appeared on Athlon Sports. Along with the concept of creating original films that aren't sequels or prequels to a previous box-office hit, the era of timeless sports films seemed to have come to an end. However, with a chance to make a splash in the entertainment and sports world, Apple partnered with Formula One to produce a film starring two-time Oscar-winning actor Brad Pitt and rising star Damson Idris. Although there was skepticism regarding how well "F1 The Movie," with a reported budget of $200-$300 million, would fare, given that it is centered around a sport still growing in popularity in the States, the results speak for themselves. As shared on X by Front Office Sports on Wednesday, the movie has become the highest-grossing live-action sports movie ever. "F1 The Movie" has crossed $460 million at the global box office, making it the highest-grossing live-action sports movie ever," read the post. "F1 The Movie," which features not only superstars of the sport like Max Verstappen and Lewis Hamilton, among others, was filmed during nine Grand Prix weekends. It centers on Pitt's character, Sonny Hayes, a former driver who is called upon by an old friend to help save his F1 team, APXGP, from being sold. It is then that Pitt's character begins to help the team, but clashes with young-gun teammate Joshua Pearce (Idris). The two are eventually forced to work together, with a chance to secure a massive victory in Abu Dhabi after both overcoming major adversity. Aside from the film being about the growing sport, Pitt and co-star Damson Idris were the ones actually driving the cars. Producer Jerry Bruckheimer revealed to Today's Becca Wood that they trained for three months. 'Damson Idris, who's a rising young star, had to drive in these cars and train for three months, just like Brad (Pitt) did,' Bruckheimer told 'But the brutality of what you go through in these cars that are going 180 miles an hour — they have to break down to 50. They're taking 5 Gs in the corners. It is brutal.' Highest-grossing sports movie of all time In terms of where this film ranks among all-time sports movies, whether live-action or animated, it trails only Pixar's "Cars 2," which, according to FOS, grossed $559.9 million worldwide. Will there be a sequel to "F1?" At this time, there has been no confirmation on whether or not they will create a follow-up film, but many have interpreted the ending to be setting up for another possible story. This story was originally reported by Athlon Sports on Jul 24, 2025, where it first appeared. Solve the daily Crossword
