logo
Shubh Speaks: The First Interview with Punjabi Music's Fastest Rising Star

Shubh Speaks: The First Interview with Punjabi Music's Fastest Rising Star

Yahoo20-06-2025
Shubh's rise has happened faster than he could have ever expected. In a quiet moment, Shubh softly remarks in Punjabi, 'I didn't think I would ever chart.'
He's done more than that. The 27-year-old Brampton, Ontario-based Punjabi artist has become one of the most talked-about names in global music, amassing over 3 billion total streams across platforms, a fiercely loyal fanbase and a debut North American tour on the horizon, including arena dates in Oakland, Vancouver and Toronto. That's all without a label or a single dollar spent on ads.
More from Billboard
Rachel Zegler Serenades Crowd Outside Theater for Free in a New London Production of 'Evita'
Jimmy Jam & Terry Lewis to Receive Vanguard Award at The Guitar Center Music Foundation Gala & Benefit Concert
Shakira Announces Two More Dates in Mexico, Extending Record to 28
Around him, a pair of his close friends and Brampton housemates, Prince and Vicky, and his longtime manager, Shivam Malhotra, lean in, smiling – not just because the comment is modest, but because the reality couldn't be more different.
This is his first interview. It's the first time he's publicly reflecting on a journey that, in just a few years, has taken him from scribbling verses in a notebook to performing on arena stages across North America.
His breakthrough came when his debut album, Still Rollin, debuted at No. 16 on the Billboard Canadian Albums Chart in June 2023 and his sophomore album, Sicario, entered the Top 25 at No. 24 in January 2025. When he speaks to Billboard Canada, his single 'Supreme' is making a splash on the Billboard Canadian Hot 100 chart following a No. 13 debut for the 2024 single 'King Shit.'
But today, Shubh isn't on stage, thinking about charts, or in the recording studio. He's seated calmly at the studio for his first cover shoot for Billboard Canada, surrounded by the same team that's been with him since day one. He answers slowly and thoughtfully, sometimes in Punjabi and sometimes in English. His friends and manager step in to help translate and interpret, not because he can't speak the language, but because he's never done this before and wants to express his clearest feelings.
Long before his tracks topped charts or racked up hundreds of millions of streams, Shubh was just a teenager filling notebooks with verses.
'I started writing when I was really young,' he recalls. 'I've been writing for 12 to 13 years. I've always carried notebooks – almost like diaries – and that writing became the foundation of everything.' At the time, music wasn't a professional ambition for Shubh. It was an outlet, a private ritual shaped by observation, emotion and self-reflection.
Today, that introspective process has evolved into a discography that's earned him billions of streams, including nearly 400 million streams for his breakout single 'No Love' and over 370 million for 'Cheques.'
More than ten years later, that habit hasn't faded. He still carries notebooks and pens wherever he goes, staying connected to the handwritten process that shaped his earliest songs. To this day, all of his songs begin on paper first.
Shubh's path to this moment didn't follow a script of a typical success story. He didn't go chasing viral fame or visibility. In fact, much like fellow Toronto artist The Weeknd, he kept his face and his identity hidden in the early stages, letting the music speak entirely for itself. There were no flashy rollouts or trend-driven moves. Instead, he spent those years in quiet focus, writing relentlessly, experimenting with sounds and perfecting each track in solitude.
'My aim wasn't attention, it was precision,' the singer says.
Much of that focus and clarity comes from where it all began. Growing up in Punjab, Shubh was surrounded by music at home, often hearing his father sing during family gatherings or daily routines. His father and older brother (Ravneet Singh, a well-known actor and singer) have been his biggest inspirations. They're still in India, and he carries those memories with him everywhere. It's that sense of home, that emotional imprint from his upbringing, that continues to drive him. It's the quiet force behind the fire in his work.
In 2014, Shubh moved to Canada to pursue a degree in mechanical engineering at Sheridan College. 'I came here as a student on a study visa,' he says. The early days weren't easy. 'I was a little bit nervous.'
Like many international students, he juggled homesickness, new responsibilities and the weight of starting over. Music wasn't the goal then. It was more of a quiet companion. It wasn't until 2021 that he decided to release his first song. His debut track 'We Rollin' dropped without a music video and no press push. He didn't even show his whole face, wearing a scarf over his nose and mouth. He wanted his music to reach people first.
And it did. Within weeks, the song was blowing up globally, with fans reaching out from countries like Japan and across Latin America. Now, 'We Rollin' has surpassed 265 million views on YouTube alone, becoming the spark that launched Shubh into international recognition.
That initial wave of love changed everything. 'That first song made me realize something special was happening.' But Shubh didn't run to capitalize on it. He stayed in the studio, quietly focused on making better songs. 'Sometimes I take two to three months to make just one song,' he explains.
'He gets into that shell, and he only comes out when it's ready,' the artist's manager Malhotra explains. For instance, the mixing process for his 2022 single 'Baller,' one of his most iconic tracks, was so intense, it reached 29 versions before he was ready to put it out. 'We did 28 mixes,' Shubh says, cracking a rare smile. 'The 29th was okay, I guess. I still didn't like it.' He only released it, he adds, because 'deadlines' forced his hand.
Shubh puts his music through a rigorous test. He listens to each track hundreds of times. If he's still not tired of it after 200 plays, that's when he knows it's ready for the world.
'Some of his songs average eight streams per user on Spotify,' Malhotra points out. 'The industry standard is two or three – that's more than double. It shows people aren't just listening once, they're coming back again and again.'
But it's not just the replay value that sets him apart. Shubh isn't just focused on lyrics and production. He's also expanding the vocabulary of Punjabi music. 'Every time, I try to bring something fresh,' he says.
A clear example is 'One Love,' a reggae-leaning track inspired by Bob Marley's legacy. 'I used to listen to Bob Marley. Yeah, big Marley fan,' he says. The track, which dropped without a music video, has already crossed 400 million streams on Spotify.
Next on his radar? 'I think I'll try rock in the next two to three months,' he says. It's not a stretch – he already performs live with a full band and skips backing tracks entirely. 'I don't believe in doing minus,' he says. 'Everything is done live, start to finish.'
Musically, Shubh's influences span decades and continents: Eminem, 2Pac, The Notorious B.I.G., 50 Cent, Dr. Dre. He speaks about them with deep respect, connecting their influence to his own path. Being in Toronto exposed him to global music culture, and Drake – another hometown hero – has had a huge impact. 'I've seen how an entire culture has been built around Drake,' he says.
Living in Toronto has helped shape a global sound that can cross borders. Even though Shubh sings in Punjabi, the themes in his music – migration, longing, identity, his journey, perseverance – resonate far beyond the diaspora. 'I write about what it feels like to leave home, move to a new country, and figure things out alone,' he explains. 'It's something a lot of people can relate to.' Fans who don't understand the language still find something real in the flow and production. 'People feel the vibe.'
He's incredibly selective about what he puts out. No matter how polished a track is, if it doesn't sit right with him, he won't release it. That personal compass is why Shubh's fans trust him. 'For me, my fans are like family,' he says. 'I reply to them online. I see everything.'
Despite avoiding public events and the spotlight, he's always connected, just on his own terms. 'Shubh has never spent a dollar on ads or marketing,' Malhotra says. 'Everything has grown organically.'
Now, he's preparing for his first North American tour, and he's skipping the usual small venues to perform in massive arenas. 'I never expected this,' he admits. 'But I'm very happy that we're performing in arenas.' The first venue? Oakland Arena on August 22, followed by Rogers Arena in Vancouver on August 23, and then Scotiabank Arena on September 5, where some of his heroes, including Eminem, have performed. He finishes the tour at the Prudential Center in New Jersey on September 7.
Shubh had never even been to a concert before stepping on stage for his sold-out show at Indigo at the O2 in London in 2023. 'My voice was shaking,' he remembers. 'I was very hyped up, but it also humbled me down.'
The surreal experience of performing live for the first time, without ever having seen a show from the audience's side, marked a memorable moment in his journey.
He was supposed to go on a 2023 tour of India, but it was cancelled after backlash against a social media post he felt was politically misinterpreted. At the time, Shubh called the cancelled shows 'disheartening,' and he's been conceptualizing how to make his concerts even stronger since.
A short tour in Australia and New Zealand the same year brought him to major venues – something he's looking to build on in Canada and the U.S.
Now that he's ready to embark on his first North American tour, he's been putting serious thought into every detail of his live shows: stage setup, sound, lighting, all of it. 'I'm building something really special,' he says. 'It's never been done before in our scene.' The tour is a statement. As an independent artist, he wants to pave the way for others. 'If I can buy a beat for $80 and get 300 million streams out of it, I believe anyone can do it,' Shubh says simply.
Now, Shubh already has his sights set even higher. 'After this, I want to go to stadiums,' he says. 'Then, I want to pack entire cities. That's the vision.'
It's clear he's already thinking well beyond the present. Not because he's in a hurry, but because he knows where this could go. He's seen what happens when you lead your life creatively and with sincerity. He's living proof that letting the music take center stage can open doors.
One phrase he keeps returning to during the conversation is simple but powerful: 'keep trying, keep hustling, be consistent.' As he puts it, 'If you bring honesty to your work, anything is possible.'
This Billboard Canada cover story originally appeared on Billboard Canada.
Best of Billboard
Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1
Janet Jackson's Biggest Billboard Hot 100 Hits
H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

The synthetic media revolution: Do we love or hate it?
The synthetic media revolution: Do we love or hate it?

Fast Company

timean hour ago

  • Fast Company

The synthetic media revolution: Do we love or hate it?

In the early 2000s, my first job was at Cactus Club Café, a Vancouver-born restaurant where pop art met pop culture. The walls were lined with Andy Warhol prints—vibrant silkscreens of Campbell's Soup cans, neon-hued portraits of Marilyn Monroe, and social commentary hiding in plain sight. Looking back, Warhol wasn't just making art. He was pioneering synthetic media. Warhol used industrial screen printing to mass produce images that challenged the very idea of originality. He blurred the lines between creator and machine, art and advertisement. Despite being mechanized, his work struck an emotional chord. It resonated deeply—proof that even in repetition, something human could survive. In many ways, Warhol foreshadowed our current moment: a time when storytelling is once again being redefined—not by paint or print, but by code. The tools we use to tell stories have changed. So has the definition of a storyteller. In 1964, Marshall McLuhan wrote 'the medium is the message.' In 2025, the medium is AI. AI IS THE NEW NARRATOR NVIDIA's Jensen Huang defines AI as 'the automation of automation—software that writes software.' But historian Yuval Harari pushes further: AI, he says, is writing narratives—not just analyzing data, but shaping beliefs. Algorithms, like ancient scribes, now decide which stories we hear. Recommendation engines act like modern-day priests, curating our digital bibles. Whether you find this inspiring or terrifying, one thing is clear: AI isn't just a tool, it's a storyteller. And people follow storytellers. AI-driven storytelling tools like ChatGPT and Sora may have begun their lives as inferior substitutes for human creativity, lacking depth, originality, and emotional resonance. But that's no longer true. When we encounter synthetic media, such as deepfake videos or AI-generated images, our cortical-striatal circuit evaluates sensory input to detect subtle inconsistencies that signal manipulation. This predictive coding mechanism helps us distinguish between real and artificial stimuli, even when the synthetic media appears highly realistic. But will we always be able to tell the difference? Personally, I think not. A recent study found people rated AI-generated faces as more trustworthy than real ones. And yet—something still feels off. Our brains, through a process called 'predictive coding,' detect even the slightest inconsistencies. We know, on a gut level, when something isn't quite human. Take a quick watch of Coca-Cola's AI-generated holiday ad. While it intended to pay homage to its classic 1995 commercial, it faced backlash for being perceived as 'soulless' and lacking creativity. Land Rover's experimental spot for the Defender, which combined AI and live-action production, showcased the potential of synthetic media but also raised questions about the balance between technology and human artistry. Now consider the emotional connection we form with AI therapists like Woebot and the LovingAI project led by Julia Mossbridge. These AI therapists use advanced algorithms to simulate empathetic interactions by providing emotional support and personalized therapy. And a recent study found that AI-generated responses in psychotherapy scenarios were often rated higher than those written by human therapists. We are emotionally connecting with machines. But only when they get the tone just right. THE INTERNET IS ALIVE…WITH BOTS You've probably heard the 'internet is dead' theory: that most of what we consume online is no longer made by humans. It's not just a theory anymore. Bots generate over 50% of all content-related web traffic One-third of global traffic comes from bad bots Some experts predict 99.9% of all content will be AI-generated by 2030 AI isn't just changing how we consume. It's changing who creates. What does that mean for your business? Millennials and Gen Z who now make up 71% of B2B buyers, don't want a pitch deck. They want a story they discover. Something that's personal, human, even a bit unpolished. The fact that nearly 40% are comfortable spending $500,000 or more without ever meeting a salesperson is testament to this trend. THE FUTURE: HYBRID CREATIVITY We're entering an era of hybrid creativity,where machines enhance, not erase, human imagination. AI will not replace you. But a human who uses AI strategically will. And as with Warhol's prints, we'll need to redefine what authenticity means when art is made in partnership with a process. The synthetic media market is projected to hit $16.6 billion by 2033, growing at 14% annually. So the question isn't whether this shift is coming. It's already here.

Cineplex reports June box office revenue totalled $51.8M, up from $51.4M a year ago
Cineplex reports June box office revenue totalled $51.8M, up from $51.4M a year ago

Yahoo

timean hour ago

  • Yahoo

Cineplex reports June box office revenue totalled $51.8M, up from $51.4M a year ago

TORONTO — Cineplex Inc. says its box office revenue for June totalled $51.8 million, marking the first quarter since 2019 that it topped $50 million in each month. The movie theatre company says a steady stream of blockbuster titles, combined with strong demand for its premium formats drove sustained attendance and revenue growth throughout the quarter. The result for June was up from the $51.4 million the company took in at the box office in June 2024. Cineplex says the results for June were helped by the strength of the live-action adaptation of How to Train Your Dragon and F1: The Movie. Box office for the second quarter as a whole totalled $158.5 million, up from $114.5 million in the same quarter last year. Cineplex has 172 movie theatres and entertainment venues across Canada. This report by The Canadian Press was first published July 10, 2025. Companies in this story: (TSX:CGX) The Canadian Press Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data

Prince Harry's Life Is Characterized by ‘Lack of Clear Achievement,' ‘Experts' Claim
Prince Harry's Life Is Characterized by ‘Lack of Clear Achievement,' ‘Experts' Claim

Yahoo

time2 hours ago

  • Yahoo

Prince Harry's Life Is Characterized by ‘Lack of Clear Achievement,' ‘Experts' Claim

reportedly did not get the best of both worlds after he and his wife, , left their royal duties in the U.K. and settled in California. British royals expert Hilary Fordwich exclusively told Fox News Digital that the Duke of Sussex's life is characterized by 'lack of clear achievement.' She also claimed that his popularity has taken a hit in both countries. Meanwhile, other experts share that Markle leads a more prominent life, growing her lifestyle brand, As Ever. Prince Harry is reportedly struggling to find his place five years after he and his wife, Meghan Markle, stepped down from their royal duties. According to Fox News, royal expert Richard Fitzwilliams shared that the Duke of Sussex is in 'exile' and has some regrets about leaving his home country. He is allegedly navigating the royal rift with his family members and also appears to have lost touch with several of his friends. Fitzwilliams further claimed that Markle has been leading things in the past few months, including the launch of her Netflix-backed lifestyle products. British royals expert Hilary Fordwich said that Prince Harry's life portrays 'frustration' and a 'lack of clear achievement.' According to her, the duke is struggling to 'carve out anything either lucrative or fulfilling.' He is reportedly still navigating his role in California while his wife continues to build her lifestyle empire with her brand, As Ever. Fordwich also claimed that neither of Prince Harry's endeavors bore him any form of independence or satisfaction. His projects have also allegedly failed to garner momentum or public support. According to the expert, people close to the Duke of Sussex reveal that he is 'homesick and feels out of place in California.' Fordwich stated that Prince Harry is missing his old friends, given his 'limited' social circle in California. Previously, a source revealed that the Duke of Sussex is planning a solo trip to the U.K. to possibly mend his relationship with the royal family. However, he is reportedly leaving Markle out of it, realizing that her involvement might complicate dynamics further. The insider also shared that the former actor is supporting her husband in this decision. The post Prince Harry's Life Is Characterized by 'Lack of Clear Achievement,' 'Experts' Claim appeared first on Reality Tea.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store