Actress Mariska Hargitay comes to terms with a lifetime of family secrets
American actress Mariska Hargitay is releasing a documentary that unpacks her personal history and that of her mother, Jayne Mansfield. PHOTO: KOBE WAGSTAFF/NYTIMES
NEW YORK – Mariska Hargitay was at home and she was sprinting up the stairs, bounding between the corners of her very full lif e.
The American actress, 61, checked in with her oldest son – home from his first year at Princeton University – and supervised the set-up of an engagement party she was hosting for her god-daughter. Gardeners buzzed about the terraces of her Manhattan penthouse. She apologised for the noise.
Her latest obsession, a family heirloom grand piano, dominated the living room, with a custom 'M'-shaped bench, courtesy of her husband, 57-year-old actor Peter Hermann (Younger, 2015 to 2021).
'That's my next thing. I'm going to learn to play soon,' Hargitay vowed.
Another dash and she was on the floor below – a warren of cosy offices painted in jewel tones, with overstuffed couches and muscular art by American photographer Annie Leibovitz .
Tucked on a bookshelf were some of Hargitay's awards. She has earned Emmys for playing Olivia Benson, the beloved Law & Order: Special Victims Unit (1999 to present) hard-a**, and for producing the 2017 documentary I Am Evidence, about the backlog of rape kits.
This is where Hargitay had conceived, edited and shot some of her newest and perhaps most life-altering project, the documentary My Mom Jayne.
It is at once an unflinching portrait of her mother, the 1950s star and pin-up Jayne Mansfield, who died when Mariska was three; an homage to her father, bodybuilder-actor Mickey Hargitay; and an investigation into her own clouded and secretive origins.
Directing the film, which will air on June 27 on HBO, and proclaiming her story have unlocked something profound for Hargitay.
'I am so clear now about the truth,' she said. 'This big haze came off – a veil of fear. And now I just feel so much at peace. It's like a miracle to me to feel this way.'
'You know, there's so much pain left in the unsaid. And I just wanted to say it,' she added. 'I'm not scared. I can be more Olivia Benson now.'
Documentary unearths family mysteries
The documentary turns the lens on what Hargitay called her 'bumpy ride' as she unpacks her history. Almost in real time, she unearths family mysteries and constructs a relationship with a parent she has no memory of, even as Mansfield's traumatic end – a fatal car crash that Hargitay and two brothers survived – and foiled Hollywood ambitions defined her daughter's path.
Figuring out how to be a woman in the public eye; grappling with celebrity, industry and motherhood; fighting expectations; facing the shame and release that overlaid, somehow, with her portrayal of Olivia Benson and her work as an advocate for survivors – all of that ended up on-screen.
She wove it into a Law & Order-esque narrative that ends with the public revelation that Mickey, who died in 2006, is not her biological father.
'Sometimes keeping a secret doesn't honour anyone,' she says in the documentary.
Hargitay has known Nelson Sardelli, a singer whose brief relationship with her mother led to her birth, for some 30 years. But she had never asked him the kind of pointed questions she did in her very first interview for the film. More than a touch of Captain Benson's steely jawed scowl comes out on-screen, when she asks him: Why didn't you acknowledge me when I was a child?
Benson is the longest-running character on the longest-running prime-time drama in TV history. Since she first appeared on the procedural in 1999, as a detective who is driven to seek justice for victims of sexual violence, women have sought out Hargitay to share their own experiences of abuse and assault.
For so many, the character has stood as a source of strength. That Hargitay's performance was based in her own shadows is a bombshell, too. In 2024, she disclosed that a man had raped her when she was in her 30s – a fact that took her years to acknowledge, even to herself.
'We portray finding the truth and going to these dark places,' said American actor Christopher Meloni, who played her SVU partner Elliot Stabler. Deep discoveries happen 'when you're close to the flame. And it's a real flame for her'.
Hargitay did not learn the truth about her parentage until she was an adult. But growing up, she said, 'I just always knew something was up'.
Mansfield, who was only 34 when she died in 1967, had five children from three marriages. The most notable husband was Mickey, a Hungary-born athlete. In their heyday, they were an accessible 'it' couple, frequently performing together.
How her parents shaped her
Mansfield was a classically trained musician, spoke four languages and studied acting before her breakout role on Broadway in Will Success Spoil Rock Hunter?. She reprised it for the 1957 movie and went on to a few more high-wattage parts.
But her acting talents were overshadowed by the entertainment world's interest in her buxom figure. She was marketed as a Marilyn Monroe dupe, eventually making her living with a sometimes tawdry nightclub act.
After Mansfield's death, her family rarely told casual stories about her, Hargitay said. Mostly, what her father imparted was that Mansfield 'listened to the wrong people and that they tried to mould her and make her', Hargitay said. She absorbed that lesson fully.
'The reason that I'm, like, the way I am is because I learnt from her,' Hargitay said of her mother. 'I learnt what not to do. I learnt to not let anyone tell me – that I decide.'
Her steely will also came from Mickey. 'He's the one that taught me about perseverance,' she said.
Her parents had split before she was conceived, then reconciled when Mansfield was pregnant, then split again. When Mansfield died, Mickey and his wife, Ellen Siano, raised her, alongside her older brothers Mickey Jr and Zoltan, his biological children with Mansfield.
Mansfield's relationship with Sardelli was public in the 1960s, and some of her siblings were aware of her split parentage, Hargitay said. But they never discussed it.
She and Sardelli are now close. They spent Father's Day together, and he wept as Hargitay told him she was ultimately grateful for the choices he had made decades ago.
And she still refers to Mickey as her father. She initially worried that making the documentary would be betraying him, she said.
Then she realised: 'This is the biggest thank you. This is saying, 'I am your daughter.' I'm screaming it from the rooftops that you are the best dad and I'm loved. And everything that's strong and good and moral about me, it's because of him.'
SVU's toll and impact
Of her siblings, Hargitay is the only one who found her career in front of the camera. 'It's connection for me,' she said. 'That's what SVU is. It's not just a show, it's a conversation.'
But the intense scripts and the onslaught of other people's stories took a toll. 'I've had my fair share of secondary trauma,' she said.
She also felt, she added, a responsibility to help. She trained to be a rape crisis counsellor and, in 2004, started the Joyful Heart Foundation, which supports survivors.
Her friend, feminist icon Gloria Steinem, said: 'I always cite her as an example of a woman who inspires by her public role and presence.'
Another friend, journalist Diane Sawyer, was struck by Hargitay's bravery. 'She just makes everything possible, because she's strong and generous,' she said.
Perhaps more than at any other moment in her life, Hargitay feels empowered and free. Her attitude is, 'I can't wait to see what I do next'.
That was one more thing that welded her to her mother, she realised – their appetite for a big, uncompromising life.
'She was amazing,' Hargitay said. 'That's been the gift: I got to see her. I got to have so many moments with her. And we got to make a movie together.' NYTIMES
Join ST's Telegram channel and get the latest breaking news delivered to you.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Straits Times
2 hours ago
- Straits Times
Beyonce pauses concert after car prop mishap left her dangling over crowds
Beyonce performs at her concert in Houston on June 28. PHOTO: PARKWOOD/INSTAGRAM A car prop in which Beyonce sang high above the crowds suddenly tilted sharply to one side at her concert in Houston on June 28. PHOTO: PARKWOOD/INSTAGRAM NEW YORK - American superstar singer Beyonce gave thousands of fans a scare during a concert in Houston on June 28, as a car prop in which she sang high above the crowds suddenly tilted sharply to one side in an apparent malfunction. The moment, which was caught on video, showed Beyonce wearing a white cowboy hat with an American flag by her side performing her song, 16 Carriages (2024), from the back of a red convertible when it slanted in the air over the crowds. 'Stop. Stop, stop, stop, stop. Stop,' Beyonce calmly announced as she paused the performance over the roaring crowd, which called for her to be brought down. The car and Beyonce were harnessed to cables and she could be seen gripping one as the vehicle continued to dangle over concertgoers, who held up their illuminated smartphones like candles. Beyonce, 43, was slowly lowered to safety, much to the joy and relief of her fans who cheered her. 'OMG, she scared me,'' one fan shared in a video. In another clip when she was back onstage, Beyonce told the crowd, 'If ever I fall, I know y'all would catch me.' It was not clear what led to the mishap. Parkwood Entertainment, Beyonce's management company, said in an Instagram post that 'a technical mishap caused the flying car, a prop Beyonce uses to circle the stadium, and see her fans up close, to tilt'. The company said: 'She was quickly lowered and no one was injured.' A representative for NRG Stadium, where the concert took place, did not give further details. In a compilation of images from the show, the company also included one of Beyonce performing from the dangling prop. The concert, in her hometown, was the first of her two shows at NRG Stadium last weekend. The concerts are part of her international Cowboy Carter Tour, which opened in April in Los Angeles, to support her 2024 album, Cowboy Carter, which won Album of the Year and Best Country Album at the Grammys in 2025. NYTIMES Join ST's Telegram channel and get the latest breaking news delivered to you.

Straits Times
4 hours ago
- Straits Times
Concert review: Improvisation and ornamentation jazz up Robert Levin's Mozart lecture and recital
American pianist Robert Levin gave a rare performance lecture as well as a recital as part of the 31st Singapore International Piano Festival. PHOTO: NATHANIEL LIM

Straits Times
a day ago
- Straits Times
Theatre review: Singapore, Michigan a confident debut about adulting and privilege
Singapore, Michigan cast (from left) Zane Haney, Shrey Bhargava and Ching Shu Yi give real depth to their trio of characters on a road trip in search of the titular American town. PHOTO: PANGDEMONIUM Singapore, Michigan Pangdemonium Lasalle College of the Arts – Singapore Airlines Theatre June 28, 8pm A Singaporean couple and their American classmate drive through a Michigan winter in pursuit of a silly quirk of history – an American ghost town called, perplexingly, Singapore. Over a blustery weekend, the trio realise that the rest of their lives will not so much be a frivolous jaunt, but a series of calculated choices. Playwright Ong Chong An's first professional script is an elegant snow globe of a road trip story. It is a finely crafted drama of young adulthood, as the trio, encased in a dingy motel, trade ghost stories, bad takeaway Chinese food and secrets. Ong's talky script draws out the heightened emotional state that young adults on the cusp of graduation often feel, when every decision appears life-altering. Carol's (Ching Shu Yi) parents own an oil corporation but she wants to work for a non-profit, which annoys her pragmatic boyfriend Manish (Shrey Bhargava), who is tied to a hefty scholarship bond. Jesse (Zane Haney), an English major who comes from money, sides with Carol, but antagonises Manish, who in turn rubs Jesse the wrong way when he calls America a Third World country. Like three volatile elements dropped into a confined space, the trio's biographies and traits play off one another well. Class, gender, nationality and race come to inflect a slow-burn argument about responsibility and desire, choice and circumstance. Under Timothy Koh's direction, the three characters are furnished with a complexity that allows them to be a goofy trio when together, then markedly different in their respective pairs when one steps out into the snow for air or, well, better Wi-Fi. The actors give each of their not-quite-adult characters real depth – Janus-faced Jesse, micro-managing Manish and Carol, adrift between two worlds. Fortunately, the destination of Singapore, Michigan, is kept to a lean five-minute exposition early on – so the ghost town does not become too overt an allegory for the play's themes. That restraint allows Singapore, Michigan, to be the blank canvas on which the characters project their disappointments and hopes. Set designer Eucien Chia's set is as lovely to marvel at as a beautiful winter diorama. The drivable open-topped car prop is the mesmerising centrepiece of the opening winter drive scene and the alabaster forest landscape subtly suggested through what looks like a hand-painted curtain background. In the motel, a brilliant white blizzard at the window is rendered convincingly by light designer James Tan. It is a well-paced story until the play's final act, which is bogged down by an inelegant excess of plot twists and abrupt revelations that try to tie up its complex threads too tightly. Its final act builds up too quickly and risks melodrama in an otherwise assuredly realistic direction. Although equatorial heat is endemic to Singapore arts, winter has not been completely absent, and Ong's 'Singaporean students abroad' play has echoes of writer Carissa Foo's university road trip novel What We Learned From Driving In Winter (2022). It joins the likes of film-maker Anthony Chen's The Breaking Ice (2023) and writer Daryl Qilin Yam's Shantih Shantih Shantih (2021) in Singaporean depictions of winter. More than a coming-of-age story, the play is also about growing up with the burden and allure of privilege, comfort and templates. Writ large, it interrogates a Singaporean brand of exceptionalism – heightened perhaps when one is young and abroad, beneficiary of an imperfect system, and certainly played up in the age of a more insular America. Singapore, Michigan is a confident debut with substantial complexity. The snow falls differently each time you give the globe a little shake. Book It/Singapore, Michigan Where: Lasalle College of the Arts – Singapore Airlines Theatre, 1 McNally Street When: Till July 11; Tuesdays to Fridays, 8pm; Saturdays and Sundays, 3 and 8pm Admission: From $35 Info: Join ST's WhatsApp Channel and get the latest news and must-reads.