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Energy bills could RISE for wealthier households to help poorer ones

Energy bills could RISE for wealthier households to help poorer ones

The Sun5 days ago
ENERGY bills could rise for wealthier households to help poorer ones, under new plans by the watchdog.
Ofgem launched a major review into energy pricing this week, as it wants to ensure "fixed costs don't disproportionately affect vulnerable and low income consumers."
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The regulator is also asking people around the country to give their views on how energy costs are shared.
"We want to make sure energy system costs are shared fairly and transparently - so we're launching a review of all the costs that make up bills, looking at whether there are better ways to do this," Ofgem posted to its official X account.
It said the energy pricing system needed to be updated in line with how households' energy use has changed.
For example, many people are now using new technology such as smart meters to shift their energy usage to different times of the day.
Some households are also using more energy than in previous years, it pointed out, thanks to the rise of electric cars and heat pumps.
As part of the review, standing charges - fixed daily fees added bills by energy suppliers - could also be overhauled, as Ofgem said many consumers had complained the current system was "unfair".
Ofgem boss Jonathan Brearley said: 'As we transition to a more secure, homegrown, renewables-based energy system, unit costs may decrease due to reduced reliance on expensive and volatile gas.
"However, fixed costs – such as those needed to upgrade the energy network to deliver cleaner and more secure power to our homes – could rise.
"This shift in the make-up of system costs means we need to review how we pay for energy and carefully consider how these costs are distributed.
'We know customers have real concerns about fairness and transparency in their bills, especially around fixed costs. That's why we're asking big questions about how and where these costs are shared – and whether there are better, fairer ways to do it.
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'The launch of this review is the next step in developing fairer pricing for a changing energy system, ensuring more choice for consumers while protecting those most in need.'
Ofgem said it was only seeking views at this stage and was not giving any recommendations.
Currently, energy prices are made up of unit rates and daily standing charges.
Your unit rate tells you how much you pay for every kilowatt-hour (kWh) of electricity and gas you use, while your standing charge covers the cost of supplying your electricity and gas supply to your home.
The review was welcomed by some experts, who said there was a "clear need" to review how households pay for their energy.
USwitch director of regulation Richard Neudegg said: 'The energy system is changing rapidly as we use more and more clean power, so the way we pay for it needs to change as well.
'There is a clear need to look at how pricing and the price cap works.
'As part of our move towards Clean Power 2030, it's vital to ensure consumers get real rewards for managing their consumption, ensuring standing charges are reasonable, as well as securing support for the vulnerable.
'These goals could be achieved within tariffs that consumers choose to be on, considering how the price cap itself works, and or through various support and grant schemes.
"There are no firm proposals from Ofgem on particular shifts to pricing approaches yet, but it is good to see the regulator opening up the thinking on how this could best work.'
However, others argued the plans don't go far enough to protect vulnerable families.
Heat Trust boss, Stephen Knight, said: 'Forthcoming regulation of heat networks is great news for consumers, but Ofgem's proposals around price regulation do not yet deliver the level of fairness or price protection that heat network customers deserve.
"Many households are still paying twice as much for heat as those using gas boilers – and that simply isn't sustainable.
'We need urgent action from government to rein in unregulated costs and reduce unacceptable levels of heat loss from poorly performing systems.
'Unless these issues are addressed, we risk undermining public confidence in heat networks at a time when they need to be a key part of our low carbon future.'
He added: 'We urge government to go further than these proposals, engage more closely with consumers and their representatives and deliver the strong, enforceable protections that heat network users urgently need.'
Do you have a money problem that needs sorting? Get in touch by emailing money-sm@news.co.uk.
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The East Anglian artisans keeping their heritage crafts alive
The East Anglian artisans keeping their heritage crafts alive

BBC News

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The East Anglian artisans keeping their heritage crafts alive

Traditional skills - some of which have been around for millennia - are at risk of dying out because so few people practise them. Three artisans, whose heritage crafts are on a national Red List, have given their thoughts on what can be done to pass their skills to the next generation. 'We need to do manufacturing ourselves' Daniel Bangham is an endangered to national charity Heritage Crafts - which promotes and supports traditional UK crafts - there are "serious concerns" about the "ongoing viability" of his trade of 45 instrument making, which Mr Bangham does at his own workshop in Linton, Cambridgeshire, is among more than 90 crafts it classes as are just enough skilled craftspeople to keep the work going, and to educate others - for now - but more is needed to be done to safeguard its is clearly a demand for his work: top musicians still need bespoke instruments that are not mass-produced."Professional players depend on craftsmen to get the last five to 10% out of their instruments," said Mr Bangham."Without the instrument maker, you can't have musicians at the top of their game because a top musician will need constant contact with a maker and repairer to get the very best of their instruments." Manufacturing of woodwind instruments - as with many other things - has moved to East Asia, he says, but the reliance on imports needed to change. "As a nation we need to do primary manufacturing ourselves, everything from steel, through to making microscopes and musical instruments," he said."People will still want to hone their skills, but they have to be given the opportunity, the environment and the encouragement."Heritage Crafts has singled him out for praise for being one of the few people to take on years ago, he set up a workshop studio to teach skills to others."We have enabled 250 instruments to be made, and of those we have had four people who have become professional," he Mr Bangham believes the trade could die out because apprenticeships are "not easy or affordable"."Very often someone will go into a profession obliquely, they never thought they were going to go there," he said."They started making a small widget, found they would be good at it, then got more interested in the bigger picture and became a dedicated craftsman." 'You never stop learning' You may have seen examples of Ian Warren's craft, but perhaps not known what it is or moulded plasterwork - pargeting - is prominent in East Anglia and is used to create motifs of coats of arms, fruits, animals, or even entire scenes on has been a skilled craft in England since King Henry VIII brought in Italian plasterers to decorate one of his palaces. Mr Warren, who works out of Tillingham, near Southminster in Essex, is one of just 11 pargeters known to Heritage Craft. "You can see it around Lavenham and Clare [both near Sudbury in Suffolk], where they had men with more money," said Mr Warren."They had pargeting done to let everyone know that." Heritage Crafts believes the issues affecting pargeting include changing tastes in housing design and the strict restrictions imposed by conservation legislation. It can also be expensive and takes time, which does not correlate with competitive tendering Warren has seen all these problems, as well as commonly-used materials not being up to the task."Modern rendering is now resin, it's not sand, cement and lime anymore, it's prebagged and it doesn't lend itself to pargeting," he explained."Flat rendering is cheaper and some [building] designs are very boxy; it looks wrong on a modern house."Nevertheless, he is hopeful for the future. He has diversified by pargeting on to small panels which can be hung inside as works of art "that will last hundreds of years"."I've been doing it 35 years and I've never been out of work, but I have adapted by doing these smaller things," he said."I started doing panels to take to shows, and because I don't like going up scaffolding in the winter anymore."There are builders and developers, especially around here, that still want that look, it's sellable."Heritage Crafts points out that practitioners need "considerable artistic talent" and also want a labour-intensive is no training school, apprenticeships or courses beyond the occasional introductory day school."You never stop learning," said Mr Warren, who is self-taught. "I think you need to be like myself, you've got to be enthusiastic and work for yourself."You have to have a bit of artistic flair in the first place."I could teach someone to a standard, but they have to have that bit about them to take it on their own." 'People have done this for centuries' Mark Clifton's trade of flintknapping - the shaping of flint by "percussive force" - has been around since the Stone Age but could die out because of a skills shortage. Heritage Crafts says the work is "extremely challenging" - it requires technique, accuracy and good hand-eye Clifton, who works out of Bury St Edmunds in Suffolk, type of flintwork is for the building sector, with Mr Clifton breaking the stones to specific sizes and shapes to create a flush finish on walls. It is time consuming, back-breaking work, with few skilled people still doing it in the UK."I spend half my time on my knees, and as you get older it gets painful," he said."It's a very manual job."You break the flint in half and then you trim it to fit them around each other, and then fit into the wall." Churches and other heritage buildings need the real deal like Mr the shortage of craftsman - and lack of training opportunities - means that, elsewhere, cheaper walls are often created by pressing the stones into concrete as a "short cut", Heritage Crafts says. "Not enough people are getting into it," added Mr Clifton."There are just a handful of good ones, across the country."I fell into it... I'd never knapped in my life but had done whole stone, had slightly the wrong tools to begin with, and went from there. "It's quite a skill."He said he hoped its growing popularity as a feature of modern buildings could be its saviour, but colleges needed to offer courses. "It makes me sad that it could die out," he added. "People have been flintknappers for centuries. "When you think people would quarry flints and knap them at Grimes Graves [a prehistoric flint mine in Lynford, Norfolk]."I still might train someone; I've had apprentices in the past, they've stuck to the course, some have now done it for 28 years." Published annually by Heritage Crafts, the Red List categorises five skills as extinct, 70 as critically endangered and more than 90 as endangered."The Red List underscores the urgent need for greater investment and support to safeguard these skills for the next generation," said Daniel Carpenter, executive director of Heritage Crafts."Reversing this decline would represent not just the continuation of skilled trades, but also a significant boost to the UK's cultural heritage and countless opportunities for future innovation." Follow East of England news on X, Instagram and Facebook: BBC Beds, Herts & Bucks, BBC Cambridgeshire, BBC Essex, BBC Norfolk, BBC Northamptonshire or BBC Suffolk.

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