
5 Podcasts Where Truth Is Stranger Than Fiction
These five shows all center on stories so shocking, unbelievable and full of twists that it's hard to believe they're nonfiction.
'Noble'
'It takes 28 gallons of fuel, and a spark, to burn a human body.' So begins the attention-grabbing opening to 'Noble,' which describes the process of cremation in grueling detail to set up the story about to unfold. In February of 2002, investigators acting on an anonymous tip discovered a pile of more than 300 corpses abandoned in a wooded area of Noble, Ga., a tiny rural town in the Appalachian foothills. This horror movie scene was found on the grounds of the Tri-State Crematory; it turned out that the owner had been improperly disposing of bodies for years, while assuring grieving families that their loved ones had been cremated.
In a sensitive eight-part series, Shaun Raviv, an Atlanta-based journalist who has written for Wired and The Washington Post, unravels the emotional and legal details of this disturbing saga through interviews with investigators, experts and family members. Noble also uses this singular story as a jumping-off point to explore deeper questions about what the living owe the departed, and our ambivalent relationship to death.
Starter episode: 'The Gas Man'
'Sold a Story'
For decades, a staggering number of top-rated primary schools across the country have failed to effectively teach children how to read. That sounds like it can't possibly be true, and yet over 13 detailed episodes, this American Public Media podcast lays out how a deeply flawed teaching method took hold despite having been widely debunked by cognitive scientists.
This approach (known as the 'whole language' method) encourages children to decode words by understanding the overall meaning of a text rather than learning words by sounding them out (known as phonics), and the conflict between the two sides is so fraught that it's been called 'The Reading Wars,' and demands for reform have mounted nationwide. In 'Sold a Story,' Emily Hanford speaks with educators, linguistics experts and parents to weave together an exposé of this systemic failure and its ramifications for children.
Starter episode: 'The Problem'
'Kill List'
In 2020, Carl Miller, a technology writer, received a tip about a murder-for-hire service operating via the dark web, where customers could anonymously order hits and pay using bitcoin. The first six episodes of this gripping series from Wondery outline the investigation that followed, as Miller and his small London-based team try to track down who is behind the kill list and find out if it's a real crime syndicate or an elaborate scam. The show then shifts focus into more episodic storytelling, with each of the 12 additional installments spotlighting one of the people whose names ended up on the list. (There were more than 100 names.)
Alongside its obvious themes of cybercrime and the internet's capacity to erode our empathy, 'Kill List' is about toxic masculinity — a large majority of these kill orders are traced back to abusive or spurned male partners. It's also a deeply humanistic podcast, anchored by Miller and his colleagues' reflecting on the human toll of responsibly reporting these kinds of stories.
Starter episode: 'The Hack'
'Inconceivable Truth'
The growth of affordable DNA testing over the past couple of decades has allowed people to unlock the secrets of their ancestry, but the process sometimes comes with an unexpected twist ending. Finding out that your presumed father is, in fact, not a biological relative is common enough that there's a genealogical term for it: a non-paternity event, or N.P.E.
Matt Katz, an investigative reporter, grew up with an unreliable, often absent father whom he found both fascinating and frustrating, until he dropped out of the picture altogether. After spending years unsuccessfully trying to track down his father, he took a DNA test which revealed the truth. In this unguarded, compassionate series, Katz's very personal story intersects with a broader one about the widespread impact of New York's largely unregulated artificial insemination industry during the 1970s.
Starter episode: 'Warren'
'The Superhero Complex'
During the early 2010s, dozens of people in downtown Seattle experienced a scene right out of a movie. Just as they were on the verge of witnessing or becoming victims of a crime, a masked man swooped in to intervene. This mysterious figure wore a hooded rubber mask and a skintight black-and-gold suit, went by the moniker Phoenix Jones and seemed to be motivated by a desire to make the streets safer. But after Jones became a local celebrity, and started a local citizen patrol group called the Rain City Superhero Movement, things became a lot more complicated. David Weinberg, the host of 'The Superhero Complex' leaves no bizarre stone unturned in his chronicle of the rise and fall of Seattle's self-styled vigilante.
Starter episode: 'Out of the Shadows'
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USA Today
3 hours ago
- USA Today
America's fascination with the kiss cam: For better or worse, it's here to stay
'Are you not entertained?' Russell Crowe's Maximus famously bellowed to the Colosseum crowd in the 2000 film 'Gladiator.' But for decades, kiss cams have been posing a different question to U.S. sports fans and concertgoers: 'Are you not the entertainment?' Whether lighthearted distraction or comic relief, the ubiquitous arena and stadium feature is as American as apple pie — or at least as American as baking an apple pie and posting it on social media. Live competition and performance offer us communal experience on a massive scale, but they also offer a chance to make memories and — with the aid of kiss cams — to become part of the entertainment ourselves. For a few back-to-back moments, as the camera zeroes in on its various targets, fans watch with curiosity, anticipation, excitement and maybe even self-conscious dread. 'These events are epic, nostalgic, and for some even narcissistic,' said Adam Resnick, founder of 15 Seconds of Fame, a Los Angeles-based company whose app allows participating fans featured on in-venue video boards like kiss cams to download and share the footage as a digital souvenir. The origins of the kiss cam are frustratingly foggy but Resnick and others agree they burst onto sports scenes in the 1980s, in the years after sports franchises began introducing increasingly massive color video screens at ballparks and stadiums. Designed to fill breaks in the action and typically set to cheesy pop ballads, the kiss cam was a major innovation that shifted the focus from courts and fields into the stands. The feature is pretty much a slam dunk, with the camera's roving eye picking out random pairs of people in the stands who may or may not be actual couples — and therein lies part of the fun. Reactions are broadcast on the venue's giant video boards: If they kiss, the crowd cheers, while refusals draw playful jeers or laughter. "We love love," said Pepper Schwartz, a professor emeritus of sociology at the University of Washington in Seattle. When couples oblige, she said, "it's a feel-good feeling that transfers from one person to another and makes us optimistic." Kiss cams are cheap entertainment designed to keep audiences engaged when they could easily check out, said Joseph Darowski, an assistant professor of English at Brigham Young University in Provo, Utah. 'The energy of the live crowd is incredibly important, and the kiss cam helps to prevent it from dying down,' said Darowski, co-author of 'Survivor: A Cultural History,' a book that in part explores the rise of reality TV. 'Sporting events are not just about the game being played. It's the entire entertainment experience.' Any additional theatrics are generally a bonus — at least for the audience. But as illustrated by the now infamous July 16 incident at a Coldplay concert in Gillette Stadium in Foxborough, Massachusetts, that's not always the case for the featured individuals. When reactions tell the story It was the shot broadcast around the world – the TikTok'd footage of a couple at a Coldplay concert caught mid-cuddle. 'Either they're having an affair, or they're just very shy,' Coldplay singer Chris Martin quipped after seeing the video from the stage. The video of the July 16 incident at Gillette Stadium has received more than 129 million views on TikTok alone. The viral moment and its professional and personal fallout, Schwartz said, prompted reactions ranging from amusement and fascination to, for those who've been involved in similar circumstances, schadenfreude and relief. But it wouldn't have unfolded the way it did without the kiss cam. The couple seen on the screen "could have saved themselves from worldwide derision had they waved and looked like, 'This is no big deal,'" Schwartz said. "But they took the second instinct, which was to flee. And that was the funny one." 'It could have been a vanilla, fleeting moment,' Resnick agreed. 'However, their reaction told a story." The episode illustrated how kiss cams have provoked occasional embarrassment and controversy since their debut. In addition to outing potential infidelities, their use in the past has been accused of pressuring unwilling participants to take part and shamed for promoting homophobia by showing same-sex couples for laughs. It also showed the hazards of baring private matters in public in the age of kiss cams, smartphones and social media. 'The expectation of privacy at a public event has never existed, and today, with camera ubiquity, it's preposterous for anyone to take that position,' Resnick said. More often, though, kiss cams offer those attending live events the chance to score a cameo in their own experience, claiming part or even all of those 15 seconds of fame once foretold for all of us. The power of those moments, Resnick said, lies in their organic nature. 'Authenticity can't be staged in real time,' he said. 'It resonates in the social zeitgeist.' Kiss cams 'an important metric' of acceptance The kiss cam's evolution hasn't been without its stumbles. In 2015, Syracuse University discontinued its kiss cam feature after a letter to the local newspaper cited a pair of troubling instances at the football team's game against Wake Forest. Steve Port of Manlius, N.Y., wrote that the kiss cam segment had twice featured young women who expressed unwillingness to participate but were forced to anyway, either by their male counterpart or by surrounding students. Meanwhile, a dozen or so years have passed since some major league sports franchises were accused of promoting homophobia by using kiss cams to poke fun at other teams. In those cases, after featuring a series of smooching male-female couples, the kiss cam segments ended by focusing on two of the home team's rival players, or even fans – suggesting they might kiss, and that doing so would be comedic. As a fan of the NFL's Jacksonville Jaguars complained after such a segment in a 2013 letter to team owner Shahid Khan, initially reported by Outsports: 'Hilarious, right? No, and the message is clear. Jaguars are heterosexual and approved. The opponent is 'gay,' disapproved and the butt of a crude joke.' A year earlier, pitcher Brandon McCarthy of Major League Baseball's Oakland A's had similarly condemned the practice after a game against the Los Angeles Angels of Anaheim. 'They put two guys on the 'Kiss Cam' tonight,' McCarthy posted on the social platform now known as X. 'What hilarity!! (by hilarity I mean offensive homophobia). Enough with this stupid trend.' Later, McCarthy — now sporting director for the USL Championship's Phoenix Rising FC — told the San Francisco Chronicle: "If there are gay people who are coming to a game and seeing something like that, you can't assume they're comfortable with it. If you're even making a small group of people ... feel like outcasts, then you're going against what makes your model successful." Before long, franchises were striving to be more inclusive, and in 2015, MLB's New York Mets told the Huffington Post they would no longer feature opposing players in their kiss cam segments; that same year, the Dodgers included a gay couple in its kiss cam. 'Kiss cams are an important metric in measuring how acceptable certain people are in a given community,' said Stephanie Bonvissuto, an adjunct assistant professor of women's and gender studies at Hunter College and Brooklyn College, both part of the City University of New York system. In early 2017, the Ad Council's 'Love Has No Labels' campaign produced a commercial featuring kiss cam footage from that year's NFL Pro Bowl in Orlando, Florida, where 49 people had been killed seven months earlier in a mass shooting at gay nightclub Pulse. 'Kiss Cams have been a part of sports culture for years,' the opening text read, but at that game, it continued, they 'became part of something bigger.' The images showed pairs of individuals, outlined by a heart, broadcast on Camping World Stadium's giant screens. Friends were featured. So, too, were same-sex and interracial couples. Then the camera zoomed in on two women in the stands, one of them wearing a shirt reading 'Orlando survivor.' The two turned and kissed, to the crowd's delight. Still, Bonvissuto said it's still rare to see LGBTQ couples featured on kiss cams beyond Pride Night events. While cautioning that she hasn't seen any statistics on such representation, she said the footage she's viewed largely features white, able-bodied and seemingly cisgender individuals. 'Kiss cams act as a means to exclude certain people,' she said. 'They're incredibly important in thinking about representation — who we're seeing and not seeing.' 'Socially acceptable' voyeurism But for the most part, kiss cams have offered streams of harmless fun, fodder for highlight and blooper reels and glimpses into the relationships of everyone from fellow citizens to celebrities and sitting and former U.S. presidents. Kiss cams, said BYU's Darowski, offer audiences the constant thrill of knowing they could be onscreen combined with 'a socially acceptable, safe form of voyeurism that is traditionally taboo.' The presumed authenticity of couples' raw, unrehearsed reactions is key, too, he said. 'So much of our entertainment is highly mediated, edited and packaged for our consumption,' he said. It doesn't always play out as planned – and not all of it is necessarily genuine, thanks to some sports teams' creative minds. Many couples share crowd-pleasing kisses. Others, not so much. Some, snubbed by their companions, stomp off in a huff or peck adjacent fans instead, while youthful pairs looking to lock lips are thwarted by chaperoning adults. Whether any of it is staged doesn't matter much. Fans and audiences alike have enjoyed their moment in the limelight. Resnick, of 15 Seconds of Fame, recalled a moment in June 2024 after a Dallas Mavericks loss in game five of the NBA Finals. The arena cameras zeroed on a fan tearful over the outcome. While it wasn't part of the kiss cam feature, 'the minute he saw himself on the Jumbotron, he smiled and kissed the girl (who was) with him,' Resnick said. 'That's all you need to know about what those 15 seconds mean to fans.'

Business Insider
4 hours ago
- Business Insider
MrBeast's plan to reach a new generation of fans
MrBeast has been in the lab cooking up an animated show that he hopes will hook the next generation on his videos. The world's biggest YouTuber announced a new anime-style series coming in October called "MrBeast Lab: The Descent," based on a wildly popular toy line he launched last summer. MrBeast and his team partnered with Australia-based Moose Toys for both the animated show and his "MrBeast Lab" toys. Those action figures debuted last July and became the best-selling new toy property in 2024 across 12 leading global markets tracked by retail sales data provider Circana, the company confirmed to Business Insider. Stephen Davis, the chief franchise officer at Moose Toys, told BI that his team had been talking with MrBeast about making an animated series for a while. The success of their MrBeast-inspired toys last holiday season convinced both sides to make an animated series that would fuel sales for new versions of their toys — and vice versa. "With the launch of this next product line, it was the right time to now move into animation," Davis said. Besides generating millions of YouTube views and selling tons of toys, MrBeast — whose real name is Jimmy Donaldson — is moving into animation to grow his already-massive audience, specifically by introducing himself to younger viewers. "We wanted to create a show that was as inviting to a younger demo as it was to an older demo," Davis said. Growing the tent to fit Gen Alpha Animation isn't just for kids, as the recent breakout success of Netflix's "Kpop Demon Hunters" demonstrates. Davis emphasized that point, saying that the "MrBeast Lab" show's "modern anime flavor" could help expand the fandom while also appealing to MrBeast's current YouTube subscriber base of over 418 million. Still, industry insiders told BI they thought viewership for MrBeast's animated show would skew younger than his Gen Z -heavy following. "He's filling a white space for his audience," said Amanda Cioletti, the VP of content and strategy for the licensing group at market-making firm Informa Markets. Gen Alpha children, between the ages of one and 15, appear to be a target demographic for this cartoon. Amanda Klecker, SVP of marketing and franchises at toy and kids' media company called developing both a show and toy line targeting a particular audience "a smart move." Please help BI improve our Business, Tech, and Innovation coverage by sharing a bit about your role — it will help us tailor content that matters most to people like you. Continue By providing this information, you agree that Business Insider may use this data to improve your site experience and for targeted advertising. By continuing you agree that you accept the Terms of Service and Privacy Policy . Davis said the audience for the "MrBeast Lab" action figures is kids ages six and older, though he added adults in the so-called "kid-ult" community also buy the toys. MrBeast isn't the only content creator who's dabbling in toys. Kid-focused YouTubers like Ms. Rachel, Ryan of "Ryan's World," and the girl from "Kids Diana Show" have toy lines to reach preschoolers. STEM YouTuber Mark Rober, whose audience is older, is also getting into the mix, with a toy line from Moose Toys coming in 2026. More than a cash grab MrBeast and Moose Toys dream of a virtuous cycle in which toy sales spark interest in their show, and the other way around. Cioletti said that MrBeast likely launched the toys first to feel out the market before making the cartoon. While toy sales data from Circana suggests that the MrBeast-Moose Toys tie-up is lucrative, Davis declined to comment on the terms or structure of his firm's partnership with MrBeast. Klecker said MrBeast's approach to brand building shows he's focused on staying power across generations. "What I appreciate about what MrBeast does is there isn't a 'label slap,'" Klecker said, referring to a hasty money grab trading on a famous name. "He's very thoughtful, it seems, about his brand building and his brand strategy." Smart brand partnerships fulfill unmet needs, she said, adding that MrBeast seems to be on the right track so far.
Yahoo
9 hours ago
- Yahoo
Tim McGraw thrills crowd before MLB Speedway Classic
MLB tried something new, sort of new. The Atlanta Braves and the Cincinnati Reds were supposed to play a baseball game on a field inside Bristol Motor Speedway. Problem is that the weather didn't cooperate and it rained and rained until after two hours play was suspended with the Reds leading 1-0 in the bottom of the first. The game will be picked up on Sunday afternoon. The idea riffs off something college football has done but weather isn't usually a problem for that sport. What did take place was a pregame concert featuring Tim McGraw. That went off without a hitch. No word on whether the Speedway Classic will be renamed Field of Streams. Tim McGraw Tim McGraw Tim McGraw Tim McGraw Tim McGraw Tim McGraw Tim McGraw Tim McGraw Tim McGraw Tim McGraw Tim McGraw Tim McGraw Tim McGraw Tim McGraw Tim McGraw This article originally appeared on The List Wire: MLB Speedway Classic pregame concert with Tim McGraw in images