logo
New documentary shows how a trio of brothers were instrumental in shaping SoCal punk

New documentary shows how a trio of brothers were instrumental in shaping SoCal punk

The first time that guitarist Frank Agnew went to a punk show he was about 13, and even though he was underage he was able to get into the Whisky a Go Go to see the Bags, Black Randy and the Metrosquad, and the Weirdos. It was 1978 and he went with his older brother Rikk.
'When the Weirdos came on, holy s— that changed my life forever because it was so good,' Frank said. 'Ever since I saw the Weirdos at the Whisky, I'm sitting there thinking, 'I want to be that good, I want to be that tight,' and so that was my goal.'
Frank and his brothers Rikk and Alfonso 'Alfie' Agnew spent the next decade forming and playing for some of the most significant bands in the punk canon, including Adolescents, the Detours, Social Distortion, Christian Death, TSOL and D.I., among others — and now their journey as punk rock musicians is finally being told in the new documentary 'Agnew: The Story of a California Family,' which is screening for the first time on April 12 at the Fox Theatre in Fullerton. Recently, their life's work in music was put on display as part of the new exhibit 'Punk OC — From the Streets of Suburbia' at the Fullerton Museum Center that debuted last week. On a recent afternoon, the Agnew brothers gathered at the museum to pose for photos and relive the memories through artifacts of their punk rock youth.
'I constantly am asked questions about my family and about Rikk, D.I., Adolescents, all that stuff, it's amazing to me how many people not only know but care,' said Alfie, who is also a mathematical physicist teaching at Cal State Fullerton. 'This is just as much about the Orange County scene and the people that supported it, not only back in the late '70s and '80s, but also up to now, so I think this is kind of a celebration for all of us.'
The documentary by filmmaker Gabriel Zavala Jr. was filmed roughly between 2018 to 2024 and looks back at the brothers' early history and their storied musicianship while also capturing the brothers as they play various shows and navigate the circumstances of their personal lives. Zavala told The Times that he was inspired to create the documentary after watching the Agnews play an explosive show together at the Observatory in Santa Ana.
'It was such a rush because at that time people were once again re-invigorated by punk rock and Rikk and Frank's version of the Adolescents and it was such an electric night,' Zavala said. 'I just told them, 'What if we made a documentary about your family?''
Rikk, Frank and Alfie all agreed to make the documentary with Zavala, who promptly began filming and interviewing various musicians associated with the Agnews including Gvllow, Gitane Demone of Christian Death and Casey Royer of Adolescents and D.I.
Zavala, a feature filmmaker who directed and wrote the 2015 indie film 'Rude Boy: The Movie,' also interviewed the brothers' parents before they died while filming the documentary.
'I think they would be proud of it, they were always very proud and supportive of their kids, I think my parents were reasonably unique in supporting such an activity — being punk rock and being musicians instead of going for being doctors and lawyers, although eventually I became a professor,' Alfie said.
As children of Irish and Mexican parents with immigrant roots, the brothers say they grew up surrounded by an eclectic variety of music, listening to everything from Irish folk to mariachi, and while their parents weren't musicians themselves, the brothers agree they likely inherited their musical gene from their maternal grandfather, Alfonso Fernandez. According to the brothers, Fernandez was a professional drummer who emigrated from Guadalajara and played throughout Mexico and the U.S. Southwest in a Latin jazz band called the Latinaires.
'When I learned about my grandfather, which was particularly personal for me because I was named after him — in fact my first instrument was drums — I very much had that connection and was always very proud of that,' said Alfie, who also plays guitar.
Frank and Alfie didn't know their grandfather — Fernandez died in 1965 — but like Alfie, Frank also credits his grandfather's legacy as being influential in his own journey as a musician.
'My mom obviously would say, 'Your grandpa Alfonso was a drummer, and he was the best drummer,'' Frank said. 'And he had a reputation all through Mexico as being like one of the best drummers and so by her telling us that and showing pictures of him at his drum kit, it was really inspiring, it's like, 'Oh s—, grandpa was in a band, we can too.''
The brothers were at the height of playing shows while filming the documentary, but in 2020 several hardships took place that set the project back and also pushed the crew to finally finish it. First, the COVID-19 pandemic grounded all operations, especially when stay-at-home orders were implemented in 2020.
'COVID hit during the middle of this, God, so we were like in this limbo where we couldn't film for a month and then we had to proceed with the people that were willing to get together and work under the restrictions,' Zavala said.
This period is also when Rikk, Frank and Alfie's parents died from old age — first their father Richard Francis Agnew, and then just six months later, their mother Lia Paula Fernandez. Zavala's father, Gabriel B. Zavala, a renowned mariachi performer and teacher, died in early 2021 from COVID-19 complications.
'It was profound and it was sad, but I know that he would have wanted me to fight and to finish the documentary, so that's what we did,' Zavala said. 'We buckled down and, in a way, it was also a healing process to not have to really think about it and I just focused on the goal of finishing this regardless of what it was gonna take to finish it emotionally, financially and with a skeleton crew.'
Through the hardships, Zavala was able to successfully finish the documentary more than six years in the making, and the brothers say they are grateful and still humbly surprised that anyone thinks they are interesting enough to feature in a full-length film.
'I often hear from people how much the stuff we did influenced them and how it was like a positive thing in their life, and if that's the only takeaway, I think that's cool,' Frank said. 'Some things we did made people happy, made them move their feet, or influenced them in a way where it's like, 'Wow, I'm not the only one who feels that way,' and I just think that's fantastic and a good thing, and hopefully the documentary will display some of that.'
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Music Review: Cult hero Alex G's 'Headlights' is an introspective meditation on fame
Music Review: Cult hero Alex G's 'Headlights' is an introspective meditation on fame

Associated Press

time3 days ago

  • Associated Press

Music Review: Cult hero Alex G's 'Headlights' is an introspective meditation on fame

LOS ANGELES (AP) — Fame is a double-edge sword. Though it comes with obvious perks — money, opportunity, praise — it can also prompt a kind of existential reckoning. Now what? Is this all there is? Am I changed because of it and, if so, for better or for worse? This is the kind of wrestling Alex Giannascoli, better known as the influential indie rocker Alex G, performs on 'Headlights,' his 10th album and first on a major label. 'Has your wish come true?' he asks, perhaps of himself, on the aptly titled 'Is It Still You In There?' Although Giannascoli achieved quiet success early in his career — collaborating with Frank Ocean on his critically acclaimed 2016 album 'Blonde ' and joining the R&B superstar on tour — Giannascoli has, until recently, been more frequently labeled a cult indie figure than a household name. But the 32-year-old has risen to prominence in recent years, particularly after his 2022 album, 'God Save the Animals,' which marked a distinct shift from his austere, lo-fi sound to more robust production and instrumentation. He has since collaborated with the pop star Halsey on her latest record and scored filmmaker Jane Schoenbrun's A24 horror hit, 'I Saw the TV Glow.' That trajectory informs Giannascoli's contemplative poignancy on 'Headlights,' releasing Friday. 'Some things I do for love / Some things I do for money / It ain't like I don't want it / It ain't like I'm above it,' he admits on the 'Beam Me Up,' his whirring guitars strumming mesmerizingly against airy background vocals. Many of his lyrics here, like in the past, are poetically inscrutable. But there are also moments of explicit frankness about ambition, self-doubt, transition and success. 'Hoping I can make it through to April / On whatever's left of all this label cash / No I never thought I was the real thing,' he croons on 'Real Thing,' as a pan flute synthesizer whistles underneath him. With 'Headlights,' Giannascoli continues further down his 'God Save the Animals' sonic pivot to higher fidelity — perhaps to be expected on an album coming from a major label like RCA Records — recording in studios in lieu of his home for a more ornate sound. Think dreamy synths and reverb-soaked riffs. Subdued lyrics and a distorted guitar solo almost turn 'Louisiana' into a shoegaze track. 'Louisiana / Wild and Free / The only one who wanted me,' he repeats with distorted vocals. If there is a central message to 'Headlights,' it appears on the song 'Bounce Boy.' 'I'm up in the clouds and I pray,' he sings with pitched-up vocals, one of his signature effects. 'Say goodbye / To the life / That you knew for so long.' For better or for worse, there is no turning back.

Watch: Frank travels to New Foodland in 'Sausage Party: Foodtopia' S2
Watch: Frank travels to New Foodland in 'Sausage Party: Foodtopia' S2

UPI

time10-07-2025

  • UPI

Watch: Frank travels to New Foodland in 'Sausage Party: Foodtopia' S2

1 of 3 | Prime Video is teasing Season 2 of "Sausage Party: Foodtopia." Photo courtesy of Amazon MGM Studios July 10 (UPI) -- Prime Video is previewing Season 2 of Sausage Party: Foodtopia, which arrives on the streamer Aug. 13. The series is a sequel to the film Sausage Party, released in 2016. In Season 2, Frank (Seth Rogen), Barry (Michael Cera) and Sammy Bagel Jr. (Edward Norton) are exiled from Foodtopia. The trailer shows the trio stumbling upon New Foodland where, "every food finds fulfillment," humans are domesticated and everything is a "a little too perfect." "Beneath the city's glossy fridges and cheery smiles likes a dark secret that threatens the entirety of sentient food society," an official synopsis reads. Will Forte, Sam Richardson, Ruth Negga, Yassir Lester, David Krumholtz, Marion Cotillard, Jillian Bell, Martin Starr, Melissa Villa senor, Patti Harrison, Jay Pharoah, Miles Fisher, Haley Joel Osment and Andre Braugher also lend their voices to characters in the series. Seth Rogen, Kathryn Hahn attend 'The Studio' premiere Cast member Seth Rogen attends the premiere of Apple TV's dramatic comedy "The Studio" at the Academy Museum in Los Angeles on March 24, 2025. Rogen also co-created the series. Photo by Greg Grudt/UPI | License Photo

How Did the ‘Abbott Elementary' and ‘It's Always Sunny in Philadelphia' Crossover End?
How Did the ‘Abbott Elementary' and ‘It's Always Sunny in Philadelphia' Crossover End?

Cosmopolitan

time10-07-2025

  • Cosmopolitan

How Did the ‘Abbott Elementary' and ‘It's Always Sunny in Philadelphia' Crossover End?

When something is nice, why not do it twice? That's precisely what FXX delivered this week with the second (and final) installment of the Abbott Elementary and It's Always Sunny in Philadelphia crossover saga. During the Season 17 premiere of It's Always Sunny in Philadelphia, viewers were once again treated to the addition of ABC's beloved Abbott characters. So how did these two very different worlds end up colliding for a second time? The answer may surprise you. Here's everything you need to know about the Abbott Elementary and It's Always Sunny in Philadelphia crossover: Part 2. The Paddy's Pub gang found themselves on the Abbott teachers' terrain back in January during an episode of Abbott Elementary, but it turns out that there was a lot more going on behind the scenes than anyone—even the Abbott characters—realized. Instead of having these two groups reunite for a second time under different circumstances, the crossover essentially reintroduced the same episode fans saw on Abbott, but with never-before-seen extra footage of what Charlie, Dee, Frank, Dennis, and Mac got up to during their time in Abbott's hallowed halls. Throughout the episode, Ava guides viewers through various portions of what the camera crew were able to capture of their guests' deviant behavior. It wasn't that difficult given how often they all forgot they were being recorded and mic'ed. (Bless their stealthless hearts.) Some of their antics ranged from Dennis creating his own fully functional coffee shop made entirely out of the school's science equipment to Frank peeing in a kid's locker, and all of them cutting the kids in the lunch line. They also auditioned kids for a boy band and tried recruiting some of the taller students for a different school's basketball team. But don't worry, Charlie assured them that they weren't creating a controversial Blind Side/white savior situation since it's a predominantly white school they were helping. And with sound logic like that, how can you argue? Overall, most of the footage showcased pretty classic Always Sunny behavior, complete with an hours-long impassioned discussion about the importance of 9/11 and how kids today only think of it as a meme, which quickly spiraled into a whirlwind of conspiracy theories. (Did you know the government controls the weather?) They even recruited some Abbott teachers to perform an updated version of Billy Joel's 'We Didn't Start the Fire' as a way to educate the students about 9/11—that is, until they found out Fall Out Boy did basically the same thing already, only better. All in all, it's what we've come to love and expect from this band of miscreants. What wasn't expected—and what was undoubtedly the most shocking thing to come out of the episode—was seeing several Abbott characters do the unthinkable: use swear words. (Gasp!) F words, S words, even C words were thrown around by these usually very G-rated teachers. It was so strange and something I'm never going to be able to unhear. Methinks we aren't on broadcast television anymore, Toto. Welcome to the wonderful world of FXX, Abbott! In the end, the gang did actually invite the Abbott teachers to Paddy's Pub, which felt like a rite of passage at this point. They even presented their new teacher friends with a gift: a brand new espresso machine, given how appalling the coffee was in the teacher's lounge. However, their kind gesture did come with an ulterior motive. While they entertained the teachers at the pub, Frank was busy stealing 100 feet of copper piping over at the school—something he knew right away could be a gold mine for them. But Ava wasn't sweating it since the state was going to make them remove those pipes anyway, so Frank actually ended up saving them some money. I guess crime really does pay—and if that isn't a fitting life lesson to come out of this show, then what is?

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store