Animation inspired by mother's poem to her daughters ready for Galway premiere
A filmmaker mother-of-three from Co Fermanagh is to have her book-turned-animation premiere at the Galway Film Fleadh next month.
Ciara Tinney, 39, a former assistant director on hit fantasy drama Game Of Thrones, said it does not feel real that the film Wildkind will be shown at the festival.
The mother-of-three began writing her poem Wildkind after giving birth to her first daughter Adabelle, 11, and began to illustrate it when her daughters Fiadh Ros, eight, and Birdie Blue, six, were born.
The book is an ode to the landscape and nature of her homeland.
'Motherhood naturally became a really creative time, because you just had these huge thoughts,' she told the PA news agency.
'So I just started to write them.
'The book is a poem written for my daughters, and it is, very basically, just a story of how I want them to live, and how I want to live with them, focusing on being kind and staying connected to the wild.
'Kids today are being labelled as digital natives.
'The idea that they're spending half of their time in a digital landscape is just crazy, especially for someone who grew up in Fermanagh and used to just run about the fields.'
Tinney self-published Wilkdkind and sold around 300 copies, before embarking on transforming the book into an animation, voiced by her mother.
She added: 'A lot of the kids books and things that were around when Ada was tiny, it's very rainbow coloured and very high stimulation artwork and crazy animals, like tigers.
'But we just didn't have that here. So I kind of thought it'd be lovely to have a more realistic and view on what our wild is.
'It's not going to be a rainforest jungle, but there's still so much to explore here in Ireland.
'It's just this little grounding, the fluid wilderness, and the watercolour imagery, it's supposed to feel like it's slowing you down.'
She said the black-and-white theme of the book was about simplicity, but also about connection.
Tinney is hoping that the film, which is available in English, Irish and Arabic, will resonate with a wide audience.
'The overall idea that I really wanted to come across in the book was of 'one land and one sea', and it's here for sharing, a kind of a universal landscape that could be shared by everybody.
'There was a gorgeous conversation I had with some of the people who did the voiceover in Arabic.
'We were looking at the book one day, and I said 'Does anywhere here make you think of home?'
'Two of the mums, Rasha and Arwa who are from Sudan, started telling the story about the River Nile.
'The idea of the river was making them think of the River Nile, and being under this mountain where the river flows by and there's a woman selling fish freshly caught out of the river.
'And it was just amazing, it's just a class little moment to think, if that can make them feel at home with this imagery, then I feel a real sense of accomplishment in that.'
The film will be shown as part of the Galway Film Fleadh on Sunday July 13 at 12:30pm in Town Hall Theatre.
'I'm just so proud of the film, getting to work with the Arabic speaking families in that way was just amazing, because that's a whole part of the story.
'It's about integration too, and it's about art for all and everybody being able to be a part of this artistic piece of work and that exploration of mother tongue.
'The overall story of the book I always say is a call to come home, it's a mother's call to come home, to come home to Mother Earth.
'I just think it's a nice message, especially in today's world.'
Wildkind is directed by John McDaid, animated by the creative studio Dog Ears, and received funding from Northern Ireland Screen.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
5 hours ago
- Yahoo
Kate Nash says she would love to collaborate with Kneecap
Singer Kate Nash has said she would love to collaborate with Kneecap and added that it 'is really important' the band are using their platform for a political purpose. It came after police said on Saturday that they are assessing videos of comments made by the Belfast rap trio, as well as punk duo Bob Vylan, during their performances at the Glastonbury Festival. The group are known for their provocative lyrics and merchandise, as well as their championing of the Irish language and support for Palestine. 'I love Kneecap. I'd love to collaborate. I love collaboration, actually,' Nash told the PA news agency. 'I really, really think collaboration is such an amazing and important part of being an artist, because you just learn every time you collaborate with someone different. 'So I just did a duet with Sprints, because they covered Foundations, and that was really fun.' Nash, 37, added: 'Kneecap would be amazing to collaborate with. My mum's from Dublin and I think that the way they use their political platform is really important.' She continued: 'I don't think English people really understand their (Ireland's) history at all, they just don't know it. 'So I think there's an opportunity to educate people about England and Ireland's history, and sort of being half-English, half-Irish myself I have quite a good understanding of that, but I didn't learn it at school. 'There's so many amazing musicians to collaborate with. I love Amyl And The Sniffers.' Before their performance on the West Holts Stage, several politicians called for Kneecap to be removed from the line-up and Prime Minister Sir Keir Starmer said their performance would not be 'appropriate'. During their set, member Naoise O Caireallain said: 'The Prime Minister of your country, not mine, said he didn't want us to play, so f*** Keir Starmer.' In reference to his bandmate's upcoming court date the rapper, who performs under the name Moglai Bap, said they would 'start a riot outside the courts', before clarifying: 'No riots, just love and support, and support for Palestine.' Bobby Vylan, of rap duo Bob Vylan, had earlier led crowds in chants of 'Free, free Palestine' and 'Death, death to the IDF (Israel Defence Forces)'. Sir Keir said the latter chant was 'appalling hate speech' and urged the BBC to explain how the scenes were broadcast. Speaking on the politics of Glastonbury, Nash said: 'What's the history of Glastonbury? It's about anti-corporation, Greenpeace. 'It is ultimately a political festival, and people come here to find togetherness, community, a sense of hope and to watch people play amazing shows, and to have their lives changed, to be inspired. 'I think that we're seeing a lot of really scary things in the world right now, and people want to feel like they can see what they feel on stage being voiced, and I think that politicians need to get a grip.' Asked about artists who say they do not want to be political, she said: 'Certain people, you can't escape the politics of existing in the world. 'If you are a woman and you're like, 'I'm not political', I'm like, 'You are, you are. Everything about your life is political, whether you want it to be or not'. 'I think if you're a very privileged, white, rich man, sure you don't want to be political, or you don't have to be. 'But also, do you even have to comment that you don't want to be? I'm not really sure it helps. 'I think just don't be, then, in a way, if you just want to be a pop band, just be a pop band. 'That's not how I was raised. So it's really difficult for me to understand somebody saying, 'I don't want to be political'.' It came after The 1975 frontman Matty Healy said the band did not want their legacy to be 'one of politics' during their Friday night headline slot. 'I think we don't need more politics, we need more love and friendship,' he said. Nash headlined Glastonbury's Left Field stage on Saturday evening and performed a secret set on the BBC Introducing stage on Sunday. She has released several studio albums and is known for songs including Mouthwash and Foundations, the latter of which peaked at number two in the UK singles chart.
Yahoo
6 hours ago
- Yahoo
How Bob Vylan and Kneecap created the most febrile day in Glastonbury's history
This was a day of political pantomime at Glastonbury, a day when the usual chilled out vibes were replaced by something altogether more febrile and excitable. The chants of 'Free Palestine' that have peppered the site over the last 48 hours came to a head during three sets on the West Holts stage: from British singer Nilüfer Yanya, London hip hop duo Bob Vylan and the folk devils du jour, Irish hip hop band Kneecap. Palestinian flags made up around half the banners at these gigs, and they pepper the entire festival too. In sweltering heat, Yanya's set closed with a backdrop that read 'More action, less noise, free Palestine' (the exhausted lunchtime crowd let out a feeble whoop), while Bob Vylan blasted execs in the music industry who supported Israel. Vylan's set culminated in their leading the chant 'Kill the IDF', supported by a full-throated crowd, even if every audience member didn't partake. But the heat rose even further with Kneecap, whose pro-Palestinian stance and politicised, cartoony rap drew one of the biggest crowds the West Holts – Glastonbury's third biggest stage – has ever seen, and certainly at 4pm. Tens of thousands of people were crammed onto this tiny patch of Somerset grass, a crowd so big that organisers closed the field an hour before they came on. In the shadow of Glastonbury Tor, orange and green flares blazed as chants of 'Free Palestine' and 'Free Mo Chara' (the latter a reference to the band's rapper who is alleged to have displayed a flag in support of Hezbollah) echoed around the Vale of Avalon. It's unlikely that residents of the sweetly bucolic nearby village of Pilton have ever heard anything like it. 'I respect them and I support their message, and that's why I'm here,' said Sian, 27, who has seen the band before and says they're 'amazing'. 'They're controversial but they're trying to spread a message.' Of the Kneecap audience members The Telegraph spoke to, a substantially younger cohort than would gather for Neil Young later, every one wanted to speak in praise of the band – or declined to comment. Ah yes. The message. Moral panic has swept the nation about this performance, with Prime Minister Sir Keir Starmer saying it shouldn't happen. Behind the scenes, some big-name execs within the music industry have been lobbying Glastonbury to drop the band. But happen it did, with festival organiser Emily Eavis saying on Wednesday that all performers are 'welcome'. What's more, the whole thing was meant to be filmed by the BBC. 'The BBC's editor is going to have some f---ing job,' said Liam Óg Ó hAnnaidh, stage name Mó Chara, half way through the set. But that wasn't the case. The live feed was cut, despite the previous band – rock-rap duo Bob Vylan – having their set broadcast. At the time of writing it is not clear whether the BBC will show edited highlights of Kneecap or not. Here's a Kneecap recap. The West Belfast group are Republican hip hop musicians who rap largely in the Irish language and have never hidden their disdain for the British government (they're named after the grim punishment meted out by the IRA). In April, the rappers hit the headlines when they displayed a message at California's Coachella accusing Israel of 'committing genocide against the Palestinian people'. Film then emerged of the band urging people to kill their local MP (they apologised). And earlier this month, member Ó hAnnaidh (Mo Chara), appeared at Westminster Magistrates' Court in London, charged with a terror offence for allegedly displaying a flag in support of proscribed organisation Hezbollah at a London gig last year. The 27-year-old was bailed and will next appear in court on August 20 – in a previous statement, his band denied the offence. Chara received a hero's welcome at the Pyramid Stage. Chara's two bandmates – Naoise Ó Cairealláin, known as Móglaí Bap, and JJ Ó Dochartaigh, known as DJ Próvaí, a former teacher who also wears a balaclava in the colours of the Irish tricolour – bounded around in the broiling heat, crowd-surfing, encouraging a mosh pit and generally stoking the cauldron of chaos. The trio thanked the organising Eavis family for standing by them amid pressure to cancel the show. Chants of 'F--- Keir Starmer' and 'Free Palestine' rang out innumerable times. The crowd was crushingly tight to be in. There was never a sense that things could tip into violence though. The concert seemed to be an angry celebration. The band were preaching to the converted here. Credit: TikTok / @helenshealingjourney / BBC One 26-year-old audience member has snuck away from his friends to watch Kneecap today. 'A lot of them are Jewish, and I have to keep it quiet,' he said. But his motives weren't what you'd expect. His mum runs an Irish centre in Leeds and he picked up the Irish language through his grandfather. Despite their almost-cancellation in the outside world, Kneecap really connect with people. 'You're just a s--- Jeremy Corbyn,' went one chant about Starmer. Kneecap's politics can be something of a joke. Then there's this. The bare faces of the people wearing balaclavas in the audience suggested they weren't even born when the Good Friday Agreement was signed in 1998. To them, shorn of all context, this is dress-up. Cosplay. Riverdance for rebels. And once the concert was over, these same hoards dispersed to watch chart-friendly performers such as Raye, Charli XCX or the Scissor Sisters. Kneecap provided a 'moment' for sure. Fans were happy. Walking out, Vincent Poel, 28, said there was 'exactly the right amount' of politics in the trio's set. To the fans it was just entertainment. Broaden your horizons with award-winning British journalism. Try The Telegraph free for 1 month with unlimited access to our award-winning website, exclusive app, money-saving offers and more.


Geek Tyrant
7 hours ago
- Geek Tyrant
Corridor Crew Puts a 360 Camera Into a Clear Bowling Ball, Chaos and Cool Footage Ensues — GeekTyrant
Corridor Crew is back at it with another weirdly ambitious project. This time, they put a 360-degree camera inside a transparent bowling ball to see what kind of footage they could capture mid-roll and during its journey through the ball return. It's a fun idea that delivers some wild visuals, but there's one hiccup, they made the ball just 8 inches in diameter, which is slightly too small for regulation lanes, and as a result, the thing kept getting stuck in the return system. Not exactly ideal when you're trying to capture smooth shots, but hey, that's part of the charm. The video feels like a techy tribute to The Big Lebowski, if the Dude had a GoPro and too much time on his hands.