Paul McCartney set to be the inaugural performer at Hamilton's new TD Coliseum
The hitmaker takes the stage Nov. 21 as part of his career-spanning Got Back Tour.
Before that, the 'Blackbird' singer stops at Montreal's Bell Centre on Nov. 17 and 18.
The Coliseum's general manager Nick DeLuco promises an extraordinary night for the first concert at the 18,000-seat facility.
The revamped arena has touted a 'premium experience' including improved sightlines, concourses and concession areas; an upgraded acoustics system, and touchless and self-serve technologies for faster food and beverage purchases.
The Got Back Tour kicks off Sep. 29 in the Palm Springs area and includes stops in Minneapolis and Buffalo, N.Y., before wrapping in Chicago on Nov. 24 and 25.
TD Coliseum says it is working with Metrolinx to ease after-concert travel between the nearby West Harbour GO station and Toronto's downtown transit hub, Union Station.
'Opening night deserves something extraordinary, and it doesn't get any better than Paul McCartney,' DeLuco said Thursday in a release.
Tickets go on sale July 18.
Other performers confirmed for the TD Coliseum include Andrea Bocelli on Dec. 9, Brad Paisley on Dec. 12, and the 55th annual Juno Awards broadcast, set to air March 29, 2026 on CBC.
This report by The Canadian Press was first published July 10, 2025.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
CNN
an hour ago
- CNN
Paul McCartney's 1985 Live Aid performance, his first live show in five years, was nearly derailed by a tech glitch
PROGRAMMING NOTE: Watch CNN Original Series 'Live Aid: When Rock 'n' Roll Took On the World,' celebrating the definitive story of how two rockstars inspired the largest global music events in history. The four-part series continues Sunday, July 27 at 9pm ET/PT. Paul McCartney hadn't taken the stage in over five years when he sat down at his piano to sing 'Let It Be' for Live Aid on July 13, 1985, in a performance that was almost totally derailed by a single tech glitch. There the music legend was – performing live for the first time since his post-Beatles band Wings had broken up, and his lifelong friend and Beatles bandmate John Lennon had been assassinated – to sing 'Let It Be,' one of the last songs the Fab Four ever released… and minutes into the performance, McCartney's microphone died. 'One guy. A mic and a piano (and) a mic for the voice. Really simple. What happened?' Live Aid organizer and musician Bob Geldof recalled thinking at the time in CNN's 'Live Aid: When Rock 'n' Roll Took On the World.' Geldof added that he thought, 'Oh no, it's going to be a disaster.' All of the estimated 1.8 billion viewers tuning into the mega benefit concert couldn't even hear McCartney, let alone the massive crowd that stood before him at London's Wembley Stadium. Then something magical happened: the crowd started to sing along and help pick up the song for McCartney. But it wasn't just the crowd who saw that McCartney needed help, either. 'There were a bunch of people standing around and either Pete (Townshend, of The Who) or David (Bowie) said to me, 'Come on, let's help him.' Literally if you can think of a moment where 'I am not worthy' is beyond true, it's that moment,' Geldof recalled. Townshend, Bowie, Geldof and singer Alison Moyet huddled behind McCartney on stage to help him sing the song's final verses when the microphones started to work again, allowing the impromptu quintet – along with the singing Wembley crowd – to complete the song. Afterward, Townshend and McCartney hoisted Geldof on their shoulders before the Wembley Stadium headliners, including George Michael, Bono, members of The Who, Bowie, McCartney, Queen and many more, all joined together on stage to sing Band Aid's 'Do They Know It's Christmas' to close out the show. The Live Aid benefit was organized by musicians Geldof and Midge Ure to draw attention to a famine in Ethiopia. It spanned multiple locations, drew nearly two billion viewers around the world and raised more than $125 million for relief efforts. While Geldof had already secured a lineup of the most famous and revered rock 'n roll musicians for Live Aid, he said in an interview with Ultimate Classic Rock earlier this month that he felt he needed a Beatle to participate and wrote McCartney a letter at the time outlining his case, asking him to play one song at the end of the show. 'I knew he must get a hundred requests to do things, but I really felt like the program would not be complete without him there. I was not writing to Paul McCartney, the man, I said, but to PAUL MCCARTNEY, the phenomenon,' Geldof explained. 'If he played, millions would watch who would not otherwise watch. That would mean money would come in that would not otherwise come in.' McCartney and his band Wings hadn't performed since 1979's Concerts for the People of Kampuchea, and shortly thereafter disbanded in 1981. McCartney hadn't taken the stage after that but did continue to release new music over the next few years. So when Geldof approached him about Live Aid, McCartney recalled telling him, 'I can't Bob, I haven't got a band together now.' Geldof, according to McCartney, didn't find that to be a problem at all, telling him, 'Well, you just sit at the piano and play your own number.' Ultimately, McCartney agreed. 'I just had to come. Simple as that,' McCartney said, adding that Geldof was also the person who chose the song that McCartney would sing. 'He's running the whole bloody show!' Geldof told Ultimate Classic Rock that 'there is a hierarchy in rock 'n' roll,' with the Beatles being at the top. 'So he goes on, one song, to give us the benediction, to give us the Beatles imprimatur, and of course it's 'Let It Be,' which I had asked him to do.' Live Aid wound up not just being McCartney's return for a one-off performance. He's been touring regularly ever since – even up until today, as McCartney, now 83, is set to continue his Get Back tour in the US this fall. Turns out, the legendary musician isn't quite ready to just let it be.
CNN
an hour ago
- CNN
Paul McCartney's 1985 Live Aid performance, his first live show in five years, was nearly derailed by a tech glitch
People in entertainment Paul McCartney Music BeatlesFacebookTweetLink Follow PROGRAMMING NOTE: Watch CNN Original Series 'Live Aid: When Rock 'n' Roll Took On the World,' celebrating the definitive story of how two rockstars inspired the largest global music events in history. The four-part series continues Sunday, July 27 at 9pm ET/PT. Paul McCartney hadn't taken the stage in over five years when he sat down at his piano to sing 'Let It Be' for Live Aid on July 13, 1985, in a performance that was almost totally derailed by a single tech glitch. There the music legend was – performing live for the first time since his post-Beatles band Wings had broken up, and his lifelong friend and Beatles bandmate John Lennon had been assassinated – to sing 'Let It Be,' one of the last songs the Fab Four ever released… and minutes into the performance, McCartney's microphone died. 'One guy. A mic and a piano (and) a mic for the voice. Really simple. What happened?' Live Aid organizer and musician Bob Geldof recalled thinking at the time in CNN's 'Live Aid: When Rock 'n' Roll Took On the World.' Geldof added that he thought, 'Oh no, it's going to be a disaster.' All of the estimated 1.8 billion viewers tuning into the mega benefit concert couldn't even hear McCartney, let alone the massive crowd that stood before him at London's Wembley Stadium. Then something magical happened: the crowd started to sing along and help pick up the song for McCartney. But it wasn't just the crowd who saw that McCartney needed help, either. 'There were a bunch of people standing around and either Pete (Townshend, of The Who) or David (Bowie) said to me, 'Come on, let's help him.' Literally if you can think of a moment where 'I am not worthy' is beyond true, it's that moment,' Geldof recalled. Townshend, Bowie, Geldof and singer Alison Moyet huddled behind McCartney on stage to help him sing the song's final verses when the microphones started to work again, allowing the impromptu quintet – along with the singing Wembley crowd – to complete the song. Afterward, Townshend and McCartney hoisted Geldof on their shoulders before the Wembley Stadium headliners, including George Michael, Bono, members of The Who, Bowie, McCartney, Queen and many more, all joined together on stage to sing Band Aid's 'Do They Know It's Christmas' to close out the show. The Live Aid benefit was organized by musicians Geldof and Midge Ure to draw attention to a famine in Ethiopia. It spanned multiple locations, drew nearly two billion viewers around the world and raised more than $125 million for relief efforts. While Geldof had already secured a lineup of the most famous and revered rock 'n roll musicians for Live Aid, he said in an interview with Ultimate Classic Rock earlier this month that he felt he needed a Beatle to participate and wrote McCartney a letter at the time outlining his case, asking him to play one song at the end of the show. 'I knew he must get a hundred requests to do things, but I really felt like the program would not be complete without him there. I was not writing to Paul McCartney, the man, I said, but to PAUL MCCARTNEY, the phenomenon,' Geldof explained. 'If he played, millions would watch who would not otherwise watch. That would mean money would come in that would not otherwise come in.' McCartney and his band Wings hadn't performed since 1979's Concerts for the People of Kampuchea, and shortly thereafter disbanded in 1981. McCartney hadn't taken the stage after that but did continue to release new music over the next few years. So when Geldof approached him about Live Aid, McCartney recalled telling him, 'I can't Bob, I haven't got a band together now.' Geldof, according to McCartney, didn't find that to be a problem at all, telling him, 'Well, you just sit at the piano and play your own number.' Ultimately, McCartney agreed. 'I just had to come. Simple as that,' McCartney said, adding that Geldof was also the person who chose the song that McCartney would sing. 'He's running the whole bloody show!' Geldof told Ultimate Classic Rock that 'there is a hierarchy in rock 'n' roll,' with the Beatles being at the top. 'So he goes on, one song, to give us the benediction, to give us the Beatles imprimatur, and of course it's 'Let It Be,' which I had asked him to do.' Live Aid wound up not just being McCartney's return for a one-off performance. He's been touring regularly ever since – even up until today, as McCartney, now 83, is set to continue his Get Back tour in the US this fall. Turns out, the legendary musician isn't quite ready to just let it be.
CNET
a day ago
- CNET
The 10 Best Apple TV Plus Shows You're Probably Not Watching
Apple TV Plus feels like it has operated under the radar for a while now. Yes, the streamer has hits like Severance, Ted Lasso, and Rogen's Emmy-nominated comedy The Studio but most of its library titles have a habit of lurking in the shadows. Considering the platform's superb storytelling quality, the lack of knowledge of these shows is disconcerting. Before you ask, I already put together a roundup of the streamer's epic sci-fi offerings, which you should look at. So don't expect those titles to be found here. Instead, I have filtered through Apple TV Plus' content library to find the best TV series you probably haven't watched yet. The 10 shows featured below have won Emmys and are led by top-notch talent. These dramas, comedies and thrillers are well-written and push the envelope in some way. You want something thought-provoking, heart-wrenching or knee-slapping? You've come to the right place. Read more: Apple TV Plus Review: Small Library but the Quality Is Top Notch Apple TV Plus Dope Thief Dope Thief is inspired by Dennis Tafoya's 2009 novel and follows friends Ray and Manny, who decide to impersonate DEA agents so they can steal from drug dealers. Things go sideways when their tiny crime unveils a massive drug operation. Brian Tyree Henry and Wagner Moura lead the series, ensuring this enthralling drama is led by top-tier talent. Apple TV Plus Your Friends & Neighbors Jon Hamm plays defamed hedge fund manager Andrew "Coop" Cooper in this dark comedy, who decides to try home invasions as a means of generating income. The twist on that twist? He's robbing his wealthy neighbors. What he doesn't expect through all this thievery is the dark secrets he uncovers about the members of this upper-crust community. Apple TV Plus Black Bird Black Bird is inspired by the true story of Jimmy Keene (Taron Egerton), a man who made a deal with the FBI to go undercover in a maximum-security prison to shorten his sentence. I forgot to mention, this is a place that houses the criminally insane and his mission is to make friends with Larry Hall, a suspected serial killer, so he can discover information about where the bodies are buried. That is, if he can get a confession in the first place. Paul Walter Hauser gives a career-best performance as Hall. Apple TV Plus Pachinko Pachinko is a sweeping drama that follows multiple generations of a Korean family from the early 1900s through the 1980s. Seriously, it's hard to sum up how beautiful and complex the storytelling is in this series in a few sentences. I'll just say the performances, cinematography and conflicts featured here are absolutely fabulous. It's probably the best show on this entire list, if I am being honest. Apple TV Plus Shrinking Jason Segel, Harrison Ford and Jessica Williams star in this dramedy series about a broken therapist who strives to piece his life and family back together after a heartbreaking loss. There's an intriguing balance found when Jimmy (Segel) breaks from professional norms to help his clients heal while seeking to do the same for himself. It's sad, hilarious, poignant and profound. To me, this is what mental health stories on TV should look like. Apple TV Plus Bad Monkey When you center a murder mystery in Florida, you have to expect things to get weird. And they do just that in Bad Monkey. It's a quirky sort of drama that stars Vince Vaughn as Andrew Yancy, a detective-turned-restaurant inspector, who gets sucked into a murder case after fishing a severed arm out of the ocean. Bill Lawrence (of Ted Lasso, Scrubs and Shrinking fame) created the dark comedy, which is inspired by the book by Carl Hiaasen. Apple TV Plus Presumed Innocent Presumed Innocent, based on the novel by Scott Turow, hails from executive producer David E. Kelley and Stars Jake Gyllenhaal as smarmy lawyer Rusty Sabich. Unlike the 1987 movie starring Harrison Ford, this series delves way deeper into the multi-layered scandal that put Rusty in handcuffs. The exploration of every character, who all seem awful in some way, adds to a morally corrupt narrative that makes this a riveting, albeit sometimes frustrating, watch. Apple TV Plus Lessons in Chemistry Here we have yet another book adaptation to add to this list, and, thankfully, Lessons in Chemistry is a feel-good delight. Inspired by Bonnie Garmus' book of the same name, the series follows a chemist named Elizabeth Zott (Brie Larson) who finds herself taking a job as host of a cooking show. Being a story that takes place in the '50s, it shouldn't be a surprise that Zott faces loads of sexism in the workplace. She perseveres, though, and brings a quirky scientific element to her Julia Childs-like role, making this period piece a fun show to dig into. Apple TV Plus Platonic I didn't know what to expect when I clicked play on Platonic. Seth Rogen and Rose Byrne have co-starred in other projects together, but their delightfully oddball dynamic in this one stands out. The story follows two long-time friends who reconnect in their 40s only to find that, even though they live very different lives, they share common midlife struggles of trying to figure out where they fit in this rapidly changing world. It's also nice to see a non-romantic exploration of a friendship between a man and a woman. Contrary to what When Harry Met Sally said, it is possible.
