Crash site of Japan lunar lander captured on camera
NASA released the pictures on Friday, two weeks after ispace's lander slammed into the moon.
The images show a dark smudge where the lander, named Resilience, and its mini rover crashed into Mare Frigoris or Sea of Cold, a volcanic region in the moon's far north. A faint halo around the area was formed by the lunar dirt kicked up by the impact.
NASA's Lunar Reconnaissance Orbiter captured the scene last week.
The crash was the second failure in two years for Tokyo-based ispace. Company officials plan to hold a news conference next week to explain what doomed the latest mission, launched from Cape Canaveral in January.
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
The Advertiser
13 hours ago
- The Advertiser
From Evelyn Hugo to NASA: Author Taylor Jenkins Reid reaches for the stars
Taylor Jenkins Reid recalls a moment writing her new novel, Atmosphere: A Love Story, set against NASA's robust 1980s shuttle program, where she felt stuck. She went, where she often goes, to her husband to talk it through. "I said, 'I can't write this book. I don't know enough about the space shuttle. I don't know what happens when the payload bay doors won't shut and you have to get back within a certain amount of revs, but they can't land at White Sands. They have to land at Cape Kennedy.' And he's like, 'Just listen to yourself. You know so much more than you knew a couple months ago. Keep doing what you're doing.'" Atmosphere follows astronomer Joan Goodwin, who is selected to join NASA's astronaut program. She and fellow trainees become like family and achieve their dream of going to space - until tragedy strikes. The story unfolds in two timelines: One when Joan first joins the NASA program and the other in December 1984 when a mission goes terribly wrong. The duo behind Captain Marvel, Anna Boden and Ryan Fleck, are adapting the book into a film with a cinema release in mind. Reid knew that she had to do more than just her average six to eight weeks of research. Research and rabbit holes, by the way, are Reid's jam. She's written blockbuster novels set in the golden age of Hollywood in The Seven Husbands of Evelyn Hugo, the 1970s rock scene in Daisy Jones & the Six, 1980s surf culture in Malibu Rising and professional tennis in Carrie Soto is Back. With Atmosphere, though, it took extra time, reading and understanding. "It feels like a fever dream now when I think about it," Reid said. "It was a very intense period of time. " For this endeavor, she needed assistance: "I had to reach out to people, complete strangers that I did not know and say, 'Will you please help me?'" She was surprised at how many people said yes. One of the most important voices was Paul Dye, NASA's longest-serving flight director. "He spent hours of time with me," Reid said. "He helped me figure out how to cause a lot of mayhem on the space shuttle. He helped figure out exactly how the process of the connection between mission control and the space shuttle work. The book doesn't exist if he hadn't done that." Question: How has writing Atmosphere changed you? REID: I'm really into astronomy. Last Thanksgiving my family took a road trip to the Grand Canyon. I routed us through Scottsdale, Arizona, because I wanted to go to a dark sky park. Because of light pollution, we can only see the brightest stars when we go out and look at the night sky in a major city. Whereas when you go to a dark sky park there is very limited man-made light. So you can see more stars. We got there and it was cloudy. I was beside myself. The next night we got to the Grand Canyon and all the clouds had disappeared and you could see everything. I stood there for hours. I was teary-eyed. I can't emphasise enough: If anyone has any inclination to just go outside and look up at the night sky, it's so rewarding. Q: Last year you left social media. Where are you at with it now? REID: I didn't realise how much social media was creating so many messages in my head of, you're not good enough. You should be better. You should work harder. You should have a prettier home. You should make a better dinner. And when I stopped going on it, very quickly I started to hear my own voice clearer. It was so much easier to be in touch with what I thought, how I felt, what I valued. I was more in touch with myself but also I'm going out into the world and I'm looking up at the sky and I am seeing where I am in relation to everything around me and I starting to understand how small my life is compared to the scale of the universe. Q: Serena Williams is executive producing Carrie Soto for a series at Netflix. Did you meet her? REID: Yes. It's the only time I've been starstruck. I was in my bones, nervous. I had to talk to myself like, "Taylor, slow down your heart rate." The admiration I have for her as an athlete but also as a human is immense. The idea that I might have written something that she felt captured anything worth her time, is a great honor. And the fact that she's coming on board to help us make it the most authentic story we possibly can, I'm thrilled. It's one thing for me to pretend I know what it's like to be standing at Flushing Meadows and win the US Open. Serena knows. She's done it multiple times. And so as we render that world, I think it is going to be really, really special because we have Serena and her team to help us. Q: Now for your favorite question. What's up with the Evelyn Hugo movie? REID: There's not much that I am allowed to say but a lot of times I think people mistake me not saying anything as a lack of interest or focus and that's not the case. Everyone is working incredibly hard to get this movie made and everyone knows that there is a lot of pressure to get it exactly right. We're all hard at work. We're taking it very seriously and I give Netflix so much credit because they have such an immense respect for the readership of that book. They want to make them happy. AP/AAP Love books? Us too! Looking for more reads and recommendations? Browse our books page and bookmark the page so you can find our latest books content with ease. Taylor Jenkins Reid recalls a moment writing her new novel, Atmosphere: A Love Story, set against NASA's robust 1980s shuttle program, where she felt stuck. She went, where she often goes, to her husband to talk it through. "I said, 'I can't write this book. I don't know enough about the space shuttle. I don't know what happens when the payload bay doors won't shut and you have to get back within a certain amount of revs, but they can't land at White Sands. They have to land at Cape Kennedy.' And he's like, 'Just listen to yourself. You know so much more than you knew a couple months ago. Keep doing what you're doing.'" Atmosphere follows astronomer Joan Goodwin, who is selected to join NASA's astronaut program. She and fellow trainees become like family and achieve their dream of going to space - until tragedy strikes. The story unfolds in two timelines: One when Joan first joins the NASA program and the other in December 1984 when a mission goes terribly wrong. The duo behind Captain Marvel, Anna Boden and Ryan Fleck, are adapting the book into a film with a cinema release in mind. Reid knew that she had to do more than just her average six to eight weeks of research. Research and rabbit holes, by the way, are Reid's jam. She's written blockbuster novels set in the golden age of Hollywood in The Seven Husbands of Evelyn Hugo, the 1970s rock scene in Daisy Jones & the Six, 1980s surf culture in Malibu Rising and professional tennis in Carrie Soto is Back. With Atmosphere, though, it took extra time, reading and understanding. "It feels like a fever dream now when I think about it," Reid said. "It was a very intense period of time. " For this endeavor, she needed assistance: "I had to reach out to people, complete strangers that I did not know and say, 'Will you please help me?'" She was surprised at how many people said yes. One of the most important voices was Paul Dye, NASA's longest-serving flight director. "He spent hours of time with me," Reid said. "He helped me figure out how to cause a lot of mayhem on the space shuttle. He helped figure out exactly how the process of the connection between mission control and the space shuttle work. The book doesn't exist if he hadn't done that." Question: How has writing Atmosphere changed you? REID: I'm really into astronomy. Last Thanksgiving my family took a road trip to the Grand Canyon. I routed us through Scottsdale, Arizona, because I wanted to go to a dark sky park. Because of light pollution, we can only see the brightest stars when we go out and look at the night sky in a major city. Whereas when you go to a dark sky park there is very limited man-made light. So you can see more stars. We got there and it was cloudy. I was beside myself. The next night we got to the Grand Canyon and all the clouds had disappeared and you could see everything. I stood there for hours. I was teary-eyed. I can't emphasise enough: If anyone has any inclination to just go outside and look up at the night sky, it's so rewarding. Q: Last year you left social media. Where are you at with it now? REID: I didn't realise how much social media was creating so many messages in my head of, you're not good enough. You should be better. You should work harder. You should have a prettier home. You should make a better dinner. And when I stopped going on it, very quickly I started to hear my own voice clearer. It was so much easier to be in touch with what I thought, how I felt, what I valued. I was more in touch with myself but also I'm going out into the world and I'm looking up at the sky and I am seeing where I am in relation to everything around me and I starting to understand how small my life is compared to the scale of the universe. Q: Serena Williams is executive producing Carrie Soto for a series at Netflix. Did you meet her? REID: Yes. It's the only time I've been starstruck. I was in my bones, nervous. I had to talk to myself like, "Taylor, slow down your heart rate." The admiration I have for her as an athlete but also as a human is immense. The idea that I might have written something that she felt captured anything worth her time, is a great honor. And the fact that she's coming on board to help us make it the most authentic story we possibly can, I'm thrilled. It's one thing for me to pretend I know what it's like to be standing at Flushing Meadows and win the US Open. Serena knows. She's done it multiple times. And so as we render that world, I think it is going to be really, really special because we have Serena and her team to help us. Q: Now for your favorite question. What's up with the Evelyn Hugo movie? REID: There's not much that I am allowed to say but a lot of times I think people mistake me not saying anything as a lack of interest or focus and that's not the case. Everyone is working incredibly hard to get this movie made and everyone knows that there is a lot of pressure to get it exactly right. We're all hard at work. We're taking it very seriously and I give Netflix so much credit because they have such an immense respect for the readership of that book. They want to make them happy. AP/AAP Love books? Us too! Looking for more reads and recommendations? Browse our books page and bookmark the page so you can find our latest books content with ease. Taylor Jenkins Reid recalls a moment writing her new novel, Atmosphere: A Love Story, set against NASA's robust 1980s shuttle program, where she felt stuck. She went, where she often goes, to her husband to talk it through. "I said, 'I can't write this book. I don't know enough about the space shuttle. I don't know what happens when the payload bay doors won't shut and you have to get back within a certain amount of revs, but they can't land at White Sands. They have to land at Cape Kennedy.' And he's like, 'Just listen to yourself. You know so much more than you knew a couple months ago. Keep doing what you're doing.'" Atmosphere follows astronomer Joan Goodwin, who is selected to join NASA's astronaut program. She and fellow trainees become like family and achieve their dream of going to space - until tragedy strikes. The story unfolds in two timelines: One when Joan first joins the NASA program and the other in December 1984 when a mission goes terribly wrong. The duo behind Captain Marvel, Anna Boden and Ryan Fleck, are adapting the book into a film with a cinema release in mind. Reid knew that she had to do more than just her average six to eight weeks of research. Research and rabbit holes, by the way, are Reid's jam. She's written blockbuster novels set in the golden age of Hollywood in The Seven Husbands of Evelyn Hugo, the 1970s rock scene in Daisy Jones & the Six, 1980s surf culture in Malibu Rising and professional tennis in Carrie Soto is Back. With Atmosphere, though, it took extra time, reading and understanding. "It feels like a fever dream now when I think about it," Reid said. "It was a very intense period of time. " For this endeavor, she needed assistance: "I had to reach out to people, complete strangers that I did not know and say, 'Will you please help me?'" She was surprised at how many people said yes. One of the most important voices was Paul Dye, NASA's longest-serving flight director. "He spent hours of time with me," Reid said. "He helped me figure out how to cause a lot of mayhem on the space shuttle. He helped figure out exactly how the process of the connection between mission control and the space shuttle work. The book doesn't exist if he hadn't done that." Question: How has writing Atmosphere changed you? REID: I'm really into astronomy. Last Thanksgiving my family took a road trip to the Grand Canyon. I routed us through Scottsdale, Arizona, because I wanted to go to a dark sky park. Because of light pollution, we can only see the brightest stars when we go out and look at the night sky in a major city. Whereas when you go to a dark sky park there is very limited man-made light. So you can see more stars. We got there and it was cloudy. I was beside myself. The next night we got to the Grand Canyon and all the clouds had disappeared and you could see everything. I stood there for hours. I was teary-eyed. I can't emphasise enough: If anyone has any inclination to just go outside and look up at the night sky, it's so rewarding. Q: Last year you left social media. Where are you at with it now? REID: I didn't realise how much social media was creating so many messages in my head of, you're not good enough. You should be better. You should work harder. You should have a prettier home. You should make a better dinner. And when I stopped going on it, very quickly I started to hear my own voice clearer. It was so much easier to be in touch with what I thought, how I felt, what I valued. I was more in touch with myself but also I'm going out into the world and I'm looking up at the sky and I am seeing where I am in relation to everything around me and I starting to understand how small my life is compared to the scale of the universe. Q: Serena Williams is executive producing Carrie Soto for a series at Netflix. Did you meet her? REID: Yes. It's the only time I've been starstruck. I was in my bones, nervous. I had to talk to myself like, "Taylor, slow down your heart rate." The admiration I have for her as an athlete but also as a human is immense. The idea that I might have written something that she felt captured anything worth her time, is a great honor. And the fact that she's coming on board to help us make it the most authentic story we possibly can, I'm thrilled. It's one thing for me to pretend I know what it's like to be standing at Flushing Meadows and win the US Open. Serena knows. She's done it multiple times. And so as we render that world, I think it is going to be really, really special because we have Serena and her team to help us. Q: Now for your favorite question. What's up with the Evelyn Hugo movie? REID: There's not much that I am allowed to say but a lot of times I think people mistake me not saying anything as a lack of interest or focus and that's not the case. Everyone is working incredibly hard to get this movie made and everyone knows that there is a lot of pressure to get it exactly right. We're all hard at work. We're taking it very seriously and I give Netflix so much credit because they have such an immense respect for the readership of that book. They want to make them happy. AP/AAP Love books? Us too! Looking for more reads and recommendations? Browse our books page and bookmark the page so you can find our latest books content with ease. Taylor Jenkins Reid recalls a moment writing her new novel, Atmosphere: A Love Story, set against NASA's robust 1980s shuttle program, where she felt stuck. She went, where she often goes, to her husband to talk it through. "I said, 'I can't write this book. I don't know enough about the space shuttle. I don't know what happens when the payload bay doors won't shut and you have to get back within a certain amount of revs, but they can't land at White Sands. They have to land at Cape Kennedy.' And he's like, 'Just listen to yourself. You know so much more than you knew a couple months ago. Keep doing what you're doing.'" Atmosphere follows astronomer Joan Goodwin, who is selected to join NASA's astronaut program. She and fellow trainees become like family and achieve their dream of going to space - until tragedy strikes. The story unfolds in two timelines: One when Joan first joins the NASA program and the other in December 1984 when a mission goes terribly wrong. The duo behind Captain Marvel, Anna Boden and Ryan Fleck, are adapting the book into a film with a cinema release in mind. Reid knew that she had to do more than just her average six to eight weeks of research. Research and rabbit holes, by the way, are Reid's jam. She's written blockbuster novels set in the golden age of Hollywood in The Seven Husbands of Evelyn Hugo, the 1970s rock scene in Daisy Jones & the Six, 1980s surf culture in Malibu Rising and professional tennis in Carrie Soto is Back. With Atmosphere, though, it took extra time, reading and understanding. "It feels like a fever dream now when I think about it," Reid said. "It was a very intense period of time. " For this endeavor, she needed assistance: "I had to reach out to people, complete strangers that I did not know and say, 'Will you please help me?'" She was surprised at how many people said yes. One of the most important voices was Paul Dye, NASA's longest-serving flight director. "He spent hours of time with me," Reid said. "He helped me figure out how to cause a lot of mayhem on the space shuttle. He helped figure out exactly how the process of the connection between mission control and the space shuttle work. The book doesn't exist if he hadn't done that." Question: How has writing Atmosphere changed you? REID: I'm really into astronomy. Last Thanksgiving my family took a road trip to the Grand Canyon. I routed us through Scottsdale, Arizona, because I wanted to go to a dark sky park. Because of light pollution, we can only see the brightest stars when we go out and look at the night sky in a major city. Whereas when you go to a dark sky park there is very limited man-made light. So you can see more stars. We got there and it was cloudy. I was beside myself. The next night we got to the Grand Canyon and all the clouds had disappeared and you could see everything. I stood there for hours. I was teary-eyed. I can't emphasise enough: If anyone has any inclination to just go outside and look up at the night sky, it's so rewarding. Q: Last year you left social media. Where are you at with it now? REID: I didn't realise how much social media was creating so many messages in my head of, you're not good enough. You should be better. You should work harder. You should have a prettier home. You should make a better dinner. And when I stopped going on it, very quickly I started to hear my own voice clearer. It was so much easier to be in touch with what I thought, how I felt, what I valued. I was more in touch with myself but also I'm going out into the world and I'm looking up at the sky and I am seeing where I am in relation to everything around me and I starting to understand how small my life is compared to the scale of the universe. Q: Serena Williams is executive producing Carrie Soto for a series at Netflix. Did you meet her? REID: Yes. It's the only time I've been starstruck. I was in my bones, nervous. I had to talk to myself like, "Taylor, slow down your heart rate." The admiration I have for her as an athlete but also as a human is immense. The idea that I might have written something that she felt captured anything worth her time, is a great honor. And the fact that she's coming on board to help us make it the most authentic story we possibly can, I'm thrilled. It's one thing for me to pretend I know what it's like to be standing at Flushing Meadows and win the US Open. Serena knows. She's done it multiple times. And so as we render that world, I think it is going to be really, really special because we have Serena and her team to help us. Q: Now for your favorite question. What's up with the Evelyn Hugo movie? REID: There's not much that I am allowed to say but a lot of times I think people mistake me not saying anything as a lack of interest or focus and that's not the case. Everyone is working incredibly hard to get this movie made and everyone knows that there is a lot of pressure to get it exactly right. We're all hard at work. We're taking it very seriously and I give Netflix so much credit because they have such an immense respect for the readership of that book. They want to make them happy. AP/AAP Love books? Us too! Looking for more reads and recommendations? Browse our books page and bookmark the page so you can find our latest books content with ease.
The Advertiser
a day ago
- The Advertiser
Sea ice loss risks more icebergs, threatens wildlife
Extreme sea ice loss in Antarctica over the past few years is leading to higher ocean temperatures, more icebergs and habitat dangers for penguins. The oceans surrounding the southern continent have already been trending warmer than average and researchers say the ongoing loss of sea ice is contributing as dark water absorbs more sunlight without a reflective frozen barrier. Species like the Crabeater seal and Adelie penguin rely on sea ice for habitat, with the latter reliant on large chunks during their "catastrophic moult" period when they need to stay dry for weeks at a time. Less sea ice will make it harder for the penguins to find a suitable spot to shed their feathers, leaving them more exposed to predators. Tougher conditions for ships supplying Antarctic missions are also a problem with low ice coverage, the international study led by Australian Antarctic Program Partnership researchers has found. Really low summer sea ice is also associated with more icebergs breaking away from the coastline. Years with the least summer sea ice have produced more than twice as many icebergs as the years with the most summer sea ice. Lead author of the study, the AAPP's Edward Doddridge, said up until about 2015, sea ice was around average or even a bit above. "But since 2016 it has been consistently low, and the last few years have been extraordinarily low," he said during a media briefing. The wide-ranging study into the consequences of sea ice loss lands as uncertainty clouds the future of global climate science under the Trump administration. Dr Doddridge said the US Department of Defense planned to stop sharing its global sea ice coverage satellite data with the international community. The uncertainty was "deeply concerning", the sea ice scientist said, but other country's satellites would continue to supply some information. Other Australian-based climate researchers have been alert to risks hanging over earth observation data and climate modelling, given the US has traditionally played a major role. Christian Jakob, director of the Australian Research Council Centre of Excellence for 21st Century Weather, was worried about the growing possibility of losing access to the satellite data that was key to global cloud coverage research. Cloud cover shrinkage is thought to be contributing to unexpectedly fast warming. "If those satellites were not renewed, if there were no successors to these satellite missions, then some of the information we have will disappear," Professor Jakob told AAP. Research into the impacts of sea ice loss highlights a number of knowledge gaps but report co-author Will Hobbs, also from the University of Tasmania's AAPP, said the findings supported a rapid transition to net zero. "Climate projections indicate that continued greenhouse gas emissions will accelerate the changes in Antarctica and the Southern Ocean that we're already seeing, and exacerbate the far-reaching negative impacts of sea-ice loss," Dr Hobbs said. Extreme sea ice loss in Antarctica over the past few years is leading to higher ocean temperatures, more icebergs and habitat dangers for penguins. The oceans surrounding the southern continent have already been trending warmer than average and researchers say the ongoing loss of sea ice is contributing as dark water absorbs more sunlight without a reflective frozen barrier. Species like the Crabeater seal and Adelie penguin rely on sea ice for habitat, with the latter reliant on large chunks during their "catastrophic moult" period when they need to stay dry for weeks at a time. Less sea ice will make it harder for the penguins to find a suitable spot to shed their feathers, leaving them more exposed to predators. Tougher conditions for ships supplying Antarctic missions are also a problem with low ice coverage, the international study led by Australian Antarctic Program Partnership researchers has found. Really low summer sea ice is also associated with more icebergs breaking away from the coastline. Years with the least summer sea ice have produced more than twice as many icebergs as the years with the most summer sea ice. Lead author of the study, the AAPP's Edward Doddridge, said up until about 2015, sea ice was around average or even a bit above. "But since 2016 it has been consistently low, and the last few years have been extraordinarily low," he said during a media briefing. The wide-ranging study into the consequences of sea ice loss lands as uncertainty clouds the future of global climate science under the Trump administration. Dr Doddridge said the US Department of Defense planned to stop sharing its global sea ice coverage satellite data with the international community. The uncertainty was "deeply concerning", the sea ice scientist said, but other country's satellites would continue to supply some information. Other Australian-based climate researchers have been alert to risks hanging over earth observation data and climate modelling, given the US has traditionally played a major role. Christian Jakob, director of the Australian Research Council Centre of Excellence for 21st Century Weather, was worried about the growing possibility of losing access to the satellite data that was key to global cloud coverage research. Cloud cover shrinkage is thought to be contributing to unexpectedly fast warming. "If those satellites were not renewed, if there were no successors to these satellite missions, then some of the information we have will disappear," Professor Jakob told AAP. Research into the impacts of sea ice loss highlights a number of knowledge gaps but report co-author Will Hobbs, also from the University of Tasmania's AAPP, said the findings supported a rapid transition to net zero. "Climate projections indicate that continued greenhouse gas emissions will accelerate the changes in Antarctica and the Southern Ocean that we're already seeing, and exacerbate the far-reaching negative impacts of sea-ice loss," Dr Hobbs said. Extreme sea ice loss in Antarctica over the past few years is leading to higher ocean temperatures, more icebergs and habitat dangers for penguins. The oceans surrounding the southern continent have already been trending warmer than average and researchers say the ongoing loss of sea ice is contributing as dark water absorbs more sunlight without a reflective frozen barrier. Species like the Crabeater seal and Adelie penguin rely on sea ice for habitat, with the latter reliant on large chunks during their "catastrophic moult" period when they need to stay dry for weeks at a time. Less sea ice will make it harder for the penguins to find a suitable spot to shed their feathers, leaving them more exposed to predators. Tougher conditions for ships supplying Antarctic missions are also a problem with low ice coverage, the international study led by Australian Antarctic Program Partnership researchers has found. Really low summer sea ice is also associated with more icebergs breaking away from the coastline. Years with the least summer sea ice have produced more than twice as many icebergs as the years with the most summer sea ice. Lead author of the study, the AAPP's Edward Doddridge, said up until about 2015, sea ice was around average or even a bit above. "But since 2016 it has been consistently low, and the last few years have been extraordinarily low," he said during a media briefing. The wide-ranging study into the consequences of sea ice loss lands as uncertainty clouds the future of global climate science under the Trump administration. Dr Doddridge said the US Department of Defense planned to stop sharing its global sea ice coverage satellite data with the international community. The uncertainty was "deeply concerning", the sea ice scientist said, but other country's satellites would continue to supply some information. Other Australian-based climate researchers have been alert to risks hanging over earth observation data and climate modelling, given the US has traditionally played a major role. Christian Jakob, director of the Australian Research Council Centre of Excellence for 21st Century Weather, was worried about the growing possibility of losing access to the satellite data that was key to global cloud coverage research. Cloud cover shrinkage is thought to be contributing to unexpectedly fast warming. "If those satellites were not renewed, if there were no successors to these satellite missions, then some of the information we have will disappear," Professor Jakob told AAP. Research into the impacts of sea ice loss highlights a number of knowledge gaps but report co-author Will Hobbs, also from the University of Tasmania's AAPP, said the findings supported a rapid transition to net zero. "Climate projections indicate that continued greenhouse gas emissions will accelerate the changes in Antarctica and the Southern Ocean that we're already seeing, and exacerbate the far-reaching negative impacts of sea-ice loss," Dr Hobbs said. Extreme sea ice loss in Antarctica over the past few years is leading to higher ocean temperatures, more icebergs and habitat dangers for penguins. The oceans surrounding the southern continent have already been trending warmer than average and researchers say the ongoing loss of sea ice is contributing as dark water absorbs more sunlight without a reflective frozen barrier. Species like the Crabeater seal and Adelie penguin rely on sea ice for habitat, with the latter reliant on large chunks during their "catastrophic moult" period when they need to stay dry for weeks at a time. Less sea ice will make it harder for the penguins to find a suitable spot to shed their feathers, leaving them more exposed to predators. Tougher conditions for ships supplying Antarctic missions are also a problem with low ice coverage, the international study led by Australian Antarctic Program Partnership researchers has found. Really low summer sea ice is also associated with more icebergs breaking away from the coastline. Years with the least summer sea ice have produced more than twice as many icebergs as the years with the most summer sea ice. Lead author of the study, the AAPP's Edward Doddridge, said up until about 2015, sea ice was around average or even a bit above. "But since 2016 it has been consistently low, and the last few years have been extraordinarily low," he said during a media briefing. The wide-ranging study into the consequences of sea ice loss lands as uncertainty clouds the future of global climate science under the Trump administration. Dr Doddridge said the US Department of Defense planned to stop sharing its global sea ice coverage satellite data with the international community. The uncertainty was "deeply concerning", the sea ice scientist said, but other country's satellites would continue to supply some information. Other Australian-based climate researchers have been alert to risks hanging over earth observation data and climate modelling, given the US has traditionally played a major role. Christian Jakob, director of the Australian Research Council Centre of Excellence for 21st Century Weather, was worried about the growing possibility of losing access to the satellite data that was key to global cloud coverage research. Cloud cover shrinkage is thought to be contributing to unexpectedly fast warming. "If those satellites were not renewed, if there were no successors to these satellite missions, then some of the information we have will disappear," Professor Jakob told AAP. Research into the impacts of sea ice loss highlights a number of knowledge gaps but report co-author Will Hobbs, also from the University of Tasmania's AAPP, said the findings supported a rapid transition to net zero. "Climate projections indicate that continued greenhouse gas emissions will accelerate the changes in Antarctica and the Southern Ocean that we're already seeing, and exacerbate the far-reaching negative impacts of sea-ice loss," Dr Hobbs said.
The Advertiser
a day ago
- The Advertiser
AI gives birth to fresh hope against male infertility
Artificial Intelligence is could make all the difference for would-be parents undergoing IVF who are struggling with the most severe forms of male infertility. The first Australian study of new technology has led to one live birth and five pregnancies in 12 months among 35 couples who would previously be considered infertile. "These are the most difficult cases that we see at an IVF clinic, so it's very motivating to be able to help people that in a normal world, naturally would never ever be able to have their own children," IVF Australia embryologist Dale Goss told AAP. "It's great to see translation from a science project essentially a few years ago and a proof of concept into something that's delivered in the clinic and actually see a healthy baby boy born." The NeoGenix Biosciences employee presented the findings from the first AI SpermSearch clinical study to the European Society of Human Reproduction and Embryology conference in Paris overnight. The system works by searching for the best sperm in semen samples taken from biopsies, offering embryologists another tool to select the most appropriate sperm to be used in IVF. Mr Gross said embryologists could often spend up to six hours looking for enough of the right tiny swimmers but the technology was shown to reduce search times by 75 per cent. "We found that our reducing the time to search, we were able to get through more samples, find more sperm and give these patients a better chance at having their own biological children," he said. The technology was given early access approval for research purposes at Sydney-based Virtus Health but Mr Goss hopes it could be approved for wider use across Australia by the end of the year. About 16 per cent of couples struggle with fertility, according to Family Planning NSW, while 1 in 18 babies in Australia are born through IVF each year. NSW couple Marcela and Rowan Moon experienced infertility until tests confirmed Mr Moon's semen had no sperm because of a genetic condition. "When they told us that Rowan was infertile I thought 'oh my God I can't have a child with Rowan being the father biologically' and then they said 'no, it's not like that, we can still do it'," Ms Moon said. Mr Moon had a biopsy as a day procedure and doctors took a sample, which was then used to create embryos. The first transfer was hailed a success and the couple later welcomed son Leo. "We were so lucky to get Leo first off the bat ... I don't think we really realised the rollercoaster that it was going to be," Mr Moon said. Artificial Intelligence is could make all the difference for would-be parents undergoing IVF who are struggling with the most severe forms of male infertility. The first Australian study of new technology has led to one live birth and five pregnancies in 12 months among 35 couples who would previously be considered infertile. "These are the most difficult cases that we see at an IVF clinic, so it's very motivating to be able to help people that in a normal world, naturally would never ever be able to have their own children," IVF Australia embryologist Dale Goss told AAP. "It's great to see translation from a science project essentially a few years ago and a proof of concept into something that's delivered in the clinic and actually see a healthy baby boy born." The NeoGenix Biosciences employee presented the findings from the first AI SpermSearch clinical study to the European Society of Human Reproduction and Embryology conference in Paris overnight. The system works by searching for the best sperm in semen samples taken from biopsies, offering embryologists another tool to select the most appropriate sperm to be used in IVF. Mr Gross said embryologists could often spend up to six hours looking for enough of the right tiny swimmers but the technology was shown to reduce search times by 75 per cent. "We found that our reducing the time to search, we were able to get through more samples, find more sperm and give these patients a better chance at having their own biological children," he said. The technology was given early access approval for research purposes at Sydney-based Virtus Health but Mr Goss hopes it could be approved for wider use across Australia by the end of the year. About 16 per cent of couples struggle with fertility, according to Family Planning NSW, while 1 in 18 babies in Australia are born through IVF each year. NSW couple Marcela and Rowan Moon experienced infertility until tests confirmed Mr Moon's semen had no sperm because of a genetic condition. "When they told us that Rowan was infertile I thought 'oh my God I can't have a child with Rowan being the father biologically' and then they said 'no, it's not like that, we can still do it'," Ms Moon said. Mr Moon had a biopsy as a day procedure and doctors took a sample, which was then used to create embryos. The first transfer was hailed a success and the couple later welcomed son Leo. "We were so lucky to get Leo first off the bat ... I don't think we really realised the rollercoaster that it was going to be," Mr Moon said. Artificial Intelligence is could make all the difference for would-be parents undergoing IVF who are struggling with the most severe forms of male infertility. The first Australian study of new technology has led to one live birth and five pregnancies in 12 months among 35 couples who would previously be considered infertile. "These are the most difficult cases that we see at an IVF clinic, so it's very motivating to be able to help people that in a normal world, naturally would never ever be able to have their own children," IVF Australia embryologist Dale Goss told AAP. "It's great to see translation from a science project essentially a few years ago and a proof of concept into something that's delivered in the clinic and actually see a healthy baby boy born." The NeoGenix Biosciences employee presented the findings from the first AI SpermSearch clinical study to the European Society of Human Reproduction and Embryology conference in Paris overnight. The system works by searching for the best sperm in semen samples taken from biopsies, offering embryologists another tool to select the most appropriate sperm to be used in IVF. Mr Gross said embryologists could often spend up to six hours looking for enough of the right tiny swimmers but the technology was shown to reduce search times by 75 per cent. "We found that our reducing the time to search, we were able to get through more samples, find more sperm and give these patients a better chance at having their own biological children," he said. The technology was given early access approval for research purposes at Sydney-based Virtus Health but Mr Goss hopes it could be approved for wider use across Australia by the end of the year. About 16 per cent of couples struggle with fertility, according to Family Planning NSW, while 1 in 18 babies in Australia are born through IVF each year. NSW couple Marcela and Rowan Moon experienced infertility until tests confirmed Mr Moon's semen had no sperm because of a genetic condition. "When they told us that Rowan was infertile I thought 'oh my God I can't have a child with Rowan being the father biologically' and then they said 'no, it's not like that, we can still do it'," Ms Moon said. Mr Moon had a biopsy as a day procedure and doctors took a sample, which was then used to create embryos. The first transfer was hailed a success and the couple later welcomed son Leo. "We were so lucky to get Leo first off the bat ... I don't think we really realised the rollercoaster that it was going to be," Mr Moon said. Artificial Intelligence is could make all the difference for would-be parents undergoing IVF who are struggling with the most severe forms of male infertility. The first Australian study of new technology has led to one live birth and five pregnancies in 12 months among 35 couples who would previously be considered infertile. "These are the most difficult cases that we see at an IVF clinic, so it's very motivating to be able to help people that in a normal world, naturally would never ever be able to have their own children," IVF Australia embryologist Dale Goss told AAP. "It's great to see translation from a science project essentially a few years ago and a proof of concept into something that's delivered in the clinic and actually see a healthy baby boy born." The NeoGenix Biosciences employee presented the findings from the first AI SpermSearch clinical study to the European Society of Human Reproduction and Embryology conference in Paris overnight. The system works by searching for the best sperm in semen samples taken from biopsies, offering embryologists another tool to select the most appropriate sperm to be used in IVF. Mr Gross said embryologists could often spend up to six hours looking for enough of the right tiny swimmers but the technology was shown to reduce search times by 75 per cent. "We found that our reducing the time to search, we were able to get through more samples, find more sperm and give these patients a better chance at having their own biological children," he said. The technology was given early access approval for research purposes at Sydney-based Virtus Health but Mr Goss hopes it could be approved for wider use across Australia by the end of the year. About 16 per cent of couples struggle with fertility, according to Family Planning NSW, while 1 in 18 babies in Australia are born through IVF each year. NSW couple Marcela and Rowan Moon experienced infertility until tests confirmed Mr Moon's semen had no sperm because of a genetic condition. "When they told us that Rowan was infertile I thought 'oh my God I can't have a child with Rowan being the father biologically' and then they said 'no, it's not like that, we can still do it'," Ms Moon said. Mr Moon had a biopsy as a day procedure and doctors took a sample, which was then used to create embryos. The first transfer was hailed a success and the couple later welcomed son Leo. "We were so lucky to get Leo first off the bat ... I don't think we really realised the rollercoaster that it was going to be," Mr Moon said.
